Autograph Letters & Manuscripts - MUSIC
Tuesday 12 October 2021 at 14:00
3, rue Favart, 75002 Paris
373 lots
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301 - Tolia NIKIPROWETZKY (1916-1997). Autograph music manuscript, Concerto for violin and orchestra, [1982]; [2]-64 leaves 35.5 x 27.5 cm. Orchestral score of this Concerto for violin, dedicated to Jean-Pierre Wallez who premiered it on October 19, 1982 with the Ensemble Orchestral de Paris conducted by André Girard. The orchestra consists of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, and strings. Duration about 20 minutes. The movements follow one another: Misterioso, Moderato ma sempre m
Estimate €1,000 - €1,200 -
302 - Tolia NIKIPROWETZKY (1916-1997). Autograph music manuscript signed, Anaphora, Sequence for cello and piano, 1987; title and 11 leaves 37,5 x 28 cm. Piece for cello and piano, dedicated "to Marine and Xavier Gagnepain"; it begins Misterioso, and lasts about 3 minutes and 30 seconds. The manuscript is carefully noted in Indian ink on 18 lines tracing paper; it is signed at the end and dated "Paris 1987". Attached is the tracing of the score and the cello part.
Estimate €400 - €500 -
303 - Maurice OHANA (1913-1992). Autograph musical manuscript signed, Le Mariage sous la mer, 1961-1990; [1]-108 leaves 35.5 x 27 cm (some cracks repaired with tape). Orchestral score of this radio story turned chamber opera. [CCP50-50A, pp. 321-325] In 1961 Ohana composed music for the Histoire véridique de Jacotin qui épousa la sirène des océans, to a text adapted by Alain Trutat from a tale by Camilo José Cela, recorded under the direction of Daniel Chabrun, which won the 1961 Prix Italia. I
Estimate €4,000 - €5,000 -
304 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Harpsichord figures, 1968; [3]-65 leaves 37.5 x 28 cm. Orchestral score of this suite for harpsichord and orchestra, premiered on June 8, 1969 in La Chaux-de-Fonds (Switzerland), as part of the Diorama Festival, by Elisabeth Chojnacka (to whom the work is dedicated) and the Orchestre de Chambre de Lausanne, conducted by Jean-Claude Casadesus. [CCP65, p. 357-360*] The orchestra includes flute, oboe, clarinet and bass clarinet, bassoon,
Estimate €4,000 - €5,000 -
305 - Maurice OHANA (1913-1992). Autograph musical manuscript signed, Sibylle, 1968; [3]-19 sheets 26 x 35 cm. For soprano voice, percussion and tape. First performance on May 5, 1970 at the Atelier de Création Radiophonique by the soprano Isabel Garcisanz (to whom the work is dedicated) and the percussionist Bernard Balet, the magnetic tape having been produced by Ohana, assisted by Bernard Leroux and Geneviève N'Guyen (Inédits ORTF/Barclay recording 1971). [CCP66, p. 360-363] "An adventure throug
Estimate €2,000 - €2,500 -
306 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Cris for 12 mixed voices a capella, 1968; title+43 leaves 38 x 27 cm. Choral work commissioned by Marcel Couraud for the Solistes des Chœurs de l'ORTF, who are the dedicatees and who premiered it on February 1, 1969 in Berlin (Erato recording 1969). [CCP67, p. 363-368] "Cris is a masterly synthesis of all Maurice Ohana's past research on the possibilities of the human voice... Untempered sounds, phonics of instrumental essence, extra
Estimate €3,000 - €4,000 -
307 - Maurice OHANA (1913-1992). Autograph musical manuscript signed, Sorôn-Ngô, [1970-1971] ; [1]-25 leaves 37 x 26.5 cm. Piece for two pianos, composed for Geneviève Joy and Jacqueline Robin-Bonneau, who are the dedicatees, on the occasion of the 25th anniversary of their piano duo; they gave the first performance of it during their anniversary concert on December 17, 1970, at the Salle Gaveau; Ohana then continued and completed his work, which was given by the dedicatees at the Aix-en-Provence
Estimate €2,500 - €3,000 -
