ANCIENT AND MODERN ESTAMPES - LOTS 1 to 240
Wednesday 9 February 2022 at 14:00
3, rue Favart, 75002 Paris
240 lots
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101 - Rodolphe Bresdin (1822-1885) The Good Samaritan. 1861. Pen-and-ink lithograph. 440 x 560 [494 x 633]. Van Gelder 100; Becker 2nd state (of 3); Préaud 29, 1st state A. Beautiful proof on yellowish chine appliqué, from the 2nd printing (1867), with Lemercier's address, before the white spot at the bottom in the foliage (called "bird"), before the white thistle under the lance, but with the black spot on the leg of the 2nd monkey at the lower right, carefully washed, the chine reassembled with c
Estimate €18,000 - €20,000 -
102 - Rodolphe Bresdin (1822-1885) The Distant City. 1868. Lithographic transfer of the etching. 182 x 99. Van Gelder 131. Very nice proof on large chine applied, from a posthumous edition. Tiny freckles. Tiny folds broken in the corners of the support. All margins. Dry stamp : Rodolphine Bresdin (Lugt 2194).
Result €281Estimate €300 - €400 -
103 - Rodolphe Bresdin (1822-1885) My dream. 1883. Etching. 139 x 220. Van Gelder 150. Very nice proof of the 2nd state (out of 3), rounded corners, before the letter, on chine appliqué. Short broken folds, small foxing and soiling at the edges of the sheet. All margins.
Result €1,216Estimate €600 - €800 -
104 - Rodolphe Bresdin (1822-1885) The Republic. 1883. Pen-and-ink lithograph. 142 x 196. Van Gelder 152. Very nice proof on large chine appliqué. Light moisture aureole at right edge, slightly penetrating the chine. Remains of miter at left edge on verso and short 15 mm tear reinforced. All margins [270 x 380]. Very rare. 4 known proofs. This is the proof of the 3rd state (out of 3) as listed by Maxime Préaud, who hypothesizes that this is a transfer stone. In any case, there are only 4 proofs.
Estimate €1,200 - €1,500 -
105 - Félix Buhot (1847-1898) Winter in Paris or Snow in Paris. 1879. Etching, drypoint, roulette and aquatint. 345 x 240. Bourcard-Goodfriend 128. Very nice proof of a later print on ivory vellum. Small ink stain at the foot. All margins.
Result €409Estimate €150 - €180 -
106 - Félix Buhot (1847-1898) A landing in England. 1879. Etching, drypoint, aquatint and roulette. 180 x 300 [246 x 387]. Bourcard-Goodfriend 130. A good proof on laid paper, stamped (Lugt 977), dedicated "to Monsieur Henry Paulme / hommage bien dévoué" and signed, pasted in full on board, heavily oxidized. Several long and thin tears at the edges of the sheet, some crossing the subject. A small white spot in the sky, a tear at the left edge. Good margins. The dedicatee Henry Paulme (1848-1941
Result €896Estimate €300 - €400 -
107 - Honoré Daumier (1808-1879) News (various subjects). 1852. Lithograph. Each [375 x 260]. Delteil 2248, 2250, 2254, 2273, 2275. Fine to good proofs on thin vellum, with the certificate of issue in pen and sepia ink, dated and signed by Trinocq. Heavy foxing, traces of oxidation and minor damage to the edges of the leaves in some cases. All margins. Set of 5 p.
Result €256Estimate €150 - €180 -
108 - Honoré Daumier (1808-1879) Scenes of provincial life (pl. 1 to 3). 1852. Lithograph. Each [248 x 372]. Delteil 2314 to 2316. Good proofs on thin vellum, with the certificate of issue in pen and sepia ink, dated and signed by Trinocq. Heavy foxing, traces of oxidation and minor accidents to the edges of the leaves. All margins. Set of 4 p.
Result €153Estimate €120 - €150 -
109 - Honoré Daumier (1808-1879) The Last Week Before the Opening of the Painting Salon. (News, pl. 399). 1857. Lithograph. 259 x 210. Delteil 2966. Very nice proof on thin vellum, with the certificate of printing in pen and sepia ink dated May 7, 1857, signed by Destouches. Minimal traces of marginal folds. Beautiful margins, slightly reduced at the head and foot. Ex-coll. H. M. Petiet (Lugt 5031).
Result €1,280Estimate €120 - €150 -
110 - Honoré Daumier (1808-1879) Sketch of hunting (pl. 2 to 5). 1859. Lithograph. Each [360 x 270]. Delteil 3212 to 3215. Very fine proofs on thin vellum, bearing the certificate of issue in pen and sepia ink, dated and signed by Destouches. Slight dusting to the edges of the leaves. All margins. Set of 4 p.
