PRIVATE COLLECTION OF OLD AND MODERN MASTER PRINTS
Thursday 12 May 2022 at 14:00
3, rue Favart, 75002 Paris
264 lots
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51 - Pietro Testa (1617-1650 )Painting sitting among the most skilful masters of art who invite their disciples to imitate nature and its graces. Etching. 332 x 290. Bartsch 29. Very nice proof on laid paper, trimmed to the plate. Thin strips of gummed paper at the edges of the folio on the reverse. Some light foxing at the bottom right.
Estimate €400 - €500 -
52 - Giambattista Tiepolo (1696-1770 )The Oriental Peasant and his Family. (Pl. 15 of Schezi di Fantasia). Etching. 172 x 220 [195 x 245]. From Vesme 27. Very nice and fresh proof on strong laid paper, of the 1st state (of 2), before the number. Number 16 in pen and sepia ink at the bottom right of the composition. Ex-coll. E. F. G. O. Freiherr von der Malsburg (Lugt 1849 bis).
Result €3,072Estimate €2,000 - €2,500 -
53 - Giandomenico Tiepolo (1727-1804 )The Apparition of the Virgin to Saint Simon Stock. 1753. Etching after Giambattista Tiepolo. 395 x 600 [472 x 680]. De Vesme 57; Ricci 98. Very fine proof on laid paper. Horizontal median fold as usual. Long oblique fold across the upper right corner of the composition. Slight dusting, small stains and tiny snags in the lower margin. All margins.
Result €2,048Estimate €1,500 - €1,800 -
54 - Niccolò Vicentino (active early 16th c. )Clelia crossing the Tiber. 1608. Woodcut with three blocks, after Maturino. 422 x 282. Bartsch (vol. 12, Les Clairs-obscurs des maîtres italiens) VI-5. Very fine proof on thin laid paper, the fulling very noticeable on the reverse. Perceptible vertical drying fold in the middle. Thin oblique press fold across the branches at upper right; another horizontal one across the trunk at right. Ex-coll. count C. W. de Renesse-Breidbach (Lugt 1209); J. Cantacuze
Estimate €1,200 - €1,500 -
55 - Jean-Antoine Watteau (1684-1721) (after )Persian in profile; Man in oriental costume in foot. (Pl. des Figures de différents caractères). Engraved with etching by Boucher. 218 x 355 and 230 x 350. Goncourt 351 and 428. Very nice proofs on laid paper, the 1st of the 1st state (out of 2) before the backgrounds and the number in Roman numerals, the 2nd slightly oxidized. All margins. Set. 2 p.
Estimate €300 - €400 -
56 - Michael Wolgemut (1434-1519) and workshop6 pl. for the Schatzbehalter (Koberger, Nuremberg, 1491). Woodcut. Each approx. 175 x 250 [220-230 x 320-330]. Fine proofs on laid paper, with German text printed in the upper margin and on the reverse, the lettering painted in red. Minor soiling and small accidents (a long tear at the foot of one plate). Joint: View of the city of Bordeaux. Woodcut. [390 x 330]. Proof from another work (Chronicle of Nuremberg?) with German text printed on the reverse. Se
Result €768Estimate €600 - €800 -
57 - William Blake (1757-1827 )Circle of Thieves. Agnolo Brunelleschi attacked by the six-legged serpent. (Pl. 4 for Dante, The Divine Comedy, "The Inferno", Canto XXV). 1825-1827. Burin. 355 x 275. Bindman 650; Binyon 130. Beautiful proof on chine appliqué. Vertical median fold skillfully restored on verso. A few light freckles and a light trace of oxidation along the upper edge of the copper. Small tear forming a white spot in the robe of the left figure. The lower right corner chipped. Good margi
Result €4,096Estimate €1,000 - €1,200 -
58 - Eugène Delacroix (1798-1863 )Arabs lying on cushions. 1833. Pen-and-ink lithograph. [251 x 207]. Delteil, Strauber 98. A very fine proof on thin vellum, of the 1st state (of 2), before erasing the sketch (putti ornaments) at the foot. Several traces of median folds. All margins. Of great rarity. Ex-coll. A. Beurdeley (Lugt 421), this proof quoted by Delteil and Strauber.
