ANTIQUE AND MODERN PRINTS
Wednesday 29 May 2024 at 14:00
3, rue Favart, 75002 Paris
330 lots
-
51 - Miscellaneous (circa 1920-1925) A batch of 26 color stencils by Brunelleschi, Endré, Guinegault, Rosa Keezer, Maggy Monnier, Tito (including 2 with remarks in pencil, gouachées, numbered and signed in pencil) and anonymous. Very fine proofs. Minor soiling to some. Joint: 17 plates for La Gazette du Bon Ton. 17 stencils or color reproductions by Barbier, Benito, Lepape, Martin... Ens. 43 p.
Result €1,105Estimate €600 - €800 -
52 - Miscellaneous (circa 1920-1925) A large lot of modern and contemporary prints by Achener, Y. Alix, Besnard, Beurdeley, Ciry, Daumier, Jacquemin, Lelièvre, Léopold-Lévy, Mathieux-Marie, Vlaminck, etc. Etching; drypoint; lithography; woodcut. Fine proofs, most signed and justified. Joint: some drawings; some engravings by Callot. Ens. 120 p. approx. (in three cartons). Provenance: A. Dunoyer de Segonzac (1884-1974), painter and engraver.
Result €2,366Estimate €600 - €800 -
53 - Almanacs Anonymous. Prophetic almanac for 1847. Interior poster. Lithograph. [438x323]. Printed in color. Fine proof on vellum, slightly oxidized. Some foxing and small rings of moisture. Median vertical and horizontal folds.
Result €234Estimate €150 - €180 -
54 - Almanacs Ch. Vernier (1813-1892). Prophetic almanac for 1848. Interior poster. Lithograph. [461x321]. Printed in color. Fine proof on vellum, slightly oxidized. Light foxing and small rings of moisture. Vertical center fold, slightly fractured at foot.
Result €104Estimate €180 - €200 -
55 - Almanacs Anonymous. Prophetic almanac for 1849. Interior poster. Lithograph. [433x314]. Printed in colors. Fine proof on white vellum. Some foxing and small moisture spots. Median vertical and horizontal folds.
Estimate €180 - €200 -
56 - Almanacs Anonymous. Almanach pour rire pour 1852. Interior poster. Lithograph. [310x480]. Printed in color. Good proof on white vellum. Light foxing, creases and minor accidents. Joint: Almanach de la chanson for 1859. Interior poster. Lithograph. [490x320]. Color printing. Fine proof on white vellum. Ens. 2 p.
Result €104Estimate €200 - €300 -
57 - Almanacs Anonymous. Prophetic almanac for 1858. Interior poster. Lithograph. [482x313]. Printed in color. Fine proof on vellum, slightly oxidized. Some foxing, soiling and small rings of moisture. Vertical median fold. Joint: Stop. Prophetic Almanac for 1862. Interior poster. Lithograph. [450x316]. Color printing. Fine proof on white vellum. Several accidents restored, including a long median oblique tear. Vertical median fold. Ens. 2 p.
Result €364Estimate €200 - €300 -
58 - Almanacs Cham (Amédée de Noé, dit) (1818-1879). Almanach comique for 1858; Almanach du Charivari for 1861; Almanach pour rire for 1861. Interior posters. Lithography. Each approx. [480x310]. Color printing. Very fine proofs on white vellum. Vertical center fold. Minor foxing, accidents and traces of folding at leaf edges. Set of 3 p.
Result €234Estimate €300 - €400 -
59 - Almanacs Anonymous. Prophetic almanac for 1871. Interior poster. Lithograph. [487x325]. Printed in color. Fine proof on white vellum, with glued printed butterflies for "31st year" and "1871". Light dusting and foxing. Short tear at left edge. Vertical center fold.
Result €715Estimate €150 - €180 -
60 - Almanacs Anonymous. Prophetic almanac for 1886. Interior poster. Letterpress printing and stencil coloring. [280x375]. Very fine and fresh proof on thin ivory vellum. Joint: Anonymous. Prophetic Almanac for 1882. Interior poster. Zincography [510x328]. Printed in color. Fine proof on thin ivory vellum. Small hole in subject. Vertical median folds. Minor foxing and edge damage. Ens. 2 p.
Result €130Estimate €200 - €300 -
61 - Almanacs Anonymous. Various almanacs for 1882 to 1890. Interior posters. Lithography; letterpress printing. Various formats. Color printing. Fine proofs on thin vellum. Minor accidents and short tears at edges of folio. Set of 8 p.
