ANCIENT AND MODERN ESTAMPES - LOTS 1 to 240
Wednesday 9 February 2022 at 14:00
3, rue Favart, 75002 Paris
240 lots
-
151 - Marie-Paule Carpentier (1876-1915) Landscape with large pine trees and sailboats. About 1900. Soft varnish. 335 x 445. Printed in colors. Very nice proof on japon fort, signed in pencil. Short handling folds at the edges of the sheet. All margins. Rare.
Estimate €600 - €800 -
152 - Mary Cassatt (1844-1926) Lydia Reading, Turned Toward Right. Circa 1881. Soft varnish and aquatint. 109 x 179. Breeskin 63. Very fine proof on thin laid paper with the "Vanderley" watermark, signed in pencil (later). Vertical ripples across the subject and at the head. A light freckle under the subject. Small remnants of glue at head and foot on verso. All margins. Rare. Edition of a small number of proofs. Provenance : Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980 )
Result €3,328Estimate €3,000 - €4,000 -
153 - Mary Cassatt (1844-1926) Bill Lying on his Mother's Lap. Circa 1889. Soft varnish and aquatint. 135 x 178. Breeskin 101. Printed in brown. A very nice trial proof, printed to the effect on cream laid paper, of an intermediate state between the 4th and 5th (of 5) according to Breeskin, with new work in the baby's feet and in the mother's hair, signed with initials in pencil. Small ink stains around the subject. All margins. Provenance : Ambroise Vollard (1866-1939) then H. M. Petiet (1894-198
Result €2,176Estimate €2,000 - €3,000 -
154 - Mary Cassatt (1844-1926) Preparing Bill for an Outing. Circa 1889. Soft varnish and aquatint. 121 x 161. Breeskin 106. A very fine proof on thin laid paper with the "Vanderley" watermark, signed with the initials in pencil. Vertical ripples at the head and foot of the sheet. Thin oblique fold at the upper right edge. All margins. Rare. Edition of 25 proofs. Provenance : Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980 )
Result €2,176Estimate €2,000 - €3,000 -
155 - Mary Cassatt (1844-1926) Celeste and Marjorie. Circa 1898. Drypoint. 409 x 290. Breeskin 166. A very fine and fresh proof printed with ground tint on "Arches" watermarked laid paper, signed with the initials in pencil and numbered "n° 37". A small hole on the right of the first face. All margins untrimmed. Provenance : Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980 )
Result €5,120Estimate €4,000 - €5,000 -
156 - Paul Cézanne (1839-1906) Head of a young girl. 1873. Etching and roulette. 105 x 128. Cherpin 7. Printed in brown. Beautiful proof printed with ground tint on highly textured cream vellum, the bevels very apparent, from the 1914 edition for the book Paul Cézanne by Ambroise Vollard. Light foxing. All margins. Joint : same subject. Reunion of 2 trial proofs of a later print, on ivory vellum, one in bluish grey, the other in black, the latter with scattered light foxing. All margins. Stamp of t
Result €1,088Estimate €400 - €500 -
157 - Paul Cézanne (1839-1906) The Little Bathers, or The Bath. 1897. Lithograph. 262 x 217. Cherpin 6; Johnson 22. color print. Very nice and fresh proof on chine volant. Fine fold of print in the right margin. All margins [360 x 290]. Final edition of 100 proofs for the Album d'Estampes Originales de la Galerie Vollard, 2nd year, 1897.
Result €7,936Estimate €3,000 - €4,000 -
158 - Edgar Chahine (1874-1947) Louise France at mid-body. 1902. Drypoint. 287 x 405. Tabanelli 89. Beautiful proof on laid paper, dedicated in the lower left corner of the subject in pencil: "to Madame F. Alberti-Hom / very respectfully", then signed and titled. Light scattered foxing. Good margins. Edition of 50 proofs. Thérèse Wolff, known as Louise France (1841-1903), was a realist teller in the Montmartre cabaret of the Chat Noir by Rodolphe Salis. Chahine also represented her in the role o
Result €588Estimate €150 - €180 -
159 - Edgar Chahine (1874-1947) The Seine at Courbevoie. 1907. Etching and drypoint. 460 x 295. Tabanelli 261. Superb proof printed in bistre brown on applied bubble, dedicated in pencil : " à Willaume / son fidèle ami " then signed. A foxing in the right margin. All margins. Edition at 50 proofs.
