ANCIENT AND MODERN ESTAMPES - LOTS 241 to 473
Thursday 10 February 2022 at 14:00
3, rue Favart, 75002 Paris
233 lots
-
241 - Paul Gauguin (1846-1903) Cicadas and Ants - Souvenir de la Martinique. 1889. Zincography. 261 x 216. Mongan, Kornfeld and Joachim 5 A b. A very nice proof of the first edition made by Ancourt, on canary yellow vellum, the indentation of the zinc very visible. Tiny scattered freckles. Tiny ink spots in the lower margin. Light bands of oxidation at the edges of the folio. Minor tears and a 5 mm tear at the left edge. All margins [620 x 465]. Unknown edition (30 or 50 prints). Provenance: Succes
Result €40,960Estimate €10,000 - €12,000 -
242 - Albert Gleizes (1881-1953) Portrait of Mrs Walter Fleisher. About 1927. Lithograph. 260 x 395. Varichon 1026. Printed in colors. Nice proof on vellum, numbered and stamped by the artist. Small traces of rubbing on the surface. Slight soiling in the center at the foot. Traces of rubbing, especially in the dark. A few short broken folds. All margins. Edition of 100 proofs.
Result €742Estimate €300 - €400 -
243 - Georges Gobô (1876-1958) The Big Boat. 1908. Etching. 538 x 380. I.F.F. 2. Very nice proof on strong ivory vellum, signed in brown pencil and annotated in pencil in two places : " Bon à tirer ". Slight oxidation of the folio. All margins.
Result €460Estimate €150 - €180 -
244 - Norbert Goeneutte (1854-1894) Henri Guérard at his press. 1888. Etching, aquatint and roulette. 195 x 157. Duvivier 86. Very nice and fresh proof on laid paper, stamped with the artist's red stamp (Lugt 1182). All margins untrimmed.
Result €1,088Estimate €600 - €800 -
245 - Henri Guérard (1846-1897) The Old Sweeper. 1896. Engraved wood. 145 x 418. Bertin 88. Very nice proof on buff laid paper. Traces of folds. All margins.
Estimate €300 - €400 -
246 - Henri-Gabriel Ibels (1867-1936) Mévisto in " La Mort du propre à rien ", lyrics by Montoja, music by Gaston Maquis. Title of melody. Zincography and stencil coloring. 112 x 240. Nice proof on vellum. Scattered light foxing. Short tear at the foot. Dry stamp : Ed. Sagot éd (Lugt 2254). Joint : A. Roubille. Clown. Lithograph. 110 x 240, printed in colors. Proof on glazed vellum. Set. 2 p.
Result €128Estimate €120 - €150 -
247 - Johan Barthold Jongkind (1819-1891) Booklet of six etchings. 1862. Etching. [452 x 295]. Delteil 1 to 7. Complete suite of a title and 6 plates. Very nice proofs from the posthumous edition of 100 proofs made by Edmond Sagot, on thin old white laid paper, numbered in pencil on the verso. Some rust spots (inherent to the texture of the paper). All margins untrimmed. Dry stamp: Sagot éditeur Paris (Lugt not described).
Result €800Estimate €300 - €400 -
248 - Louis Jou (1881-1968) The Way of the Cross. 1916. A large folio album containing a title and 14 plates under original matting. Woodcut. Each [460 x 585]. Two tone printing (black and red). Very nice proofs on japan, the title numbered, dedicated in pencil: "To Monsieur Edmond Sagot / His devoted and grateful / Louis Jou", the 14 plates also numbered and signed. Some rare light foxing. All margins. Decorated portfolio of the edition (very faded). One of the 40 copies on old japon. Total edition
Result €1,792Estimate €600 - €800 -
249 - Louis Jou (1881-1968) Les Baux. 1942. Engraved wood. 393 x 295. I.F.F. 94. Very nice proof on vellum, annotated " Epreuve d'etat " and signed in pencil. All margins.
Result €576Estimate €150 - €180 -
250 - Amédée Joyau (1871-1913) The Fish Sale (Yport). 1902. Woodcut. 218 x 118. Curtis 41. color print. Very nice proof on ivory vellum. All margins.
Result €320Estimate €150 - €180 -
251 - Wassily Kandinsky (1866-1944) Kleine Welten, pl. 8. 1922. Woodcut. 230 x 270 [285 x 380]. Roethel 171; Friedel-Hoberg 130. A very fine proof of the first edition on japan, signed in pencil, glued with strips of adhesive at the head and at the side edges on the reverse. Tiny folds broken in the subject. Two traces of glue in the upper corners on the reverse. Thin bands of oxidation to the edges of the sheet under the mat. All margins. Frame.
