ANCIENT AND MODERN ESTAMPES - LOTS 241 to 473
Thursday 10 February 2022 at 14:00
3, rue Favart, 75002 Paris
233 lots
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291 - Maxime Maufra (1861-1918) The artist's house in Kerhostin. 1910. Etching. 175 x 128. Morane 55. Perfect proof on cream laid paper, numbered and signed in pencil. All margins. Edition of 75 proofs. Ex-coll. F. Heugel (Lugt 3373).
Result €768Estimate €300 - €400 -
292 - Maxime Maufra (1861-1918) Erdeven (small pl.). 1914. Etching. 147 x 100. Morane 66. Very nice proof on cream laid paper, signed in pen and ink. Small scattered light foxing. All margins.
Result €256Estimate €150 - €180 -
293 - Charles Maurin (1856-1914) The Kiss. About 1890. Etching and aquatint. 430 x 495. Printed in colors. Nice proof on white laid paper, numbered and signed in pencil. Slight oxidation of the folio. Two tears of 5 cm, one at the head, the other at the left edge. All margins. Edition at 50 proofs.
Result €281Estimate €200 - €300 -
294 - Charles Maurin (1856-1914) Nouvelle Éducation Sentimentale. About 1896-1900. Etching and soft varnish. Each 310 x 445. Printed in colors. Complete suite of 12 plates including a title. Very nice proofs on cream laid paper, the title numbered and signed in blue pencil. Slight dusting to the edges of the leaves. All margins. Edition of L'Estampe Nouvelle (with its stamp in the lower left corner of each subject, Lugt 886).
Result €1,280Estimate €600 - €800 -
295 - Charles Maurin (1856-1914) La Belle pomme. 1910. Drypoint and aquatint. 280 x 400 cm, printed in colors. Very nice proof on laid paper, numbered and signed in pencil, titled at the foot, and annotated " Ep. avant l'aciérage ". Minor soiling, handling creases and two short tears at the head of the sheet. All margins.
Result €128Estimate €150 - €180 -
296 - Henri Meunier (1873-1922) La Falaise (Fécamp). 1904. Aquatint. 333 x 254. Printed in colors. Nice proof on laid paper, titled, annotated " tiré à 40 épr. N° 7", signed in pencil and stamped with the artist's red stamp (Lugt not described). Slight traces of folds, oxidation and some foxing. All margins.
Result €537Estimate €180 - €200 -
297 - Marc Mouclier (1866-1947) Two women sewing under the lamp. About 1895. Lithograph. 160 x 132. Very nice proof on beige vellum, annotated in pen and ink "tirage à quinze / n° 9". Margins. Framed.
Result €409Estimate €300 - €400 -
298 - Alfredo Müller (1869-1939) Flotilla of fishing boats. 1902. Etching and aquatint. 490 x 395. Koehl E142. Printed in colors. Nice proof on laid paper, numbered and signed in pencil. Strong traces of marginal oxidation. Slight foxing. All margins. Edition at 50 proofs. Sagot ed.
Result €320Estimate €200 - €300 -
299 - Edvard Munch (1863-1944) The Last Hour. (Pl. from the suite The Pretenders, which has 15 pl. according to Woll). 1917. Woodcut. 515 x 375. Woll 623; Schiefler 491. Good proof on ivory vellum, signed in pencil. Long, strong oblique broken creases across the lower right quarter of the folio (including in the subject). Glossy traces (of glue?) on the surface. Vertical tear of 40 mm at foot, penetrating into the subject, summarily restored on verso. Several short tears at the edges of the folio. Ho
Result €7,424Estimate €2,000 - €3,000 -
300 - Pablo Picasso (1881-1973) Head of a woman: Madeleine. 1905. Etching. 85 x 118. Bloch 2; Geiser-Baer 3 b 2. A good proof on heavy ivory vellum, from an edition of 250 proofs made for Ambroise Vollard in 1913. Strong oxidation of the folio. One freckle under the plate. Reduced margins [210 x 275].
