ANCIENT AND MODERN ESTAMPES - LOTS 241 to 473
Thursday 10 February 2022 at 14:00
3, rue Favart, 75002 Paris
233 lots
-
341 - Suzanne Valadon (1865-1938) Louise nude on a sofa. 1895. Etching and soft varnish. 285 x 250. Good proof on ivory vellum, printed on the reduced copper, signed in pencil. Strong oblique broken folds across the upper third of the sheet. Heavy oxidation around the subject. Heavy freckling at the right edge. Short tear at the head. Indentation on verso, visible in the door on the left. Remains of glue in the upper corners on the back. All margins. Print for the album published by Daragnès, Eighte
Result €512Estimate €300 - €400 -
342 - Suzanne Valadon (1865-1938) Adele preparing the tub and Ketty with raised arms. 1905. Etching and soft varnish. 270 x 232. Beautiful proof on ivory vellum, signed in pencil, mounted with gummed kraft strips under matting, with clear trace of oxidation at the opening. All margins. Print for the album published by Daragnès, Eighteen original plates of Suzanne Valadon, engraved from 1895 to 1910 (1932).
Result €768Estimate €400 - €500 -
343 - Louis Valtat (1869-1952) Two women at the piano. About 1920. Etching. 175 x 253. Very nice proof on laid paper, signed in pencil. Remains of gummed paper in the corners on the reverse. Small lack in the lower left corner of the sheet. All margins. Joint : Young woman with a headband. About 1920. Etching. 138 x 195. Proof on thin old laid paper, stamped (Lugt not described). Broken fold and long oblique tear through the lower left corner of the subject. All margins. Set. 2 pp.
Result €281Estimate €300 - €400 -
344 - Jean Veber (1868-1928) Thaïs - Athanaël (1st and last plates of a melody cover). 1893. Lithograph. 400 x 290. Veber and Lacroix 1. color print in gilt bronze ink. Very nice proof on thin vellum, dedicated in ink "Pour Paul" signed and dated "1894". A few scattered light foxing. Numerous fine folds broken at the edges of the sheet. These are illustration projects for the score by Jules Massenet. Thaïs is a lyrical comedy for which Massenet wrote the music. The text was composed of poems by
Result €832Estimate €300 - €400 -
345 - Jean Veber (1868-1928) William II in the Taunus, or Vision of Germany. 1907. Lithograph. 380 x 305. Veber et Lacroix 120. color print. Nice proof on vellum, titled "Guillaume II", signed and annotated "Hambourg 1907", pasted in full on cardboard. Numerous light scattered foxing. All margins. Edition at 100 proofs.
Estimate €150 - €180 -
346 - Jean Veber (1868-1928) The Kick of Venus. 1910. Lithograph. 330 x 240. Veber and Lacroix 111. color print. Good proof on laid paper, washed, with short restored tears at the edges of the sheet, signed in pencil. Traces of vertical folds slightly perceptible. All margins. Edition of 80 proofs.
Estimate €150 - €180 -
347 - *Jean Veber (1868-1928) Pl. of the War Series. 1914. Lithograph. Each [560 x 420] or [550 x 380]. Veber and Lacroix 182 to 188. Fine proofs on vellum, the last one captioned and signed in pencil. Minor oxidation to the edges of the folio. All margins. Set of 7 p.
Estimate €300 - €400 -
348 - Marcel Vertès (1895-1961) Gallant subjects. Illustrations for a book. About 1940-1950. Meeting of 7 drypoint engraved copperplates. Each 200 x 250.
Result €704Estimate €400 - €500 -
349 - Jacques Villon (Gaston Duchamp, said) (1875-1963) The Concert on the Beach. 1907. Etching and aquatint. 200 x 220. Ginestet et Pouillon 177. Very nice proof on laid paper, numbered and signed in pencil, then titled on the reverse in the lower right corner. Tiny scattered freckles. All margins. Edition at 50 proofs.
Result €704Estimate €300 - €400 -
350 - Jacques Villon (Gaston Duchamp, said) (1875-1963) The Sea comes to us while the mountain ..., or On the pebble, the old. 1907. Drypoint and aquatint. 175 x 238. Ginestet et Pouillon 178. Very nice proof on laid paper, numbered ("n°1") and signed in pencil, then titled at the foot. Scattered foxing. All margins. Edition at 50 proofs.
