ANCIENT AND MODERN PRINTS
Friday 9 July 2021 at 14:00
3, rue Favart, 75002 Paris
330 lots
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151 - Alexandre Lunois (1863-1916 )Hindu Dances. Lithograph. 338 x 408. I.F.F. 134 (under the title " Fantaisie indoue "). Very nice proof on thin laid japan, numbered and signed in pencil. All margins untrimmed. Edition at 40 proofs.
Result €230Estimate €180 - €200 -
152 - Alexandre Lunois (1863-1916 )The dry dock at the Golden Horn (Constantinople). About 1912. Etching. 246 x 170. André p. 214; I.F.F. 166. Nice proof on vellum, signed and numbered in pencil. Margins. Edition of 35 proofs. Framed.
Estimate €180 - €200 -
153 - Jean Lurçat (1892-1966 )Harlequin diplomat. (Pl. for the album Toupies). 1925. Etching and stencil colours. 178 x 269. Very nice and fresh proof on vellum, titled and signed in pencil. Slight trace of oxidation along the lower edge of the sheet and on the verso. All margins.
Estimate €600 - €800 -
154 - Aristide Maillol (1861-1944 ) Woman in a cradle, right arm raised. 1925. Lithograph. 195 x 145. Guérin 267. Nice proof on Montval laid paper, signed with the monogram in pencil. Numerous light scattered foxing. All margins. Ex-coll. H. M. Petiet (Lugt 5031).
Result €192Estimate €150 - €180 -
155 - Aristide Maillol (1861-1944 )Two women in the grass. About 1928-1930. Lithograph. 250 x 190. Guérin 287. Very nice proof on grey Montval laid paper, numbered in pencil by the publisher and signed with the monogram in pencil. Fine red line at the head of the sheet. All margins. Edition of 125 proofs. Dry stamp: H. Petiet ed. (Lugt 2021a).
Result €320Estimate €180 - €200 -
156 - Maîtres de l'Affiche (Les )Complete set of the 1st year, 12 issues, Dec. 1895-Nov. 1896. Lithographs after posters by Bac, Beggarstaff brothers, Bonnard, Bouisset, Boutet de Monvel, Cazals, Chéret, Grasset, Ibels, Meunier, Mucha (Gismonda), Pal, Rassenfosse, Rhead, Steinlen, Toulouse-Lautrec (Japanese Divan), Willette, Woodbury, etc. [290 x 400]. Printed in colours. Very fine proofs on japon fort, bearing the dry stamp of the publication (Lugt 1777c), accompanied by the tables and text leaves,
Result €5,125Estimate €2,000 - €3,000 -
157 - Édouard Manet (1832-1883) (after ) Seated Faun. (Frontispiece for Mallarmé, L'Après-midi d'un faune, Paris, Derenne, 1876). Woodcut by an anonymous engraver. 125 x 70. Guérin 93; Bareau-Berès 90; Fisher 72. A very fine proof on thin laid japanese paper, printed with a light pink background, of the 1st edition (1876). Faint traces of folds at the edges of the folio. Small brownish ink stains above the subject. All margins. 175 proofs were printed on Hollande laid paper and 20 on japon. "For
Result €640Estimate €300 - €400 -
158 - Georges Manzana-Pissarro (1871-1961 )Two Doves. About 1920. Stencil in colors and ink gilt bronze and silver. 452 x 273. Very nice and fresh proof printed in full sheet on yellow "boucherie" paper, numbered and signed in ink. Edition at 100 proofs.
Result €2,304Estimate €600 - €800 -
159 - Albert Marquet (1875-1947 )Pl. for the album Les Bords de la Seine. Paris, Les Quatre Chemins ed. 1929. Drypoint. 335 x 260. Nice proof printed with ground tint on cream laid paper, annotated "épreuve d'artiste" and signed in pencil. Oxidation at the edges of the sheet. Small vertical band of epidermis in the left margin of the copper. All margins untrimmed.
Estimate €300 - €400 -
160 - Albert Marquet (1875-1947 )Machines on the Seine; Seine banks with factory. About 1929. Drypoint. 340 x 255. Beautiful proofs on laid paper, numbered in pencil and stamped (Lugt 1796g). All margins. Set of 2 p.
