Ancient and modern prints
Wednesday 29 November 2023 at 14:00
3, rue Favart, 75002 Paris
260 lots
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201 - Pierre-Auguste Renoir (1841-1919) Auguste Rodin. Circa 1910. Lithograph. 385 x 400. Delteil, Stella 49; Johnson 116. Perfect proof on "Arches" watermarked vellum. A small light foxing in the left margin. Fine band of oxidation at the edges of the folio. Slight oblique crease in upper left-hand corner. Full margins. Edition of 200 proofs. A. Vollard ed. Ex-coll. H.-M. Petiet (Lugt 5031).
Result €512Estimate €400 - €500 -
202 - Pierre-Auguste Renoir (1841-1919) Study for a Bathing Girl. Circa 1906. Drypoint-engraved copper. 168 x 220. Delteil, Stella 16. Beveled, rounded corners. Inked and varnished. Provenance: Atelier Leblanc, printer. This subject was printed in large numbers for Tableaux, pastels et dessins de Pierre-Auguste Renoir, A.Vollard éditeur, 1918.
Result €11,520Estimate €3,000 - €4,000 -
203 - Henri Rivière (1864-1951) Honorary diploma for the Société pour la Protection des Paysages de France. 1904-1905. Lithograph. 485 x 305. Le Bohec 110, printed in color. Very fine and fresh proof on glazed vellum. Full margins.
Result €192Estimate €180 - €200 -
204 - Pierre Roche (Ferdinand Massignon, known as) (1855-1922) The Tadpole (teapot). 1915. Gypsograph. 108 x 110. Very fine and rare proof on thin ivory vellum, dedicated in pencil "to Mr Gérard / affectionately" and signed. Full margins. This engraving is based on a teapot made by the artist: "While Pierre Roche often intended his works for an elite or his circle of friends, his ambition was also to propose a social art form, accessible to a wider public. In keeping with his Art Nouveau approach,
Result €384Estimate €300 - €400 -
205 - Félicien Rops (1833-1898) Brabant landscape; The Oracle of the hamlet. 1875. Etching. Sight: 310 x 460. Rouir 536 and 583. Fine proofs printed on a single sheet of ivory vellum, heavily oxidized, each subject annotated in pen and sepia ink by the artist "Mr Lavallé" and signed with initials (on the plate cut or straddling it). Wide margins. Framed.
Estimate €180 - €200 -
206 - Félicien Rops (1833-1898) L'Oliviérade, or In Monaco. 1876. Etching and drypoint. 265 x 390. Rouir 973. Fine proof on laid paper, from the edition made for Cadart. Very slight trace of oxidation. Margins. Framed.
Estimate €150 - €180 -
207 - Georges Rouault (1871-1958) Proud woman. (Pl. for Les Fleurs du mal). 1936-1938. Aquatint. Sight : 192 x 295. Chapon et Rouault 275, printed in color. Proof on vellum. No visible margins. Edition of 250 color proofs and 50 black proofs. Framed. Plate for a work considered by Vollard, but never realized. The print was made by Lacourière in 1945.
Estimate €600 - €800 -
208 - Marcel Roux (1878-1922) La Gourmandise - par elle beaucoup sont morts... (Pl. des Péchés capitaux). 1906. Etching. 370 x 255. Fine proof on japon fort, numbered and signed in pencil. Traces of oxidation in lower margin. Framer's annotations in pencil on verso. Full margins (filled on all four sides). Edition of 80 proofs.
Result €384Estimate €300 - €400 -
209 - Tavík František Šimon (Czech, 1877-1942) The Bouquinistes. 1906. Soft varnish and aquatint. 325 x 270, printed in color. Fine proof on simili-japan, numbered, signed and dated in black stone. Trace of oxidation at the opening of an old mount. Minor foxing. Fine margins.
Result €576Estimate €150 - €180 -
210 - John French Sloan (American, 1871-1951) A street in New York. 1905. Etching. 173 x 123. Good proof on laid paper, oxidized, from the print run for the Gazette des Beaux-Arts. Strong trace of glue at the upper edge on verso. Good margins (filled over a few millimeters).
Estimate €100 - €120 -
211 - Maud Hunt Squire (American, 1873-1954) Woman and Child 1907. Etching and aquatint. 88 x 120, printed in color. A very fine proof on cream laid paper watermarked "imprimerie...", signed and annotated "Paris 1907" in pencil, washed. Slight thinning visible through transparency at the edges of the folio. Slight foxing at foot. Fine margins (with a pencil line around the edge).