Estimate €300 - €400 -
351 - Jacques Villon (Gaston Duchamp, said) (1875-1963) Minne and the cats drinking. 1907. Etching, drypoint and aquatint. 167 x 237. Ginestet et Pouillon 191. Very nice proof on japon vergé, numbered and signed in pencil. All margins. Edition at 30 proofs.
Result €256Estimate €180 - €200 -
352 - Jacques Villon (Gaston Duchamp, dit) (1875-1963) Minne playing with a cat, or Renée with a white cat. 1907. Etching, drypoint and aquatint. 169 x 237. Ginestet et Pouillon 192. Very nice proof on japon vergé, numbered and signed in pencil. All margins. Edition at 30 proofs.
Result €384Estimate €180 - €200 -
353 - Jacques Villon (Gaston Duchamp, said) (1875-1963) The Bird. 1921. Etching. 167 x 100. Ginestet et Pouillon 293. Nice proof on vellum, from the first edition (1921), annotated "tiré à 50" and signed in pencil. Light trace of marginal oxidation. All margins.
Result €896Estimate €200 - €300 -
354 - Jacques Villon (Gaston Duchamp, said) (1875-1963) On vacation on the rocks. 1927. Etching and drypoint. 252 x 175. Ginestet et Pouillon 301. Very nice proof on thin white laid paper, numbered and signed in pencil. All margins. Edition at 50 proofs.
Result €153Estimate €180 - €200 -
355 - Jacques Villon (Gaston Duchamp, said) (1875-1963) The Plain between Cannes and Mougins. 1934. Etching. 265 x 162. Ginestet et Pouillon 377. Very nice and fresh proof on japan, annotated "ep. d'artiste" and signed in pencil. All margins. Final edition at 50 proofs.
Result €153Estimate €200 - €300 -
356 - Jacques Villon (Gaston Duchamp, said) (1875-1963) The Factory. 1935. Etching. 270 x 208. Ginestet et Pouillon 383. Very nice proof on ivory vellum, annotated "épreuve d'essai" and signed in pencil and titled at the foot. Some rare light foxing. All margins. Final edition of 30 proofs.
Result €153Estimate €200 - €300 -
357 - Jacques Villon (Gaston Duchamp, said) (1875-1963) My old Luxembourg. 1935. Drypoint and etching. 400 x 255. Ginestet and Pouillon 384. Reunion of 2 proofs on white vellum, one of the 4th state (out of 5), before new works and before the engraved title, the other of the final state, annotated "épreuve d'artiste", numbered and signed in pencil. All margins. Edition of 8 and 12 proofs respectively. Final edition of 40 proofs.
Result €384Estimate €300 - €400 -
358 - Jacques Villon (Gaston Duchamp, said) (1875-1963) The Three Orders (Beaugency: the castle, the church, the countryside). 1939. Etching. 185 x 285. Ginestet and Pouillon 450. Perfect proof on ivory laid paper, signed in pencil. All margins. Edition of 50 proofs.
Result €256Estimate €200 - €300 -
359 - Jacques Villon (Gaston Duchamp, said) (1875-1963) Olympia. 1926-1927. Aquatint, roulette and drypoint after Manet. 580 x 405. Ginestet and Pouillon 647. Printed in colors. Nice proof on strong vellum, numbered and signed in pencil. Light spotting and oxidation of the folio. All margins. Edition at 100 proofs. Bernheim-Jeune éd.
Result €1,408Estimate €600 - €800 -
360 - Édouard Vuillard (1868-1940) Les Soutiens de la société (play in 4 acts by Henrik Ibsen). Program for the Theatre of the Work.1896. Lithograph. 495 x 315. Roger-Marx 24; Aitken 85. Beautiful proof on ivory vellum, of an undescribed intermediate state, between the 1st and 2nd, with the mention "L' œuvre" but before the cast. Scattered foxing. Short crease broken in the lower left corner of the folio. Dust band at right edge on verso. All margins.
Estimate €300 - €400 -
361 - Édouard Vuillard (1868-1940) Interior with Pink Hangings I. (Plate 5 of the album Landscapes and Interiors). 1899. Lithograph. 275 x 345. Roger-Marx 36; Johnson 155-5. Interesting trial proof on flying chine of the keystone drawn in black. Heavy light foxing at the foot. Dust band at the head. All margins. A. Vollard ed. ex-coll. H. M. Petiet (Lugt 6031).
