PRIVATE COLLECTION OF OLD AND MODERN MASTER PRINTS
Thursday 12 May 2022 at 14:00
3, rue Favart, 75002 Paris
264 lots
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101 - Pierre Bonnard (1867-1947 )Woman sitting in her bathtub. Illustration for the program booklet of the "Grande Soirée Maurice Chevalier" of Friday August 14, 1942 at the Ambassadeurs in Cannes. 1942. Lithograph. [325 x 250]. Bouvet 115. Printed in colors. Very nice proof on strong cream vellum, of the cover only (without the fascicle). The left edge of the leaf slightly torn (following the tearing of the fascicle).
Result €2,048Estimate €600 - €800 -
102 - Pierre Bonnard (1867-1947 )Woman sitting in her bathtub. Illustration for the program booklet of the "Grande Soirée Maurice Chevalier" of Friday August 14, 1942 at the Ambassadeurs in Cannes. 1942. Lithograph. [325 x 250]. Bouvet 115. Printed in colors. Very nice proof on strong cream vellum, of the cover only (without the fascicle). The left edge of the leaf slightly torn (following the tearing of the fascicle). Small accidents in the upper corners.
Result €1,152Estimate €600 - €800 -
103 - Rodolphe Bresdin (1822-1885 )The Good Samaritan. 1861. Pen-and-ink lithograph. 440 x 560 [483 x 645]. Van Gelder 100 (this proof cited); Becker 2nd state (of 2); Préaud 29, 1st state A. Fine proof on chine appliqué, from the 1st printing (1861), the printer's name Lemercier scratched out to make room for an important dedication in pen and sepia ink: "testimony of good remembrance / for your good hospitality / Biarritz October 5, 1866 / Rodolphe Bresdin," before the white stain at the bottom in
Result €33,280Estimate €25,000 - €30,000 -
104 - Rodolphe Bresdin (1822-1885 )Woman in fantastic medieval costume. About 1861. Etching. 66 x 101. Van Gelder 106. Very nice proof on short chine applied. Very slight oxidation of the folio. Some light scattered foxing. Nice margins [203 x 280]. Plate published in the Revue fantaisiste, vol. III, 13th issue, August 15, 1861.
Result €896Estimate €400 - €500 -
105 - Mary Cassatt (1844-1926 )The Barefooted Child. About 1898. Aquatint and drypoint. 320 x 240. Breeskin 160. A very nice proof on watermarked "Van Gelder" vellum, from a trial print in black. Two vertical soft creases mostly noticeable on the reverse. Thin bands of oxidation at the edges of the sheet. Slight foxing in the upper margin. All margins [505 x 322].
Result €3,840Estimate €3,000 - €4,000 -
106 - Paul Cézanne (1839-1906 )The Little Bathers, or The Bath. 1896-1897. Lithograph. 262 x 217. Venturi 1156; Johnson 22. color print. Very nice and fresh proof on chine volant. Minimal foxing. All margins [357 x 285]. Edition at 100 proofs for the Album d'Estampes Originales de la Galerie Vollard, 2nd year, 1897.
Result €7,808Estimate €3,000 - €4,000 -
107 - Paul Cézanne (1839-1906 )The Bathers (large pl.). 1896-1897. Lithograph. 515 x 415. Venturi 1157; Johnson 23 (ii/ii). Color impression (well completed with the lavender blue stone). Very fine proof on thin cream laid paper watermarked "mbm", numbered in pencil. Variant with a black square effect in the rock at the bottom right. Slight curling on the surface. All margins [624 x 480]. Edition of 100 proofs. (Pl. intended for an album of prints envisaged by Vollard, which remained unpublished). An
Estimate €8,000 - €10,000 -
108 - Paul Cézanne (1839-1906 )The Bathers (large pl.). 1896-1897. Lithograph. 515 x 415. Venturi 1157; Johnson 23 (i/ii). Printed in color (with slight variations in tints and without the black square at lower right). Beautiful proof on thin cream laid paper watermarked "mbm", justified "H.C." in pencil. Oxidation of the sheet. Small thinning, remains of glue and tiny tears on the edge. A very short tear at the head. Slanting fold in the upper left corner of the folio. All margins [620 x 480]. Editi
Result €9,984Estimate €6,000 - €8,000 -
109 - Marc Chagall (1887-1985 )The Acrobat with a Violin. 1924. Etching. 315 x 419. Kornfeld 40; Johnson 25. A very fine proof on strong white vellum, unsigned as usual. Small annotations in pencil in the upper left corner of the sheet. All margins. Edition of 150 proofs. A. Vollard ed.
