ANCIENT AND MODERN ESTAMPES - LOTS 1 to 240
Wednesday 9 February 2022 at 14:00
3, rue Favart, 75002 Paris
240 lots
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51 - Giambattista Piranesi (1720-1778) Veduta della Basilica di S. Lorenzo fuor delle mura. (St. Lawrence Church). 1750. etching and burin. 665 x 380 [763 x 540]. Hind 12 (iii/v). Good proof on strong laid paper, the price erased, before number 19. Folio number 20 in pen and sepia ink in the upper right corner. Normal median vertical fold. Long curvilinear tear across subject, consolidated by old reinforcing strip on verso. Left edge irregular, slightly ragged, with small binding tab holes. Large ma
Result €281Estimate €200 - €300 -
52 - Giambattista Piranesi (1720-1778) Veduta della Piazza del Popolo. (View of the Piazza del Popolo). 1750. etching and burin. 547 x 400 [762 x 540]. Hind 14 (v/vii). Very fine proof on strong laid paper, with number 4 at lower right, before number 22 at upper right. Folio number 23 in pen and sepia ink in the upper right corner. Normal median vertical fold. Very light marginal foxing. Tiny tear at right edge. Left edge irregular, slightly ragged, with small binding tab holes. Large margins. First
Result €1,216Estimate €600 - €800 -
53 - Giambattista Piranesi (1720-1778) Veduta di Piazza di Spagna. (View of the Spanish Steps). 1750. etching and burin. 595 x 402 [765 x 540]. Hind 18 (v/viii). Very fine proof on strong laid paper, with numbers 23 and IV in the tablet, before number 23 at upper right. Folio number 24 in pen and sepia ink in the upper right corner. Normal median vertical fold. Very light marginal foxing. Minute missing in the lower right corner. Left edge irregular, slightly ragged, with small binding tab holes. La
Result €960Estimate €600 - €800 -
54 - Giambattista Piranesi (1720-1778) Veduta della vasta Fontana di Trevi anticamente detta l'Acqua Vergine. (View of the Trevi Fountain). 1751. Etching and burin. 550 x 400 [765 x 540]. Hind 19 (v/vii). A very fine proof on strong laid paper, the price erased, before the number 33 at the upper right. Folio number 34 in pen and sepia ink in the upper right corner. Normal median vertical fold. Left edge irregular, slightly ragged, with small binding tab holes. Large margins. First Parisian edition.
Result €960Estimate €600 - €800 -
55 - Giambattista Piranesi (1720-1778) Veduta del Ponte e Castello Sant' Angelo. (View of the bridge and the castle of St. Angelo). 1754. Etching and burin. 593 x 380 [764 x 540]. Hind 29 (iv/vi). Nice proof on strong laid paper, the price erased, before number 52. Folio number 53 in pen and sepia ink in the upper right corner. Normal median vertical fold, with small old reinforcement at foot on verso. Left edge irregular, slightly ragged, with small binding tab holes. Large margins. First Parisian
Result €1,408Estimate €600 - €800 -
56 - Giambattista Piranesi (1720-1778) Veduta del Ponte Salario. (View of the Salario Bridge). 1754. Etching and burin. 625 x 407 [770 x 540]. Hind 31 (iii/v). Very fine proof on strong laid paper, the price erased, before number 55. Folio number 56 in pen and sepia ink in the upper right corner. Normal median vertical fold. Small russet stain in lower margin. Left edge irregular, slightly ragged, with small binding tab holes. Wide margins. First Parisian edition.
Result €704Estimate €500 - €600 -
57 - Giambattista Piranesi (1720-1778) Veduta del Tempio della Fortuna virile (today: Church of Santa Maria Egiziaca). 1758. Etching and burin. 590 x 378 [770 x 540]. Hind 46 (v/vii). Very fine proof on strong laid paper, the price erased, before number 59. Folio number 60 in pen and sepia ink in the upper right corner. Normal median vertical fold. Small russet stain in lower margin. Left edge irregular, slightly ragged, with small binding tab holes. Wide margins. First Parisian edition.
Result €640Estimate €500 - €600 -
58 - Giambattista Piranesi (1720-1778) Colonna Trajana. (Trajan's Column). 1758. Etching and burin. 405 x 545 [540 x 770]. Hind 51 (v/vii). Very fine proof on strong laid paper, the price erased, before number 31. Folio number 32 in pen and sepia ink in the lower right corner. Normal median horizontal fold. Top edge irregular, slightly ragged, with small binding tab holes. Large margins. First Parisian edition.