Result €332Estimate €300 - €400 -
362 - Édouard Vuillard (1868-1940) The Birth of Annette. About 1899. Lithograph. 500 x 393. Roger-Marx 44; Johnson 157. Printed in colors. A very nice proof on chine volant, of the 2nd state (of 3), before the red stone and before the reduction of the subject. Small holes inherent to the texture of the paper, one of which is more marked on the left of the screen. All margins. Edition of 100 proofs. A. Vollard publisher.
Result €640Estimate €500 - €600 -
363 - Édouard Vuillard (1868-1940) Cover project for an album of prints. 1898. Lithograph. 475 x 588. Roger-Marx 47; Johnson 156. Printed in colors. Very nice proof on chine volant. Some scattered foxing at the head and foot of the folio. Small thinning visible by transparency, inherent to the texture of the paper. Thin fold broken along the lower edge in the left margin. All margins. A. Vollard ed. This plate was to be used as a cover for an album of prints for the Vollard gallery, which was not
Estimate €600 - €800 -
364 - Theo P. Wagner (active ca. 1890-1900) Dream, or The Chimera. 1894. Lithograph. 238 x 311. Stein and Karshan 91. Beautiful proof on heavy ivory laid paper, numbered "21" in the upper right corner of the subject and signed in pencil. Light marginal foxing. Filled and very oxidized edges, with small accidents at the edges. All margins [428 x 595]. Edition of 100 proofs. Dry stamp: The Original Print (Lugt 819). Theo P. Wagner was a mysterious artist who worked at the Molier Circus, where he per
Result €448Estimate €150 - €180 -
365 - Theo P. Wagner (active ca. 1890-1900) The Clown Lodge. 1897. Lithograph. 95 x 330. Johnson 158. Printed in colors. Very nice and fresh proof on chine volant, signed in pencil. All margins. Edition at 100 proofs for the Album of original prints of the Galerie Vollard. Ex-coll. H. M. Petiet (Lugt 5031). Theo P. Wagner was a mysterious artist who worked at the Molier Circus, where he performed a trapeze act with the Duc de la Rochefoucauld. He attracted the attention of Huysmans who devoted sev
Estimate €180 - €200 -
366 - Charles Waltner (1846-1925) Two turtles. 1897. Drypoint. 170 x 60 [170 x 128]. Very nice proof on strong imitation japan, without margins on the sides, dedicated in the subject "to René Lecomte" and signed in pencil.
Estimate €150 - €180 -
367 - James Abbott McNeill Whistler (1834-1903) Amsterdam from the Tolhuis. 1863. Etching. 207 x 130. Kennedy 91. A very fine proof on thin japan, of the 1st state (of 4), before the butterfly, the loaded sky, before some burnishing. Tiny tear at the top of the right leaf. Small normal margins.
Estimate €3,000 - €4,000 -
368 - James Abbott McNeill Whistler (1834-1903) Kennedy (Edward G.). The Etched Works of Whistler. Illustrated by Reproductions in Collotype of the Different States of the Plates. Compiled, arranged, and described by Edward G. Kennedy. With an introduction by Royal Cortissoz. New York, The Grolier Club, 1910. 1st edition. One volume of text in-4, bound, top board decorated with the arms of the Grolier Club, and 4 flap portfolios containing the reproduced plates, in sheets, glued on bristol board, num
Result €225Estimate €150 - €180 -
369 - Pablo Picasso (1881-1973) The Barbarian Dance. (Pl. of the Saltimbanques suite). Autumn-Winter 1905. Drypoint. 232 x 185. Bloch 15; Baer 18. A very fine and fresh proof on heavy ivory vellum, from the edition of 250 proofs made for Vollard in 1913. A few rare very light foxing. All margins untrimmed.
Result €2,048Estimate €1,200 - €1,500 -
370 - Pablo Picasso (1881-1973) Man and Woman. 1927. Etching. 280 x 196. Bloch 77; Baer 118 b 2; Johnson 91. Very nice proof on strong white vellum, numbered and signed in brush and sepia ink. A few tiny light freckles (one on the man's side and one above the couple). All margins untrimmed. Edition of 250 proofs. A. Vollard ed.