Result €2,048Estimate €1,200 - €1,500 -
110 - Giorgio de Chirico (1888-1978 )The Return of the Prodigal Son I. (Pl. of the suite Metamorphoses). 1929. Lithograph. 310 x 415. Ciranna 11. color print. Good proof on vellum, numbered and signed in pencil. Marginal soiling and folds. Several short tears at the edges of the sheet. All margins untrimmed. Edition of 100 proofs. Four Ways Edition.
Result €2,560Estimate €600 - €800 -
111 - Giorgio de Chirico (1888-1978 )House by the Sea. (Pl. of the suite Metamorphoses). 1929. Lithograph. 417 x 315. Ciranna 14. Printed in colors. Good proof on ivory vellum, annotated "HC IV" and signed in pencil. Several light oily stains mostly marginal, one in the wave roll at lower right. Two tears and one missing at the edges of the folio. Slight traces of folds. Customs stamp in upper right corner on verso, showing through slightly on recto. Nice margins [565 x 405]. Final edition of 100 proo
Result €1,408Estimate €600 - €800 -
112 - Giorgio de Chirico (1888-1978 )School of Gladiators II. (Pl. of the suite Metamorphoses). 1929. Lithograph. 410 x 305. Ciranna 15. color print. Good proof on ivory vellum, annotated "HC IV" and signed in pencil. Several small oily light spots in the right margin. Minor soiling. Pinholes in the corners. Slight traces of folds. Customs stamp in the upper right corner on verso, slightly visible on recto. Nice margins [565 x 405]. Final edition of 100 proofs. Éd. des Quatre Chemins.
Result €2,560Estimate €300 - €400 -
113 - Honoré Daumier (1808-1879 )Don Quixote and Sancho Panza. About 1860. Lithograph. 159 x 135. Delteil not described; Daumier Register 3986. A very fine proof printed with beige toning stone on thin white vellum, from the print made on acid burned stone (lower right of the subject) by Mourlot in 1953. Light scattered foxing. All margins. Very rare.
Result €1,024Estimate €200 - €300 -
114 - Honoré Daumier (1808-1879) - Henri Harpignies (1819-1916 )Félicien Rops (1833-1898) - Alfred Taïée (1820-1880) Essai d'eau-forte, ou Planche des quatre peintres, ou Chez Bériot. May 29, 1872. Etching (1 subject by Daumier, 1 by Harpignies, 1 by Taïée, 2 by Rops). 225 x 100. Delteil (Daumier) 3955; Exsteens (Rops) 671. Rare trial proof on chine volant, prior to the printing for Champfleury's Catalogue de l'œuvre lithographié et gravé de H. Daumier, 1878. Numerous light freckles. Small t
Result €1,280Estimate €400 - €500 -
115 - Edgar Degas (1834-1917 )Young girl under the lamp. About 1878-1880. Monotype. 199 x 137 [295 x 245]. Adhémar et Cachin 120; Janis (checklist) 112. A very fine proof on ivory laid paper, mounted by the upper corners on strong white vellum. Small clear trace of oxidation around the subject. Red stamp of the studio in the lower right corner on the reverse side of the mount (Lugt 657). Provenance: Degas sale, 1918, probably no. 262, under the title Devant la lampe; acquired by Ambroise Vollard; t
Result €39,680Estimate €10,000 - €12,000 -
116 - Edgar Degas (1834-1917 )At the Louvre, Museum of Antiquities: the Etruscan Gallery (Mary Cassatt at the Louvre). About 1879-1880 (according to Reed and Shapiro; 1876 according to Delteil). Etching, drypoint and aquatint. 230 x 265. Delteil 30 (iv/vi); Reed-Shapiro 51 (v/ix). A very fine proof on cream watermarked "arches" laid paper, of the 5th state (of 9) according to Reed and Shapiro, before the traces of burnishing on the back of the standing woman's jacket, before the vertical lines in the
Result €153,600Estimate €20,000 - €30,000 -
117 - Edgar Degas (1834-1917 )Nude woman standing at her toilet. 1891-1892. Lithograph (transfer from a monotype, lithographic pencil and scraper). 235 x 328 [262 x 375]. Delteil 65; Reed-Shapiro 61 (vi/vi). A very fine and fresh proof on ivory vellum, signed in pencil. "The bather lithographs were Degas's last effort in printmaking. [...] In the 1950s, E. Kornfeld found a relatively large number of impressions of some of the bather lithographs in the hands of Maurice Exsteens, who had acquired them
Result €24,320Estimate €18,000 - €20,000 -
118 - Edgar Degas (1834-1917 )Dancer putting on her slipper. About 1880. Etching. 115 x 177. Delteil 36; Reed-Shapiro 55. A very fine proof on ivory vellum of the copperplate print made for Vollard in 1918, intended for a book on Degas that was not produced.