Result €640Estimate €300 - €400 -
160 - Edgar Chahine (1874-1947) Venice, San Giorgio Maggiore; Venice, the Piazza. 1923. Drypoint. 195 x 255 and 215 x 315. Tabanelli 377 and 382. Fine proofs on vellum, signed in pencil, slightly sunned. Margins. Edition of 100 proofs. Framed. Set. 2 p.
Result €832Estimate €300 - €400 -
161 - Chat Noir Two envelopes addressed to Le Chat Noir, Journal Artistique et Littéraire Illustré, 12 rue Victor Massé. 143 x 110. On grey vellum, illustrated with gillotages after Willette and H. Somm. Blank of any wording.
Result €230Estimate €120 - €150 -
162 - Charles Cottet (1863-1925) Fishing boats, setting sun. 1905. Etching, drypoint and roulette. 497 x 397. Morane 7. Printed in night blue. Very nice proof on "Arches" watermarked laid paper, numbered and signed in black stone. Marginal trace of oxidation. Scattered light foxing. All margins. Edition of 50 proofs in this color (besides 50 in brown and 50 in black). Dry stamp : Galeries Georges Petit éd (Lugt 2022).
Result €704Estimate €600 - €800 -
163 - Charles Cottet (1863-1925) Fishermen fleeing the storm. 1905. Etching and aquatint. 298 x 236. Morane 18, printed in colors. Very nice proof on laid paper, numbered and signed in black stone, formerly washed with care (inscriptions in framer's pencil fixed on the reverse). Good margins (slightly reduced). Edition of 100 proofs.
Result €1,024Estimate €400 - €500 -
164 - Charles Cottet (1863-1925) Breton landscape on the coast. About 1905. Etching. 180 x 123. Morane 24. Perfect proof on strong cream vellum. All margins. Joint : Bretonnes sur le quai. 1894. Zincography. 202 x 150. morane 1. Perfect proof on ivory vellum, from the edition made for La Revue blanche. All margins. Set. 2 p.
Result €256Estimate €300 - €400 -
165 - Charles Cottet (1863-1925) Spanish singer. 1905-1906. Etching. 170 x 115. Morane 41. Very nice proof on strong white laid paper, signed and numbered in pencil. Some light foxing. All margins. Edition at 35 proofs.
Result €281Estimate €300 - €400 -
166 - Charles Cottet (1863-1925) Marine mourning. About 1905-1910. Etching and drypoint. 415 x 310. Morane 46 b. Printed in colors. Very nice and fresh proof on cream laid paper, numbered and signed in pencil. All margins. Edition at 100 proofs in colors (besides 100 in black).
Result €1,792Estimate €600 - €800 -
167 - Charles Cottet (1863-1925) Office du soir, or Messe basse en hiver (Ouessant). About 1905-1910. Etching, aquatint and roulette. 405 x 300. 47 Morane. Printed in colors. Very nice and fresh proof on strong cream vellum, numbered and signed in pencil. All margins. Edition at 100 proofs.
Estimate €600 - €800 -
168 - Charles Cottet (1863-1925) In the Land of the Sea, or Farewell Triptych. 1908-1909. Etching, drypoint and roulette. Left copper: 390 x 542; center copper: 795 x 545; right copper: 390 x 542. Morane 51. Beautiful and rare trial proofs on strong vellum, very oxidized, annotated in pencil "9 Xbre 1908", "n° 6 essai" (in pen and ink for the central subject) and "Essai n° 4" (for the right copper). Margins reduced (the inscriptions slightly nicked). Rare.
Result €896Estimate €600 - €800 -
169 - Charles Cottet (1863-1925) Pont-en-Royans (small plate). About 1908. Etching. 238 x 178. Morane 67. Printed in colors. Very nice proof on japon fort. A tiny splash of white gouache in the subject on the left. All margins. Rare.
Estimate €300 - €400 -
170 - Charles Cottet (1863-1925) Douleur, ou La Misérable chair humaine. 1909. Etching and drypoint. 285 x 160. Morane 69. Very nice proof on japon fort. Clear trace of oxidation around the subject. All margins. Plate published in the book La Misère sociale de la femme d'après les écrivains et artistes du XVIIIe au XXe siècle, Devambez éd. 1910, sold for the benefit of the liberated women of the Saint-Lazare prison.