Result €6,144Estimate €2,800 - €3,000 -
371 - Pablo Picasso (1881-1973) Figure, or Bather with a Cabin. 1929. Lithograph. 139 x 237. Bloch 96; Geiser-Baer 246 b; Mourlot XXVI. A very nice proof on a strong imitation japan, signed in pencil, from the separate edition of the review Le Manuscrit autographe. Some light scattered foxing in the large margins [290 x 420], especially at the head.
Result €9,216Estimate €3,500 - €4,000 -
372 - Pablo Picasso (1881-1973) The Painter and his Model. 1930. Lithograph. 290 x 230. 18 Cramer; 30 Güse-Rau. Nice proof on japan. Long broken fold and traces of rubbing along the lower edge of the sheet. Remains of mounting tabs at the head on the reverse. All margins.
Result €1,344Estimate €600 - €800 -
373 - Pablo Picasso (1881-1973) Monument. Head of Maria Theresa on a Column. March 5, 1933. Etching, scraping, burnishing and drypoint. 29 x 125. Bloch 253; Baer 291 XIII C a. A very fine proof on old vellum, annotated in pencil "Bon à tirer", signed and dated "le 30.10.60", prior to the edition of 50 proofs made for the Leiris gallery in 1961. This print quoted by Baer. Small wormhole in the lower margin. All margins [212 x 295].
Result €10,240Estimate €3,000 - €4,000 -
374 - Pablo Picasso (1881-1973) Suite VollardNaked woman with bent leg. (Suite Vollard, pl. 8). July 9, 1931. Etching. 223 x 312. Bloch 141; Baer 208 B d. A perfect proof on Montval laid paper watermarked "Vollard," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €2,560Estimate €1,800 - €2,000 -
375 - Pablo Picasso (1881-1973) Suite VollardTwo Catalan drinkers. (Suite Vollard, pl. 12). November 29, 1934. Etching. 298 x 237. Bloch 228; Baer 442 B d. A perfect proof on Montval laid paper with the "Vollard" watermark, from the small-margined edition of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. All margins not trimmed.
Result €3,072Estimate €1,800 - €2,000 -
376 - Pablo Picasso (1881-1973) Suite VollardWinged bull contemplated by four children. (Suite Vollard, pl. 13). December 1934. Etching. 298 x 233. Bloch 129; Baer 444 B d. A perfect proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. Tiny marginal rust spots, inherent to the texture of the paper. All margins untrimmed.
Result €6,912Estimate €2,000 - €3,000 -
377 - Pablo Picasso (1881-1973) Suite VollardThe Circus. (Suite Vollard, pl. 17). November 11, 1933. Drypoint and scraper. 277 x 199. Bloch 205; Baer 385 IV B d. A perfect proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. Tiny marginal rust spots, inherent to the texture of the paper. All margins untrimmed.
Result €3,200Estimate €2,000 - €3,000 -
378 - Pablo Picasso (1881-1973) Suite VollardSculptor , squatting model and sculpted head. (Suite Vollard, pl. 39). March 23, 1933. Etching. 194 x 268. Bloch 155; Baer 308 B d. A very fine proof on Montval laid paper watermarked "Vollard," from the small-margined edition of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins not trimmed.
Result €4,864Estimate €1,800 - €2,000 -
379 - Pablo Picasso (1881-1973) Suite VollardSculptor , model and sitting sculpture. (Suite Vollard, pl. 40). March 15, 1933. Drypoint. 185 x 318. Bloch 146; Baer 297 B d. A very fine proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. Tiny tear in the lower right corner. A few tiny foxing marks in the upper right corner. All margins untrimmed.
