Ancient and modern prints
Wednesday 29 November 2023 at 14:00
3, rue Favart, 75002 Paris
260 lots
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152 - Jean-Émile Laboureur (1877-1943) Autumn in the marshes. 1929. Etching. 195 x 225. Laboureur 403. Very fine proof on white vellum, signed and numbered in pencil (by S. Laboureur for her husband). Edition of 80 proofs. Joint : same subject. Preparatory drawing. Pen and bistre ink on thin wove paper [at sight: 205 x 240], signed in pencil lower left. Ens. 2 p. in a single frame.
Result €384Estimate €300 - €400 -
153 - Jean-Émile Laboureur (1877-1943) Bather with seagulls (Pénestin). 1930. Etching. 170 x 220. Laboureur 410. Very fine proof on thin white vellum, from the 1st state (of 4), before new cuts in the cliff and before the monogram. Full margins. Total edition of 78 proofs.
Result €448Estimate €200 - €300 -
154 - Jean-Émile Laboureur (1877-1943) La Brière cottage; La Brière village. 1932. Etching. 270 x 195 and 332 x 240. Laboureur 445 and 448. Fine proofs on vellum or laid paper, signed, titled and numbered in pencil (by S. Laboureur for her husband), one slightly soiled. Margins. Framed. Joint: Environs de la Grande Brière. 1933-1934. Etching. 260 x 171. Laboureur 485. Fine proof on cream vellum, from the 4th state (of 5), with the monogram, before copper reduction, annotated in pencil "ep. d'artis
Result €448Estimate €300 - €400 -
155 - Jean-Émile Laboureur (1877-1943) The Fédrun Bridge. 1932. Etching. 327 x 245. Laboureur 453. Very fine proof on cream vellum, annotated in the lower left corner of the folio "bon pour 5 ép. jel". Some waviness and traces of folding. Full margins. Final edition of 32 proofs.
Result €320Estimate €180 - €200 -
156 - Jean-Émile Laboureur (1877-1943) Nereids and seahorses. 1937-1938. Burin. 209 x 188. Laboureur 531. Very fine proof on white vellum, annotated in pencil at the foot "bon pour 12 epreuves jel". Full margins. Total edition of 36 proofs.
Result €256Estimate €150 - €180 -
157 - Jean-Émile Laboureur (1877-1943) Menu for the reception of the King of England (Château de Versailles, menu for the luncheon offered to Their British Majesties King George VI and Queen Elizabeth, Thursday, July 21, 1938). 1938. Burin. 130 x 180. Laboureur 535. Perfect proof adorning the 1st of 4 laid leaves, further including the typographed text of the chamber music and menu, all glued by the left edge in its original pink folder with typographed title. Ex-coll. H. M. Petiet (Lugt 5031). Join
Result €320Estimate €120 - €150 -
158 - Maxime Lalanne (1827-1886) Bordeaux (Quai des Chartrons). 1873. Etched copper. 152 x 92. I.F.F. 33. Signed, titled and dated lower right. Rounded corners. Inked and varnished.
Result €640Estimate €150 - €180 -
159 - Marie Laurencin (1883-1956) Les Fêtes de la danse. 1937. Lithograph. Sight: 475 x 410. Marchesseau 187, printed in color. Good proof on vellum, with remarks, annotated "Epreuve d'artiste - à M. Th. Evrard - Souvenir d'été 1937" and signed in pencil. Heavy insolation, colors faded. Margins. Framed.
Result €102Estimate €120 - €150 -
160 - Charles Léandre (1862-1934) Uncle Sam and the cornucopia. 1925. Press drawing. Black stone and white gouache highlights on glazed vellum. Sight: 385 x 580. Signed and dated lower left. Under the subject in blue pencil, the words "- 19 - page couleur... / photolitho chez Léandre lundi matin sans faute / (157 rue de Rome)". Traces of median horizontal folds. Small ripples at edges. Framed.
Result €576Estimate €300 - €400 -
160-B - Fernand Léger (1881-1955) (after) Woman with a jug. 1928. Engraved by Jacques Villon. 308 x 467. Ginestet and Pouillon 657. Printed in color. Fine proof on ivory vellum, numbered and signed in pencil by Léger. Oxidation of the folio and minor scattered foxing. Aureole of russet moisture in the lower right-hand corner of the folio. Full margins. Edition of 200 proofs. Bernheim-Jeune ed. Frame.