Result €1,536Estimate €800 - €1,000 -
212 - Maud Hunt Squire (American, 1873-1954) On the wharf. 1907. Etching and aquatint. 130 x 163. Printed in color. Fine proof on cream laid paper watermarked "imprimerie...", signed and annotated "Paris 1907" in pencil, washed. Small thinning visible by transparency in lower margin, restored, with small persistent black stain (ink?). Minor damage at foot of leaf. Fine margins.
Result €1,408Estimate €600 - €800 -
213 - Maud Hunt Squire (American, 1873-1954) The Eel Merchant. 1907. Etching and aquatint. 132 x 164. Printed in colors. Fine proof on cream laid paper watermarked "imprimerie...", signed and annotated "Paris 1907" in pencil, washed. Minor thinning visible through transparency. Fine margins.
Result €1,280Estimate €600 - €800 -
214 - Théophile-Alexandre Steinlen (1859-1923) Two cats. Poster for the exhibition of Steinlen's drawings and paintings at La Bodinière. 1894. Lithograph. 783 x 583. Crauzat 492. color print. Fine trial proof on thin vellum, without the orange stone, cloth-backed. Numerous folds, fractures, missing parts and accidents restored. Good margins. The artist's exhibition ran from April 10 to May 15, 1894. La Bodinière was a theater located at 18, rue Saint-Lazare in Paris. It was founded in 1888 by Cha
Estimate €600 - €800 -
215 - Théophile-Alexandre Steinlen (1859-1923) Cats. 1896. Lithograph. [682 x 920]. Crauzat 182. Fine proof on ivory-glazed vellum. Numerous accidents, tears and folds at the edges of the folio. Strong band of oxidation at bottom left edge. Full margins.
Result €576Estimate €600 - €800 -
216 - Théophile-Alexandre Steinlen (1859-1923) Le Petit Sou, social defense newspaper. Poster. 1900. Lithograph. [990 x 2055]. Crauzat 507, printed in color. Fine proof on thin vellum, filled in, with minor accidents and tears at intersections. The text on two bands glued along the top and bottom edges. French Republic stamp top center. Slight oxidation, foxing and wear creases. Full margins.
Estimate €1,000 - €1,200 -
217 - Pierre Tal Coat (Pierre Jacob, known as) (1905-1985) Peasant. 1929. Lithograph. Sight: 385 x 290. Simecek-Mason 29-3. Very fine proof on ivory vellum, numbered in pencil and signed in pen and ink. Margins. Edition of 30 proofs. Framed.
Estimate €200 - €300 -
218 - James-J.-J. Tissot (1836-1902) The Prodigal Son. 1882. Etching and drypoint. 450 x 351 (title) and 375 x 311 (plates). Wentworth 57 to 61. Complete suite of 4 plates. Very fine proofs on "van gelder" watermarked ivory laid paper, in a vellum folder [693 x 508] illustrated with the title-frontispiece printed in brown. Some light foxing to boards, leaf edges slightly yellowed. Large russet halo in lower left corner of cover subject and tiny edge tears with small loss at left edge at middle fold. F
Result €640Estimate €600 - €800 -
219 - Charles-Joseph Traviès de Villers, known as Traviès (1804-1859) Faut avouer que l'gouvernement à une bein drôle de tête (Aubert's window). 1831. Lithograph. 267 x 192. Beraldi, vol. XII, p. 149; Coll. de Vinck 13264. Very fine proof on white vellum, in beautiful gummed colors. Slight oxidation to the edges of the folio. Full margins. Plate published in La Caricature, no. 60 (pl. 121, December 22, 1831). "The Auberts joined forces with Charles Philipon to publish prints on December 14, 1
Result €448Estimate €200 - €300 -
220 - Edgard Tytgat (1879-1957) Mozart's Magic Flute in ten drypoints by Edgard Tytgat. 1933. An oblong vol. [355 x 295] containing 10 drypoint engravings in a printed serpente, preceded by a title adorned with an 11th engraving, the opera's argument, the table of plates and the justification, in a folder bearing a consignment in pencil signed and dated January 13, 1945. Very fine numbered proofs, signed in pencil. Folded folder with flaps and publisher's gray cloth boards. One of 30 copies on japon i
Result €3,072Estimate €1,800 - €2,000 -
221 - Suzanne Valadon (1865-1938) Three Women in the Bath. 1928. Lithograph. 295 x 220. Vellum print, heavily oxidized, with small white and red spots, signed in pencil. Long median horizontal fold. Margins. Framed.