Result €512Estimate €300 - €400 -
161 - Albert Marquet (1875-1947 )Banks of the Seine. About 1929. Drypoint. 338 x 253. Very nice proof on vellum, numbered in pencil (out of 37 - probably by the artist's widow) and stamped (Lugt 1796g). Large margins. Framed. This is probably a subject initially considered (and finally rejected) for the 1929 album Les Bords de la Seine, comprising 6 drypoint subjects.
Estimate €300 - €400 -
162 - A.-P. Martial (Adolphe-Martial Potémont, dit) (1827-1883 )Exceptional set of three volumes on the Siege of Paris and the Commune (1870-1871) : Paris during the Siege. Notes and etchings by A.-P. Martial. 1871. One vol. in-fol. [330 x 460] containing 12 pl. (including a title) engraved in etching. Very fine proofs on strong white vellum, the title bearing in the subject at the top right in pencil the following annotation: "1er état", signed, repeated at the foot under the plate cut. Some rare s
Result €1,000Estimate €1,200 - €1,500 -
163 - Maxime Maufra (1861-1918 )The Saint-Goustan Bridge in Auray. 1916. Etching. 198 x 149. Morane 86. Very nice proof on thin laid japan, signed and dated in pencil. A small circular freckle in the subject. A few tiny freckles at the foot on the left. All margins. Very rare (Morane had not found a print of this plate of which he knew only 2 proofs of the 1st and 2nd states each).
Result €640Estimate €300 - €400 -
164 - Ludwig Meidner (German, 1884-1966 )Portrait of Tanja Meidner. 1922. Etching. 192 x 212. Very nice proof on cream vellum, signed in pencil. Framed.
Result €896Estimate €180 - €200 -
165 - Marc Mouclier (1866-1947 )Two women sewing under the lamp. About 1895. Lithograph. 160 x 132. Very nice proof on beige vellum, annotated in pen and ink "tirage à quinze / n° 9". Margins. Framed.
Result €768Estimate €300 - €400 -
166 - Alfredo Müller (1869-1939 )The Siesta. 1897-1898. Etching and aquatint. 572 x 437. Koehl E 32. Very nice and rare proof on ivory laid paper, signed in pencil. Broken folds and traces of oxidation along the edges of the sheet. Tear in the lower right corner. Oblique tear of 45 mm at the lower left edge. All margins. Arnould ed. Despite an announced print run of 40 proofs, this subject does not appear to have been circulated .
Result €2,048Estimate €800 - €1,000 -
167 - Francis Picabia (1879-1953 )André (Édouard). Picabia. Paris, Eugène Rey, 1908. A small vol. in-4 [210 x 255], paperback, one of 250 numbered copies, illustrated with 6 original off-text etchings. Proofs on laid paper. Marginal foxing and oxidation to some plates. The edition's filled printed cover is dusty.
Result €192Estimate €150 - €180 -
168 - Pablo Picasso (1881-1973 )At the Circus. (Pl. from the Saltimbanques suite). Winter 1905-1906. Drypoint. 138 x 218. Bloch 9; Baer 11. A fine proof on heavy ivory vellum, from an edition of 250 proofs made for Vollard in 1913. Fine band of oxidation at the edges of the sheet. All margins. Framed.
Result €3,328Estimate €800 - €1,000 -
169 - Pablo Picasso (1881-1973 )The Barbarian Dance. (Pl. from the Saltimbanques suite). Autumn-Winter 1905. Drypoint. 232 x 185. Bloch 15; Baer 18. A perfect proof on heavy ivory vellum, from an edition of 250 proofs made for Vollard in 1913. All margins.
Result €2,560Estimate €1,000 - €1,200 -
170 - Pablo Picasso (1881-1973 )Sculptor and standing model. (Suite Vollard, pl. 68). 1933. Etching. 295 x 368. Bloch 177; Baer 330. A very fine proof on ivory laid paper watermarked "Vollard", signed in pencil, one of 260 from the edition with small margins. A tiny epidermis in the sculptor's left knee. An ink point between his two feet. Small traces of glue and remnants of tabs at the edges of the verso sheet. All margins untrimmed [340 x 450].