308 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Syrtes for cello and piano, 1970; [2]-16 leaves 35 x 27 cm. Piece for cello and piano, written for Mstislav Rostropovitch, who premiered it, with the author at the piano, on March 15, 1972, at the Espace Cardin. [CCP71, p. 377-378] "Written at the request of Mstislav Rostropovitch, this duet for cello and piano exploits the sound resources of both instruments equally in a single-stream dialogue, in monothematic form, unfolding a serie
Result €1,024Estimate €1,500 - €2,000 -
309 - Maurice OHANA (1913-1992). Autograph music manuscript signed, 24 Preludes for piano, 1972-1973; title and 41 leaves 37.5 x 28 cm. Great cycle for piano, partially premiered by Gérard Frémy at the Royan Festival on April 17, 1973, then in its entirety on November 20, 1973 at the Espace Cardin by Jean-Claude Pennetier, who made a reference recording (Arion 1974). [CCP74, p. 388-394] "The 24 Preludes are presented first of all as a tribute to Chopin, by the title, by the low D that ends both cycl
Estimate €4,000 - €5,000 -
310 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Office des Oracles, 1974; [2]-41 sheets approx. 56 x 37.5 cm. Ohana's major choral work, Office des Oracles is written for soloists, choirs and 12 instrumentalists. Commissioned by Jean-Pierre Armengaud for the Fêtes musicales de la Sainte-Baume (bringing together amateur groups with professionals), it was premiered on August 9, 1974 at the Centre culturel de la Sainte-Baume by the Atelier Vocal des Fêtes de la Sainte-Baume, the Ens
Estimate €4,000 - €5,000 -
311 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Sacral d'Ilx for harpsichord, oboe and horn, 1975; [2]-21 leaves 37 x 27.5 cm (the last one cut out and reassembled). Piece for oboe, horn and harpsichord, premiered at the Royan Festival on March 23, 1967 by oboist Jacques Vandeville, horn player Gilles Mahaud and harpsichordist Élisabeth Chojnacka. It is dedicated to the musicologist Harry Halbreich. [CCP77, p. 404-407] In the program for the premiere, Ohana wrote: "Carved in sto
Result €1,408Estimate €2,500 - €3,000 -
312 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Lys de Madrigaux, 1975-1976; [4]-50 leaves (plus a 20 bis crossed out in blue pencil) 37 x 27.5 cm. Important work for women's voices and choir and small ensemble. "A masterpiece of Ohana's vocal production, Lys de Madrigaux brings together his love of medieval music and his admiration for Monteverdi" [CCP79, pp. 408-412]. Originally commissioned by Radio-France for the Maîtrise, the work was written for women's voices and premiere
Estimate €4,000 - €5,000 -
313 - Maurice OHANA (1913-1992). Partly autograph music manuscript, Messe, 1977; 60 leaves 35.5 x 26.5 cm. Second version of the Messe, elaborated from the tracing plates of version I to which Ohana added the orchestral parts and developments on autograph tracings: ¾ of page 3, page 4, lower half of pp. 11-14 and pp. 16-18, lower half of pp. 20-25 and pp. 30-35, pp. 38-39, lower half of pp. 40-41 and pp. 45 to 52, upper part of p. 53, lower half of p. 54 to 57 and 59-60. The Messe for soli, double ch
Estimate €2,000 - €2,500 -
314 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Crypt, 1980; [1]-18 leaves 36 x 27 cm. Piece for string orchestra, extension of the final "Farang-Ngô" of the 2nd String Quartet, premiered on October 29, 1980 in Chambéry, at the Théâtre Charles Dullin, by the Orchestre de Chambéry et de Savoie, conducted by Claire Gibault, who is the dedicatee. The orchestra is composed of 6 first violins, 6 second violins, 4 violas, 4 cellos, and 2 double bass. Duration about 9 minutes. The ma
Estimate €1,500 - €2,000 -
315 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Concerto for piano and orchestra, 1979-1980; 32 leaves (paginated 2-33) 35 x 27 cm. Manuscript for solo piano and orchestral reduction of the Concerto for piano, premiered in Nantes on June 26, 1981 by Jean-Claude Pennetier (who is the dedicatee) and the Orchestre philharmonique des Pays de Loire conducted by Marc Soustrot. [CCP87, p. 439-441] "In one piece, the Concerto for piano and orchestra particularly highlights the solo instrum