Result €320Estimate €200 - €300 -
111 - Honoré Daumier (1808-1879) Pl. of various suites. (Les Beaux jours de la vie; Les Chemins de fer; La Chasse; Les Amis; Professeurs et moutards; Au bivouac). 1843-1859. Lithography. Various formats. Prints in the Charivari edition, except Au bivouac, on white. Various damages. Set. 118 p. Description of contents: -Les Beaux jours de la vie, pl. 1 to 50. 1843-1845 . Delteil 1088 to 1137. Scattered foxing and small russeted halos. Edges slightly ragged, short tears and small tears to some. L
Result €320Estimate €300 - €400 -
112 - Francisco de Goya y Lucientes (1746-1828) The Brave Moor Gazul was the first one who fought bulls according to the rules of art. (Bullfighting, pl. 5). 1816. Etching, aquatint and drypoint. 350 x 250. 228 Delteil; 208 Harris. A very fine proof on soft white laid paper, of the first edition, before the bevels (the only edition during the artist's lifetime). Very light freckling. Small epidermis in the sky on the right. Nice margins [412 x 287].
Result €1,088Estimate €800 - €1,000 -
113 - Francisco de Goya y Lucientes (1746-1828) The Brave Moor Gazul was the first one who fought bulls according to the rules of art. (Bullfighting, pl. 5). 1816. Etching, aquatint and drypoint. 350 x 250. 228 Delteil; 208 Harris. Beautiful proof on laid paper, from the first edition, before the bevels (the only edition during the artist's lifetime). Oxidation at the opening of the mat and under it. Margins. Frame.
Result €832Estimate €600 - €800 -
114 - Francisco de Goya y Lucientes (1746-1828) Origin of the harpoons or banderillas. (Bullfighting, pl. 7). 1816. Etching, aquatint and burin. 350 x 245. Delteil 230; Harris 210. A very fine proof on soft white laid paper, of the first edition, before the bevels (the only edition during the artist's lifetime). Very light foxing. Beautiful margins [412 x 288].
Result €2,176Estimate €800 - €1,000 -
115 - Francisco de Goya y Lucientes (1746-1828) A Moor is attacked by a bull in the square. (Bullfighting, pl. 8). 1816. Etching, aquatint and drypoint. 350 x 245. Delteil 231; Harris 211. A very fine proof on soft white laid paper, of the first edition, before the bevels (the only edition during the artist's lifetime). Very light foxing. Beautiful margins [414 x 290].
Result €1,920Estimate €800 - €1,000 -
116 - Francisco de Goya y Lucientes (1746-1828) A bullfighter mounted on the shoulders of a chulo... (Pl. D, additional to the 33 pl. of The Bullfight). Etching and aquatint. 350 x 235. Delteil 260; Harris 240. Very nice proof on cream laid paper with "mbm" watermark, from the 4th edition (1905). Large margins [480 x 300] (the upper one slightly trimmed). "This edition is the best after the first. (Harris).
Result €576Estimate €300 - €400 -
117 - Antoine-Jean, baron Gros (1771-1835) Desert Arab. 1817. Lithograph. 260 x 185. Beraldi, I.F.F. 2. A very nice proof on vellum. Short tears and folds associated with the mounting tabs at the head. All margins. This is one of only two lithographs by the artist.
Result €384Estimate €200 - €300 -
118 - Jules Jacquemart (1837-1880) Memories of a trip. 1862. Etching. 340 x 240. I.F.F. 31-4. Beautiful proof on chine applied on strong vellum. Heavy foxing on the plate cut and a few others scattered. All margins. Deluxe edition of the Cadart albums. Joint : Frontispiece for a Cadart album ; L'Écureuil et la mouche. Etching. [320 x 475]. Beautiful proofs, the first on chine appliqué, the second on laid down ivory, with the dry stamp of Cadart and Chevalier (Lugt 3270). Set of 3 p. Plate evokin
Estimate €300 - €400 -
119 - A.-P. Martial (Adolphe-Martial Potémont, said) (1827-1883) Head office of the Société des Aqua-fortistes (the window of Cadart and Luquet, 79 rue de Richelieu). 1864. Etching. 390 x 290. Beraldi 2. Nice proof on white laid paper watermarked "Aqua Fortistes". Moisture rings, foxing and small marginal soiling. All margins. Dry stamp : Cadart et Luquet (Lugt 2254).