Result €192Estimate €150 - €180 -
171 - Otakar or Othon Coubine (1883-1969) Frontal child holding flowers; Bust of woman. Circa 1930. Etching. 247 x 317 and 235 x 295. Very nice proofs on vellum and simili-japan, numbered and signed in pencil. Rare light foxing. All margins. Edition of 15 and 30 proofs respectively. Set. 2 p.
Estimate €300 - €400 -
172 - André Dauchez (1870-1948) Dunes of La Palue (Crozon). 1925. Etching. 399 x 232. Brugal 305-25. Perfect proof on cream vellum, numbered and signed in pencil. All margins. Edition of 30 proofs. Dry stamp : Marcel Guiot éditeur (Lugt not described).
Result €460Estimate €150 - €180 -
173 - André Dauchez (1870-1948) On Belle-Île. 1930. Etching. 420 x 204. Brugal 463-30. Very nice proof on thin vellum, numbered and signed in pencil. Light trace of oxidation at the opening of an old mount. Soft marginal folds. All margins. Edition of 100 proofs. Société Alexis éd.
Result €153Estimate €150 - €180 -
174 - Edgar Degas (1834-1917) Edgar Degas, by himself. 1855. Etching. 143 x 230. Delteil 1; Reed-Shapiro 8. A perfect proof on japon fort, from the print made on the crossed-out copper for Ambroise Vollard (1918). All margins.
Result €896Estimate €600 - €800 -
175 - Edgar Degas (1834-1917) At the Louvre: Painting (Mary Cassatt). About 1876. Etching, drypoint and aquatint. 128 x 305. Delteil 29; Reed-Shapiro 52. A very fine proof on heavy ivory-textured vellum, from the print made on the crossed-out copper for Ambroise Vollard (1918). Fine oxidation at the edges of the sheet. All margins.
Result €2,176Estimate €600 - €800 -
176 - Edgar Degas (1834-1917) (after) Before the Race. 1910. Lithograph by Auguste Clot after a pastel by the artist. [590 x 500]. Printed in 16 to 18 colors. Nice proof on chine volant. Oblique tear of 50 mm at the head, penetrating in the subject, summarily consolidated on the back. All margins.
Result €448Estimate €300 - €400 -
177 - Auguste Delâtre (1822-1907) Ten small subjects. 1874. Etching. 215 x 165. Nice proof on laid paper, dedicated in pencil: "to Monsieur Gonzalgue [for Gonzague] Privat" and signed in pencil. Minor foxing at the edges of the folio. All margins untrimmed. Ex-coll. E. D. Forgues (Lugt 743a). Gonzague Privat (born Louis Marie Numa Privat in Montpellier, 1843-1917) was a painter, man of letters, dramatic artist and art critic.
Result €153Estimate €150 - €180 -
178 - Auguste Delâtre (1822-1907) Pl. of the suite Twelve etchings and drypoints by Auguste Delâtre. 1877. Etching and drypoint. Beraldi 83 (missing from the Bibliothèque nationale, cf. I.F.F. p. 167). Various formats. Meeting of 10 subjects including a title. Very nice proofs on japan, the title bearing a pencil lettering (the dedicatee's name erased), signed and dated "avril 1882". Margins reduced and not homogeneous. Contained in the edition's beige vellum folder [300 x 390] bearing the engrave
Result €832Estimate €300 - €400 -
179 - Auguste Delâtre (1822-1907) In the moon. Etching. 150 x 200. Beraldi 79. Nice proof on strong vellum, titled, dedicated "to the friend Al. Detaille" and signed. Light scattered foxing. Traces of glue in the corners on the reverse. Reduced margins. Ex-coll. E. D. Forgues (Lugt 743a).
Result €192Estimate €150 - €180 -
180 - Maurice Denis (1870-1943) The Pilgrims of Emmaus. 1895. Lithograph. 461 x 308. Cailler 84. Printed in colors. Very nice and fresh proof on ivory vellum, signed and numbered in pencil. All margins. Edition at 100 proofs. A. Vollard ed. frame (on the back, labels of loan to the Museum of Pont-Aven for the exhibition "Peintres de la Bretagne et quête spirituelle" from June 24 to September 25, 2006).