Estimate €3,000 - €4,000 -
59 - Théodore Géricault (1791-1824 )Boxers. 1818. Lithograph in pencil and pen. 412 x 360. Delteil 10. Beautiful proof on white vellum, the indentation of the stone visible at the foot. Semi-tiny light freckles. A short tear at foot, formerly restored on verso. Light moisture aureoles at the head. Traces of oxidation at head and foot on verso. Good margins, slightly irregular [475 x 395].
Result €25,600Estimate €20,000 - €25,000 -
60 - Francisco de Goya y Lucientes (1746-1828 )Caritas (Saint Francis of Paola). About 1780. etching and drypoint. 93 x 133. Delteil 2; Harris 3. Beautiful proof on ivory vellum, from the 1st edition (posthumous, circa 1868). Slight light foxing. All margins.
Result €320Estimate €200 - €300 -
61 - Francisco de Goya y Lucientes (1746-1828 )Self-portrait. 1799. Etching, aquatint, drypoint and burin. 150 x 220. Delteil 38; Harris 36. A very fine proof on ivory vellum, with the retouching in burin and with the bevels, from the 4th or 5th edition (1878-1886). Nice margins [250 x 352].
Result €576Estimate €400 - €500 -
62 - Francisco de Goya y Lucientes (1746-1828 )The Caprices. 1799. Etching, aquatint, drypoint and burin. 150 x 200-220. Delteil 36 to 115; Harris 38 to 117. An oblong vol., 385 x 270, containing the complete suite of 80 plates bound at the top edge. Very nice proofs on cream vellum, from the 5th printing (1881-1886), with bevels, with scuffing in the sky on pl. 66. Light vertical moisture aureole perceptible on all leaves along the right edge. Some foxing (most noticeable on pl. 9) and minor soiling
Result €14,080Estimate €10,000 - €12,000 -
63 - Francisco de Goya y Lucientes (1746-1828 )The Caprices, pl. 7, 15, 17, 20, 27, 35, 52, 55, 57, 74. 1799. Etching, aquatint, drypoint and burin. 150 x 200. Delteil 44, 52, 54, 57, 64, 72, 89, 92, 94, 111; Harris 42, 50, 52, 55, 62, 70, 87, 90, 92, 109. A collection of 10 beautiful proofs on white laid paper, from the 1st edition (1799), before the bevels. Scattered light foxing. Rare and tiny accidents to the edges of the leaves. Two large light moisture halos in the right margin on pl. 57. Full
Result €12,544Estimate €3,000 - €4,000 -
64 - Francisco de Goya y Lucientes (1746-1828 )The Caprices, pl. 7, 14, 17, 22, 26, 27, 31, 35 (2 prints), 61, 75 (2 prints). 1799. Etching, aquatint, drypoint and burin. 150 x 200. Delteil 44, 51, 54, 59, 63, 64, 68, 72, 98, 112; Harris 42, 49, 52, 57, 61, 62, 66, 70, 96, 110. bistre brown printing. A collection of 12 fine proofs on white vellum, from the 3rd edition (1868), before the bevels - one of the proofs on pl. 35 and the one on pl. 27 more worn, possibly from the 4th edition. Light foxing a
Result €5,120Estimate €2,000 - €3,000 -
65 - Francisco de Goya y Lucientes (1746-1828 )The Caprices, pl. 5, 6, 7, 24, 36, 49, 52, 58, 59, 73. 1799. Etching, aquatint, drypoint and burin. 150 x 200. Delteil 42, 43, 44, 61, 73, 86, 89, 95, 96, 110; Harris 40, 41, 42, 59, 71, 84, 87, 93, 94, 108. Printed in black bistre. Reunion of 10 fine proofs on white vellum, from the 5th edition (1881-1886), with the bevels. Scattered light foxing. All margins [243 x 330]. Joint: Les Caprices, pl. 2 and 57. 1799. Etching and aquatint. 150 x 200. Delteil
Result €2,560Estimate €1,200 - €1,500 -
66 - Francisco de Goya y Lucientes (1746-1828 )A casa de dientes (Hunting for teeth). (Pl. 12 of the Caprices). 1799. Etching, aquatint and burin. 150 x 200. Delteil 49; Harris 47. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Thin traces of folds, small snags and tears at the edges of the folio. The lower left corner chipped. All margins [242 x 320].
Result €576Estimate €300 - €400 -
67 - Francisco de Goya y Lucientes (1746-1828 )Ya van desplumados (Here they are plucked). (Pl. 20 of the Caprices). 1799. Etching, aquatint and drypoint. 150 x 200. Delteil 57; Harris 55. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Faint traces of folds and dusting in the lower left corner of the folio. All margins [242 x 320].