Estimate €2,500 - €3,000 -
316 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Conga, 1983; 6 leaves (paginated [2]-7) 37 x 27 cm in a red titled folder. Piece for harpsichord, second of the Deux Pièces pour clavecin, premiered on January 4, 1984 at Radio-France by Élisabeth Chojnacka, who recorded them (Erato 1991). [CCP91, p. 472-473] The manuscript is carefully noted in Indian ink on tracing paper, dated at the end "Urrugne Paris Sept. Oct.1983" and signed with a drawing of a beetle surrounded by the letter
Estimate €1,000 - €1,500 -
317 - Maurice OHANA (1913-1992). Autograph musical manuscript signed, Kypris, 1983-1985; [1]-15 leaves 37 x 27.5 cm. Kypris, for oboe, piano, viola and double bass, was written for the Opus Ensemble, which is the dedicatee and which premiered it on May 5, 1985 at the Temple des Billettes, and which recorded it (Numerica 1993). [CCP94, p. 482-484] "Kypris is a nocturnal and erotic poem evoking the Cretan goddess of Love. Commissioned by the Opus Ensemble, it is a one-piece work, including free parts an
Estimate €1,500 - €2,000 -
318 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Four Choirs for children's voices, 1987; 8 leaves (paginated 3-10) 35 x 27 cm. A cappella choirs, premiered in 1987 in Paris in the Chapelle des Carmes by the Ensemble Benjamin Britten (women's voices) under the direction of Stéphane Caillat (recording by this ensemble under the direction of Nicole Corti (E.V.B.B. Production 1994). [CCP95, p. 484-485] I Neige sur les orangers (Asturian lullaby); II Mayombé (Afro-Cuban incantation);
Estimate €1,200 - €1,500 -
319 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Swan Song for twelve mixed voices, 1987-1988; 41 leaves (including title) 37.5 x 27.5 cm. Four pieces for a cappella choir, commissioned by the Ministry of Culture for the Groupe Vocal de France, which premiered them under the direction of Guy Reibel: the first two at the Auditorium des Halles, and the whole on March 7, 1989 at Esch-sur-Alzette (Luxembourg). [CCP97, p. 486-488] The work is written for 3 sopranos, 3 mezzo-sopranos, 3 t
Estimate €2,000 - €2,500 -
320 - Maurice OHANA (1913-1992). Autograph musical manuscript, Lux Noctis-Dies Solis, 1983-1988; 61 leaves 37.5 x 27 cm (marginal cut on the last leaf during clichage). Important diptych for four choirs, two organs and percussion, composed in two stages, before and after the writing of the opera La Celestine, on Latin texts by the poet Catullus and Roman inscriptions. [CCP92 and 98, p. 474-477 and 488-490] Dies Solis, composed in 1983, was premiered on June 11, 1983 at the Lyon International Festiva
Estimate €4,000 - €5,000 -
321 - Maurice OHANA (1913-1992). Autograph music manuscript signed, Concerto for cello and orchestra "In dark and blue", 1989-1990; 63 sheets ca. 45 x 31 cm (margins slightly trimmed at the plate). Orchestral score of this Cello Concerto commissioned and premiered by Mstislav Rostropovich, accompanied by the cello-piano reduction. The premiere took place on May 13, 1991 at the Evian Festival by Mstislav Rostropovich (who is the dedicatee), the student orchestra of the Toho Gakuen Music School, condu
Estimate €5,000 - €6,000 -
322 - Jean ROGER-DUCASSE (1873-1954). Autograph musical manuscript, [Music for "Le Roi Lear" by Claude DEBUSSY]; 2 pages on one sheet 35 x 27 cm. Transcription for two pianos of two pieces by Debussy composed in 1904 for Shakespeare's Le Roi Lear: Fanfare and Berceuse [Fanfare and Le Sommeil de Lear]. The manuscript is notated in blue ink on 22-line paper: 4 and 5 systems of 4 staves. Attached are the manuscripts cleaned up by a copyist: 1st piano and 2nd piano.