Result €512Estimate €200 - €300 -
222 - Jacques Villon (Gaston Duchamp, known as) (1875-1963) Manège rue Caulaincourt, or Le Petit manège aux chevaux de bois. 1904. Etched zinc, drypoint and aquatint. 500 x 395. Ginestet et Pouillon 111. Signed and dated in the lower right corner. Rounded corners. Biffé with two long drypoint strokes in the lower left-hand corner. Inked and varnished. Provenance: Atelier Leblanc, printer. The plate was printed in 50 proofs, part in sanguine, part in olive green. "Villon executed this first pla
Result €2,432Estimate €400 - €500 -
223 - Jacques Villon (Gaston Duchamp, known as) (1875-1963) Quartier de bœuf. 1941. Burin. 132 x 205. Ginestet et Pouillon 451. Fine proof on vellum, numbered in pen and sepia ink and signed in pencil. Margins. Edition of 45 proofs. Framed.
Result €256Estimate €200 - €300 -
224 - Pablo Picasso (1881-1973) Head of a Woman: Madeleine (Pl. des Saltimbanques). 1905. Etching. 85 x 118 [330 x 510]. Bloch 2; Geiser-Baer 3 b 2. Very fine proof on strong ivory vellum watermarked "van gelder zonen", from the edition of 250 proofs made for Ambroise Vollard in 1913. Minimal foxing or soiling. A spot of rust in the right margin. All margins untrimmed.
Result €7,680Estimate €6,000 - €8,000 -
225 - Pablo Picasso (1881-1973) The Embrace. 1905. Etching on zinc. 235 x 177. Bloch, Geiser, Baer 16. A very fine and extremely rare proof on thin old vellum, late signed by Picasso in pencil. A few light brown spots one under the signature. A spot of rust in the left margin. Normal rippling at edges. All margins [445 x 296], top margin with slightly irregular edge (original). Baer lists only one proof before strikethrough, printed in brown, in the National Gallery in Prague. Two other proofs appe
Estimate €4,000 - €5,000 -
226 - Pablo Picasso (1881-1973) The Saltimbanque. (Pl. des Saltimbanques). Spring-Summer 1905. Drypoint. 85 x 120 [330 x 510]. Bloch 10; Geiser-Baer 12. Very fine and fresh proof on strong ivory vellum watermarked "van gelder zonen", from the edition of 250 proofs made by Fort for Vollard in 1913. A few tiny marginal rust spots or stains. All margins untrimmed.
Result €1,920Estimate €2,000 - €3,000 -
227 - Pablo Picasso (1881-1973) The Barbarian Dance (Pl. des Saltimbanques). Autumn-Winter 1905. Drypoint. 232 x 185 [507 x 330]. Bloch 15; Geiser-Baer 18. Very fine and fresh proof on strong ivory vellum watermarked "van gelder zonen", from the edition of 250 proofs made by Fort for Vollard in 1913. Two tiny marginal stains (black dots). All margins untrimmed.
Result €2,816Estimate €2,000 - €3,000 -
228 - Pablo Picasso (1881-1973) Italian woman (woman with book). 1919. Etching on zinc. 97 x 146. Bloch 34; Geiser-Baer 56. Very fine proof on strong ivory laid paper, numbered and signed in pencil, from the edition of 50 proofs for the head copies of the album Le Tricorne, P. Rosenberg ed. Two small remnants of gummed paper at the head of the folio on verso. Full margins [190 x 270].
Result €3,840Estimate €3,000 - €4,000 -
229 - Pablo Picasso (1881-1973) Woman by the Sea. 1924. Pen lithograph. 305 x 205. Geiser-Baer 237 a; Bloch 67; Mourlot XVII; Güse-Rau 17. A very fine, fresh proof on strong ivory vellum, separate from the edition of 50 proofs. All margins untrimmed [382 x 280]. Dry stamp: H. M. Petiet (Lugt 5462).
Estimate €1,800 - €2,000 -
230 - Pablo Picasso (1881-1973) Interior scene. 1926. Lithograph. 276 x 223. Bloch 74; Geiser-Baer 241 a; Mourlot XXI; Güse-Rau 21. A very fine, fresh proof on thin ivory-glazed vellum, separate from the edition of 100 proofs. Three remnants of gummed paper at head of folio on verso. Full margins [500 x 325]. Dry stamp: H. M. Petiet (Lugt 5462).