Result €260Estimate €300 - €400 -
62 - Adolphe Appian (1818-1898) Duck pond (Virieu pond, Ain). 1883. Etching. 373x252. Curtis et Prouté 62. Fine proof on chine applied to strong white vellum, without the remark. Dusting and oxidation at the edges of the folio. Good margins (reduced).
Result €130Estimate €150 - €180 -
63 - George Auriol (Jean Georges Huyot) (1863-1938) Selim, child of Damascus. 1897. Lithograph. 150x355. Leroy-Crèvecœur 13; Johnson 4. Colour print. Fine proof on ivory vellum. Slight undulations or traces of folds at the edges of the folio (notably two parallel vertical folds at the center of the lower margin). Short tear at head. Fine margins. Edition of 65 proofs. A. Vollard ed.
Estimate €180 - €200 -
64 - Georges Barbier (1882-1932) Program for the evening of July 1, 1913 (Greek dances). 1913. An oblong [320x202] filled booklet, illustrated on the upper cover with a color stencil on a gilt background. Short traces of folding in the corners.
Result €286Estimate €150 - €180 -
65 - Adolphe Beaufrère (1876-1960) The Three Elegants. 1905. Etching and soft varnish. 443x320. Morane 05-18. Very fine proof on thin japon, stamped in the subject on the left (Lugt 3213). Normal narrow margins. Very rare. Edition unknown. Stamp R. Taburet (Lugt not described). This print was featured in the Musée du Faouët exhibitions Henri Rivière, 1995, and Cent ans d'estampes en Bretagne, 1998.
Result €780Estimate €300 - €400 -
66 - Eugène Béjot (1867-1931) Auteuil. 1904. Etching. 195x260. Laran242. Good proof on laid paper, signed in pencil, insulated and numbered in the Société Normande de Gravure stamp (Lugt 2300a). Full margins. Edition of 200 proofs. Joint: Les Cotres (in front of Saint-Malo). 1915. Etching. 126x100. Laran317. Very fine proof on thin white laid paper, unsigned. Full margins. Set. 2 p. Correction: long median oblique soft fold across 2nd plate.
Result €260Estimate €150 - €180 -
67 - Albert Besnard (1849-1934) The End of Everything. 1883. Etching. 208x245. Godefroy14. Very fine proof on cream laid paper, signed in pencil. Full margins. Edition of 100 proofs.
Result €234Estimate €150 - €180 -
68 - Georges Bigot (1860-1927) Japanese sketch. 1886. Etching, roulette and drypoint. Each [300x435]. Reunion of 30 subjects (including the title). Very fine proofs on thin laid japan. Some light foxing and traces of folding. Occasional dusting. Annotation in blue ballpoint pen on verso of one plate. Full margins.
Estimate €600 - €800 -
69 - Robert Bonfils (1886-1971) Engraver pulling a plate. 1922. Woodcut. 298x308. Printed in black and brown. Fine proof on thin vellum, numbered and signed in pencil. Numerous handling folds and horizontal median fold in the lower third of the sheet. Full margins. Edition of 140 proofs. Dry stamp: Société de la Gravure sur Bois Originale (Lugt 1140a).
Result €780Estimate €180 - €200 -
70 - Rodolphe Bresdin (1822-1875) Trees lying down in the wind. Circa 1845. Etching.200x135 [332x245]. Van Gelder 57 (subject incompletely reproduced, missing about 3cm of the subject on the left). Extremely rare proof of this early work, on applied buff bulla. Scattered foxing and damp spots. Tiny white dots in the subject. Traces of glue around the perimeter of the recto leaf. Fold broken in lower left corner. Full margins. Very rare. This engraving was inspired by 17th-century Dutch engravings, p
Estimate €6,000 - €8,000 -
71 - Rodolphe Bresdin (1822-1875) La Sainte Famille à la perche. 1858-1866. Etching. 103x50. Van Gelder 91. Fine proof trimmed to the subject and pasted on strong vellum bearing the stamp of P. A. Regnault (Lugt 2069a) and annotations in pencil in his hand - on the right obliquely below the subject: "La Ste Famille/près du ruisseau; R. Bresdin/20" and at the foot of the sheet on the left: "acheté de Paul Bresdin/6/5/29 P. A. R.Nice". Very slight surface tearing (during printing, probably due to th
Estimate €800 - €1,000 -
72 - Rodolphe Bresdin (1822-1875) Village entrance. 1861. Etching. 135x213. Van Gelder 103. Fine proof on chine appliqué, of the 1st state (of 2), with the title "Revue fantaisiste", but before Delâtre's address and before the letters RB to the left of the signature on the house. Some light foxing. Pinholes and short tear at leaf edges. Pronounced broken fold in lower left corner. Good margins.