Result €448Estimate €300 - €400 -
68 - Francisco de Goya y Lucientes (1746-1828 )Hilan delgado (They spin fine). (Pl. 44 of the Caprices). 1799. Etching, aquatint, drypoint and burin. 150 x 200. Delteil 81; Harris 79. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. A white spot (inking defect) in the background. All margins [242 x 320].
Estimate €300 - €400 -
69 - Francisco de Goya y Lucientes (1746-1828 )Mucho hay que chupar (There is fat). (Pl. 45 of the Caprices). 1799. Etching and aquatint. 150 x 200. Delteil 82; Harris 80. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. All margins [240 x 320].
Result €448Estimate €300 - €400 -
70 - Francisco de Goya y Lucientes (1746-1828 )¿ Está Vm... pues, Como digo... eh! Cuidado! si no!... (It is you... um, how to say... eh! Careful! si no!...) (Pl. 76 of the Caprices). 1799. Etching and aquatint. 150 x 200. Delteil 113; Harris 111. A very nice proof on white laid paper, from the 1st edition (1799), before the bevels. Small irregularities at the edges of the folio. The upper right corner chipped. All margins [218 x 318].
Estimate €600 - €800 -
71 - Francisco de Goya y Lucientes (1746-1828 )Nadie nos ha visto (Nobody has seen us). (Pl. 79 of the Caprices). 1799. Etching and aquatint. 150 x 200. Delteil 82; Harris 80. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Fine oblique print crease across the lower left corner of the copper. Thin band of dusting at the edges of the folio. Small partial trace of rusty thumbtack at lower left corner. All margins [242 x 320].
Estimate €300 - €400 -
72 - Francisco de Goya y Lucientes (1746-1828 )The Disasters of War. 1810-1815. Etching, aquatint, drypoint and burin. Each 205 x 152. Delteil 120 to 199; Harris 121 to 200. One oblong vol. [337 x 240] containing the complete suite of 80 plates. Very fine and fresh proofs on strong cream laid paper, from the 2nd edition (1892). Scattered light foxing. All margins [320 x 230]. Half-basin binding, spine decorated with gilt fillets.
Result €12,800Estimate €6,000 - €8,000 -
73 - Francisco de Goya y Lucientes (1746-1828 )The Disasters of War, pl. 37, 48, 53, 64 and 67. 1810-1815. Etching, aquatint, drypoint and burin. Delteil 156, 167, 172, 183 and 186; Harris 157, 168, 173, 184 and 187. A collection of 5 very fine proofs on heavy ivory vellum, from the 3rd edition (1903), with translation of the caption in pencil under the plate cut. All margins. [325 x 235]. Joint : Les Désastres de la guerre, pl. 16, 32 and 67. Etching, aquatint, drypoint and burin. 235 x 155. Deltei
Result €960Estimate €600 - €800 -
74 - Francisco de Goya y Lucientes (1746-1828 )Bullfighting, pl. 12, 14, 19, 20, 26, 27, 29, 30. 1815-1816. Etching and aquatint. 350 x 245-250. Delteil 235, 237, 242, 243, 249, 250, 252, 253; Harris 215, 217, 222, 223, 229, 230, 232, 233. A collection of 8 very fine proofs of the 1st edition (1816), on thin white laid paper, some with the "serra" watermark, before the bevels or with a very fine bevel. Minor soiling and light foxing. Traces of folds to some (more marked on pl. 20, with small hole). S
Result €11,264Estimate €6,000 - €8,000 -
75 - Francisco de Goya y Lucientes (1746-1828 )Bullfighting, pl. 11, 17 and 26. 1815-1816. Etching and aquatint. 350 x 245-250. Delteil 234, 240 and 249; Harris 214, 220 and 229. Meeting of 3 very nice proofs on cream laid paper watermarked "mbm", from the 4th edition (1905), with the bevels. Dust on the right edge of the last sheet. All margins [480 x 315].
Result €448Estimate €400 - €500 -
76 - Francisco de Goya y Lucientes (1746-1828 )Origin of the harpoons or banderillas. (Pl. 7 of Bullfighting). 1815-1816. Etching and aquatint. 350 x 244. Delteil 230; Harris 210. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the 3rd edition made by Loizelet (1876). Soft oblique fold at the upper right edge of the sheet. Large margins [480 x 310] (the upper one slightly trimmed).