Result €1,792Estimate €600 - €800 -
181 - André Devambez (1867-1944) The Charge. 1902. Lithograph. [530 x 455]. Menegoz 24. Printed in blue, the remarks in sanguine. A very fine proof on japon nacré, with important marginal remarks, numbered and signed in pencil. Long trace of oblique thread-like rubbing across the subject. All margins. Edition of 50 proofs. The subject is based on a 1902 painting, also known as La Charge sur le boulevard Montmartre, scènes d'émeutes, currently in the Musée d'Orsay. "What is surprising in this
Result €1,152Estimate €400 - €500 -
182 - André Devambez (1867-1944) Projects for the next year. About 1910. Lithograph. 452 x 320, printed in colors. Good proof on thin japan, numbered and signed in pencil, lined on another sheet of thin japan (awkwardly, the lining causing blisters and curling). Thinning visible by transparency. Light foxing. All margins. Edition of 175 proofs.
Result €332Estimate €120 - €150 -
183 - Émile Dezaunay (1854-1938) Little beggar girl from Pleyben. About 1895. Drypoint and aquatint. 320 x 420 cm, printed in colors. Very nice proof on cream laid paper, numbered in pencil and signed in black stone. Slight dusting and light scattered foxing in the large margins not trimmed. Edition of 50 proofs. Dry stamp : Ed. Sagot éditeur (L. 2254).
Estimate €600 - €800 -
184 - André Dignimont (1891-1965) Naked woman in an armchair. About 1940. Copper engraved with etching. 243 x 306. Beveled, rounded corners.
Estimate €150 - €180 -
185 - Raoul Dufy (1877-1953) Naval Festival. 1921. Lithograph. At sight : 520 x 385. I.F.F. 23. Very nice trial proof on vellum of a part of the colored stones (blue, brown, red), largely enhanced with pastel, colored pencils and watercolor in view of the establishment of the final colored stones, annotated "maquette au paste[l]" and signed with the initials. Oxidation to the edges of the sheet. Margins. Final print of 33 proofs. Frame (on the back in a cutout of the frame background, handwritten cer
Result €2,944Estimate €1,000 - €1,200 -
186 - Raoul Dufy (1877-1953) Brillat-Savarin (Anthelme). Aphorisms and varieties. Paris, Les Bibliophiles du Palais, 1940. Defets of the work containing 19 pl. (of 20), including one adorning the false title. Etching. [245 x 310]. Perfect proofs. All margins.
Result €256Estimate €180 - €200 -
187 - Charles Dulac (1865-1898) Pl. 1 of the Landscapes suite. 1893. Lithograph. 335 x 540. I.F.F. 1. color print. Nice proof on strong ivory vellum, with remark (Japanese carp), numbered and signed in pencil. Marginal oxidation. All margins.
Result €179Estimate €180 - €200 -
188 - Charles Dulac (1865-1898) Pl. 2 of the Landscapes suite. 1893. Lithograph. 315 x 545. I.F.F. 1. color print. Nice proof on strong ivory vellum, with remark (lily), numbered and signed in pencil. Slight marginal oxidation. All margins.
Result €179Estimate €180 - €200 -
189 - Charles Dulac (1865-1898) Pl. 3 of the Landscapes suite. 1893. Lithograph. 342 x 435. I.F.F. 1. color print. Beautiful proof on strong ivory vellum, with remark (bat), numbered and signed in pencil then dedicated "to Mr Berlioz", pasted by the edges on strong cardboard, slightly oxidized. Two long vertical tears in the upper margin. All margins.
Result €307Estimate €150 - €180 -
190 - Charles Dulac (1865-1898) Plate 5 of the Landscapes suite. 1893. Lithograph. 475 x 310. I.F.F. 1. color print. Very nice proof on chine applied on japon fort, with remark (ears of wheat), numbered and signed in pencil. A small vermicular foreign body in the japan along the top edge. A few large light freckles, especially in the sky. Broken creases along the right edge. All margins.
Result €179Estimate €200 - €300 -
191 - Charles Dulac (1865-1898) Plate 7 of the Landscapes suite. 1893. Lithograph. 488 x 342. I.F.F. 1. Color print. Very nice and fresh proof on chine applied on japon fort, with remark (anemone), numbered and signed in pencil. All margins. Dry stamp : Monrocq frères éditeurs.