Estimate €250 - €300 -
323 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript, Chansons du Monsieur bleu, 1930-1933; 45 pages 27.5 x 35.5 cm in titled folder. Twelve melodies on poems by Nino (pseudonym of Michel Veber, 1896-1965). On the title page, dedication: "for Boubie". The manuscript, for voice and piano, is written in black ink, on oblong bifeuillets with 14 lines, each melody comprising 2 to 6 pages; there are numerous corrections by scratching, and remarks in red ink, with a few bars crossed out. Quat' e
Result €768Estimate €1,000 - €1,500 -
324 - Manuel ROSENTHAL (1904-2003). 3 autograph music manuscripts signed, Three Pieces for Harp by NADERMAN, 1932. Arrangements of three pieces by the harpist François-Joseph NADERMAN (1781-1835), made at the request of the harpist Lily LASKINE (1893-1988): I Allegro; II Allegretto; III Allegrettino. Harp and piano, the harp part in pencil in Lily Laskine's hand (notebook of 20 pages on oblong bifeuillets of 24 lines, plus 2 pages in correction pencil; 27 x 35,5 cm). Orchestral score, for solo harp
Result €768Estimate €1,000 - €1,500 -
325 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, Les petits métiers, ten pieces for orchestra, 1933-1934; 91 pages in 10 bifeuillets in titled folder 27.5 x 35.5 cm (cracks in a few leaves). Orchestral score of this suite of ten pieces, for 2 flutes (and piccolos), 2 oboes (and English horn), 2 clarinets (and bass clarinet), 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, harp, 2 percussionists, timpani, string quintet. 1 The blacksmith, Sonorous and cheerful ; 2 The her
Result €832Estimate €1,000 - €1,500 -
326 - Manuel ROSENTHAL (1904-2003). 2 autograph music manuscripts, Three poems by Marie Roustan, 1933-1934, and 1939. Two versions of these three melodies on poems by Marie Roustan: for voice and piano, and with orchestra. I Rêverie : " Pour calmer ma détresse "..., Lent, " Le Mont Valérien 28 fév. 1934 " ; II Pêcheurs de lune : " Je suis Jean, le pêcheur de lune "..., Rêveur, " Le Mt Valérien 30 mai 1933 " ; III Sérénade : Sur le bord de l'eau s'endort la libellule "..., " Le Mont Valérien
Estimate €500 - €700 -
327 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript signed, La Fête du Vin, 1937; [2]-143 pages 27.5 x 35.5 cm (mispaginated 1-145), on bifeuillets set in quire (title leaf damaged with tears). Orchestral score for the Fêtes de la Lumière of the 1937 World's Fair, as indicated by Rosenthal on the title page, which also bears the dedication "for Robert Proton de la Chapelle". The orchestra consists of 3 flutes, 3 oboes, 3 clarinets, 2 bassoons, 4 horns, 4 trumpets, 3 trombones, tuba,
Estimate €1,000 - €1,500 -
328 - Manuel ROSENTHAL (1904-2003). 2 autograph music manuscripts, Chevaux de bois and Fantoches by Claude DEBUSSY, 1940; 25 and 18 pages 27 x 35,5 cm in 2 bifold books. Orchestration of two melodies by Claude Debussy. The orchestra includes 2 flutes, 3 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, drums, harp, and strings. Chevaux de bois [des Ariettes oubliées] : " Tournez, tournez "..., signed at the end and dated " Aux Armées S.P. 12.677 le 7 mai 1940 ". Fantoches [from Les
Result €256Estimate €400 - €500 -
329 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, Trois Précieuses for soprano and piano or orchestra, 1941; title and 12 pages on 4 bifolios 27 x 35 cm in booklet. Three melodies for song and piano. I Rondeau, on poetry by Georges de Scudéry (1601-1667): 'Un peu plus bas que le mont de Surène'..., Allegro; II Stances, poetry by Vincent Voiture (1597-1648): 'Quand je me plaindrais nuit et jour'..., Poco lento et malinconico; III Petit Air: "Je rougis, je pâlis"..., poetry by
Estimate €400 - €500 -
330 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript, Trois Chansons d'amour, 1941; 3-3-4 pages on 3 bifolios 35 x 27 cm. Melodies for voice and piano, composed in Paris in March 1941, each signed and dated at the end. I Amour le veut et consent : " Dame gracieuse et belle "..., poetry by Jehannot de Lescurel (16th century), Giocoso, March 19; II Amour, faciez votre talent : " Amour, voulez-vous accorder "..., same author, un poco lento, March 14; III Je me rends aux armes : " Hé, adieu
Estimate €400 - €500 -
331 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, Three Prayers for soprano and organ or reduced orchestra, May 1941; title and 3-8-4 pages on 4 bi-fold pages 35 x 27 cm. These Three Prayers, written in May 1941, are dedicated to Reverend Father Régamey. I Inviolata: "You are pure, without stain"..., Andante, 2 flutes and 2 clarinets; II Prayer for Peace: "O God who are the source of holy desires"..., Moderato, 2 flutes, 3 horns, 2 trumpets, 3 trombones, harp, violins I and II,