Result €1,216Estimate €180 - €200 -
119 - James Ensor (1860-1949 )The Orchard. 1886. Etching. 237 x 160. Taevernier 2. A very fine proof on strong imitation japan, before the bevels, signed and dated "1886" in pencil (without the large pencil initials on the verso), prior to the edition for the album of the Royal Society of Belgian Aquafortists (1901). Title in pencil in the center of the lower margin. Small traces of oxidation in the upper corners (related to remnants of old mounting on verso) and a light band along the right edge. All
Result €960Estimate €600 - €800 -
120 - James Ensor (1860-1949 )The Orchard. 1886. Etching. 237 x 160. Taevernier 2. Printed in bistre brown. Very nice proof on ivory laid paper watermarked "Van Gelder Zonen", from the edition for Inselverlag (with its stamp in the center on the reverse, Lugt 2861a).
Result €576Estimate €200 - €300 -
121 - James Ensor (1860-1949 )Estacade (Ostend). 1887. Drypoint on zinc. 128 x 188. Taevernier 14. Very nice japanese proof, of the 2nd state (of 3), before the 3rd figure on the boom, with the small signature engraved in the lower right corner, signed and dated in pencil. Large pencil initials on verso and annotation "estacade etching drypoint 2". A little foxing at the top edge of the leaf in the center. A few tiny spots of rust. Short broken fold in the lower left corner. Remains of glue in the upp
Result €1,216Estimate €800 - €1,000 -
122 - James Ensor (1860-1949 )Acacia. 1888. Drypoint. 90 x 135. Taevernier 24. Very nice proof on japan, signed and dated in pencil. Large initial in pencil on the reverse, title and annotation "pointe sèche" in the artist's hand on the lower left. Slight rippling and rubbing around the subject, due to the pressure of the print. All margins [158 x 248].
Result €1,536Estimate €600 - €800 -
123 - James Ensor (1860-1949 )The Murder. 1888. Etching on zinc. 236 x 175. Taevernier 38. Very nice proof on japan, signed and dated in pencil (without the large pencil initials on the reverse). Traces of glue and remnants of mounting tabs along top edge on verso, with corresponding small vertical crease marks on recto. Slight rippling at the edges of the folio. All margins [318 x 224].
Result €4,096Estimate €1,500 - €1,800 -
124 - James Ensor (1860-1949 )Singular Insects. 1888. Drypoint. 158 x 118. Taevernier 46. Superb proof on japan, titled in blue pencil between the subject and the plate cut, then signed and dated in pencil. Large pencil initials on verso and title in the artist's hand at lower left. Heavy, wide band of epidermis along the lower edge on the recto, with a small 4 cm horizontal fracture. Traces of glue at the edges of the folio on the reverse. All margins [257 x 186].
Result €7,680Estimate €4,000 - €5,000 -
125 - James Ensor (1860-1949 )The Skinning. 1888. Etching. 97 x 136. Taevernier 57. Very nice proof on japan, titled, signed and dated in pencil (very faintly) between the subject and the plate cut. Large initial in pencil on verso and title in the artist's hand ("Les écorcheurs") on the lower left. Minor soiling, remnants of mounting tabs and traces of glue to the edges of the folio on the reverse. All margins [157 x 246].