Result €1,664Estimate €600 - €800 -
120 - Charles Méryon (1821-1868) Fishermen of the South Sea. 1850. Etching after Zeeman. 120 x 68. Delteil 15; Schneiderman 18. A very nice proof on chine appliqué, of the 1st state (of 2), before Méryon's full name, prior to the edition of L'Artiste (1864). Light scattered foxing. Remains of glue in the corners on the reverse. All margins. "M. Méryon had been extremely struck by the intimate feeling with which the sailor Reynier Zeeman knew how to imbue the spiritual etchings of the suite also
Result €640Estimate €200 - €300 -
121 - Charles Méryon (1821-1868) Dedication to Reynier Nooms, known as Zeeman. 1854. Etching. 69 x 172. Delteil 18; Schneiderman 33. Beautiful and rare proof on thin laid paper. Pastilles glued in the corners on the reverse. Creases and small accident at the foot. A small burn hole in the left margin. Good margins. Subject drawn from only a few proofs according to Burty ("L'œuvre de M. Charles Méryon", Gazette des Beaux-Arts, tome XV, 1863, p. 77).
Result €448Estimate €150 - €180 -
122 - Charles Méryon (1821-1868) The Old Gate of the Palace of Justice. 1854. Etching and drypoint. 85 x 87. Delteil 19; Schneiderman 34 B. Very fine and rare proof on chine volant. Pastilles stuck in the corners on the reverse. Good margins.
Result €1,536Estimate €180 - €200 -
123 - Charles Méryon (1821-1868) La Petite Pompe. 1854. Etching. 80 x 108. Delteil 32; Schneiderman 39. Very nice proof printed in black on thin laid paper. Some rare foxing. Pastilles stuck in the corners on the reverse. Good margins. This subject was to be used as a cul-de-lampe for the 2nd book of the Eaux-fortes sur Paris.
Result €640Estimate €180 - €200 -
124 - Charles Méryon (1821-1868) Verse to Eugène Bléry, n° 2. 1854. Etching. 68 x 127. Delteil 89; Schneiderman 48. Very nice proof printed in black on thin laid paper. Some rare foxing. Pastilles stuck in the corners on the reverse. Good margins.
Result €512Estimate €180 - €200 -
125 - Charles Méryon (1821-1868) Le Malingre cryptogame. 1860. Etching. 56 x 70. Delteil 66; Schneiderman 68. Beautiful and rare proof on "hudelist" watermarked laid paper, of the 2nd state (of 4), before the engraved background and before the letter, with the only monogram. Small white trace at the place of the erasure of an inscription. Small remnants of gummed paper at the edges of the folio on the reverse. Good margins. The original drawing dates from 1845. It is a study "after a mushroom wh
Result €832Estimate €200 - €300 -
126 - Charles Méryon (1821-1868) Le Malingre cryptogame. 1860. Etching. 56 x 70. Delteil 66; Schneiderman 68. Very nice proof on watermarked laid paper "hudelist", from the definitive state, the regraved monogram drawn in red. All margins.
Result €1,792Estimate €200 - €300 -
127 - Charles Méryon (1821-1868) René de Laudonnière Sablais (de Burdigale). 1861. Etching, drypoint and burin after Crispin de Passe. 108 x 154. Delteil 80; Schneiderman 78. Very nice proof on ivory laid paper. Long oblique broken fold in the left margin. Other slight traces of folds and curls. All margins.
Result €384Estimate €150 - €180 -
128 - Charles Méryon (1821-1868) François Viète. 1861. Etching after Jean Rabel. 108 x 178. Delteil 79; Schneiderman 80. A fine proof on chine volant, of an intermediate state between the 8th and 9th (of 9), with the border rectified at the top but before the engraved mention "after Jean Rabel 1861". Heavy scattered foxing. Remains of miter along left edge on verso. All margins. François Viète (1540-1603) was a mathematician, jurist and adviser to the king. Méryon reinterprets here his portrai
Result €256Estimate €150 - €180 -
129 - Charles Méryon (1821-1868) Framing project for the portrait of Armand Guéraud. 1862. Etching and drypoint. 130 x 164. Delteil 95; Schneiderman 83. A very fine and rare proof on watermarked "hudelist" laid paper, printed in brown and red by the artist himself, of the 9th state (of 14), before modification of the letter in the books. Light scattered foxing. All margins.