Result €5,888Estimate €3,000 - €3,500 -
252 - Conrad Kickert (1882-1965) Landscapes of Brittany. Album of six etchings by Conrad Kickert. Amsterdam, Cercle de l'Art moderne, [1913]. An album in-fol. [340 x 510], containing 6 etched plates in printed edition folder (without portfolio). 240 x 180. Beautiful proofs on ivory vellum, numbered (not homogeneous numbering) and signed with the monogram in pencil, under the edition's matting. Some light scattered foxing to some. Clear traces of oxidation when opening the mats. All margins. Edition a
Estimate €1,000 - €1,200 -
253 - Moïse Kisling (1891-1953) Sonia. About 1925. Aquatint. 440 x 600. color print. Very nice proof on japon fort, numbered and signed in pencil. Slight oxidation of the folio and small freckles. All margins. Edition at 100 proofs.
Result €1,920Estimate €1,000 - €1,200 -
254 - Max Klinger (1857-1920) Intermezzi, Opus IV. T. Ströfer Kunstverlag, Munich, 1881. One vol. in-fol. [450 x 630] containing the complete suite of 12 plates in filled vellum folder and printed cardboard portfolio with flaps. Etching and aquatint. Singer 52-63. Very nice proofs on strong white vellum. Large moisture ring in the lower left corner of the portfolio, also affecting the plates in the margin. Minimal oxidation to the edges of the leaves. Tiny freckles. All margins.
Result €1,920Estimate €1,500 - €1,800 -
255 - Oskar Kokoschka (1886-1980) Drei Mädchen, Lamm und Paradiesvögel (Postkarte Nr. 147). (Three young girls, a lamb and birds of paradise. Postcard No. 147). Lithograph (transfer from a tempera composition). At sight: 85 x 130 Wingler-Welz 14. Printed in colors. Nice and fresh print mounted under a mat, with the artist's late blue ballpoint signature on the latter, followed by the notation "1906-7?". Frame.
Result €768Estimate €600 - €800 -
256 - Jean-Émile Laboureur (1877-1943) View of the castle of Villaines. 1922-1924. Etching and burin. 410 x 195. Laboureur 248. Meeting of 2 very nice proofs of the final state, on thin white vellum and on japon, numbered and signed in pencil. A light marginal foxing to one. All margins. Edition of 60 proofs. Dry stamp : H. Petiet éditeur (Lugt 2021a). Joint : same subject. Very nice proof of the 1st state (of 4), on thin white vellum, signed, numbered and annotated in pencil "premier état", and p
Result €640Estimate €200 - €300 -
257 - Jean-Émile Laboureur (1877-1943) The Balcony on the Sea. 1923. Burin. 210 x 296. Laboureur 274. Nice proof on old azure laid paper, signed and numbered in pencil. Slight oxidation at the opening of an old mat, with a marked reddish band 20-25 mm beyond the plate cut. A few small light freckles, including one at the bottom of the robe. All margins. Edition of 57 proofs.
Result €1,536Estimate €600 - €800 -
258 - Jean-Émile Laboureur (1877-1943) Breton Chapel. 1923. Woodcut. 250 x 217. Laboureur 743. Very nice proof on japan, signed and numbered in blue pencil. Slight dusting at the foot. Fine traces of marginal folds. All margins. Rare. Edition of 15 proofs (despite the 30 announced, half of the edition not having been made). Ex-coll. H. M. Petiet (Lugt 5031).
Result €320Estimate €300 - €400 -
259 - Jean-Émile Laboureur (1877-1943) The Door of the Estaminet. 1925. Etching and roulette. 94 x 149. Laboureur 294. Meeting of 3 perfect proofs on different papers, signed and numbered in pencil, one of the 1st state (of 2) before various works, two of the final state. All margins. Edition of 8 and 65 proofs respectively.
Result €832Estimate €180 - €200 -
260 - Jean-Émile Laboureur (1877-1943) The Walk to the Lighthouse. 1925. Burin. 183 x 168. Laboureur 302. Very nice proof on thin white vellum, signed in pencil by the artist and annotated by the publisher "Epr. d'artte 15/15". All margins. Total edition at one hundred proofs. Dry stamp : H. Petiet éditeur (Lugt 2021a).