Result €9,216Estimate €8,000 - €10,000 -
171 - Pablo Picasso (1881-1973 )The Monkey. 1936 (Pl. 12 for Picasso / Original etchings / for texts by / Buffon, Paris, Fabiani, 1942). Etching, aquatint and drypoint. 315 x 420. Bloch 339; Baer 586; Cramer 37. Proof on vellum (de Montval?) [330 x 440]. Total edition of 226 proofs. Framed.
Result €1,408Estimate €1,000 - €1,200 -
172 - Camille Pissarro (1830-1903 )Landscape in the moonlight. Monotyped soft varnish (on zinc?). 100 x 133. Delteil, Cailac not described. A very fine proof on thin vellum pasted on ivory vellum, stamped, bearing on the verso the mention "Ce vernis mou / est de mon Père Camille Pissarro", signed by Manzana-Pissarro. We cannot guarantee that the stamp of the initials visible in the lower left corner is the artist's (Lugt 613e) and not a variant (as reported by Lugt). Georges Henri Pissarro, known
Result €2,560Estimate €2,000 - €3,000 -
173 - Camille Pissarro (1830-1903 )Landscape under wood, at the Hermitage (Pontoise). 179. Etching and aquatint. 268 x 220. Delteil-Cailac 16. A very fine and fresh proof on thin laid japan, annotated in pencil "Paysage sous bois à l'Ermitage à Pontoise / sur japon, tirée à 50" then signed. All margins. "This plate, one of the most beautiful engraved by Camille Pissarro, was intended for an art publication: Le Jour et la Nuit, a publication in which Degas, Bracquemond, Mary Cassatt, J.-F. Raffaë
Result €15,360Estimate €4,000 - €5,000 -
174 - Camille Pissarro (1830-1903) Sente des Pouilleux (small pl.). 1882. Drypoint and aquatint. 120 x 158. Delteil-Cailac 33. A very fine and fresh proof on thin Holland laid paper, annotated in pen and sepia ink "Epreuve d'artiste" then signed, and annotated in pencil "N° 2 / Sente des Pouilleux / aquateinte [sic]". All margins untrimmed. Rare. Edition of 9 or 10 proofs during the artist's lifetime (before the posthumous edition of 24 proofs).
Result €2,944Estimate €1,500 - €1,800 -
175 - Camille Pissarro (1830-1903) Landscape with Shepherd and Sheep, Osny. 1883. Drypoint and aquatint. 140 x 100. Delteil-Cailac 40. A very fine proof on thin cream vellum with a "van gelder" watermark, from the final state, annotated in pen and sepia ink: "N° 1 - 6th state / Landscape with shepherds and sheep / in Osny (Pontoise)" and signed, then in pencil "Epreuve d'artiste", carefully washed, with a persistent clear trace of oxidation around the subject and at the head on the reverse. All marg
Result €3,584Estimate €1,800 - €2,000 -
176 - Camille Pissarro (1830-1903)Potato Harvest. 1886. Drypoint and aquatint. 219 x 277. Delteil-Cailac 63. Very nice and fresh proof on strong ivory laid paper, of the 3rd state (out of 7), before the new sizes, notably in the sky, annotated in pencil "N° 1 - 3rd state", signed then annotated "Potato harvest". Fine band of oxidation around the subject. General oxidation of the folio (with small white traces at the head on the back). All margins. Rare. Final state edition of a dozen proofs. Ex-coll.