Result €332Estimate €200 - €300 -
192 - Charles Dulac (1865-1898) Study of trees (Burgundy). 1893. Lithograph. 480 x 315. I.F.F. 5; Stein and Karshan 22. Color print. A very nice proof on white vellum, numbered and signed in pencil and titled at the foot on the right. A few rare light freckles (including one on the dry stamp). Slight lack and fine oblique broken folds in the lower left corner of the folio. All margins. Edition of 100 proofs. Dry stamp : The original print (Lugt 819).
Result €332Estimate €300 - €400 -
193 - Charles Dulac (1865-1898) Stella matutina. (The Moon, pl. III of the album Le Cantique des Créatures). 1894. Lithograph. 480 x 322, printed in colors. Very nice proof on white vellum, signed with the initials and numbered in pencil. Band of oxidation along the left edge. Long broken fold rubbed along the lower right edge. Short broken fold in the lower left corner. All margins.
Result €179Estimate €150 - €180 -
194 - Charles Dulac (1865-1898) Spiritus Sanctus Deus. (The Holy Spirit, pl. IV of the album Le Cantique des Créatures). 1894. Lithograph. 492 x 372. I.F.F. 2. Color print. Very nice and fresh proof of a separate edition on bubble salmon applied, annotated "tirage supplément 2" and signed in pencil. All margins.
Result €358Estimate €300 - €400 -
195 - Charles Dulac (1865-1898) Jesu, Puritas Virginum... (The Fire and the Water, pl. V of the album The Canticle of Creatures). 1894. Lithograph. 475 x 375. I.F.F. 2. color print. Very nice proof on white vellum, with remark, annotated at the foot in pencil "La Péniche". Light scattered foxing. All margins.
Estimate €150 - €180 -
196 - Charles Dulac (1865-1898) Jesu via et vita nostra... (The Earth, pl. VI of the album The Canticle of Creatures). 1894. Lithograph. 503 x 380. I.F.F. 2. Color print. Very nice and fresh proof of a separate edition on bubble salmon applied, annotated "tirage supplément 2" and signed in pencil. All margins.
Result €883Estimate €300 - €400 -
197 - Charles Dulac (1865-1898) Jesu via et vita nostra... (The Earth, pl. VI of the album The Canticle of Creatures). 1894. Lithograph. 507 x 382. I.F.F. 2. Very nice proof on chine applied on white vellum, signed with initials and numbered. At the foot, annotation : " La Chapelle de Ménerville ". Scattered light foxing. Broken fold along the left side edge of the chine (visible especially on the reverse). Remnants of gummed kraft at head on verso. All margins.
Result €204Estimate €180 - €200 -
198 - Maurice Dumont (1869-1899) The Gentle Conqueror. 1895. Lithograph. 233 x 100. A. and A. Bonafous-Murat, Maurice Dumont et L'Épreuve, album d'art, 73. Very nice proof on chine volant. Minor foxing and handling creases. All margins. Plate published in the 8th issue of L'Épreuve, July 1895.
Result €153Estimate €120 - €150 -
199 - André Dunoyer de Segonzac (1884-1974) From Joinville to Bougival. Suite of eighteen etchings by Dunoyer de Segonzac. [Paris], aux dépens des Cinq-Vingt, 1935. One vol. in-fol. containing the complete suite of 18 drypoint plates; etching. Each [330 x 255]. Lioré and Cailler 806 to 823. Very fine proofs on ivory vellum with the Cinq-Vingt number printed on the verso, numbered and signed in pencil and again in pen and ink, matted with the edition. Clear trace of oxidation at the opening of the
Result €2,562Estimate €1,800 - €2,000 -
200 - André Dunoyer de Segonzac (1884-1974) Virgil. The Georgics. 1933-1946. One vol. in-fol. containing the complete suite of plates for the work. Etching and drypoint. Each [337 x 450]. Lioré and Cailler 863 to 981. A collection of 119 perfect proofs on watermarked Arches vellum (ox head, bee, bunch, ear of wheat), signed in pen and ink (not numbered), some further titled. Some rare traces of whitish oxidation on the margins of some plates, all margins untrimmed. Edition of 225 proofs. Green edit
Result €3,875Estimate €3,000 - €4,000
About the sale
Terms of sale
Show the terms of sale
Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets présentés.