Result €768Estimate €600 - €800 -
59 - Giambattista Piranesi (1720-1778) Colonna Antonina. (Column of Marcus Aurelius). 1758. Etching and burin. 405 x 550 [540 x 770]. Hind 52 (iii/v). Very fine proof on strong laid paper, the price erased, before number 12. Folio number 33 in pen and sepia ink in the lower right corner. Normal median horizontal fold with reinforcement at right edge on verso. Another reinforcement above the first one. Top edge irregular, slightly ragged, with small binding tab holes. Wide margins. First Parisian edi
Estimate €600 - €800 -
60 - Giambattista Piranesi (1720-1778) Obelisco egizio. (Obelisk, St. John Lateran Square). 1759. Etching and burin. 405 x 545 [540 x 770]. Hind 53 (iii/v). Nice proof on strong laid paper, the price erased, before number 12. Folio number 12 in pen and sepia ink in the lower right corner. Normal median horizontal fold. Tearing at lower right corner. Top edge irregular, slightly ragged, with small binding tab holes. Large margins. First Parisian edition.
Estimate €600 - €800 -
61 - Giambattista Piranesi (1720-1778) Veduta dell' Atrio del Portico di Ottavia. (Exterior view of the entrance to the portico of Octavia). 1760. etching and burin. 590 x 392 [763 x 538]. Hind 58 (v/vii). Very fine proof on strong laid paper, the price erased, before number 67. Folio number 68 in pen and sepia ink in the upper right corner. Normal median vertical fold. A small tear at the foot. Left edge irregular, slightly ragged, with small binding tab holes. Large margins. First Parisian edition
Result €640Estimate €500 - €600 -
62 - Giambattista Piranesi (1720-1778) Veduta interna dell' Atrio del Portico di Ottavia. (Interior view of the entrance to the portico of Octavia). 1760. etching and burin. 547 x 410 [763 x 538]. Hind 59 (iv/vi). Very fine proof on strong laid paper, the price erased, before number 68. Folio number 69 in pen and sepia ink in the upper right corner. Normal median vertical fold. Small light freckles at the edges of the folio. Perceptible light aureoles on verso. A short vertical draw crease at the ce
Result €640Estimate €500 - €600 -
63 - Giambattista Piranesi (1720-1778) Veduta del Ponte Molle sul Tevere... (View of the Ponte Molle on the Tiber). 1762. Etching and burin. 675 x 440 [760 x 540]. Hind 64 (ii/iv). Nice proof on strong laid paper, the price erased, before number 54. Folio number 55 in pen and sepia ink in the upper right corner. Normal median vertical fold, with small reinforcement at foot of center on verso. Small printing accident (false bite forming black stain) under the small arch at the right edge. Small surfa
Result €512Estimate €400 - €500 -
64 - Giambattista Piranesi (1720-1778) Veduta di Campo Vaccino (The Roman Forum). 1772. Etching and burin. 710 x 480 [760 x 550]. Hind 100 (ii/iv). Nice proof on strong laid paper, before number 14. Normal median vertical fold. Large light russet spot in the left part of the sheet. A few small irregularities in the paper pulp (normal) visible by transparency. Left edge irregular, slightly ragged, with small binding tab holes. Good margins. 1st Parisian edition.
Result €768Estimate €600 - €800 -
65 - Giambattista Piranesi (1720-1778) Veduta in prospettiva della gran Fontana dell' Acqua Vergine detta di Trevi... (The Trevi Fountain, from the front). 1773. Etching and burin. 710 x 475 [765 x 540]. Hind 109 (i/iii). Beautiful proof on strong laid paper, before number 12. Folio number 35 in pen and sepia ink in the upper right corner. Normal median vertical fold, with small reinforcement at foot on verso (forming a slight russet stain on recto). Left edge irregular, slightly ragged, with small
Result €960Estimate €600 - €800 -
66 - Giambattista Piranesi (1720-1778) Veduta dell' insigne Basilica Vaticana coll' ampio Portico, in adjacent Piazza. (St. Peter's Square as the crow flies). 1748. Etching and burin. 708 x 475 [765 x 540]. Hind 120 (i/iii). Nice proof on strong laid paper, before number 2. Folio number 3 in pen and sepia ink in the upper right corner. Normal median vertical fold, fractured at foot for 10 cm, with old restoration on verso. Left edge irregular, slightly ragged, with small binding tab holes. Good marg
Result €960Estimate €600 - €800 -
67 - Giambattista Piranesi (1720-1778) Carcere oscura con Antena pel suplizio dè malfatori... (Pl. 2 of Prima parte di architetture et prospettive...). 1743-1750. 240 x 385. Focillon 4. Very nice and fresh proof on laid paper. Minimal oxidation at the edges of the sheet. All margins.