Result €5,376Estimate €3,000 - €4,000 -
177 - Camille Pissarro (1830-1903 )The Weeder. About 1887-1888. Etching and drypoint. 110 x 160. Delteil-Cailac 72. A very fine and fresh proof printed in bistre black on strong ivory wove paper, signed in pencil and annotated "La Sarcleuse" and "N° 6 / printed by F. Jacques [sic for Jacque] / Artist's proof". In the lower right corner at the foot, the mention "printed at 12 copies". All margins. Rare. Edition of a dozen proofs during the artist's lifetime (before the posthumous edition of 13 proofs)
Result €2,304Estimate €1,500 - €1,800 -
178 - Camille Pissarro (1830-1903 )Cowgirl by the Water. 1890. Etching and drypoint. 132 x 198. Delteil-Cailac 93. A very fine proof on thin cream vellum watermarked "van gelder", annotated "4th state n° 1" then titled in pencil by the artist, before further trimming notably between the back of the peasant woman and the fence. Minor normal soiling to the edges of the folio. All margins untrimmed. "(In addition to 9 or 10 trial proofs of the final state, this plate was later printed for the Gazette de
Result €1,792Estimate €1,500 - €1,800 -
179 - Camille Pissarro (1830-1903 )Church and Farm in Éragny. 1895. Etching and drypoint. 245 x 155. Delteil-Cailac 96. A very fine proof on thin cream vellum watermarked "van gelder", annotated "3rd state n° 1" and titled in pencil, then signed and annotated "imp par C. P.", before further trimming notably in the sky and in the background (this proof reproduced by Cailac in his revised edition of Delteil, Alan Wofsy Fine Arts, 1999, p. 212). The edges of the copper heavily inked. Small traces of ox
Result €3,840Estimate €2,000 - €3,000 -
180 - Camille Pissarro (1830-1903 )Peasant woman at the well. 1891. Etching. 192 x 231. Delteil-Cailac 101. Very fine and unique proof on thin vellum of the 1st state (of 3), before further work in the robe and with the four acid runs in the lower left, annotated in pencil "1er Etat n° 1 / paysanne au puit [sic]". Minor soiling (fingerprints) and short ripples to the edges of the folio. Remains of mounting tabs at the side edges of the folio on the verso. All margins [210 x 267]. Total edition of 9 p
Result €3,584Estimate €3,000 - €4,000 -
181 - Camille Pissarro (1830-1903 )Quai des Ménétriers in Bruges. 1894. Drypoint and aquatint. 156 x 116. Delteil-Cailac 108. A very fine proof on thin laid paper from an old register (with a short text in Hebrew in pen at the head on the reverse - translation: "Blessing of the Head of State"), of the 2nd state (of 10), before the new sizes, notably in the gable of the house at the bottom left and in the sky, annotated in pencil "2nd state n° 1 Quai des Ménétriers à Bruges" then signed and annot
Result €2,816Estimate €1,800 - €2,000 -
182 - Camille Pissarro (1830-1903 )Beggars. About 1894. Etching and drypoint. 152 x 198. Delteil-Cailac 110, printed in colours on the spot. Very nice and fresh proof on laid paper from an old register, stamped (Lugt 613f), unnumbered, annotated "Ep. d'essai" at the foot, in addition to the 11 proofs of the posthumous print made by Porcabeuf in 1930. All margins. Total edition of about 18 proofs.
Estimate €800 - €1,000 -
183 - Camille Pissarro (1830-1903 )Peasant women at grass. About 1894. Etching. 160 x 120. Delteil-Cailac 111, printed in colours. Very nice and fresh proof on thin laid paper from an old register (with lines of Latin and Greek text in sepia ink on the reverse), without the small tree at the bottom left, annotated "N° 7 ép. d'art-" then titled and signed in pencil. Fine friselis on the print. All margins. Rare. Edition of about 13 proofs. Cailac did not manage to identify the successive states of
Result €4,864Estimate €2,000 - €3,000 -
184 - Camille Pissarro (1830-1903 ) Market in Gisors (Cappeville Street). About 1894. Etching. 140 x 197. Delteil-Cailac 112. Very fine and fresh proof on thin old laid paper, of the 3rd state (of 7), before reduction of the copper (Delteil giving as dimensions : 110 x 170 mm), annotated "n° 5" followed by the mention "ep. d'état" crossed out, largely enhanced with watercolour. Fine curling on the printing. Slight foxing in the upper left corner. All margins. Rare. Final edition of 9 color proofs (t
Result €19,200Estimate €5,000 - €6,000 -
185 - Camille Pissarro (1830-1903 )Bathers with geese. About 1895. Etching. 175 x 119. Delteil-Cailac 119. Printed in colours. A very nice and fresh proof printed on thin laid paper, annotated "Ep. d'art. n° 3" then titled and signed in pencil (these annotations are typical of the final state proofs). Fine curling that occurred during the printing. All margins. Rare. Edition of about ten proofs, in addition to the trial and state proofs.