Result €512Estimate €300 - €400 -
77 - Francisco de Goya y Lucientes (1746-1828 )A Spanish rider... (Pl. 13 of The Bullfight). 1815-1816. Etching and aquatint. 355 x 244. Delteil 236; Harris 216. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the 3rd edition made by Loizelet (1876). A small circular thinning in the upper margin. Thin band of oxidation along the right edge. Large margins [485 x 305] (the upper one slightly trimmed).
Result €448Estimate €300 - €400 -
78 - Francisco de Goya y Lucientes (1746-1828 )Banderillas of fire. (Pl. 31 of Bullfighting). 1815. Etching and aquatint. 350 x 240. Delteil 254; Harris 234. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the third edition made by Loizelet (1876). Large margins [485 x 310] (the upper one slightly trimmed).
Result €448Estimate €300 - €400 -
79 - Francisco de Goya y Lucientes (1746-1828 )Horse knocked down by a bull. (Pl. B, additional to the 33 pl. of Bullfighting). 1815-1816. Etching and aquatint. 350 x 240. Delteil 258; Harris 238. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the 3rd edition made by Loizelet (1876). The lower left corner chipped. Large margins [490 x 312] (the upper one slightly trimmed).
Estimate €300 - €400 -
80 - Francisco de Goya y Lucientes (1746-1828 )A bullfighter riding on the shoulders of a chulo... (Pl. D, additional to the 33 pl. of The Bullfight). 1815-1816. Etching and aquatint. 350 x 240. Delteil 260; Harris 240. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the 3rd edition made by Loizelet (1876). The lower left corner chipped. Very slight traces of oxidation at the edges of the sheet. Large margins [490 x 317] (the upper one slightly trimmed).
Estimate €300 - €400 -
81 - Francisco de Goya y Lucientes (1746-1828 )Los Proverbios (The Proverbs) / Colección de diez y ocho láminas inventadas y grabadas al agua fuerte / por / Don Francisco Goya / Publicala la [sic] Real Academia de Bellas Artes de San Fernando, Madrid, 1904 An oblong vol. [430 x 310] containing the complete suite of 18 pl. (engraved in 1815-1823). Etching, aquatint and drypoint. 350 x 240. Very nice proofs on strong white laid paper, from the 5th edition, with the bevels. Some rare foxing. All margi
Result €6,375Estimate €2,000 - €3,000 -
82 - Francisco de Goya y Lucientes (1746-1828 )Disparate claro (Pure foolishness). (Pl. 15 of Proverbs). 1815-1823. Etching and aquatint. 350 x 245. Delteil 216; Harris 262. A very fine proof on strong ivory vellum, from the first edition (1864), before the bevels and before the number. A white spot (inking defect) at the foot in the center. Fine vertical red pencil line in the upper margin. Fine trace of oxidation at the edges of the folio. Large margins [455 x 330].
Result €1,536Estimate €400 - €500 -
83 - Francisco de Goya y Lucientes (1746-1828 )La Lealtad (Loyalty). (Pl. 17 of Proverbs). 1815-1823. Etching and aquatint. 345 x 240. Delteil 218; Harris 264. A very fine proof on strong ivory vellum, from the first edition (1864), before the bevels and before the number. Fine trace of oxidation at the edges of the folio. Small mitre holes at the left edge. All margins [500 x 335].
Result €832Estimate €400 - €500 -
84 - Francisco de Goya y Lucientes (1746-1828 )Dios los cria y ellos se junta (God creates them and they gather). (Pl. 18 of Proverbs). 1815-1823. Etching and aquatint. 350 x 245. Delteil 219; Harris 265. Beautiful proof on strong ivory laid paper, from the 6th edition (1916), with the bevels and with the number. Soiling to the edges of the sheet. Tears at the left edge with heavy traces of glue on the reverse. Small tears in the upper and lower right corners. Large margins [430 x 310]. Joint: Les Ca
Result €512Estimate €200 - €300 -
85 - Pierre Bonnard (1867-1947 )Family scene (in width). 1892. Lithograph. 265 x 215. Bouvet 2. Printed in colors. Very nice proof on thin ivory vellum, numbered and signed in pencil in the lower left corner. Minimal foxing and waviness at the edges of the sheet. All margins. Rare. Edition of about thirty proofs according to Bouvet (in reality probably about fifty).