L’adjudicataire sera le plus offrant et dernier enchérisseur et aura pour obligation de remettre ses nom et adresse. En cas de contestation au moment des adjudications, c’est-à-dire s’il est établi que deux ou plusieurs enchérisseurs ont simultanément porté une enchère équivalente, soit à haute voix, soit par signe, et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
enchérisseurs et tout le public sera admis à enchérir à nouveau.
La date indiquée entre crochets […] correspond à la création du modèle. La pièce présentée ayant été réalisée postérieurement.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procès-verbal.
Catalogue : 20 € dont TVA à 5,5 % au titre du droit d’auteur. Les images sont propriété exclusive d’ADER.
Toute reproduction ou diffusion nécessite une autorisation écrite de la Maison de Vente.
Frais de vente et paiement :
L’adjudicataire devra acquitter, en sus du montant de l’enchère, par lot, les frais et taxes suivants :
- 28 % TTC (20 % de TVA) sauf pour le vin et les livres 25 % TTC (5,5 % de TVA sur les livres).
- 1,8 % TTC (20 % de TVA) du prix d’adjudication pour des enchères via Drouot Live ;
3,60 % TTC (20 % de TVA) du prix d’adjudication pour les enchères via Interenchères ; 3 % TTC
(20 % de TVA) du prix d’adjudication pour les enchères via Invaluable.
- 5,5 % de frais additionnels au titre de la taxe à l’importation temporaire, pour les lots dont le numéro est précédé d’un astérisque (*).
Dans certains cas, ces frais pourront faire l’objet d’un remboursement à l’acheteur.
Le paiement devra être effectué immédiatement après la vente :
- en espèces (euros) jusqu’à 1 000 € pour les ressortissants français ou jusqu’à 15 000 € pour les ressortissants étrangers (sur présentation d’un justificatif de domicile, avis d’imposition, etc. ; en plus du passeport).
- par carte bancaire (Visa, Mastercard).
- par paiement « 3D Secure » sur le site www.ader-paris.fr
- par virement bancaire en euros à l’ordre de ADER.
Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89
BIC : CDCGFRPPXXX
Le règlement par chèque n’est plus accepté.
Ordres d’achat :
Un enchérisseur ne pouvant assister à la vente devra remplir le formulaire d’ordre d’achat inclus dans ce catalogue et le signer.
ADER agira pour le compte de l’enchérisseur, selon les instructions contenues dans le formulaire d’ordre d’achat, ceci afin d’essayer d’acheter le ou les lots au prix le plus bas possible et ne dépassant, en aucun cas, le montant maximum indiqué par l’enchérisseur.
Ledit formulaire devra être adressé et reçu à l’étude au plus tard 24 heures avant le début de la vente.
Les ordres d’achat ou les enchères par téléphone sont une facilité pour les clients. ADER n’est pas responsable pour avoir manqué d’exécuter un ordre par erreur ou pour toute autre cause. Merci de vérifier après envoi que votre ordre d’achat a été dûment enregistré.
ADER se réserve le droit de ne pas enregistrer l’ordre d’achat s’il n’est pas complet ou si elle considère que le client n’apporte pas toutes les garanties pour la sécurité des transactions ; sans recours possible.
Pour garantir la bonne volonté de l’acheteur, une consignation pourra être demandée avant la vente qui ne sera validée qu’en cas d’adjudication.
Drouot Live et Interenchères étant des services indépendant, nous déclinons toute responsabilité en cas de dysfonctionnement. Le coût supplémentaire lié aux achats sur internet est détaillé sur chacun des sites et dans nos conditions de vente.
Transports des lots / Exportation :
Dès l’adjudication prononcée, les achats sont sous l’entière responsabilité de l’adjudicataire.
Aucun lot ne sera remis aux acquéreurs avant acquittement de l’intégralité des sommes dues.
Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les acheteurs concernés par une exportation pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due forme soit remis à ADER et que le nom de la Maison de Vente y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
C’est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne sont pas garantis et sont tributaires de l’activité de la Maison de Vente.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37 rue de Châteaudun 75009 Paris) et l’ensemble des dépends restera à sa charge. A compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021