Result €3,840Estimate €1,000 - €1,200 -
301 - Pablo Picasso (1881-1973) Marie-Thérèse as a bullfighter woman. (Vollard Suite, pl. 22). 1934. Etching. 230 x 285 (dimensions slightly different from those given by Baer due to the natural shrinkage of the parchment). Bloch 220; Baer 426 B b. A very fine proof, one of 3 printed on parchment, numbered and signed in brush and red ink, matted with a gummed paper strip at the head on the reverse. Many undulations (due to the nature of the support). Very slight marginal oxidation. All margins [392
Result €34,560Estimate €10,000 - €12,000 -
302 - Camille Pissarro (1830-1903) Camille Pissarro, by himself. About 1890. Etching and drypoint on zinc. 175 x 185. Delteil 90. A very fine proof printed slightly off-key on "mbm" watermarked laid paper, annotated by the artist "1er Etat n° 19 / Portrait de C. P" then signed. Clear trace of oxidation at the opening of an old mount. Small remains of tabs and traces of glue at the head on the reverse. All margins [260 x 360]. Edition of 28 prints during the artist's lifetime. Posthumous edition of 2
Result €65,280Estimate €10,000 - €12,000 -
303 - Camille Pissarro (1830-1903) Cowgirl by the Water. 1890. Drypoint. 132 x 198. Delteil 93. Beautiful proof on thin old laid paper, the edges of the copper very inked, numbered in pencil, washed, a little gray. Light trace of oxidation at the opening of an old mount. Traces of glue at the edges of the sheet on the reverse. Edition of 100 proofs, prior to the Gazette des Beaux-Arts (1904). All margins (original irregular edges).
Result €486Estimate €150 - €180 -
304 - Lucien Pissarro (1863-1944) The Dying Man. (Pl. 8 of the album of the Temps Nouveaux). 1897. Autograph. 340 x 320. Dardel 66. Good proof on laid paper, slightly yellowed. Minor soiling. All margins. Joint : Charles Agard (1856-1914). Les Défricheurs. (Pl. 25 of the album des Temps Nouveaux). 1901. Autograph. 310 x 215. Dardel 84. Very nice proof on cream laid paper. A few light freckles. Henri Lebasque (1865-1937). Those who eat black bread. (Pl. 26 of the album des Temps Nouveaux). 1901. Auto
Estimate €300 - €400 -
305 - Pierre Puvis de Chavannes (1824-1898) The Poor Fisherman. 1897. Lithograph. 522 x 412. Johnson 98; Druick 11. Printed in mauve. Very fresh proof on grey laid paper with "mbm" watermark. Numerous very small freckles. Ripples (normal) due to pressure during printing. All margins. Edition of 100 proofs for the original prints album of the Galerie Vollard. Ex-coll. H. M. Petiet (Lugt 5031). Joint : Pierre Puvis de Chavannes (after). Head of a young girl. Lithograph after a drawing by the artist. 20
Result €537Estimate €300 - €400 -
306 - Odilon Redon (1840-1916) She pulls a black sponge from her chest... (Plate 8 of The Temptation of Saint Anthony, 3rd series). 1896. Lithograph. 152 x 191. Mellerio 141. Very nice proof on chine appliqué, without the letter, of the later print made in 1938 for A. Vollard (in anticipation of an illustrated edition that never saw the light of day). Some light foxing. Thin bands of oxidation at the edges of the folio. All margins. Edition of 220 proofs.
Result €896Estimate €300 - €400 -
307 - Odilon Redon (1840-1916) Old knight. 1896. Lithograph. 235 x 298. Mellerio 158; Johnson 101. A very fine proof on chine appliqué, before the letter, signed with the initials in pencil, covered with a number "11" (apocryphal) in pencil. Tiny indentations or tiny stains in the margins (one under the subject in the center). All margins. Final edition with the letter: 100 proofs for the Album des peintres-graveurs, published by A. Vollard in 1896.
Result €4,096Estimate €2,000 - €2,500 -
308 - Ethel Reed (American, 1874-1912) The White Wampum / By E. Pauline Johnson. Poster for a book distributed by Lamson, Wolffe & Co, Boston and New York. 1895. Gillotage. 400 x 572. color print. Good proof on thin brick-stained vellum, pasted on cardboard. Moisture stains at the foot. Emily Pauline Johnson (1861-1931) was a "native" Canadian author, from her Indian name Tekahionwake. Her book of poems, The White Wampum, published in 1895, celebrates her Indian heritage and the world of the pione
Estimate €200 - €300 -
309 - Pierre-Auguste Renoir (1841-1919) Nude Woman Reclining Turned Right (1st pl.). About 1906. Drypoint. 198 x 128. Delteil, Stella 13. Very nice proof on strong imitation japan, stamped (Lugt 2137b). All margins. Framed.