Result €384Estimate €150 - €180 -
261 - Jean-Émile Laboureur (1877-1943) The Lovers of the Waterfront. 1925. Burin. 112 x 155. Laboureur 311. Meeting of 3 proofs on different papers, one of the 2nd state (out of 3), before various works, the two others of the final state, all signed in pencil, variously annotated. Dry stamp : H. Petiet éditeur (Lugt 2021a) on the 1st.
Result €576Estimate €200 - €300 -
262 - Jean-Émile Laboureur (1877-1943) The Inn by the Water (large plate). 1925-1926. Burin. 260 x 240. Laboureur 317. Perfect proof on cream vellum, signed and numbered in pencil. All margins. Edition at 70 proofs.
Result €448Estimate €150 - €180 -
263 - Jean-Émile Laboureur (1877-1943) The Artist and his family. (Greeting card for 1926). 1925. Etching and burin. 94 x 114. Laboureur 318. Meeting of 2 perfect proofs, one of the 1st state (out of 3) before various works, on old azure laid paper, signed and numbered then titled in pencil at the foot, the other of the 2nd state, before the letter, signed and numbered in pencil. All margins. Edition of 15 and 16 proofs respectively. Dry stamp : H. Petiet éditeur (Lugt 2021a) at the 2nd. Joint : Th
Result €435Estimate €180 - €200 -
264 - Jean-Émile Laboureur (1877-1943) The Little Beach. 1927. Etching and burin. 168 x 130. Laboureur 327. Perfect proof on thin vellum, one of the 9 of the 2nd state (of 3), before the monogram, signed and numbered in pencil. All margins. Final edition of 70 proofs. Joint : Printemps breton. 1926. Etching and roulette. 128 x 80. Ploughman 324. Perfect proof on vellum, numbered and signed in pencil. All margins. Edition of 50 proofs. Set. 2 p.
Result €832Estimate €150 - €180 -
265 - Jean-Émile Laboureur (1877-1943) In the Dunes. 1927. Etching and roulette. 118 x 95. Laboureur 347. Meeting of 2 perfect proofs on white vellum, one of the 1st state (out of 4), signed in pencil and annotated "6 épr. jel", the other of the final state, signed in pencil by the artist and annotated by the publisher "Epr. d'artiste 11/12". All margins. Final edition of 55 proofs. Dry stamp : H. Petiet éditeur (Lugt 2021a) at the 2nd.
Result €256Estimate €180 - €200 -
266 - Jean-Émile Laboureur (1877-1943) La Ruelle. 1927-1928. Burin. 150 x 210. Laboureur 359. Very nice proof on thin white vellum, signed and numbered in pencil. Large and very light freckles. All margins. Edition of 58 proofs. Joint : Les Deux chaumières. 1927-1928. Etching. 148 x 112. Laboureur 356. Very nice proof on white vellum, dedicated in pencil "to A. Vernant / cordially" and signed. All margins. Set. 2 p.
Result €512Estimate €180 - €200 -
267 - Jean-Émile Laboureur (1877-1943) Angling . 1927-1928. Burin. 270 x 232. Laboureur 361. Very nice proof on thin white vellum, signed and numbered in pencil. Lateral edges filled in vertically. All margins. Edition of 68 proofs.
Result €281Estimate €150 - €180 -
268 - Jean-Émile Laboureur (1877-1943) Tourists in Brittany. 1928. Burin. 121 x 110. Laboureur 376. Very nice proof on white vellum, from the 2nd state (of 3), before the monogram, annotated in the lower left corner in pencil "good / (10 ep.) jel". All margins. Final edition of 58 proofs.
Result €384Estimate €120 - €150 -
269 - Jean-Émile Laboureur (1877-1943) Asparagus and radishes. 1928; Cocktails. 1931. Burin. 235 x 175 and 190 x 202. Laboureur 384 and 438. Very nice proofs, the 1st on old azure laid paper, from the 2nd state (of 4), before the monogram, the 2nd on cream laid paper, from the 1st state (of 3), before the figures in the background, signed and numbered in pencil. All margins. Set. 2 p.
Result €320Estimate €180 - €200 -
270 - Jean-Émile Laboureur (1877-1943) Le Fureteur. (Frontispiece for Catalogue des très beaux livres illustrés de gravures originales, de Delacroix à Chagall, S. A. Georg, Libraires, 1929). Etching and burin. 113 x 150. Laboureur 398. Very nice proof on strong imitation japan, signed in pencil. All margins.