Result €1,430Estimate €300 - €400 -
73 - Rodolphe Bresdin (1822-1875) Lake in the mountains. 1861. Etching. 128x140, Van Gelder 107. Very fine proof on applied bubble, from the Revue fantaisiste print run, the faint traces of false bite in the tree on the right. Slight dusting in the good margins. Ex-coll. H.M.Petiet (Lugt 5031).
Result €780Estimate €300 - €400 -
74 - Rodolphe Bresdin (1822-1875) The Oriental Horseman in the mountains. 1866. Etching. 230x302. Van Gelder 121. Good proof on cream vellum, from a posthumous print made on the worn copper. Full margins. Ex-coll. H.M.Petiet (Lugt 5031).
Result €364Estimate €300 - €400 -
75 - Rodolphe Bresdin (1822-1875) The Return of the Knight. 1871. Etching and roulette. 170x90. Van Gelder 132. Fine proof on thin white laid paper, of the print made on the worn copper and crossed out with an oblique point across the subject by P. Bresdin (the artist's son) in 1906. Slight light foxing. Good margins. Very rare (Van Gelder lists only 7 proofs of this subject, in all states). Of this subject, "only a few posthumous proofs made for Paul Bresdin in Nice are known". (D. van Gelder, Ro
Result €416Estimate €200 - €300 -
76 - Rodolphe Bresdin (1822-1875) Bathers under the Palm Trees. 1871. Etching. 140x130. Van Gelder 134. Fine proof on cream laid paper, printed "à l'effet" (monotyped) on worn copper, from a posthumous edition (circa 1906). Good margins. Robert de Montesquiou writes of this subject, whose exoticism is atypical for Bresdin and precedes that of Gauguin by a generation. Gauguin by a generation: "A new women's bath, this one more poetic, and more Oceanian, groups like young Otahitians, between flight
Result €494Estimate €300 - €400 -
77 - Rodolphe Bresdin (1822-1875) The Enchanted House. 1871. Lithograph (stone transfer of the 1st state etching). 173x244. Van Gelder 135. A very fine, fresh proof of a posthumous print made around 1899 on large chine appliqué. Dust at the edges of the folio. Full margins. Dry stamp: Rodolphine Bresdin (Lugt 2194).
Result €715Estimate €400 - €500 -
78 - Rodolphe Bresdin (1822-1875) La Sainte Famille aux cerfs. 1871. Stone transfer of the etching. 200x263. Van Gelder 137. Very fine proof on applied buff bulla, of the 1st state (of 2), before erasure of the signature at upper right and before new work. Innumerable light freckles, a few tiny ink spots and a few broken folds on the support. Oblique, thread-like traces of rubbing on the surface, visible in daylight. Full margins. Rare. Ex-coll. H.M.Petiet (Lugt 5031).
Estimate €1,500 - €1,800 -
79 - Rodolphe Bresdin (1822-1875) Le Repos en Égypte à l'âne bâté. 1871. Etching. 225x285. Van Gelder 138. Very fine proof of a posthumous print on ivory laid paper watermarked "Van Gelder Zonen". A tiny spot of rust (or flystain) to the left of the subject. Slight handling creases. Full margins. "Probably George A. Lucas, who acquired the plate at the beginning of this century, who made the proofs printed on this paper (one of them is in Baltimore)". (D. van Gelder, Rodolphe Bresdin, tome II,
Result €741Estimate €300 - €400 -
80 - Rodolphe Bresdin (1822-1875) The Watercourse. 1880. Etching. 210x134. Van Gelder 144. Fine proof on Van Gelder Zonen ivory laid paper (watermark: arms of Holland). Minor rubbing and slight epidermis under the subject on the surface, probably from the print run. Small remnants of the mounting tabs at the head of the recto. Full margins. The old prints are "on the whole, of fairly good quality, but the cleaning of the edges of the plate has sometimes blurred the sides of the composition, particul
Result €650Estimate €300 - €400 -
81 - Rodolphe Bresdin (1822-1875) My dream (version II). 1883. Etching. 137x217. Van Gelder 150. Very fine proof on ivory laid paper, 2nd state (of 3), before the letter and publication in L'Art moderne. Four tiny pinholes in the copper corners. Good margins, the right margin slightly irregular, with small tears and thinning on verso.