Result €896Estimate €300 - €400 -
130 - Gabrielle Niel (1831-1919) The Hotel-Dieu in Paris; St. John's Church in Lyon; A Street in Genoa. About 1860. Etching. Various sizes. Very nice proofs, the first two before the letter, the 1st on chine volant, the 2nd on old azure laid paper, the last one published in L'Art. All margins. Set. 3 p. Born in Poligny (Jura), Gabrielle Niel was the daughter of the sub-prefect Niel, librarian of the Ministry of the Interior, bibliographer and great collector of engravings. She learned the techniqu
Result €512Estimate €200 - €300 -
131 - Emmanuel Phelippes-Beaulieux (1829-1874) La Jeune poitrinaire / She seemed like an Angel who is going to take her flight towards Heaven. 1861. Etching and roulette. 400 x 320. Very nice proof on chine appliqué. In the subject, the engraved mention : " A Orvault, le soir du 3 juin 1861 ", and in the tablet " Aux Croix, 28 août - 31 octobre 1861 ". Light foxing in the large margins.
Result €576Estimate €180 - €200 -
132 - Emmanuel Phelippes-Beaulieux (1829-1874) The Chapel of Our Lady of the Angels, in Orvault, / founded in 1436, rebuilt in 1854-57. 1863. Etching and roulette. 300 x 340. Nice proof on strong white vellum. In the tablet, the engraved mentions "... incep. Octob. 1861; perfec. Nov. 20, 1862 (...) Aux Croix, June 29 - August 10, 1863". Freckles, soiling and accidents to the edges of the fine margins.
Result €2,304Estimate €150 - €180 -
133 - Thomas Rowlandson (1756-1827) Combe (William). The Tour of Doctor Syntax, in Search of the Picturesque. A Poem. London, R. Ackermann, 1813. 3rd edition. One vol. in-8 decorated with a frontispiece, a title decorated with architectural elements forming the three letters of "Pic" [turesque] and 30 engravings. Etching and aquatint with watercolor highlights. Restored losses in the lower left corner and in the upper margin of the frontispiece. Light foxing and small stains. Bound in half morocco wi
Result €225Estimate €180 - €200 -
134 - VariousLithographs . About 1900. A lot by A. Belleroche, Bracquemond (Le Verger, I. F. F. 532), Buhot (L'Embankment à Londres, Bourcard-Goodfriend 183), Chéret, Desboutin and H. Martin (Rêverie, 1892, I.F.F. 1). Nice or good proofs, the first 2 signed in pencil, the other 5 on chine appliqué, from the edition of 100 proofs for the Album des Peintres-Lithographes (1892). Light foxing to some. All margins. Set of 7 p.
Result €448Estimate €600 - €800 -
135 - 4 z'ArtsThéo Sardnal (1898-1984). The Return of the Phoenicians to Tyre. Invitation for the ball of the 4 z'Arts of the year 1924. Exceptional set including a preparatory drawing in India ink gouache on cardboard [312 x 462], signed vertically on the right; 2 drawings on tracing paper, India ink and graphite, of the same size; a photomechanical transposition on vellum of large size; 2 printed invitations of reduced size, one still having its stub, the other without. Minor accidents and age wear
Result €1,792Estimate €800 - €1,000 -
136 - 4 z'ArtsThéo Sardnal (1898-1984). The Entry of Cyrus into Babylon. Invitation for the ball of the 4 z'Arts of the year 1925. Exceptional set including a printed invitation (without its stub); a large preparatory drawing in India ink on tracing paper [362 x 468]; two large drawings attributed to Sardnal (first projects?) on white vellum, gouache and silver ink over graphite, one [360 x 540], the other [835 x 298], folded horizontally at the head. Minor accidents and wear from time. Set of 4 p.
Result €640Estimate €600 - €800 -
137 - 4 z'ArtsThéo Sardnal (1898-1984). Diploma for the year 1925 (School of Fine Arts). Photomechanical process. Exceptional set of 4 diplomas printed on vellum [ca. 390 x 520], bearing the author's name "Sardnal / At[elier] Perret", one extensively illuminated with gouache. Joint: same subject (other version). Photomechanical process. 3 proofs including 2 on vellum, one largely retouched in gilt bronze ink, another on gilt bronze tinted cardboard vellum retouched in India ink, accompanied by the pr
Result €2,304Estimate €1,000 - €1,200 -
138 - 4 z'ArtsInvitations and poster for the 4 z'Arts balls. 1911-1962. Photomechanical process. Various formats. Printing in colors. Meeting of 28 beautiful prints, some still having their stub. Minor accidents and wear of time. Joint : illustrated menu for the lunch of December 17, 1922 from the workshop Laloux and Lemaresquier (2 prints). Set. 30 p. Théodose, known as Théo, Sardnal was an architect. He entered the École Nationale des Beaux-Arts in 1921 after several attempts. He was a student
Result €5,760Estimate €800 - €1,000 -
139 - Resistance - War 1939-1945Vaincre , Testimony of the French painters. Album of lithographs " published by the National Front of painters for the benefit of the French francs-tireurs and partisans, somewhere in France June 1944, 48th month of the German occupation ". 245 x 315. 12 plates printed on both sides by Aujame, Fougeron, Goerg, Montagnac, Pignon and anonymous. Numbered copy, from an edition at 300. Slight foxing. Filled brown vellum cover.