Result €1,408Estimate €600 - €800 -
231 - Pablo Picasso (1881-1973) The Nude Model. 1927. Etching. 190 x 280. Bloch 78; Geiser-Baer 119. Very fine proof on strong ivory vellum watermarked "bfk rives", numbered and signed in pencil. Small epidermal marks visible through transparency along the edges of the verso leaf. Full margins [270 x 360]. Edition of 100 proofs on this paper (and 10 on japon). Published by the Société des Amateurs d'Art et des Collectionneurs.
Result €4,096Estimate €2,000 - €2,500 -
232 - Pablo Picasso (1881-1973) Painter with two models looking at a canvas (H. de Balzac, Le Chef-d'œuvre inconnu, pl. II). 1927. Etching. 275 x 190. Bloch 85; Geiser-Baer 124 a. Very fine proof on "mbm" watermarked ivory vellum, before the bevels and before the steeling, the edges of the copper heavily inked, the corners sharp, annotated "Bon à tirer" and signed in brush and sepia ink along the lower edge of the folio. Minimal soiling and handling creases (consistent with a trial proof). Full marg
Result €7,680Estimate €6,000 - €8,000 -
233 - Pablo Picasso (1881-1973) Painter picking up his brush, with a turbaned model (H. de Balzac, Le Chef-d'œuvre inconnu, pl. VII). 1927-1930. Etching. 276 x 192. Bloch 88; Geiser-Baer 129 II a. Very fine proof on ivory vellum, before bevels and before steeling, three of the corners rounded, annotated "Bon à tirer" and signed in pencil in the lower right-hand corner of the folio. Minor soiling and handling creases (consistent with a trial proof). Full margins [372 x 272]. Final edition of 135 proo
Estimate €6,000 - €8,000 -
234 - Pablo Picasso (1881-1973) Three standing nudes, with facial sketches. (H. de Balzac, The Unknown Masterpiece, pl. IX). 1927 or 1928. Etching. 275 x 190. Bloch 90; Geiser-Baer 131 a. Very fine proof on ivory vellum watermarked "j perrigot", before the bevels and before the steeling, the edges of the copper heavily inked, the corners sharp, annotated "Bon à tirer" and signed in brush and sepia ink along the lower edge of the sheet. Minimal soiling, fingerprints and handling creases (consistent wi
Result €7,680Estimate €6,000 - €8,000 -
235 - Pablo Picasso (1881-1973) Face of Marie-Thérèse. 1928. Lithograph. 140 x 203. Bloch 95; Geiser-Baer 243 a; Cramer 16. Very fine proof on japon fort, unsigned. A small dot of ink on the lower cheek. A tiny stain in the left margin towards the top. Full margins [190 x 266]. Plate published as the frontispiece of A. Level's Picasso, Paris, G. Crès et Cie, 1928. There was also a separate edition.
Result €10,240Estimate €8,000 - €10,000 -
236 - Pablo Picasso (1881-1973) Figure, or Bather with Cabin. 1929. Lithograph. 139 x 237. Bloch 96; Geiser-Baer 246 b; Mourlot XXVI; Güse-Rau 29; Cramer 17. Fine proof on thin ivory vellum, watermarked "papeteries a...". probably a trial print, prior to the run for Le Manuscrit autographe. Remains of mounting tabs at head of folio on verso, with corresponding traces of oxidation clearly visible on recto. Fine horizontal brownish stain at foot. Good margins (slightly reduced, 222 x 280).
Result €1,792Estimate €1,200 - €1,500 -
237 - Pablo Picasso (1881-1973) The Painter and his Model. 1930. Lithograph. 290 x 230. Bloch 98; Geiser-Baer 247; Cramer 18; Mourlot XXVII; Güse-Rau 30. A very fine, fresh proof on heavy cream vellum. Four small remnants of gummed paper at head of folio on verso. Full margins. [503 x 330]. Dry stamp: H. M. Petiet (Lugt 5462). This subject, printed on chine appliqué, was included in the first copies of Eugenio d'Ors' XXe Siècle ; Pablo Picasso, translation by F. Amunategui, Paris, ed. des Chroniq
Result €768Estimate €600 - €800 -
238 - Pablo Picasso (1881-1973) The Rescue of the Drowned Woman II. December 8, 1932. Etching. 198 x 156. Bloch 245; Baer 273. Perfect proof on thin ivory laid paper watermarked "Arches" and signed in pencil, from the 1961 edition of 50 proofs made by Galerie Leiris. Full margins [370 x 323].