Result €704Estimate €150 - €180 -
271 - Jean-Émile Laboureur (1877-1943) Bath time. 1929. Burin. 200 x 227. Laboureur 401. Meeting of 2 perfect proofs, one of the 1st state (out of 3), before various works, signed in pencil then annotated in the lower left corner "1er état", covered with the dry stamp of the Société des Peintres-Graveurs Français (Lugt 1195a), the other one of the final state on strong japanese paper, signed in pencil then annotated "bon à tirer / pour 112 épreuves / sur japon", signed and dated "14 nov. 29".
Result €614Estimate €200 - €300 -
272 - Jean-Émile Laboureur (1877-1943) Bathing with seagulls. 1930. Etching. 167 x 220. Laboureur 410. Perfect proof on old azure laid paper, one of the 8 of the 1st state (out of 3), before new works, signed and numbered in pencil. All margins. Final edition of 70 proofs.
Result €448Estimate €150 - €180 -
273 - Jean-Émile Laboureur (1877-1943) The Port on the river (Tréhiguier, Pénestin). 1930-1938. Burin. 147 x 193. Laboureur 416. Very nice proof on vellum, not signed as usual (published in the book Éloge de J.-E. Laboureur par le Docteur Lucien-Graux). Margins. Frame.
Result €281Estimate €50 - €60 -
274 - Jean-Émile Laboureur (1877-1943) Storm in Briere. 1932. Etching. 182 x 166. Laboureur 461. Perfect proof on thin white vellum, one of the 6 of the 2nd state (of 4), before the monogram, signed and numbered in pencil. All margins. Final edition of 42 proofs.
Result €230Estimate €120 - €150 -
275 - Marie Laurencin (1883-1956) Tête de femme (Pl. refused for J. de Lacretelle, Pressentiments, Paris, éd. des Quatre chemins, 1930). Lithograph. 260 x 340. Marchesseau 155. Very nice proof on japan, reworked in pink pencil, signed and numbered in pencil. All margins. Edition at 40 proofs.
Result €320Estimate €300 - €400 -
276 - Marie Laurencin (1883-1956) Augusta. 1930. Lithograph. 280 x 390. Marchesseau 156. Very nice proof on japan, from the keystone printed in black, largely retouched in colored pencils, signed and numbered in pencil. All margins. Total edition at 100 proofs. Dry stamp : Jacquart éditeur Paris (Lugt not described).
Result €320Estimate €300 - €400 -
277 - Arthur Henri Lefort des Ylouses (1846-1912) Return from fishing. Etching in relief. 592 x 208. A very fine proof printed in brown on laid paper, irregularly trimmed on or just outside the plate cut, with marginalia on the left and at the foot. A spot of rust visible on the reverse (noticeable between the two eyes of the fisherman). Very rare.
Result €358Estimate €300 - €400 -
278 - Henri Le Sidaner (1862-1939) Young woman sitting in profile. (Illustration for a book). About 1900. Lithograph. 255 x 270 cm, printed in olive green. Good proof on glazed vellum, dedicated "To Georges Cain" and signed in pen and ink (old inscriptions slightly rubbed). Tears of 25 mm at the left edge, penetrating slightly into the subject. Slight rippling at the edges of the folio. All margins. Georges Cain (1853-1919) was a French painter, illustrator and writer who wrote about the history o
Result €1,216Estimate €150 - €180 -
279 - Raphaël Lewisohn (1863-1923) The Dance in Brittany. 1897. Lithograph. 550 x 375. Johnson 71. Printed in colors. Very nice proof on chine volant, signed in pencil. Some foxing and short tears formerly consolidated at the edges of the sheet. All margins. Edition at 100 proofs for the Album d'estampes originales de la Galerie Vollard.
Result €256Estimate €300 - €400 -
280 - Alexandre Lunois (1863-1919) Fourteenth of July. Menu for a dinner of the Hundred Bibliophiles. 1893. Lithograph. 192 x 271. I.F.F. 44. Printed in colors. Nice proof on chine volant, before the letter. Traces of oxidation and small curls at the edges of the sheet. All margins.
Result €422Estimate €120 - €150 -
281 - Aristide Maillol (1861-1944) Kneeling woman, one knee raised (Eve). About 1926. Etching. 382 x 308. Guérin 330; Johnson 77. Perfect proof on strong white vellum. All margins. A. Vollard ed. (plate intended for an album that was not published).