Result €896Estimate €600 - €800 -
140 - Anonymous artist (Eastern countries ?) Macabre and erotic subjects. Around 1930. Drypoint. Most [250 x 180], 3 subjects [350 x 250]. Nice proofs, some state or trial proofs. Some subjects in several copies. Set of 27 p.
Result €448Estimate €300 - €400 -
141 - Adolphe Albert (1853-1936) Elegant woman and a dog on a pier. 1894. Etching and roulette. 312 x 408. Nice proof on vellum, with the artist's red stamp (Lugt not described). Heavy foxing and marginal oxidation. All margins.
Result €409Estimate €200 - €300 -
142 - George Barbier (1882-1932) Le Billet galant. About 1910. Stencil in colors and gilded bronze ink. Nice proof on thin vellum. Framed.
Result €230Estimate €180 - €200 -
143 - Pierre de Belay (1890-1947) The Departure of the Bigouden fisherman; Sailor on the quay, hands in the pockets. About 1940. Etching and aquatint. 295 x 395. Printed in colors. Very nice proofs on cream vellum, numbered and signed in pencil. Short tears at the foot of the leaf at the 1st. All margins. Set. 2 p.
Result €332Estimate €200 - €300 -
144 - Émile Bernard (1868-1941) The Bretoneries. 1889. Exceptional set of 9 plates. zincography. A portfolio in-fol. with original flaps, 380 x 460, containing the subjects printed on ivory vellum, illuminated in watercolor by the artist, each mounted on a laid sheet by several dots in the corners and marked in pen and sepia ink. In the lower right-hand corner of each mount, an unidentified collector's mark (J R ?) The support sheets, as evidenced by the text printed on the verso, come fro
Result €448,000Estimate €25,000 - €30,000 -
145 - Robert Bonfils (1886-1977) The Circus Lodge. 1913. Engraved wood. 305 x 305. I.F.F. 19. Printed in colors. Very nice proof on japon, numbered and signed in pencil. Margins. Rare. Edition at 15 proofs.
Result €384Estimate €300 - €400 -
146 - Pierre Bonnard (1867-1947) The Merchant of the Four Seasons. 1899. Lithograph. 335 x 285. Bouvet 65. color print. Perfect proof on thin white vellum. All margins. Edition of 100 proofs.
Result €1,664Estimate €1,000 - €1,200 -
147 - Pierre Bonnard (1867-1947) Woman sitting in her bathtub. Illustration for the program booklet of the "Grande Soirée Maurice Chevalier" of Friday August 14, 1942 at the Ambassadeurs in Cannes. 1942. Lithograph. [325 x 250]. Bouvet 115. Printed in colors. Very nice and fresh proof on strong cream vellum, of the cover only (without the fascicle).
Result €576Estimate €300 - €400 -
148 - Auguste Brouet (1872-1941) Intimacy. About 1906. Etching and aquatint after R. Woog. 485 x 595, printed in colors. Good proof on laid paper, heavily oxidized, numbered, signed by the painter and by the engraver in pencil. Traces of glue on the edge of the sheet on the reverse and small tears on the edges. All margins.
Result €179Estimate €150 - €180 -
149 - Anselmo Bucci (1887-1955) Waiting for low tide (Brittany). About 1900. Drypoint. 240 x 167. Perfect proof on watermarked laid paper "Eug. Delâtre", numbered and signed in pencil. All margins. Edition of 30 proofs.
Result €128Estimate €150 - €180 -
150 - Max Burchartz (1887-1961) Raskolnikoff. (Illustrations for the novel by F. Dostoyevsky, Crimes and Punishments). 10 Steinzeichnungen von Max Burchartz / Mit einem Vorwort von P. E. Küppers. Galerie Flechtheim ed. 1919. A large album in-fol. [505 x 690] containing the complete suite of 10 plates preceded by a leaf with the proof of issue on the front and the foreword on the back, with a 3-line pencil letter from the artist ("Im Auftrag von Herrn Flechtheim / und mit guten Grüssen von ihm / und
Result €2,816Estimate €1,500 - €1,800
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Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37 rue de Châteaudun 75009 Paris) et l’ensemble des dépends restera à sa charge. A compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021