Result €1,280Estimate €800 - €1,000 -
126 - James Ensor (1860-1949 )The Garden of Love. 1888. Etching. 80 x 115. Taevernier 61. Very nice proof on japan, titled in blue pencil between the subject and the plate, then signed and dated in pencil. Large initial in pencil on the reverse. Minor soiling and remnants of mounting tabs at the head on the reverse. All margins [160 x 227].
Result €1,792Estimate €800 - €1,000 -
127 - James Ensor (1860-1949 )The Pence of Caesar. 1888. Etching. 178 x 140. Taevernier 62. Very nice proof on japan, titled, signed and dated in pencil. Large initials in pencil on the reverse. Minor soiling and remnants of mounting tabs at the head on verso. Tiny russet stains in the upper right corner on the recto. All margins [298 x 238]. Ex-coll. V. Conard (Lugt 5549).
Result €2,432Estimate €1,500 - €1,800 -
128 - James Ensor (1860-1949 )Underwood at Groenendael. 1888. Drypoint. 80 x 115. Taevernier 63. Very nice proof on japan, signed and dated in pencil. Large initial in pencil on the reverse and title in the artist's hand on the lower left. Small soiling and remnants of mounting tabs at the edges of the folio on the reverse. Minimal soiling on the front. All margins [156 x 248].
Result €1,664Estimate €600 - €800 -
129 - James Ensor (1860-1949 )Autodafé. 1893. Etching. 113 x 80. Taevernier 87. Very nice proof on japon, signed and dated in pencil. Large initial in pencil on the reverse and title in the artist's hand on the lower left. Minor soiling, traces of glue and remnants of mounting tabs at the edges of the folio on the reverse. Tiny marginal stains (dots) on the front. Good margins [247 x 160].
Result €2,560Estimate €800 - €1,000 -
130 - James Ensor (1860-1949 )The Devils Dzitts and Hihanox Leading Christ to Hell. 1895. Etching. 178 x 140. Taevernier 90. Nice proof on old laid paper from an old register, formerly washed. Large pencil initials on the verso and title in the artist's hand at the foot. Minor soiling and traces of glue slightly persistent on both sides. A small hole (pinhole?) in the center under the lower board. Nice margins [266 x 211].
Result €2,816Estimate €600 - €800 -
131 - James Ensor (1860-1949 )Battle of the Golden Spurs. 1895. Etching. 238 x 180. Taevernier 96. Superb proof on japan, titled, signed and dated in pencil between the subject and the plate cut. Large initial in pencil on the reverse and title in the artist's hand at the lower left. Small remnants of glue in the upper corners on the verso and small epidermis on the right edge of the sheet. All margins [318 x 247]. Ex-coll. V. Conard (Lugt 5549).
Result €5,888Estimate €4,000 - €5,000 -
132 - James Ensor (1860-1949 )Skeletons wanting to warm up. 1895. Etching. 100 x 136. Taevernier 98. Superb proof on japan, titled, signed and dated in pencil. Large initials in pencil on the reverse and title in the artist's hand on the lower left. Very slight foxing, including a circular one in the upper margin (hardly noticeable). All margins [157 x 245].
Result €7,680Estimate €3,000 - €4,000 -
133 - James Ensor (1860-1949 )The Old... Poisons. 1895. Etching. 135 x 95. Taevernier 101. Very nice proof on japan. Large initial in pencil on the reverse. Small epidermis in the lower right corner of the copper, slightly affecting the engraved signature. All margins [249 x 160].
Result €2,304Estimate €600 - €800 -
134 - James Ensor (1860-1949 )Christ with Beggars. 1895. Etching. 140 x 92. Taevernier 102. Superb proof on japan, titled in pen and sepia ink between the subject and the plate stroke then signed and dated in pencil. Large initial in pencil on the reverse and title in the artist's hand at the bottom left. Slight remnants of glue at the edges of the sheet. All margins [245 x 158].