Estimate €1,800 - €2,000 -
161 - Auguste Lepère (1849-1918) Sunday at the fortifications. 1898. Woodcut. 335 x 271. Texier-Bernier 506, printed in color. Very fine proof on cream vellum. Traces of glue and mounting at head on verso. Full margins. Edition of 35 proofs.
Result €128Estimate €150 - €180 -
162 - Ludovic-Napoléon, comte Lepic (1839-1889) Etchings by Lepic. Comment je devins Graveur à l'eau-forte (Preceded by an essay, La Gravure à l'eau-forte, essai historique by Raoul de Saint-Arroman). Paris, Vve A. Cadart, 1876. A large album in-fol. [380 x 560] containing introductory texts and 37 etched subjects. Very fine proofs on chine volant, signed in blue pencil, mounted by the upper edges on vellum leaves, the latter damaged in the margins, with heavy freckling. Some plates detached from t
Result €8,704Estimate €4,000 - €5,000 -
163 - Alexandre Lunois (1863-1916) Courtesan in Fez; The Hammam. Circa 1890. Lithograph. 210 x 282 and 145 x 195. Very fine proofs, the 1st on japon, from an edition of 35, the 2nd on japon pelure, from an edition of 20, numbered and signed in pencil. Light foxing to the 1st. Full margins. Set. 2 p. (in a single mount).
Result €192Estimate €150 - €180 -
164 - Aristide Maillol (1861-1944) Nude woman from behind, half-erect (Dina), on her right elbow. Lithograph. 300 x 245. Guérin 320. Very fine and fresh proof on thin ivory laid paper, unsigned. Full margins. The edition is of 120 signed proofs, produced by Auguste Clot for the Société des Peintres-Graveurs Français.
Result €448Estimate €150 - €180 -
165 - Masters of the Poster (Les) A lot on print lovers (Les Maîtres de l'Affiche, pl. 15, 66, 127 and 219). A lot after F.-A. Cazals, F.-L. Gottlob, Hugo d'Alesi and O. Fischer. Lithographs. Each [290 x 400]. Printed in color. Very fine, fresh proofs on strong glazed vellum. Dry stamp of publication (Lugt 1777c). Set of 4 p.
Result €256Estimate €180 - €200 -
166 - Édouard Manet (1832-1883) The Gitanos. 1862. Etching. 235 x 315. Guérin 21; Fisher 16. Good proof on laid paper, of the 2nd state (of 3), before erasure of the letter, heavily restored (notably in the lower part, the lower left corner redone with Manet's name summarily reproduced in manuscript), with holes and white traces in the tablet. Reduced margins.
Result €320Estimate €120 - €150 -
167 - Albert Marquet (1875-1947) Woman walking. Circa 1920. Woodcut. Sight : 170 x 265. Fine print on white vellum, annotated "tirage 12 ex / n° 3" and signed in pencil, matted with a strip of gummed kraft along the edges on the reverse. Full margins. Joint: Woman sewing. Circa 1920. Lithograph. [258 x 330]. Fine proof on cream vellum, numbered in pencil, from an edition of 25. Light foxing. Band of gummed kraft along edges on verso. Full margins. Set. 2 p.
Result €192Estimate €150 - €180 -
168 - Henri Matisse (1869-1954) Campanula. 1913. Drypoint. 99 x 145. Duthuit-Garnaud 10. Fine proof on heavy ivory vellum, signed and numbered in pen and ink in the lower right-hand corner of the sheet. Slight oxidation, minimal light foxing and small circular halo in the center of the lower margin. Full margins. Very rare. Edition of 12 proofs. "The garden of Matisse's house in Issy-les-Moulineaux as seen from his bedroom window, with the roof of his studio in the background. This engraving can be
Result €4,096Estimate €3,000 - €4,000 -
169 - Henri Matisse (1869-1954) La Cité Notre-Dame (Pl. for Paris 1937). 1937. Etching. 266 x 340. Duthuit-Garnaud (books) 7. Very fine and fresh proof on ivory laid paper, from a later edition. Full margins.
Result €576Estimate €200 - €300 -
170 - Henri Matisse (1869-1954) Half-legged dancer, chin resting on her right hand (from the suite Dix danseuses). 1925-1926. Lithograph. 275 x 455. Duthuit-Garnaud 482. Very fine, fresh proof on heavy cream vellum, one of 10 annotated "epr. d'artiste", numbered and signed in pencil. Two small epidermal marks at the head of the verso. Full margins. Final edition of 150 proofs, 130 on vellum.