Result €960Estimate €200 - €300 -
68 - Giambattista Piranesi (1720-1778) Camera sepolcrale inventata e disegnata al costume (...) degl' Imperatori Romani (Sepulchral chamber invented and drawn (...) in the manner of the Roman emperors). (Pl. following the series Prima parte...) 1743-1750. Etching. 280 x 400. Focillon 18. Very nice and fresh proof on laid paper. Slight oxidation at the edges of the sheet. All margins.
Result €1,024Estimate €200 - €300 -
69 - Giambattista Piranesi (1720-1778) Pianta de Roma e del Campo Marzo. 1774. Etching and burin. [730 x 1320]. Focillon 600; Wilton-Ely 1097.1008. Very fine proof in three folded pieces, filled in three for inclusion in an album. Number 3 in pen and sepia ink in the upper right corner. Small brownish spots at the extreme left edge. Traces of folds and old reinforcement bands in places at the edges of the folio on the verso. Good margins. 1st Parisian edition. The main map has the particularity t
Result €832Estimate €600 - €800 -
70 - Gilles Rousselet (1610-1686) and Abraham Bosse (1593-1670) Mariamne; Camme; Monime; Porcie; Lucrèce; Arrie (6 of 20 plates for Pierre Le Moyne, La Galerie des Femmes Fortes, Paris, chez Antoine de Sommaville, 1647). Engraved after Claude Vignon. Each 215 x 340. Very nice proofs on laid paper, the 2nd with typographed text on the reverse. Some light foxing and soiling. Small margins. "This book, which was a considerable success, is illustrated with twenty plates drawn by Claude Vignon and eng
Result €281Estimate €200 - €300 -
71 - Gabriel de Saint-Aubin (1724-1780) The Abduction of the Girls. 1778. Etching. 135 x 181. Very fine and extremely rare proof on strong laid paper (watermark: dovecote), trimmed on the plate cut, initials and date in pen and ink at the foot. A few pen strokes forming scrolls around the engraved title at lower left. On verso, traces of glue in the corners and remnants of mounting tabs along the edges. Vertical fold along the left edge, slightly oxidized on the reverse, with small light reddish spo
Result €6,400Estimate €4,000 - €5,000 -
72 - Augustin de Saint-Aubin (1736-1807) (after) La Marchande de châtaignes. 1762. Etching by the Knight of Parlington. 178 x 143. Bocher 440. A very fine proof on laid paper, bearing in pencil the annotation "de Parlington sculp. Some light scattered foxing. Numerous small remnants of gummed paper (legs of old hinges) at the edges on the reverse. Good margins.
Result €1,152Estimate €150 - €180 -
73 - Saint-Non (Jean-Claude Richard, abbé de) (1727-1791) L'Abreuvoir aux chevaux. 1766. Etching and aquatint after Hubert Robert. 145 x 185. Good proof, washed, the margins reduced. Short tear at the left edge. Ex-coll. V. Déséglise (Lugt 356c).
Result €192Estimate €100 - €120 -
74 - Johann Heinrich Tischbein the Elder (1733-1789) The Sleep of Venus and Love; Love, stung by a bee, complains to Venus. Etching. 167 x 102. Nagler, Le Blanc 5 and 6. Very nice proofs on ivory laid paper. Nice margins. Set. 2 p.
Result €153Estimate €150 - €180 -
75 - François Tortebat (1616-1690) Piles (Roger de). Defets of the Abrégé d'Anatomie accommodated to the arts of painting and sculpture (ed. of 1765). Including pl. 1 to 7 and 9, some with subjects drawn on both sides. Etching after Titian. Each approx. [260 x 435]. Good proofs on laid paper, some with pencil lines (related to old copyists' work). Freckles, damp spots, creases and minor accidents. Attached: text leaves and two other plates.
Result €768Estimate €300 - €400 -
76 - Joseph-Marie Vien (1716-1809) Carnival of the Sultan in Mecca : Turkish Masquerade given in Rome by the Pensioners of the Academy of France and their friends - at the Carnival of the year 1748. Etching. Each 131 x 200 or 205 x 133. Baudicour 9 to 38. Meeting of 30 pl. out of 32, in sheets - missing the title (Baudicour 8) and pl. 30 in width, chariot drawn by four horses abreast (Baudicour 39). Very nice and fresh proofs on laid paper. Insignificant rust spots, small light spots or occasional s
Estimate €4,000 - €5,000 -
77 - François-Xavier Vispré (c. 1730-after 1789) Louis Quinze. About 1760. black maniere after Liotard (spelled here "Loitard"). 230 x 330. Le Blanc 1; Portalis and Beraldi 1. Very fine proof on thin laid paper. Horizontal drying fold in the middle. Small remnants of glue on the reverse. All margins.