Result €2,176Estimate €1,000 - €1,200 -
135 - James Ensor (1860-1949 )The Deadly Sins. 1888-1904. Etching. Complete suite of 8 pl. (7 pl. and a frontispiece). Very nice proofs on japon fort (without the Hollande mount), all signed and annotated in pencil. Small traces of glue in the corners on the reverse. Remains of mounting tabs (white gummed paper) at the head on the reverse. All margins [250 x 161]. Very rare complete. Description of the plates : - La Luxure. 138 x 99 . Taevernier 59. Titled on the left between the subject and the plat
Result €29,440Estimate €15,000 - €20,000 -
136 - Paul Gauguin (1848-1903 )Manao Tupapau (The Spirit of the Dead Watches). 1893-1894. Woodcut. 354 x 203 [399 x 250]. Mongan, Kornfeld, Joachim 20. A very nice and fresh proof printed in colors (yellow, brick and black) at 25 or 30 proofs by Louis Roy in 1894. Discharge of another proof in black and brick on verso. Short broken fold in the lower right corner. Small black stain in upper margin. Remnants of mounting tabs at the head on the verso. Nice margins.
Result €34,560Estimate €18,000 - €20,000 -
137 - Paul Gauguin (1848-1903 )Woman picking fruits and Oviri. 1896-1897. Woodcut. 88 x 104 [115 x 155]. Mongan, Kornfeld, Joachim 36. A very fine proof on japanese paper, glued by the top edge on a fragment of vellum from a publication and bearing on the reverse an advertisement for lamps (1900s). Fine oblique fold in the lower right corner. Estimated edition of 25 or 30 prints.
Estimate €6,000 - €8,000 -
138 - Paul Gauguin (1848-1903 )Plate with the Horned Devil. 1898-1899. Engraved wood. 300 x 165 [300 x 220]. Mongan, Kornfeld, Joachim 48. Very nice proof on japanese paper. Small ink stains in the upper margin. Good margins at the head and foot. Estimated edition of 25 or 30 proofs.
Result €12,800Estimate €10,000 - €12,000 -
139 - Paul Gauguin (1848-1903 )Title for "The Smile". 1899. Woodcut. 218 x 140 [225 x 151]. Mongan, Kornfeld, Joachim 61. Very nice proof on japon pelure, numbered "n° 11" in ink in the subject on the left, glued by the corners on a fragment of vellum from a publication and bearing on the back an advertisement for lamps (1900s). Edition of 25 or 30 prints. In a letter to Ambroise Vollard dated 1900, Gauguin wrote: "I am sending next month by someone who is going to France about 475 proofs of woodcut
Result €7,680Estimate €6,000 - €8,000 -
140 - Vincent van Gogh (1853-1890 )The Man with the Pipe (portrait of Doctor Gachet). 1890. Etching and drypoint. 148 x 180. The Rift 1664; Juliana Montfort 10. sanguine print. A very fine proof on "Arches" watermarked laid paper, annotated under the subject in pen and sepia ink by Dr. Gachet: "The man with the single pipe Eau forte / by Vincent Van Gogh" then initialed by him and stamped (Lugt 1195b). Annotation by a foreign hand at the foot: "Docteur Garchet" (sic). All margins [231 x 325]. Shortly
Result €204,800Estimate €60,000 - €80,000 -
141 - Aristide Maillol (1861-1944 )Daphnis plays the flute among his goats; Chloe bathing in the nymphs' cave. (Pl. for Longus, Les Pastorales ou Daphnis et Chloé, Paris, Gonin, 1937). Woodcut. 70 x 120 and 120 x 80. Guérin 120 and 127. Very nice proofs on vergé de Montval, the first one printed in sanguine. All margins. Set. 2 p.
Result €217Estimate €100 - €120 -
142 - Aristide Maillol (1861-1944 )Woman in cradle (3rd pl.). 1926. Lithograph. 185 x 150 cm, Guérin 269. Nice proof on strong vellum, numbered and signed in pencil. Some heavy foxing. All margins. Frapier ed. (with its stamp, Lugt 2921c). Dry stamp : Galerie des Peintres-Graveurs (Lugt 1057b). Joint : The Three Goddesses. (Pl. for Ronsard, Le Livret de Folastries). Etching. 130 x 175, printed in sanguine. Very nice proof on vellum. All margins. Set. 2 p.