Result €3,712Estimate €2,500 - €3,000 -
239 - Pablo Picasso (1881-1973) Sculpteur songeant, model with black hair and bowl with three anemones. (Suite Vollard, pl. 68). April 7, 1933. Etching. 3295 x 365. Bloch 177; Baer 330 B c. Very fine, fresh proof on Montval laid paper with Montgolfier watermark, from the large-margin edition [383 x 504] of 50 proofs, signed in pencil. Slight trace of oxidation at the edges of the folio.
Result €7,936Estimate €6,000 - €8,000 -
240 - Pablo Picasso (1881-1973) Bacchic Scene with the Minotaur (Suite Vollard, pl. 85). May 18, 1933. Etching. 363 x 295. Bloch 192; Baer 351 B c. Very fine, fresh proof on Montval laid paper with Montgolfier watermark, from the large-margin edition [505 x 385] of 50 proofs, signed in pencil.
Result €26,880Estimate €6,000 - €8,000 -
241 - Pablo Picasso (1881-1973) Pismo (letter) by Ilia Zdanevitch, known as Iliazd. March 3-April 14, 1947. Burin ; etching. Each [325 x 475]. Cramer 48. Exceptional suite, complete with 6 subjects and cover, in a large-margin separate edition, very fresh. These plates were engraved to illustrate the poet Iliazd's work, Pismo. Escrito por Iliazd. Grabado por Picasso, Paris, Latitud Cuarenta y uno [The Forty-One Degree], 1948. "Pismo" (which means "letter" in Russian) is intended as a love letter wri
Result €16,640Estimate €8,000 - €10,000 -
242 - Roger Bissière (1886-1964) Composition. Circa 1960. Etched copper. 220 x 270. Two register holes. Inked and varnished. Biffé with two point strokes in the upper right-hand corner. Provenance: Atelier Leblanc, printer.
Result €448Estimate €200 - €300 -
243 - Georges Braque (1882-1963) Still life with banjo. Greeting card for A. Maeght. Lithograph. 160 x 107. Vallier p. 301. Printed in color. A very fine proof on thin japon, mounted as a greeting card with text typographed on the backing.
Result €153Estimate €120 - €150 -
244 - Pierre-Eugène Clairin (1897-1980) Seagulls. Circa 1960. Lithograph. 355 x 430, printed in color. Perfect proof on white vellum, titled, signed and justified "EA" in pencil. Full margins.
Result €153Estimate €120 - €150 -
245 - Pierre-Eugène Clairin (1897-1980) Pear trees in bloom. Circa 1960. Lithograph. 400 x 300, printed in color. Perfect proof on white vellum, titled, signed and numbered in pencil. All margins. Edition of 25 proofs.
Estimate €120 - €150 -
246 - Pierre-Eugène Clairin (1897-1980) Reine marguerite. Circa 1960. Lithograph. 255 x 360. Printed in color. Perfect proof on white vellum, titled, signed and numbered in pencil. All margins. Edition of 20 proofs.
Estimate €120 - €150 -
247 - Pierre-Eugène Clairin (1897-1980) Roses and columbines. Circa 1960. Lithograph. 280 x 385, printed in color. Reunion of 2 perfect japon prints, 1st and 2nd states, titled, signed and annotated in pencil. Full margins.
Estimate €300 - €400 -
248 - Kees van Dongen (1877-1968) Park scene. Circa 1950. Lithograph. Juffermans L 25. color print. Very fine proof on white vellum, numbered in pencil. Margins. Edition of 290 proofs. Dry stamp: Guilde de la Gravure, Genève, ed. (Lugt 4670). Framed.
Estimate €600 - €800 -
249 - Édouard Goerg (1893-1969) The Widower with Cats. Circa 1950. Etched copper. 189 x 280. I.F.F. not described. Inked and varnished. Small traces of oxidation. Provenance : Atelier Leblanc, printer.
Result €409Estimate €180 - €200 -
250 - Yozo Hamaguchi (Japanese, 1909-2000) Red bowl with black cherries. 1968. Copper engraved in the black manner (black plate only). 630 x 485. Chuo-Koron 116. Beveled, corners rounded. Biffé with two point strokes in two corners. Inked and varnished. Provenance: Atelier Leblanc, printer.
Result €1,536Estimate €1,000 - €1,200
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday, November 29, 2023 at 2 pm
Public viewing:
Salle des ventes Favart - 3, rue Favart 75002 Paris
Monday November 27, 10 am to 6 pm
Tuesday, November 28, 10 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
Terms of sale
Show the terms of sale
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Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en oeuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.