Result €153Estimate €150 - €180 -
78 - Giovanni Volpato (1735-1803) et al. Paoli (Paolo Antonio). Avanzi delle antichità esistenti a Pozzuoli, Cuma e Baja. [Naples], end of 1768. One vol. large in-fol. [375 x 515], containing an allegorical title engraved by Marra, a false title engraved by Volpato after Falciatore, a dedication to Ferdinand IV engraved by Volpato after Fischetti Cioffredo, 38 leaves of engraved text alternating with 66 plates engraved with etching and burin by Cardon, La Marra, Nicole, Volpato... after Natali, Mag
Estimate €3,500 - €4,000 -
79 - Pierre Woeiriot de Bouzey (1532-1596) Portrait of Pierre du Châtelet, bishop of Toul. 1578. Burin. 110 x 160. Robert-Dumesnil 283; I.F.F. 44. A very fine proof on thin laid paper, of the 2nd state (of 3), before the traces of burnishing intended to erase the oblique escaped line at the left of the head, trimmed to the board cut and complete with the tablet, mounted in window and glued on vellum folio. Rare.
Result €153Estimate €150 - €180 -
80 - Étienne Delaune (c. 1518-c. 1576) Susanna and the two old men. Burin. 172 x 110. I.F.F., Robert-Dumesnil 60. Very nice proof on thin laid paper, trimmed to the subject, lined on vellum.
Result €204Estimate €150 - €180 -
81 - Karel van Mander (1548-1606) (after) Susanna and the old men. Engraved by an anonymous person. 208 x 141. Hollstein not described. Good proof trimmed to the square line. Minor creases and accidents mainly visible on the reverse.
Estimate €120 - €150 -
82 - Jan Collaert I (1551-1620) Story of Susanna. Engraved after M. de Vos. 274 x 217. New Hollstein 175-178. Complete suite of 4 pl. Fine proofs on thin laid paper, from the 1st edition at the address of Vrints. Slight foxing, small soiling and minor accidents. Good margins.
Result €320Estimate €300 - €400 -
83 - Raphael Sadeler I (c. 1560/61-c. 1628-32) Susanna at the Bath. 1582. Burin after F. Pourbus. 300 x 246. Hollstein 11. A fine square-trimmed proof, with the excudit of R. Sadler. Numerous light freckles, several short tears at the edges of the folio and pinholes at the left edge. Small epidermis and soiling on verso.
Estimate €180 - €200 -
84 - Crispin de Passe le Vieux (c. 1565-1637) Susanna and the Old Men. About 1620. 245 x 210. Hollstein 45. A good proof. Minor spotting, some reinforced on the reverse. The margins partially redone.
Result €256Estimate €120 - €150 -
85 - Nicolaes de Bruÿn (1571-1656) Susanna and the old men. Burin. 145 x 170 (oval subject). Hollstein 30. A finely lined proof, trimmed at the subject, with partially fractured medial horizontal fold. Two short tears. Minor rust spots.
Estimate €150 - €180 -
86 - Cornelis Schut (1597-1655) Susanna and the old men (two different subjects). Etching. 132 x 142 and 119 x 130. Le Blanc, Hollstein 3 and 4. Very fine proofs on thin laid paper, the 1st trimmed inside the plate cut, the 2nd with a square line. Set. 2 pp.
Result €384Estimate €200 - €300 -
87 - Annibale Carracci (1560-1609) Susanna and the old men. 1621. Etching. 305 x 338. Bartsch 1; Bohlin 14; Bohn (The Illustrated Bartsch, Commentary, Part 2), 13 S 2. A good washed proof, a bit gray, trimmed to the square line and slightly inside the subject on the right, lined on vellum, of the 2nd state (of 3) according to Bohn (a state unknown to Bartsch, who counted only two), with the lettering, the setting lines still clearly visible, but before the engraver's name.
Result €409Estimate €200 - €300 -
88 - Paul Pontius (1603-1658) Susanna and the old men (Turpe senilis amor). Engraved after Rubens. 285 x 368. Le Blanc 1. Very nice proof on laid paper. Light foxing, traces of folds and small old restoration at the foot on the reverse. Very large margins. Ex-coll. René Huyghe (unmarked).