Result €448Estimate €200 - €300 -
282 - Aristide Maillol (1861-1944) Woman walking to the left. (Pl. for L'Art d'aimer d'Ovide, Lausanne, Gonin frères éd., 1935). Lithograph. Sight: 260 x 370. Guérin 316. Very nice proof on Montval laid paper. Several traces of folds, including a long fold (or tear?) at the right edge. Margins. Frame.
Estimate €180 - €200 -
283 - Maîtres de l'Affiche (Les) Meeting of pl. 49 to 52 by Chéret (Le Courrier Français), Grasset (Les Fêtes de Paris), Forain (Deuxième Salon du Cycle), Will Bradley (When Hearts are Trumps). Delivery of December 1896. Lithograph. [290 x 400]. Printed in colors. Very nice proofs on glazed vellum with the dry stamp of the publication (Lugt 1777c). Jointly: a premium by Chéret, 3 pl. after Nicholson, a poster by Julius Price (lacking preservation). Lithograph. Printed in colors. Set. 9 p.
Result €448Estimate €150 - €180 -
284 - Émile Malo-Renault (1970-1938) View of Quimperlé. 1925. Drypoint. 640 x 260, printed in colors. Nice proof on vellum, dedicated "to my very excellent 'director' & friend Eugène Rodrigues", signed, then annotated in pencil "68 proofs before letter". Strong oxidation of the folio, mainly marginal. All margins.
Result €896Estimate €600 - €800 -
285 - Gustave Marie (active around 1900) Breton woman and her child (Port-Launay or Châteaulin). About 1900. Zinc print. 268 x 218. Printed in colors. Nice proof on ivory vellum. Several fine folds of the print across the subject. All margins.
Result €128Estimate €120 - €150 -
286 - Henri Matisse (1869-1954) Ten Dancers. 1925-1926. Paris, Contemporary Art Gallery, 1927. Album in-fol. [335 x 505] containing the complete suite of 10 plates preceded by 4 leaves of text (preface by Waldemar George in a printed title folder, with proof of issue). Lithograph. Each [503 x 330]. Duthuit-Garnaud 480 to 489. Very fine proofs on cream vellum, signed and numbered in pencil. Total edition of 150 copies, this being one of 130 on Arches (the plates numbered 57/130). Copy numbered 77 (tak
Result €71,680Estimate €50,000 - €60,000 -
287 - Henri Matisse (1869-1954) Reclining Odalisque. 1923. Etching. 299 x 199. Duthuit-Garnaud 86; Johnson 80. A very fine and fresh proof on strong white vellum, neither signed nor numbered as usual. All margins untrimmed. Edition of 150 proofs. A. Vollard ed. (plate intended for an album that was not published).
Result €1,792Estimate €600 - €800 -
288 - Henri Matisse (1869-1954) Torso seen from three-quarters. 1929. Drypoint and etching. 100 x 245. Duthuit-Garnaud 210. Very nice proof on chine appliqué, numbered and signed in pencil. Slight trace of a soft oblique fold across the model's thighs. Tiny marginal freckles at the head. A spot of rust in the background at the top left. Margins. Edition of 25 prints. Framed. Provenance: Estate of Pierre Hautot
Result €11,520Estimate €5,000 - €6,000 -
289 - Maxime Maufra (1861-1918) Tonquédec. 1894. Etching. 353 x 295. Morane 17. Nice proof on cream vellum, signed and numbered in blue pencil. Strong oxidation of the sheet. The side edges filled. Some foxing in the subject. All margins. Edition of 100 proofs. Edition of the original print.
Result €576Estimate €400 - €500 -
290 - Maxime Maufra (1861-1918) Lake Lovitel. 1905. Etching and aquatint. 198 x 148. Morane 43. Nice proof, one of the 50 from the first edition on japanese paper of the book by V.-E. Michelet, Maufra peintre et graveur, Paris, Floury, 1908. Large light foxing, especially at the foot of the folio. All margins.
Estimate €150 - €180
About the sale
General conditions:
The sale will be made expressly in cash.
No claim will be admissible as soon as the adjudication is pronounced, the presentation of the lots on internet is worth preliminary exposure.