Result €3,968Estimate €3,000 - €4,000 -
86 - Pierre Bonnard (1867-1947 )Family scene (in height). 1893. Lithograph. 175 x 310. Bouvet 4. Printed in colors. Nice proof on cream vellum, numbered and signed in pencil. Small undulations at the edges of the sheet. Slightly dusty moisture aureole, with short broken creases, at the lower left edge of the sheet. Some light foxing. All margins. Edition of 100 proofs. Dry stamp: The Original Print (Lugt 819).
Result €8,960Estimate €4,000 - €5,000 -
87 - Pierre Bonnard (1867-1947 )La Revue blanche. Poster. 1894. Lithograph. [620 x 805]. Bouvet 30. color print. Nice proof on thin vellum, formerly canvas-backed. Large gap filled and repainted in black above the word "revue". Fine creases and small blisters related to the canvas. All margins. First poster executed for the Revue blanche, a French artistic and literary magazine, created in 1891, which lasted until 1903. "The poster designed by Pierre Bonnard shows the street as a space where the m
Result €2,560Estimate €2,000 - €3,000 -
88 - Pierre Bonnard (1867-1947 )The Painters Engravers. Poster. 1896. Lithograph. [480 x 660]. Bouvet 38. color print. Beautiful proof on thin vellum lined on thin japanese paper and cloth-backed. A long oblique tear and small lack in the S of the word "painters". Tear of 8 cm in the center at the foot. Small blisters related to the interlining in the subject. Small gray stain above the word "gallery". All margins. Poster announcing the first exhibition of the Peintres-Graveurs at the Galerie Vollar
Result €768Estimate €600 - €800 -
89 - Pierre Bonnard (1867-1947 )Le Salon des Cent. Poster. 1896. Lithograph. 425 x 612 [445 x 635, with canvas: 575 x 765]. Bouvet 39; van Deputte 31 (repr. p. 53). Printed in colors. A very fine proof on glazed vellum, with the letter, lined on thin japanese paper and interfaced. A few tiny scattered rust spots. All margins. The Salon des Cent was an exhibition of French art imagined by Léon Deschamps, launched in Paris in February 1894 in the hall of the magazine La Plume. It lasted until 1900. T
Result €2,560Estimate €2,000 - €2,500 -
90 - Pierre Bonnard (1867-1947 )Cover of the second Album of original prints of the Vollard Gallery. 1897. Lithograph. [880 x 575]. Bouvet 40; Johnson 14. color print. Very nice proof on chine volant, signed in pencil. Minor thinning due to the texture of the paper. Short traces of folds (the print being preserved rolled). Tiny tears at the edges of the sheet. All margins. Edition of 100 proofs.
Result €4,096Estimate €1,200 - €1,500 -
91 - Pierre Bonnard (1867-1947 )The Print and the Poster. Poster. 1897. Lithograph. [620 x 800]. Bouvet 44. color print. Very nice proof on thin vellum, canvas covered. Two very small losses at the upper left edge. All margins.
Result €1,536Estimate €600 - €800 -
92 - Pierre Bonnard (1867-1947 )The Merchant of the Four Seasons. (Pl. for Some aspects of the life of Paris). 1899. Lithograph. 335 x 285. Bouvet 65; Johnson 10-7. Printed in colors. Perfect proof on thin cream vellum. Small circular brown stain on verso, slightly transpiring on recto to the right of the upper right corner of the subject. Very slight trace of oxidation at the opening of the mat. Fine dusting at the edges of the sheet and mounting tabs at the head, oxidized on the reverse. All margin
Estimate €1,000 - €1,200 -
93 - Pierre Bonnard (1867-1947 )The Bridge. (Pl. for Some aspects of the life of Paris). 1899. Lithograph. 405 x 260. Bouvet 66. Printed in colors. Very nice and fresh proof on thin white vellum, unsigned, in dominant olive green. Marginal traces of oxidation (almost imperceptible). Tiny tear on the top edge. All margins.
Result €1,024Estimate €800 - €1,000 -
94 - Pierre Bonnard (1867-1947 )The Arc de Triomphe. (Pl. for Some aspects of the life of Paris). 1899. Lithograph. 460 x 310. Bouvet 69. Printed in colors (the keystone drawn in bluish gray and not in brown). Very nice and fresh proof on thin white vellum, signed in pencil. All margins. Edition of 100 proofs. A. Vollard ed.