Result €320Estimate €150 - €180 -
89 - Jean-Baptiste Corneille (1646-1695) La Chaste Suzanne. Etching and burin after Carracci. 285 x 407. Robert-Dumesnil 5. Nice proof trimmed on the plate cut, complete with the tablet. Traces of folds, including median horizontal drying folds, slightly rubbed. A spot of rust on the right side of the arms. Ex-coll. René Huyghe (without mark).
Result €179Estimate €150 - €180 -
90 - Jean-Pierre Norblin de la Gourdaine (1745-1830) La Chaste Suzanne. 1776. Etching. 222 x 170. Hillemacher 3. Very nice proof on chine volant. Scattered light foxing. Small traces of glue in the corners on the reverse. Fillets of margins.
Result €576Estimate €180 - €200 -
91 - Charles Guérin (1875-1939) Suzanne in the bath. 1895. Lithograph. 170 x 240. I.F.F. no described. Very nice proof on chine appliqué. Light scattered foxing on the support. All margins.
Result €358Estimate €120 - €150 -
92 - Joseph Hecht (1891-1951) Suzanne at the bath. Circa 1920-1923. Etching. 198 x 250. Plumart et Tonneau-Ryckelynck 68. Nice proof on Montval laid paper, numbered and signed in pencil. Small lack in the center at the foot of the sheet. All margins untrimmed. Edition of 30 proofs.
Estimate €150 - €180 -
93 - Adolphe Beaufrère (1876-1960) Suzanne and the old men. 1920. Etching. 200 x 169. Morane 20-21. Very nice proof on japan, numbered and signed in pencil. All margins. Edition at 40 proofs. Dry stamp : Ed. Sagot éditeur Paris (Lugt 2254).
Estimate €120 - €150 -
94 - Édouard Goerg (1893-1969) Suzanne and the old men. 1927. Etching. 147 x 197. I.F.F. 85. Perfect proof on white vellum, titled, numbered and signed in pencil. All margins. Edition of 30 proofs. Dry stamp : Jacquart éditeur Paris (Lugt not described).
Estimate €120 - €150 -
95 - Olivier Debré (1920-1999) Suzanne and the old men. About 1948. Drypoint. 117 x 90. Pernoud 48. Perfect proof on vellum, justified "EA" and signed in pencil, of the print made for J. David in 1990 (there are virtually no proofs of the earlier edition). All margins.
Result €179Estimate €150 - €180 -
96 - Pierre Courtin (1921-2012) Two Seated Figures No. 3 (possibly Suzanne and the Old Men). 1945. Burin. 129 x 130. River 8. Very nice proof on vellum, justified "épreuve d'essai" and signed in pencil. All margins. Rare. Final edition at 25 proofs.
Result €204Estimate €120 - €150 -
97 - Miscellaneous A lot by Boulanger, Chapron, Le Juge, Lutma, Béjot, Daubigny, Dupré. Etching ; burin ; lithography. Various formats. Very nice proofs. Margins. Set. 15 p.
Result €320Estimate €300 - €400 -
98 - Charles Beyer (1792- ?) The Workshop of Horace Vernet. 1822. Engraved after the painting by Vernet (location unknown). 293 x 258. I.F.F. 3. Nice proof on laid paper, slightly oxidized. Interesting document abundantly captioned with the names of the artists in pencil. All margins. "The Atelier of Horace Vernet, turbulent and amusing if ever there was one, is still the most interesting, by the quantity of portraits it contains. The piston enthusiast, leaning over a table, is Eugène Lami; Améd
Result €115Estimate €100 - €120 -
99 - Auguste Blanchard (1819-1898) Charles Gounod. About 1852. Copper engraved with etching and burin after the painting by Édouard Dubufe. 330 x 390. Engraved names of the artists and title. Beveled, the corners rounded. Small traces of oxidation. Édouard Dubufe, author of the painting, was the brother-in-law of his model Charles Gounod. His wife was Juliette Zimmermann (1819-1855), second daughter of the piano teacher Pierre Zimmermann, whose sister Anna married the composer in 1852.
Result €153Estimate €150 - €180 -
100 - Thomas Shotter Boys (1803-1874) Pl. for Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc. (Rue du Rivage, Abbeville; Belfry, Ghent; Tour de Remy, Dieppe; Paris: Hôtel de Sens; St. Étienne du Mont; Notre-Dame; Vieille rue du Temple; Hôtel de la Trémouille rue des Bourdonnais; Porte rouge Notre Dame; Rue des Marmousets). 1839. Lithograph. Various sizes. Color print with several stones and gouache stencil highlights. The first 6 subjects in beautiful proofs on vellum, with margins
Result €768Estimate €400 - €500
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Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37 rue de Châteaudun 75009 Paris) et l’ensemble des dépends restera à sa charge. A compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021