Result €715Estimate €600 - €800 -
82 - Félix Buhot (1847-1898) La Falaise - Saint-Malo Bay, or L'Abri - Dinard. 1889-1890.etching and drypoint. 400x300 (symphonic margins plate coup). Bourcard-Goodfriend 165. Very fine proof combining the central subject fixed by the upper edge under the symphonic margins: the subject in trial proof on old azure laid paper, stamped (Lugt 977), with various annotations in pencil in the artist's hand to the printer ("very good", "the line a little fatter", "rolled up naturally"), with small explanator
Result €1,950Estimate €1,000 - €1,200 -
83 - Félix Buhot (1847-1898) Les Grandes chaumières. 1881. Drypoint and etching. 272x140, Bourcard-Goodfriend 150. Good proof on cream laid paper, stamped (Lugt 977), oxidized. The board cut slightly fractured, with small fractures starting from the copper corners. Margins. Framed.
Result €585Estimate €200 - €300 -
84 - Eugène Carrière (1849-1906) Le Sommeil (Jean-René Carrière). 1897. Lithograph. 433x340. Delteil 36; Johnson 21. Very fine proof on japon vergé. A few white dots (inking defects) in the black background. Slight oxidation and light foxing at the edges of the folio. All margins untrimmed. Final edition of 100 proofs (on chine appliqué). A. Vollard éditeur.
Result €975Estimate €600 - €800 -
85 - Eugène Carrière (1849-1906) Le Sommeil (Jean-René Carrière). 1897. Lithograph. 337x425. Delteil 36; Johnson 21. Fine proof on chine applied to strong white vellum. A few tiny white dots (inking defects) in the black background. Dusting (more marked on verso), light foxing, a short tear and a small dent at the edges of the folio. Full margins. Edition of 100 proofs. A. Vollard éditeur.
Result €715Estimate €400 - €500 -
86 - Mary Cassatt (1844-1926) Under the Horse-Chestnut Tree. 1896-1897. Drypoint and aquatint. 288x407. Breeskin 162; Mathews-Shapiro 181. Color print. A very fine trial proof on old azure laid paper, with very fresh and vivid colors, prior to the edition of 45 proofs for L'Épreuve Nouvelle, unsigned, glued by the edges to bristol. Fine creases caused by mounting and small ink stains normal to the edges of the sheet. Full margins.
Result €7,800Estimate €6,000 - €8,000 -
87 - Mary Cassatt (1844-1926) Sarah Wearing her Bonnet and Coat. Circa 1904. Lithograph. [475x630]. Breeskin 198. Very fine and fresh proof on thin cream laid paper watermarked "mbm". Slight normal curling to the edges of the folio. A spot of rust at the right edge. All margins untrimmed.
Result €2,860Estimate €1,000 - €1,200 -
88 - Paul Cézanne (1839-1906) Guillaumin with the hanged man. 1873. Etching. 115x155. Venturi 1159; Cherpin 2. Very fine proof on ivory laid paper, from the posthumous edition for Th. Duret, Les Peintres impressionnistes, Paris, Floury, 1923. Slight oxidation of the folio. Upper left corner corroded. Full margins.
Result €520Estimate €180 - €200 -
89 - Paul Cézanne (1839-1906) Portrait of Cézanne by himself. 1898. Lithograph. [485x635]. Venturi 1158; Cherpin 8; Johnson 24. Perfect proof printed in gray on white laid paper watermarked "mbm". Slight rippling (normal) due to printing pressure. Full margins. A. Vollard ed. (pl. planned for an unpublished album of prints).
Result €494Estimate €400 - €500 -
90 - Paul Cézanne (1839-1906) Portrait of Cézanne by himself. 1898. Lithograph. [485x635]. Venturi 1158; Cherpin 8; Johnson 24. Very fine proof printed in black on white laid paper watermarked "mbm". Some rust spots inherent to the paper. Slight rippling (normal) due to printing pressure. Broken folds along lower edge of leaf and short tear. Full margins. A. Vollard ed. (pl. envisaged for an unpublished album of prints). Ex-coll. H.M.Petiet (Lugt 5031).