Result €4,864Estimate €2,500 - €3,000 -
171 - Charles Méryon (1821-1868) The Clock Tower. 1852. Etching. 186 x 262. Delteil 28; Schneiderman 23. Very fine proof on applied buff bubble, from the 6th state (of 10), before further work. Tiny accidents and tiny freckles at the edges of the folio. Full margins. Printed by L'Artiste.
Result €512Estimate €400 - €500 -
172 - Charles Méryon (1821-1868) The Notre-Dame Pump. 1852. Etching. 250 x 171. Delteil 31; Schneiderman 26. Very fine and fresh proof on chine appliqué, from the 8th state (of 10), with the new fine oblique cuts in the cloud, with the new engraved mentions in cursive. Full margins. Printed by L'Artiste.
Result €512Estimate €400 - €500 -
173 - Charles Méryon (1821-1868) San Francisco. 1855-1856. Etching on steel (after 5 daguerreotypes). 990 x 240. Delteil 73; Schneiderman 54. A very fine proof of a later print on japon vergé. Fines and long vertical broken folds (the print having been previously rolled). Slight trace of oxidation at the edges of the folio. Small tear at foot. Fine margins [1185 x 365]. This etching was commissioned by bankers J. Beyerque and F.-A. Pioche. In April 1856, in a letter to his father, Méryon wrote:
Result €1,024Estimate €800 - €1,000 -
174 - Charles Méryon (1821-1868) Chevrier cold bath. 1864. Etching. 144 x 130. Delteil 44; Schneiderman 93. Good proof on ivory vellum, addressed to Pierron. Light traces of oxidation. Remains of various tabs at head of folio on verso. Full margins.
Result €384Estimate €120 - €150 -
175 - Jules Migonney (1876-1929) Harem scene, the bath. Circa 1920. Woodcut. 460 x 200. Fine proof on cream laid paper, signed in pencil. Oxidation under the passe-partout. Margins. Framed.
Result €960Estimate €300 - €400 -
176 - Jules Migonney (1876-1929) Odalisque. Circa 1920. Woodcut. À vue : 265 x 235. Fine proof on japon vergé, numbered and signed in pencil. Oxidation under the passe-partout. Margins. Edition of 30 proofs. Framed.
Result €576Estimate €300 - €400 -
177 - Jean-François Millet (1814-1875) (after) The Large Seated Shepherdess. Woodcut by Jean-Baptiste Millet, the artist's brother. 217 x 272. Delteil 33. Very fine proof on chine volant. Small remnants of glue at the head of the verso leaf. A few tiny vertical folds in the lower margin. Fine margins.
Estimate €400 - €500 -
178 - Alfons (or Alphonse) Mucha (1860-1939) Topaz. (Pl. from the Precious Stones series). 1900. Lithograph. 240 x 615. Rennert-Weill 73 (repr. p. 266). Printed in color. A very fine, fresh proof on strong glazed vellum. Slight oxidation at the edges of the folio. Fine margins [283 x 637]. "This is one of Mucha's most magnificent sets, and also one of the rarest - only three or four copies are known. [...] This set, which dates from the period when Mucha had teamed up with the goldsmith Fouquet and
Result €7,168Estimate €5,000 - €6,000 -
179 - Alfredo Müller (1869-1939) Woman with tub under lamp. 1898. Etching and aquatint. 355 x 435, Koehl E57. Fine proof on ivory laid paper, from the black print only, unsigned. Minor scattered foxing and traces of folding. Full margins.
Result €384Estimate €300 - €400 -
180 - William Nicholson (1872-1949) (after) Poster announcing Sarah Bernhardt's tour of Amsterdam in October 1897. 1897. Lithograph. [260 x 270]. Printed in color. Fine proof on glazed vellum. Facsimile of the actress's initials in the lower margin. Some light foxing.
Result €512Estimate €150 - €180 -
181 - Pablo Picasso (1881-1973) Les Saltimbanques. (Pl. from the Saltimbanques series). 1905. Drypoint. 330 x 285. Bloch 7; Geiser-Baer 9. Fine proof from the crossed-out copper on strong ivory vellum, with the inscription engraved backwards in the upper right-hand corner: "Biffé le 29 Oct. 1913". Some light scattered foxing, notably in the left margin. All margins.