Result €576Estimate €300 - €400 -
310 - Pierre-Auguste Renoir (1841-1919) Reclining Nude Woman, turned left. About 1906. Drypoint. 195 x 140. Delteil, Stella 15. Beautiful proof on ivory vellum, illustrating a prospectus and bearing on the reverse the printed text announcing the publication of the Histoire des Peintres Impressionnistes by Th. Duret. Traces of glue in two corners on the reverse. All margins.
Result €332Estimate €150 - €180 -
311 - József Rippl-Rónai (1861-1927) Woman Reading. 1894. Lithograph. 150 x 195. Printed in colors. Very nice proof on thin buff vellum, from the regular edition for the Revue blanche. Slight oxidation at the edges of the sheet. Small lack in the lower left corner. All margins.
Result €512Estimate €180 - €200 -
312 - Henri Rivière (1864-1951) Women in the vegetable garden in front of thatched cottages. Around 1890. Engraved wood. 340 x 230. Toudouze, Fields, Sueur not described. Printed in colors. A very nice trial proof on japanese laid paper, incomplete with some colors. Dusting, soiling and marginal handling creases. All margins. This is an unfinished trial proof, which belongs to the series of Breton Landscapes (1889-1894).
Estimate €2,000 - €3,000 -
313 - Henri Rivière (1864-1951) The Pardon of Sainte-Anne-La-Palud. (3rd part on 5 of the polyptych). 1892. Woodcut. 228 x 340. Fields 38; Sueur 58 (repr. p. 97). Printed in colors. Very nice proof on thin laid japanese paper.
Result €1,280Estimate €1,200 - €1,500 -
314 - Henri Rivière (1864-1951) The Walk to the Star. Mystery in 10 scenes. Poem and music by Georges Fragerolle. Drawings by Henri Rivière. Paris, Enoch et Flammarion, [1st ed., 1890]. One oblong vol. in-fol. [320 x 247] paperback containing 15 lithographs in color preceded by the illustrated title, false title and table, as well as the musical scores. Sueur 12 (repr. p. 65). Ordinary copy on glazed vellum (with the address of the printer Chaix). A few small scattered foxes. Hardcover illustrated
Result €350Estimate €180 - €200 -
315 - Henri Rivière (1864-1951) Cows in the pasture. 1910. Etching. 408 x 278. Nice proof printed in brown on laid paper, covered with the artist's red japanese stamp. Strong and large scattered freckles. Traces of oxidation. All margins.
Result €896Estimate €600 - €800 -
316 - Manuel Robbe (1872-1936) The Waiting (couple in the rocks). About 1910. Aquatint. 590 x 460. color print. Nice proof on white vellum, signed in pencil. Scattered light foxing. Small tear in the left margin. All margins.
Estimate €150 - €180 -
317 - Manuel Robbe (1872-1936) The Country Party. About 1910. Aquatint. 492 x 363. color print. Nice proof on cream laid paper, signed with a black stone in the subject in the lower right corner. Heavy foxing and general oxidation of the sheet. All margins.
Result €153Estimate €150 - €180 -
318 - Auguste Rodin (1840-1917) (after) Nude of woman. 1897. Lithograph by Auguste Clot. [430 x 570]. Printed in colors. Very nice and fresh proof on strong white vellum, with the printed signature. Slight trace of oxidation at the edges of the sheet. All margins. Edition at 100 proofs for the Album d'estampes originales de la Galerie Vollard (1897).
Result €332Estimate €180 - €200 -
319 - Félicien Rops (1833-1898) The Revenge of a Woman. (Illustration for Barbey d'Aurevilly, Les Diaboliques). Heliogravure. Sight: 200 x 275. See p. 33, fig. 34. Beautiful proof on vellum. Margins. Framed.
Result €358Estimate €150 - €180 -
320 - Georges Rouault (1871-1958) The Pitre. 1926. Lithograph. 215 x 350 cm, Chapon et Rouault 317. Very nice and fresh proof on strong ivory vellum, of the 2nd state (of 4), before the monogram, signed in pencil. All margins. Edition at 25 proofs of this state. Stamps of the publisher E. Frapier (Lugt 2921b and 2921c) in the lower left corner of the folio. Ex-coll. S. Vouay (Lugt 2373c).