Result €715Estimate €400 - €500 -
91 - Paul Cézanne (1839-1906) (after) Lunch on the Grass. Circa 1914. Lithograph by André Clot. 380x333. Cherpin 9. color print. Trial proof on chine volant, before erasing the notches in the corners. Strong oblique print crease in the upper left part of the subject. Short tears, creases and dusting at the edges of the folio. Small tears in upper and lower right corners. "This print is based on a painting from 1877-1882. It is only distantly related to Édouard Manet's Déjeuner sur l'herbe (Paris
Result €910Estimate €400 - €500 -
92 - Jules Chadel (1870-1941) Douarnenez: entrance to the ria de Port-Rhu as seen from Tréboul. 1923. Wood. 315x218. Japanese-style watercolor print. Fine proof on thin laid japan, numbered and signed in pencil and stamped in the subject (Lugt 562b). Small holes in the subject and at the foot, inherent to the texture of the paper. Full margins. Edition of 40 proofs.
Result €1,170Estimate €150 - €180 -
93 - Jules Chadel (1870-1941) Illustration for a menu of the Friends of Japanese Art (ibex). 1911. Woodcut in the Japanese style (in collaboration with P.-A. Isaac). 190x131. I.F.F. 1; Vabre48. Very fine proof on japon, without the typographed date in the cartouche on the left, covered with Isaac's red swastika stamp.
Result €416Estimate €180 - €200 -
94 - Jules Chadel (1870-1941) Jean Baptiste; Atlas. 1931 and 1937. Woodcut. 185x245 and 210x245. I.F.F. 25 and 37. Fine cameo prints on japon, numbered and signed in pencil. Heavy foxing to the 1st. Full margins. Edition of 108 proofs. Dry stamp: Société des Peintres-Graveurs Français (Lugt 1195a). Ens. 2 p.
Estimate €180 - €200 -
95 - Edgar Chahine (1874-1947) Avenue de Clichy, open-air market. 1901. Etching and aquatint. 345x300. Tabanelli81. Very fine proof on japon vergé, signed and titled "avenue de Clichy" in pencil. Some light foxing. Slight, short creases in the corners. Full margins. Edition of55 proofs.
Result €650Estimate €300 - €400 -
96 - Edgar Chahine (1874-1947) Sketch of clowns. 1907. Drypoint. Sight: 215x325. Tabanelli256. Fine proof on white vellum, signed in pencil. Tiny brown spots. Margins. Edition of30 proofs. Framed.
Result €338Estimate €180 - €200 -
97 - Edgar Chahine (1874-1947) Ghemma (small pl.). 1910. Etching and drypoint. 109x156. Tabanelli 298. Printed in brown. Superb proof on japon, signed in pencil. Full margins.
Result €195Estimate €200 - €300 -
98 - Edgar Chahine (1874-1947) Ghemma (small pl.). 1910. Etching and drypoint. 109x156. Tabanelli 298. Printed in black bistré. Very fine proof on strong white vellum, signed in pencil, matted with pieces of adhesive on verso. Small margins.
Estimate €150 - €180 -
99 - Edgar Chahine (1874-1947) The Flower Merchant (2nd pl.). 1921. Drypoint. 270x365. Tabanelli 344. Very fine proof on heavy ivory vellum, signed and numbered in pencil. Small traces of glue in the corners on verso. All margins untrimmed. Edition of 50 proofs.
Result €260Estimate €180 - €200 -
100 - Henry Chapront (1876-1965) Frontispiece and 3 plates from the suiteXxviii images for Les Fleurs du Mal by Ch. Baudelaire by Henry Chapront. Paris, Blaizot, 1911. Etching and aquatint. Each 95x57. Printed in color. Very fine proofs on thin ivory vellum, signed in pencil and titled at the foot of the folio. Full margins.
Result €234Estimate €200 - €300
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday May 29, 2024 at 2 pm
Public viewing:
Salle des ventes Favart - 3, rue Favart 75002 Paris
Monday May 27 and Tuesday May 28, 10 a.m. to 6 p.m.
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone: 0033 (0)1 44 76 04 32
Sales manager :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Mary KLEIN
mklein@ader-paris.fr
Tel.: 01 80 27 50 20
Unless otherwise indicated, framed works have not been examined out of frame.