Result €256Estimate €300 - €400 -
182 - Pablo Picasso (1881-1973) The Bath (Pl. from the Saltimbanques series). 1905. Drypoint. 284 x 340. Bloch 12; Geiser-Baer 14. Fine proof from the crossed-out copper on strong ivory vellum, with the inscription engraved backwards in point at the top of the subject in the center: "Ciffé le 30 Oct. 1913" ("Crossed out Oct. 30, 1913"). Some light scattered foxing, notably in the left margin. All margins.
Result €448Estimate €300 - €400 -
183 - Pablo Picasso (1881-1973) Salomé (Pl. from the Saltimbanques series). 1905. Drypoint. 345 x 400. Bloch 14; Geiser-Baer 17. Fine proof from the biffé copper on strong ivory vellum, with the words "Biffé le 2 Novembre 1913" engraved backwards in the subject in the lower left corner. Full margins.
Result €832Estimate €300 - €400 -
184 - Emmanuel Phelippes-Beaulieux (1829-1874) La Pêche de l'abbé. 1871. Etched zinc and roulette. 640 x 395. Without the engraved tablet. Small traces of surface oxidation.
Result €256Estimate €200 - €300 -
185 - Camille Pissarro (1830-1903) The Stone Bridge, Rouen. 1887. Soft varnish. 198 x 148. Delteil 66. Fine proof on strong ivory laid paper, annotated "1er état - n° 1" and titled in pencil, then stamped (Lugt 613a). Light trace of marginal oxidation. Remnants of gummed kraft and small tears around the perimeter on verso. Full margins.
Result €2,560Estimate €2,000 - €3,000 -
186 - Camille Pissarro (1830-1903) The Maid at the market. 1888. Etching and drypoint. 137 x 190. Delteil 74. Very fine proof on chine volant, of the 1st state (of 4), before new work, without margins as usual, of the print run for the Revue Indépendante. Small traces of glue and thinning at the head on verso. Slight thinning inherent to the paper, visible by transparency at the foot. Small brown spot in lower right-hand corner.
Result €768Estimate €400 - €500 -
187 - Camille Pissarro (1830-1903) Riverbanks in Rouen. Circa 1893. Etching, acid wash and drypoint. 195 x 150, Delteil 107. Very fine and rare proof on thin ivory laid paper, stamped (Lugt 613e) and numbered in pencil, from the posthumous edition of 6 proofs. Minimal foxing and slight marginal oxidation. Full margins. Only 2 proofs are known to have been printed during the artist's lifetime.
Result €1,408Estimate €600 - €800 -
188 - Camille Pissarro (1830-1903) Petite rue Nationale, Rouen. 1896. Etching and drypoint on zinc. 129 x 166. Delteil 122. Very fine proof on ivory laid paper, annotated "n° 3 ep défi.", signed, then titled and annotated "(Z)" (for zinc). Light foxing. Very light traces of oxidation around the subject. Traces of glue at left edge on verso. Full margins. We know of 8 or 9 proofs printed during the artist's lifetime, before the posthumous edition of 13 proofs.
Result €4,480Estimate €3,000 - €4,000 -
189 - Camille Pissarro (1830-1903) Young man writing (Portrait of Rodo); Camille Pissarro. Circa 1895. Lithograph. 115 x 225. Delteil 145 and 146. Very fine proof on chine appliqué, stamped (Lugt 613e), from the posthumous edition of 12 proofs (including 6 of the two subjects together). Light foxing to the edges of the folio. Full margins. Only 2 or 3 trial proofs of the 1st subject and 11 of the second are known from the artist's lifetime.
Result €832Estimate €300 - €400 -
190 - Camille Pissarro (1830-1903) Nude peasant woman hunting geese. Circa 1894-1896. Lithograph. 230 x 184. Delteil 161. Very fine trial proof on white vellum, annotated in pencil "3e état n° 3". Annotations in pencil in lower margin. Numerous short scattered broken folds. Minor foxing and marginal soiling. Remains of glue in upper corners verso. Full margins. According to Delteil, in addition to a few trial proofs (unsigned), there are 6 stamped and numbered proofs.
Result €832Estimate €600 - €800 -
191 - Anton Prinner (1902-1983) Woman-lamp. 1938. Etched zinc. 185 x 270. Inked and varnished. Biffé with two point strokes in the upper right corner. Provenance: Atelier Leblanc, printer.