Result €512Estimate €200 - €300 -
321 - Georges Rouault (1871-1958) Les Fleurs du Mal, pl. 1. 1933. Lithograph. 221 x 305. Chapon and Rouault 365; Johnson 127. A fine proof on ivory vellum, carefully washed and re-glued, annotated in pen and sepia ink: "1er état Fleurs du Mal n° 1" then signed. Clear trace of persistent oxidation around the subject. Good margins (slightly reduced, especially at the foot).
Result €704Estimate €200 - €300 -
322 - Ker-Xavier Roussel (1867-1944) Landscape with house. 1897. Autograph. 415 x 300. Salomon 13; Johnson 133. Printed in colors. Very nice and fresh proof on thin white vellum, signed in pencil. All margins. Edition at 100 proofs for the Album d'estampes originales de la Galerie Vollard.
Result €1,280Estimate €500 - €600 -
323 - Ker-Xavier Roussel (1867-1944) Woman in red in a landscape. (Pl. of the Landscapes suite). 1898. Autograph. 350 x 235. Salomon 15; Johnson 134-2. Printed in colors. A very fine proof on chine volant, signed in pencil. A few small foreign bodies inherent to the texture of the paper, including one forming a rust spot on the reverse (imperceptible on the front). All margins. Edition of 100 proofs. A. Vollard ed.
Result €1,472Estimate €500 - €600 -
324 - Ker-Xavier Roussel (1867-1944) Woman in a striped dress. (Pl. from the Landscapes suite). 1898. Autograph. 322 x 212. Salomon 16; Johnson 134-3. Printed in colors. Very nice proof on chine volant, signed in pencil. Some rare foxing. Some thinning inherent to the texture of the paper, visible mainly by transparency, more marked at the left edge of the sheet. Fine broken fold and soiling at the upper left edge. All margins [533 x 415]. Edition of 100 proofs. A. Vollard ed.
Result €1,344Estimate €500 - €600 -
325 - Ker-Xavier Roussel (1867-1944) Woman in a striped dress. (Pl. from the Landscapes suite). 1898. Autograph. 322 x 212. Salomon 16; Johnson 134-3. Printed in colors. Very nice proof on chine volant, signed in pencil. Small trace of glue in the upper right corner. Nice margins, slightly reduced [400 x 297]. Edition of 100 proofs. A. Vollard ed.
Result €1,152Estimate €300 - €400 -
326 - Marcel Roux (1878-1922) I was hungry and you didn't give me anything to eat. (Pl. 2 of the suite Les Maudits). 1906. Etching. 270 x 380. Very nice proof on ivory laid paper, annotated in pencil "dernier Etat essai", dedicated "à l'artiste Garraud / bien cordialement" and signed. Slight freckles. Slight accidents at the edges of the leaf. Good margins (irregularly cut).
Result €256Estimate €150 - €180 -
327 - Paul van Ryssel (pseudonym of Dr. Paul Gachet) (1828-1909) The Old Walnut Tree (Auvers-sur-Oise). Etching. At sight : 230 x 170. Good proof on vellum, signed "Van Ryssel" in sepia ink on the reverse and annotated at the foot. Several traces of folds and small accidents on the surface (mainly perceptible on the reverse). All margins. Framed.
Result €1,024Estimate €180 - €200 -
328 - François-Louis Schmied (1873-1941) Walking panther. About 1930. Wood engraving after Paul Jouve. 215 x 132. Printed in colors with a gilt bronze background. Very nice proof on japan, signed in pencil by F.-L. Schmied, numbered and then covered by him with an imitation of the signature of P. Jouve. At the foot of the subject, annotation in pen and ink: "to my son Romain PJ". In the right margin, purple stamp with an eagle engraved on wood with the initials of Paul Jouve. Numerous fine and long
Result €2,176Estimate €600 - €800 -
329 - Armand Seguin (1869-1903) On the Railroad. 1891. Etching and drypoint. 72 x 110. Field 4. Beautiful and rare proof on laid paper. Small tear at the head of the sheet. Tiny marginal stains and on the back. Reduced margins, slightly irregular edges [190 x 195]. Edition of 20 proofs according to Field.
Result €576Estimate €600 - €800 -
330 - Paul Sérusier (1864-1927) The Candy Merchant. 1895. Lithograph. 132 x 220. Hermann 49. two tone print (black and ochre). Nice proof on buff glazed vellum, oxidized, from the ordinary edition for the Revue blanche. Margins. Framed.