Dimensions are given in millimeters, width before height.
Unless otherwise stated, framed prints have not been examined out of the frame.
Measurements are given in millimetres, width before height.
Terms of sale
Show the terms of sale
Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets
présentés.
L’adjudicataire sera le plus offrant et dernier enchérisseur et aura pour obligation de remettre ses nom et adresse. En cas de contestation au moment des
adjudications, c’est-à-dire s’il est établi que deux ou plusieurs enchérisseurs ont simultanément porté une enchère équivalente, soit à haute voix, soit par signe,
et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
enchérisseurs et tout le public sera admis à enchérir à nouveau.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procèsverbal.
Catalogue : 20 € dont TVA à 5,5 % au titre du droit d’auteur. Les images sont propriété exclusive d’ADER.
Toute reproduction ou diffusion nécessite une autorisation écrite de la maison de ventes.
Frais de vente et paiement :
L’adjudicataire devra acquitter, en sus du montant de l’enchère, par lot, les frais et taxes suivants :
- 28 % TTC (20 % de TVA) sauf pour le vin et les livres 25 % TTC (5,5 % de TVA sur les livres).
- 1,8 % TTC (20 % de TVA) du prix d’adjudication pour des enchères via Drouot Live ; 3,60 % TTC (20 % de TVA) du prix d’adjudication pour les enchères via
Interenchères ; 3 % TTC (20 % de TVA) du prix d’adjudication pour les enchères via Invaluable.
- 5,5 % de frais additionnels au titre de la taxe à l’importation temporaire, pour les lots dont le numéro est précédé d’un astérisque (*).
Dans certains cas, ces frais pourront faire l’objet d’un remboursement à l’acheteur.
Le paiement devra être effectué immédiatement après la vente :
- en espèces (euros) jusqu’à 1 000 € pour les ressortissants français ou jusqu’à 15 000 € pour les ressortissants étrangers (sur présentation d’un justificatif de
domicile, avis d’imposition, etc. ; en plus du passeport).
- par carte bancaire (Visa, Mastercard).
- par paiement « 3D Secure » sur le site www.ader-paris.fr
- par virement bancaire en euros à l’ordre de ADER.
Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
Le règlement par chèque n’est plus accepté.
Ordres d’achat :
Un enchérisseur ne pouvant assister à la vente devra remplir le formulaire d’ordre d’achat inclus dans ce catalogue et le signer.
ADER agira pour le compte de l’enchérisseur, selon les instructions contenues dans le formulaire d’ordre d’achat, ceci afin d’essayer d’acheter le ou les lots au
prix le plus bas possible et ne dépassant, en aucun cas, le montant maximum indiqué par l’enchérisseur.
Ledit formulaire devra être adressé et reçu à l’étude au plus tard 24 heures avant le début de la vente.
Les ordres d’achat ou les enchères par téléphone sont une facilité pour les clients. ADER n’est pas responsable pour avoir manqué d’exécuter un ordre par erreur
ou pour toute autre cause. Merci de vérifier après envoi que votre ordre d’achat a été dûment enregistré.
La maison de ventes se réserve le droit de ne pas enregistrer l’ordre d’achat s’il n’est pas complet ou si elle considère que le client n’apporte pas toutes les
garanties pour la sécurité des transactions ; et ce, sans recours possible.
Pour garantir la bonne volonté de l’acheteur, une consignation pourra être demandée avant la vente qui ne sera validée qu’en cas d’adjudication.
Drouot Live et Interenchères étant des services indépendants, nous déclinons toute responsabilité en cas de dysfonctionnement. Le coût supplémentaire lié aux
achats sur internet est détaillé sur chacun des sites et dans nos conditions de vente.
Transport des lots / Exportation :
Dès l’adjudication prononcée, les achats sont sous l’entière responsabilité de l’adjudicataire.
Aucun lot ne sera remis aux acquéreurs avant acquittement de l’intégralité des sommes dues.
Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les achats bénéficient d’une gratuité d’entreposage jusqu’à quatorze jours après la vente. Toute semaine entamée est due.
Les acheteurs concernés par une exportation pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due
forme soit remis à ADER et que le nom de la maison de ventes y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la
TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
Ceci est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne
sont pas garantis et sont tributaires de l’activité de la maison de ventes.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.