Result €7,680Estimate €2,000 - €3,000 -
186 - Camille Pissarro (1830-1903 )Bathers (daytime). About 1895. Zinc print. 202 x 130. Delteil-Cailac 151. Very nice and fresh proof on chine appliqué, annotated in pencil "n° 3", signed, then titled at the foot. Light scattered foxing. All margins. Very rare. Edition of 20 proofs.
Result €3,840Estimate €3,000 - €4,000 -
187 - Camille Pissarro (1830-1903 ) Peasant women carrying bundles of wood. About 1896. Lithograph. 284 x 210. Delteil-Cailac 152. Very nice and fresh proof on strong ivory vellum, annotated in pencil "Ep. d'état n° 1 au Trait" then titled at the foot. All margins. Very rare. Edition of 5 or 6 proofs during the artist's lifetime (before the posthumous edition of 18 proofs).
Estimate €3,000 - €4,000 -
188 - Camille Pissarro (1830-1903 )The Trimardeurs. 1896. Lithograph. 298 x 245. Delteil-Cailac 154. Very nice and fresh proof on blue-grey ingres applied on vellum, one of the 13 offprints, before the edition of 300 made for the magazine Les Temps Nouveaux, annotated in pencil "Ep défini n° 5 tirée à part", signed, then titled at the foot in the center. Slight undulations caused by the pressure of the stone during the printing. A tiny dot of ink under the signature. All margins.
Result €3,072Estimate €1,800 - €2,000 -
189 - Camille Pissarro (1830-1903 )Fruit Market. About 1896. Lithograph. 145 x 170. Delteil-Cailac 156. Very nice and fresh proof on strong ivory vellum, annotated in pencil "Ep. def n° 4", signed, then titled at the foot. A tiny black dot (ink) in the left margin. Small remnants of mounting tabs (gummed kraft) at the head on the reverse. All margins. Very rare. Edition of 8 proofs during the artist's lifetime (of which only 3 were signed - before the posthumous edition of 6 proofs).
Result €3,840Estimate €3,000 - €4,000 -
190 - Camille Pissarro (1830-1903 )Peasant woman carrying a basket. About 1900. Letterpress etching on zinc. 125 x 115 [222 x 287]. Delteil not described; Cailac (revised edition of Delteil, Alan Wofsy Fine Arts, 1999) 196. Interesting and extremely rare trial print from the verso of a page of Punch dated September 1885, bearing a printed cartoon. Monogrammed "C. P." in pencil in the subject at the bottom left. Light foxing and traces of folding. Traces of old adhesive pieces oxidized in the corners a
Result €1,792Estimate €1,500 - €1,800 -
191 - Armand Rassenfosse (1862-1934 )Draped figure. About 1920. Lithograph. 133 x 160. Very nice proof on chine volant, signed in pencil and titled in the lower right corner of the sheet. All margins.
Result €320Estimate €100 - €120 -
192 - Odilon Redon (1840-1916 )Christ. 1887. Lithograph. 270 x 330. Mellerio 71. Very nice proof on chine volant, from a later print made by Clot around 1900 (in addition to the rare print of 25 proofs made by Lemercier). Small white spot (inking defect or tear in the stone) in the black on the right of the figure. All margins.
Result €1,152Estimate €600 - €800 -
193 - Odilon Redon (1840-1916 )Captive Pegasus. 1889. Lithograph. 295 x 338. Mellerio 102. A fine proof on chine appliqué, of the 1st state (of 2), before the new work in the wing, with the lithographed mention above the subject on the right "Captive Pegasus 100 exemp. ", signed in pencil below the subject at lower right, washed (a little gray, the chine pulled up). Old traces of creases perceptible at the edges of the sheet and light persistent foxing. Thread-like traces of surface rubbing in the bl
Result €17,280Estimate €10,000 - €12,000 -
194 - Odilon Redon (1840-1916 )Old knight. 1896. Lithograph. 235 x 298. Mellerio 158; Johnson 101. Very fine and fresh proof on chine appliqué, before the letter, signed with the initials in pencil. Minimal indentations to the lower left edge of the leaf. Full margins. Final edition with the letter: 100 proofs for the Album des peintres-graveurs, published by A. Vollard in 1896.