Result €2,560Estimate €1,800 - €2,000 -
380 - Pablo Picasso (1881-1973) Suite VollardTwo clothed models. (Suite Vollard, pl. 42). March 21, 1933. Etching. 194 x 267. Bloch 150; Baer 302 B d. A perfect proof on Montval laid paper watermarked "Vollard," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €4,096Estimate €1,800 - €2,000 -
381 - Pablo Picasso (1881-1973) Suite VollardSculptor with cup, crouching model. (Suite Vollard, pl. 44). March 21, 1933. Etching. 194 x 267. Bloch 152; Baer 304 B d. A perfect proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €4,096Estimate €1,800 - €2,000 -
382 - Pablo Picasso (1881-1973) Suite VollardSculptor at work. (Suite Vollard, pl. 49). March 26, 1933. Etching. 194 x 268. Bloch 157; Baer 311 B d. A perfect proof on Montval laid paper watermarked "Vollard," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €2,560Estimate €1,800 - €2,000 -
383 - Pablo Picasso (1881-1973) Suite VollardThe Rest of the Sculptor and the Model with Mask. (Suite Vollard, pl. 50). March 27, 1933. Etching. 194 x 267. Bloch 159; Baer 312 B d. A perfect proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €2,560Estimate €1,800 - €2,000 -
384 - Pablo Picasso (1881-1973) Suite VollardThe Rest of the Sculptor in Front of a Nude with a Drapery. (Suite Vollard, pl. 51). March 27, 1933. Etching. 194 x 267. Bloch 160; Baer 313 B d. A perfect proof on Montval laid paper watermarked "Vollard," from the small-margin print run of 260 proofs [340 x 445], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €2,816Estimate €1,800 - €2,000 -
385 - Pablo Picasso (1881-1973) Suite VollardThe Rest of the Sculptor in Front of the Small Torso. (Suite Vollard, pl. 53). March 30, 1933. Etching. 268 x 194. Bloch 162; Baer 315 B d. A very fine proof on Montval laid paper watermarked "Vollard," from the small-margined edition of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. Tiny rust spots inherent to the texture of the paper. All margins untrimmed.
Result €5,376Estimate €1,800 - €2,000 -
386 - Pablo Picasso (1881-1973) Suite VollardThe Rest of the Sculptor in Front of the Young Rider. (Suite Vollard, pl. 55). March 30, 1933. Etching. 268 x 194. Bloch 164; Baer 317 B d. A perfect proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. A few tiny marginal rust spots, inherent to the texture of the paper. All margins untrimmed.
Result €3,328Estimate €1,800 - €2,000 -
387 - Pablo Picasso (1881-1973) Suite VollardThe Rest of the Sculptor in front of Horses and a Bull. (Suite Vollard, pl. 57). March 31, 1933. Etching. 267 x 194. Bloch 166; Baer 319 B d. A perfect proof on Montval laid paper watermarked "Vollard," from the small-margin print run of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. Two small rust spots in the lower margin, inherent to the texture of the paper. All margins untrimmed.
Result €2,816Estimate €1,800 - €2,000 -
388 - Pablo Picasso (1881-1973) Suite VollardLe Repos du sculpteur. (Suite Vollard, pl. 63). April 3, 1933. Etching. 365 x 299. Bloch 172; Baer 325 B d. A perfect proof on Montval laid paper watermarked "Picasso," from the small-margin print run of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. Small circular thinning in the right margin, visible only by transparency, inherent to the manufacture of the paper. All margins not trimmed.
Result €3,328Estimate €1,800 - €2,000 -
389 - Pablo Picasso (1881-1973) Suite VollardLe Repos du sculpteur. (Suite Vollard, pl. 65). April 4, 1933. Etching. 267 x 194. Bloch 174; Baer 327 B d. A very fine proof on Montval laid paper watermarked "Vollard," from the small-margined edition of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. All margins untrimmed.
Result €4,096Estimate €1,800 - €2,000 -
390 - Pablo Picasso (1881-1973) Suite VollardModel contemplating a sculpted group. (Suite Vollard, pl. 66). April 5, 1933. Etching. 365 x 299. Bloch 175; Baer 328 B d. A very fine proof on Montval laid paper watermarked "Vollard," from the small-margined edition of 260 proofs [445 x 340], unsigned. Very slight oxidation at the edges of the sheet. Tiny rust spots inherent to the texture of the paper. All margins untrimmed.
Result €3,328Estimate €1,800 - €2,000
About the sale
General conditions:
The sale will be made expressly in cash.
No claim will be admissible as soon as the adjudication is pronounced, the presentation of the lots on internet is worth preliminary exposure.
The successful bidder will be the highest and last bidder and will have to give his name and address. In case of dispute at the time of the
In the event of a dispute at the time of the auction, i.e. if it is established that two or more bidders have simultaneously made an equivalent bid, either aloud or by sign, and claim the item at the same time after the word "adjudicated" has been pronounced, the said item will be immediately reoffered for auction at the price proposed by the bidders and all the public will be allowed to bid again.