The successful bidder will be the highest and last bidder and will have to give his name and address. In case of dispute at the time of the
In the event of a dispute at the time of the auction, i.e. if it is established that two or more bidders have simultaneously made an equivalent bid, either aloud or by sign, and claim the item at the same time after the word "adjudicated" has been pronounced, the said item will be immediately reoffered for auction at the price proposed by the bidders and all the public will be allowed to bid again.
The date indicated in square brackets [...] corresponds to the creation of the model. The piece presented was created later.
Any changes to the conditions of sale or to the descriptions in the catalog will be announced verbally during the sale and noted in the minutes.
Catalog: 20 € including VAT at 5.5% for copyright. The images are the exclusive property of ADER.
Any reproduction or distribution requires written authorization from the auction house.
Selling expenses and payment:
The successful bidder will have to pay, in addition to the amount of the bid, per lot, the following fees and taxes:
- 28 % including VAT (20 % VAT) except for wine and books 25 % including VAT (5.5 % VAT on books).
- 1.8 % incl. VAT (20 % VAT) of the hammer price for auctions via Drouot Live; 3.60 % incl. VAT (20 % VAT) of the hammer price for auctions via Interenchères; 3 % incl. VAT (20 % VAT) of the hammer price for auctions via Invaluable.
- An additional 5.5% temporary import tax charge for lots marked with an asterisk(*).
In certain cases, these charges may be refunded to the buyer.
Payment must be made immediately after the sale:
- in cash (euros) up to €1,000 for French nationals or up to €15,000 for foreign nationals (upon presentation of proof of address, tax notice, etc.; in addition to passport).
- by credit card (Visa, Mastercard).
- by "3D Secure" payment on the website www.ader-paris.fr
- by bank transfer in euros to ADER.
Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
Payment by check is no longer accepted.
Purchase orders :
A bidder unable to attend the sale must complete the purchase order form included in this catalog and sign it.
ADER will act on behalf of the bidder, according to the instructions contained in the purchase order form, in an attempt to purchase the lot(s) at the lowest possible price and in no case exceeding the maximum amount indicated by the bidder.
The said form must be sent to and received at the auction house no later than 24 hours before the start of the sale.
The purchase orders or telephone bids are a facility for the clients. ADER is not responsible for failure to execute an order by mistake or for any other cause. Please check after sending that your purchase order has been properly registered.
ADER reserves the right not to register the purchase order if it is not complete or if it considers that the customer does not provide all the guarantees for the security of the transactions; without possible recourse.
To guarantee the buyer's goodwill, a deposit may be requested before the sale, which will only be validated in the event of an auction.
As Drouot Live and Interenchères are independent services, we decline all responsibility in case of malfunction. The additional cost related to internet purchases is detailed on each of the sites and in our terms of sale.
Transportation of lots / Exportation :
The present sale is carried out by appointment.
As soon as the auction is over, the buyer is fully responsible for the purchase.
No lot will be handed over to the buyer before full payment has been made.
Lots are to be collected as soon as possible from their place of storage.
Buyers concerned by an export will be able to reclaim the VAT on the purchase fees on condition that a valid customs receipt is submitted to ADER and that the name of the auction house is mentioned on it as the exporter. The auction slip is due in full; the VAT is refundable afterwards on presentation of the bank account references.
The shipping of the purchased lots can be organized by ADER at the expense and under the responsibility of the buyer.
This is a service provided by ADER which reserves the right to renounce it if the legal or practical conditions present the slightest risk. Delivery times are not guaranteed and are dependent on the activity of the Sales House.
The cost of packing and shipping is at the buyer's expense; payment is to be made to ADER.
The buyers are invited to organize themselves the transport of their purchases if these conditions do not suit them.
The ADER study does not make the shipments of jewelry, the buyers are invited to organize themselves the transport of their purchases.
Default of payment :
The information collected on this registration form is mandatory to participate in the sale and then for the taking into account and management of the auction. ADER uses the
Terms of sale
Show the terms of sale
Vente aux enchères publiques
Salle des ventes Favart
3, rue Favart 75002 Paris
Mercredi 9 février à 14 h : lots 1 à 240
Jeudi 10 février à 14 h : lots 241 à 473
Exposition publique régulée
Salle des ventes Favart
3, rue Favart 75002 Paris
Lundi 7 février de 10 h à 18 h
Mardi 8 février de 10 h à 18 h
Téléphone pendant l’exposition : 0033 (0)1 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Tél. : 0033 (0)1 44 76 04 32
Responsable de la vente :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tél. : 0033 (0)1 78 91 10 16