Result €230Estimate €150 - €180 -
331 - Paul Sérusier (1864-1927) The Candy Merchant. 1895. Lithograph. 132 x 220. Hermann 49. two tone printing (black and ochre). Nice proof on buff glazed vellum, from the ordinary edition for the Revue blanche. Small lack in the center at the foot of the sheet. Slight oxidation at the edges of the sheet. All margins.
Result €204Estimate €150 - €180 -
332 - Lucien Simon (1861-1945) Old Breton woman driving children. 1897. Lithograph. 420 x 560. Johnson 139. Printed in colors. Very nice proof on chine volant. Light foxing and rippling in the right corners (caused by the mounting tab). All margins. Edition at 100 proofs for the Album of original prints of the Galerie Vollard.
Result €512Estimate €180 - €200 -
333 - Lucien Simon (1861-1945) Bigoudènes under an umbrella. About 1895-1900. Etching. 334 x 398. Johnson not described. Very nice proof on strong vellum. Two tiny tears at the left edge. All margins. Edition of 100 proofs. A. Vollard ed. (plate intended for an album not realized).
Result €230Estimate €120 - €150 -
334 - Tavík František Šimon (1877-1942) The Communicants at the Madeleine. 1909. Soft varnish and aquatint. 395 x 345, printed in colors. Very nice proof on japan, numbered and signed in pencil. All margins. Dry stamp : Cercle de la Librairie (Lugt 438). G. Petit éd.
Result €512Estimate €180 - €200 -
335 - Pierre Tal Coat (Pierre Jacob, said) (1905-1985) The River. 1929. Lithograph. 360 x 250 cm, Simecek-Mason 1929.2. very nice proof on vellum, numbered and signed in pencil. Oxidation at the edges of the sheet. Some very light stains. A thin vertical red pencil line in the upper margin. All margins. Edition of 40 proofs. Galerie A. Fabre & Cie, Paris, ed.
Estimate €150 - €180 -
336 - Pierre Tal Coat (Pierre Jacob, said) (1905-1985) The Meal. 1929. Drypoint. 238 x 297. Simecek-Mason 1929.4. Very nice proof on vellum, numbered in pencil and signed in pen and ink. Slight oxidation at the edges of the sheet. All margins. Edition of 40 proofs. Galerie A. Fabre & Cie, Paris, ed.
Estimate €200 - €300 -
337 - Siebe Johannes Ten Cate (1858-1908) Canal in Holland. 1894. Lithograph. 322 x 248. Very nice proof on japan. Very large margins.
Result €256Estimate €150 - €180 -
338 - James-J.-J. Tissot (1836-1902) Walk in the Snow. 1880. Etching and drypoint. 265 x 566. Wentworth 48. Superb proof on strong laid paper, of the 2nd state (of 3), with the letter drawn in red, stamped (Lugt 1545). Tiny broken creases and slight ripples at the edges of the folio. Tiny ink stain at foot. All margins.
Result €3,200Estimate €800 - €1,000 -
339 - Henri de Toulouse-Lautrec (1864-1901) A spectator. (Pl. du Café-Concert). 1893. Lithograph. 187 x 267. Wittrock 27. Very nice proof on glazed vellum. Very slight oxidation. All margins.
Result €704Estimate €300 - €400 -
340 - Suzanne Valadon (1865-1938) Louise nude on a sofa. 1895. Etching and soft varnish. 320 x 250. Good proof on vellum, of the 1st state (of 2), before the addition of the door and the date and before the reduction of the copper in its length, signed in pencil, very oxidized. Numerous accidents, folds and tears, some penetrating the subject. Margins. Frame.
Result €576Estimate €400 - €500
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Vente aux enchères publiques
Salle des ventes Favart
3, rue Favart 75002 Paris
Mercredi 9 février à 14 h : lots 1 à 240
Jeudi 10 février à 14 h : lots 241 à 473
Exposition publique régulée
Salle des ventes Favart
3, rue Favart 75002 Paris
Lundi 7 février de 10 h à 18 h
Mardi 8 février de 10 h à 18 h
Téléphone pendant l’exposition : 0033 (0)1 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Tél. : 0033 (0)1 44 76 04 32
Responsable de la vente :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tél. : 0033 (0)1 78 91 10 16