The date indicated in square brackets [...] corresponds to the creation of the model. The piece presented was created later.
Any changes to the conditions of sale or to the descriptions in the catalog will be announced verbally during the sale and noted in the minutes.
Catalog: 20 € including VAT at 5.5% for copyright. The images are the exclusive property of ADER.
Any reproduction or distribution requires written authorization from the auction house.
Selling expenses and payment:
The successful bidder will have to pay, in addition to the amount of the bid, per lot, the following fees and taxes:
- 28 % including VAT (20 % VAT) except for wine and books 25 % including VAT (5.5 % VAT on books).
- 1.8 % incl. VAT (20 % VAT) of the hammer price for auctions via Drouot Live; 3.60 % incl. VAT (20 % VAT) of the hammer price for auctions via Interenchères; 3 % incl. VAT (20 % VAT) of the hammer price for auctions via Invaluable.
- An additional 5.5% temporary import tax charge for lots marked with an asterisk(*).
In certain cases, these charges may be refunded to the buyer.
Payment must be made immediately after the sale:
- in cash (euros) up to €1,000 for French nationals or up to €15,000 for foreign nationals (upon presentation of proof of address, tax notice, etc.; in addition to passport).
- by credit card (Visa, Mastercard).
- by "3D Secure" payment on the website www.ader-paris.fr
- by bank transfer in euros to ADER.
Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
Payment by check is no longer accepted.
Purchase orders :
A bidder unable to attend the sale must complete the purchase order form included in this catalog and sign it.
ADER will act on behalf of the bidder, according to the instructions contained in the purchase order form, in an attempt to purchase the lot(s) at the lowest possible price and in no case exceeding the maximum amount indicated by the bidder.
The said form must be sent to and received at the auction house no later than 24 hours before the start of the sale.
The purchase orders or telephone bids are a facility for the clients. ADER is not responsible for failure to execute an order by mistake or for any other cause. Please check after sending that your purchase order has been properly registered.
ADER reserves the right not to register the purchase order if it is not complete or if it considers that the customer does not provide all the guarantees for the security of the transactions; without possible recourse.
To guarantee the buyer's goodwill, a deposit may be requested before the sale, which will only be validated in the event of an auction.
As Drouot Live and Interenchères are independent services, we decline all responsibility in case of malfunction. The additional cost related to internet purchases is detailed on each of the sites and in our terms of sale.
Transportation of lots / Exportation :
The present sale is carried out by appointment.
As soon as the auction is over, the buyer is fully responsible for the purchase.
No lot will be handed over to the buyer before full payment has been made.
Lots are to be collected as soon as possible from their place of storage.
Buyers concerned by an export will be able to reclaim the VAT on the purchase fees on condition that a valid customs receipt is submitted to ADER and that the name of the auction house is mentioned on it as the exporter. The auction slip is due in full; the VAT is refundable afterwards on presentation of the bank account references.
The shipping of the purchased lots can be organized by ADER at the expense and under the responsibility of the buyer.
This is a service provided by ADER which reserves the right to renounce it if the legal or practical conditions present the slightest risk. Delivery times are not guaranteed and are dependent on the activity of the Sales House.
The cost of packing and shipping is at the buyer's expense; payment is to be made to ADER.
The buyers are invited to organize themselves the transport of their purchases if these conditions do not suit them.
The ADER study does not make the shipments of jewelry, the buyers are invited to organize themselves the transport of their purchases.
Default of payment :
The information collected on this registration form is mandatory to participate in the sale and then for the taking into account and management of the auction. ADER uses the
Terms of sale
Show the terms of sale
Vente aux enchères publiques
Salle des ventes Favart
3, rue Favart 75002 Paris
Mercredi 9 février à 14 h : lots 1 à 240
Jeudi 10 février à 14 h : lots 241 à 473
Exposition publique régulée
Salle des ventes Favart
3, rue Favart 75002 Paris
Lundi 7 février de 10 h à 18 h
Mardi 8 février de 10 h à 18 h
Téléphone pendant l’exposition : 0033 (0)1 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Tél. : 0033 (0)1 44 76 04 32
Responsable de la vente :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tél. : 0033 (0)1 78 91 10 16