Result €230Estimate €150 - €180 -
143 - Aristide Maillol (1861-1944 ) Nude women in full length. (Pl. for Ovide, L'Art d'aimer. Lausanne, Gonin, 1935). Lithograph. [280 x 385]. Guerin 318 and not described (unpublished variant). Printed in sanguine. Very nice proofs on Montval laid paper. All margins. Set. 2 p.
Result €320Estimate €180 - €200 -
144 - Aristide Maillol (1861-1944 ) Nude women in full length. (Unpublished variations for Ovide, L'Art d'aimer. Lausanne, Gonin, 1935). Lithograph. [280 x 383]. Guerin not described. Very nice proofs on ivory vellum. All margins. Set. 3 p.
Result €409Estimate €200 - €300 -
145 - Aristide Maillol (1861-1944 )Woman seated in profile, right, one knee bent, one knee raised. 1926. Etching. 206 x 188. Guérin 321. Nice proof on strong white vellum, the right edge of the copper uninked (forming a white band). Minor soiling and short handling creases at the edges of the sheet. All margins. This is the artist's first etching.
Result €384Estimate €150 - €180 -
146 - Aristide Maillol (1861-1944 )Kneeling woman, one knee raised (Eve). About 1926. Etching. 382 x 308. Guérin 330; Johnson 77. A very fine proof on strong white vellum. Some rust spots. Offset of another print slightly visible on the surface (in the form of light brown lines). All margins. A. Vollard ed. (plate intended for an album that was not published).
Result €320Estimate €200 - €300 -
147 - Édouard Manet (1832-1883 )The Absinthe Drinker. 1860. Etching and aquatint. 160 x 290. Guérin 9. Very nice proof on old laid japan, printed on the biffé copper, skilfully shifted (two oblique lines remaining perceptible on both sides of the model's legs). Thin band of dust along the lower edge of the sheet. All margins [300 x 455].
Result €1,280Estimate €300 - €400 -
148 - Édouard Manet (1832-1883 )Child carrying a tray. 1861. Etching and aquatint. 155 x 239. Guérin 15. A very fine proof on thin laid japanese paper, from a print made by Porcabeuf before the copper was crossed out. Short folds and remnants of mounting tabs at the edges of the folio. All margins [240 x 330]. Ex-coll. J. H. Lockhart, Jr. (Lugt 4387).
Result €1,152Estimate €400 - €500 -
149 - Édouard Manet (1832-1883 )Baudelaire in profile with hat (2nd pl.). 1869. Etching. 88 x 107. Guérin 31. Nice proof of a later print on chine volant. All margins.
Result €204Estimate €120 - €150 -
150 - Édouard Manet (1832-1883 )Olympia (1st pl.). 1865. Etching. 177 x 87. Guérin 39; Fisher 39. A very fine proof on ivory vellum, from the edition made for Th. Duret, Histoire d'Édouard Manet et de son œuvre, Paris, Floury, 1902. Small traces of glue and spotting in the corners at the head on the reverse. All margins.
Result €1,472Estimate €400 - €500
About the sale
Public auction
Salle des ventes Favart
3, rue Favart 75002 Paris
Thursday May 12 at 2 pm
Public exhibition
Salle des ventes Favart
Tuesday, May 10 from 10 am to 6 pm
Wednesday, May 11 from 10 am to 6 pm
Telephone during the exhibition: 0033 (0)1 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone : 0033 (0)1 78 91 10 16
Terms of sale
Show the terms of sale
Conditions générales :
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et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
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Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les achats volumineux seront entreposés, à leurs conditions et frais, au garde-meubles Gauriat, 31 boulevard Anatole France 93200 Saint-Denis, qui sera chargé
de la délivrance. Les achats bénéficient d’une gratuité d’entreposage jusqu’à quatorze jours après la vente. Toute semaine entamée est due.
Les acheteurs concernés par une exportation pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due
forme soit remis à ADER et que le nom de la maison de ventes y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la
TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
Ceci est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne
sont pas garantis et sont tributaires de l’activité de la maison de ventes.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.