Result €2,560Estimate €2,000 - €2,500 -
95 - Pierre Bonnard (1867-1947 )The Boulevards. 1900. Lithograph. 330 x 265. Bouvet 72. Printed in colors. Very nice proof on chine volant. Tiny folds in the corners. Small normal margins. Edition at 100 proofs for Inselverlag (with the stamp on the back, Lugt 2861a).
Result €896Estimate €400 - €500 -
96 - Pierre Bonnard (1867-1947 )The Bath. 1925. Lithograph. 205 x 295. Bouvet 92 bis. Very nice proof on chine volant. Small thinning due to the nature of the paper. A light freckle under the lithographed signature. All margins. Dry stamp : Galerie des Peintres-Graveurs Paris (Lugt 1057b).
Result €1,600Estimate €600 - €800 -
97 - Pierre Bonnard (1867-1947 )Woman standing in her bathtub. 1925. Lithograph. 190 x 290. Bouvet 94. Nice proof on heavy cream vellum, signed in pencil. Oxidation at the opening of the mat. Traces of oxidation (offset of old adhesives) in the center at the head and foot. All margins. Dry stamp: Galerie des Peintres-Graveurs Paris (Lugt 1057b).
Result €1,600Estimate €800 - €1,000 -
98 - Pierre Bonnard (1867-1947 )Landscape of the South. 1925. Lithograph. 290 x 215. Bouvet 95. Very nice proof on chine volant, signed in pencil. Small tear in the upper right corner of the sheet. All margins. Dry stamp : Galerie des Peintres-Graveurs Paris (Lugt 1057b) ) and stamps of the publisher Frapier (Lugt 2921b and e).
Result €1,216Estimate €500 - €600 -
99 - Pierre Bonnard (1867-1947 )The Seated Toilet. 1925. Lithograph. 225 x 330. Bouvet 96. Very nice proof on heavy cream vellum, numbered and signed in pencil. Very slight traces of oxidation perceptible at the right edge of the sheet. All margins. Edition of 25 proofs on this paper.
Result €640Estimate €500 - €600 -
100 - Pierre Bonnard (1867-1947 )Nude Study. 1925. Lithograph. 165 x 285. Bouvet 97. Very nice proof on chine volant, signed in pencil. Small traces of folds and glue corresponding to the mounting tabs on the reverse. All margins. Dry stamp: Galerie des Peintres-Graveurs Paris (Lugt 1057b) and stamps of the publisher Frapier (Lugt 2921b and d).
Result €1,152Estimate €800 - €1,000
About the sale
Public auction
Salle des ventes Favart
3, rue Favart 75002 Paris
Thursday May 12 at 2 pm
Public exhibition
Salle des ventes Favart
Tuesday, May 10 from 10 am to 6 pm
Wednesday, May 11 from 10 am to 6 pm
Telephone during the exhibition: 0033 (0)1 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone : 0033 (0)1 78 91 10 16
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Les ordres d’achat ou les enchères par téléphone sont une facilité pour les clients. ADER n’est pas responsable pour avoir manqué d’exécuter un ordre par erreur
ou pour toute autre cause. Merci de vérifier après envoi que votre ordre d’achat a été dûment enregistré.
La maison de ventes se réserve le droit de ne pas enregistrer l’ordre d’achat s’il n’est pas complet ou si elle considère que le client n’apporte pas toutes les
garanties pour la sécurité des transactions ; et ce, sans recours possible.
Pour garantir la bonne volonté de l’acheteur, une consignation pourra être demandée avant la vente qui ne sera validée qu’en cas d’adjudication.
Drouot Live et Interenchères étant des services indépendants, nous déclinons toute responsabilité en cas de dysfonctionnement. Le coût supplémentaire lié aux
achats sur internet est détaillé sur chacun des sites et dans nos conditions de vente.
Transport des lots / Exportation :
Dès l’adjudication prononcée, les achats sont sous l’entière responsabilité de l’adjudicataire.
Aucun lot ne sera remis aux acquéreurs avant acquittement de l’intégralité des sommes dues.
Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les achats volumineux seront entreposés, à leurs conditions et frais, au garde-meubles Gauriat, 31 boulevard Anatole France 93200 Saint-Denis, qui sera chargé
de la délivrance. Les achats bénéficient d’une gratuité d’entreposage jusqu’à quatorze jours après la vente. Toute semaine entamée est due.
Les acheteurs concernés par une exportation pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due
forme soit remis à ADER et que le nom de la maison de ventes y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la
TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
Ceci est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne
sont pas garantis et sont tributaires de l’activité de la maison de ventes.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.