Result €3,072Estimate €2,500 - €2,800 -
195 - Odilon Redon (1840-1916 )Haunting. 1894. Lithograph. 237 x 361. Mellerio 128. Very nice proof on chine appliqué. A small vermicular foreign body (inherent to the paper) sticking out in white to the right of the larva on the right. A few tiny white dots in the black background. Small scattered light freckles, mostly visible on the verso. Two remnants of mounting tabs at the left edge on verso. All margins [398 x 580]. Very rare. Edition of 25 proofs according to Mellerio (but the lithographed in
Result €16,640Estimate €3,000 - €4,000 -
196 - Odilon Redon (1840-1916 )Apocalypse of Saint John. 1899. Lithograph. Album size: 440 x 630. Mellerio 173 to 185 ; Johnson 104. Complete set of 12 plates. Very nice and fresh proofs on chine applied on strong white vellum. All margins. Lithographed cover on strong beige japanese paper of the edition, signed with the initials in blue pencil on the 2nd plate at the foot, slightly faded (some broken folds, light soiling and foxing, heavy dusting at the edges of the 3rd plate). Edition of 100 proofs.
Estimate €7,000 - €8,000 -
197 - Pierre-Auguste Renoir (1841-1919 )The Dance in the Country (2nd pl.). About 1890. Soft varnish. 135 x 220. Delteil, Stella 2. Perfect proof on vellum, stamped (Lugt 2137a). A tiny black dot in the upper left margin. All margins.
Result €4,352Estimate €3,000 - €4,000 -
198 - Pierre-Auguste Renoir (1841-1919 )On the Beach at Berneval. About 1892. Drypoint. 93 x 137. Delteil, Stella 5. Very nice proof on laid paper, the drypoint barbs still visible. Light trace of oxidation at the opening of an old mat. Traces of glue and small epidermis at the head of the verso. All margins.
Estimate €300 - €400 -
199 - Pierre-Auguste Renoir (1841-1919 )Nude Woman Reclining Right (1st pl.). About 1906. Drypoint. 198 x 128. Delteil, Stella 13. Very nice proof on vellum, stamped (Lugt 2137b). Two tiny spots of rust in the right margin. All margins.
Result €384Estimate €200 - €300 -
200 - Pierre-Auguste Renoir (1841-1919 )The Pinned Hat (2nd pl.). 1898. Lithograph. 490 x 600. Delteil, Stella 30; Johnson 108. A very fine proof printed in black on "mbm" watermarked laid paper. Rippling of the sheet (the print having been rolled). A very light rust spot above the subject in the upper margin. Minimal russet spotting in the upper right margin. Tiny and rare snags at the edges of the folio. All margins untrimmed. Edition of 100 proofs in this colour.
Result €3,328Estimate €3,000 - €4,000
About the sale
ANCIENT AND MODERN PRINTS
Public auction
Salle des ventes Favart
3, rue Favart 75002 Paris
Friday 9 July 2021 at 2 pm
Regulated public exhibition
Salle des ventes Favart
3, rue Favart 75002 Paris
Wednesday 7 July from 10 am to 6 pm
Thursday 8 July from 10 am to 6 pm
EXPERT :
Hélène BONAFOUS-MURAT
hbmurat@orange.fr
Tel: 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
N. B. Unless otherwise indicated, the framed works have not been examined outside the frames.
Dimensions are given in millimetres, width before height.
Unless otherwise stated, framed prints have not been examined out of the frame.
Measurements are quoted in millimetres, width before height.
Terms of sale
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La date indiquée entre crochets […] correspond à la création du modèle. La pièce présentée ayant été réalisée postérieurement.
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Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les acheteurs, souhaitant exporter leurs achats, devront le faire savoir au plus tard le jour de la vente. Ils pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due forme soit remis à ADER et que le nom de la Maison de Vente y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
C’est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne sont pas garantis et sont tributaires de l’activité de la Maison de Vente.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera inscrit au fichier centralisé d’incidents de paiement du SYMEV
(www.symev.org) et l’ensemble des dépends restera à sa charge. à compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021