Result €1,792Estimate €1,000 - €1,200 -
192 - Anton Prinner (1902-1983) Stone face (Pl. for Le Livre des morts des anciens Égyptiens, Paris, R. J. Godet, 1948). Etched copper. 200 x 300. At foot, three lines of engraved text (upside down): "I walk with my legs I speak / with my mouth I am granted / that I am not taken from myself". Verso, a few lines in point (and the inscription "Rien de nouveau sous le soleil"). Inked and varnished. Biffé with two point strokes in the upper right-hand corner. Provenance: Atelier Leblanc, printer.
Result €2,816Estimate €1,000 - €1,200 -
193 - Anton Prinner (1902-1983) Animals in the artist's handprint. Etching. À vue : 150 x 255. Fine proof on ivory vellum, numbered and signed in pencil, slightly soiled. Small traces of white gouache above the upper corners of the copper. Margins. Edition of 25 proofs. Framed. Provenance: Andrée Chedid (1920-2011).
Result €1,152Estimate €600 - €800 -
194 - Jean-François Raffaëlli (1850-1924) The Little Donkeys. 1906. Etching. 570 x 450. Delteil 69. Printed in colors. Very fine proof on ivory vellum, numbered and signed in pencil, very sunny, stretched by the edges under passe-partout. Scattered light foxing. Full margins. Edition of 220 proofs.
Estimate €180 - €200 -
195 - Jean-François Raffaëlli (1850-1924) The Seine in Paris (Port Saint-Nicolas). 1911. Drypoint. Sight: 600 x 420. Delteil 94. Color print. Fine proof on simili-japan, dedicated in pencil "Pour Laurent Tailhade" and signed. Slight oxidation and some foxing. Margins. Edition of 250 proofs. Framed. Laurent Tailhade (1854-1919) was a libertarian poet, lecturer and pamphleteer. He publicly defended the anarchists and himself lost an eye in an anarchist attack.
Estimate €180 - €200 -
196 - Richard Ranft (1862-1931) The Squire. 1897. Lithograph. 233 x 338. Reunion of 2 proofs, one in color on strong glazed vellum, the other of the keystone in black, on chine volant, from the large-margin deluxe edition for volume 1 of L'Estampe Moderne (dry stamp: Lugt 2790). Minor foxing and soiling to edges of 2nd.
Estimate €200 - €300 -
197 - Pierre-Auguste Renoir (1841-1919) The Pinned Hat (2nd pl.). Circa 1894. Drypoint. 94 x 132. Delteil, Stella 7. Perfect proof printed with ground tint on strong ivory vellum, stamped (Lugt 2137a). Fine oxidation around the edge of the folio. All margins untrimmed.
Result €1,408Estimate €400 - €500 -
198 - Pierre-Auguste Renoir (1841-1919) Bather standing half-legged. 1910. Etching. 108 x 165. Delteil, Stella 23. Fine proof of a later print on ivory laid paper. Moisture aure along right and bottom edges. Some foxing in the upper right corner. Full margins.
Result €512Estimate €180 - €200 -
199 - Pierre-Auguste Renoir (1841-1919) The Pinned Hat (2nd pl.). Circa 1898. Lithograph. 500 x 622. Delteil, Stella 30; Johnson 108. A very fine, fresh proof printed in black on "mbm" watermarked laid paper. Fine band of oxidation at the edges of the folio. A few tiny freckles. All margins untrimmed.
Result €3,840Estimate €3,000 - €4,000 -
200 - Pierre-Auguste Renoir (1841-1919) The Pinned Hat (2nd pl.). Circa 1898. Lithograph. 500 x 622. Delteil, Stella 30; Johnson 108. A very fine, fresh print in pinkish bistre on chine volant. Some foxing, more pronounced along the right margin. A small thinning perceptible by transparency in the hair of the young girl on the right (inherent to the texture of the paper). Soft oblique fold in the lower right-hand corner of the folio. Full margins.
Result €3,200Estimate €3,000 - €4,000
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday, November 29, 2023 at 2 pm
Public viewing:
Salle des ventes Favart - 3, rue Favart 75002 Paris
Monday November 27, 10 am to 6 pm
Tuesday, November 28, 10 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
Terms of sale
Show the terms of sale
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RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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