Estimate €400 - €500 -
332 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript signed, Chants des femmes arabes, 1941; 11-12-15 pages in-fol. on bifeuillets in 3 quires in titled folder. Three duets for soprano, contralto and orchestra, on popular poems translated by Mrs. Elisa Chimenti. I Repos : " Lorsque mon bien-aimé repose "..., Andante, La Madrague August 13, 1941 ; II Allégez votre pas, marqué Marcia malinconico, La Madrague August 11, 1941 ; III Rehala, Tranquillo, same date. The orchestra is composed
Estimate €600 - €800 -
333 - Manuel ROSENTHAL (1904-2003). 2 autograph music manuscripts, Trois Burlesques for mixed choir and orchestra, 1941. Two versions of these choruses, with piano, and with orchestra. They were composed at La Madrague (Marseille) in August 1941 (the following dates are on the piano score), and dedicated to the Chanteurs de Lyon. I Stances à une demoiselle qui avait les manches de sa chemise dérourées et sales, poetry by Vincent Voiture (1597-1648): 'Vous qui tenez incessamment cent amants dans vot
Estimate €600 - €800 -
334 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript signed, Les Soirées du Petit Juas, May-June 1942; [2]-36 oblong pages 27 x 35.5 cm. Suite of eight pieces for string quartet, written while Rosenthal was a refugee in Marseille under the protection of the Countess Pastré. It is dedicated to Marcel Mihalovici and his friend the sculptor Irène Codreano (who hid Rosenthal in her Parisian studio). A long "Author's Note" on the back of the title page explains the title and allusions of e
Estimate €800 - €1,000 -
335 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript signed, [Six Chansons d'outre-mer, 1943]; 99 pages on 27 bifeuillets approximately 35 x 27 cm. Cycle of six melodies with orchestra, on poems by Nino (pseudonym of Michel Veber, 1896-1965) inspired by West Indian folklore. I La Colporteuse (28 p.) : " He Hepp' voilà la colporteuse qui passe "..., Allegro ; II Saint-Barthélemy (23 p.) : " Notre pauvre véhicule qu'on appelle un' victoria "..., Poco lento flessibile ; III À la Madaniga
Estimate €1,000 - €1,500 -
336 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript, Cantate pour le Temps de la Nativité, 1943-1945; [2]-178 pages 26.5 x 34 cm in an oblong volume bound in blue waxed cloth. Orchestral score of this Cantata composed during the Occupation, and given its first performance on April 21, 1946 at the Concerts Colonne under the direction of Paul Paray. It is written for solo soprano, mixed choir and small orchestra composed of 2 flutes, oboe (and English horn), 2 clarinets, 2 bassoons, horn
Estimate €1,000 - €1,500 -
337 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript signed, Two Sonnets by Jean Cassou, 1944; title and 3 pages, and 4 p. 35 x 27 cm in folder. Two melodies composed for the Resistance during the Occupation. Éloignez-vous, sonnet by Jean Noir (Jean Cassou), music by Roger Doret (Manuel Rosenthal), dedicated "À la mémoire de Max Jacob. Le Couple, translated from Hugo von Hoffmannsthal by Jean Noir (Jean Cassou), music by Roger Doret (Manuel Rosenthal), copy by Roland-Manuel annotated by
Estimate €400 - €500 -
338 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, [La Belle Zélie, Suite romantique pour deux pianos], 1948; 53 pages 35 x 27 cm. Suite of pieces for two pianos: I Pastorale en rondeau (p. 1-6), Tempo di barcaruola; II Le valet malicieux et la soubrette mélancolique (pp. 7-16), Allegro con spirito (encloses a L.A.S. correcting 5 bars); III Menuet burlesque (pp. 16-19), T° moderato di minuetto; IV Ballabile (pp. 19-29), Allegro con spirito; V L'Escarpolette (p. 29-36), Andante c
Result €512Estimate €800 - €1,000 -
339 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, First Symphony in C major, 1949; 206 leaves 35.5 x 27 cm (marginal cuts for clichage). Orchestral score of this Symphony, composed from May to December 1949, and given its first performance by the Orchestre National de la Radiodiffusion Française, conducted by the composer, on 12 June 1950. It is in three movements: I Allegretto pastorale (pp. 1-66); II Thème & variations (pp. 67-138); III Rondeau (pp. 139-206). The orchestra
Estimate €1,000 - €1,500 -
340 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, Two Études en camaïeu, 1969; 22 sheets 35 x 27 cm (marginal and corner cuts for clichage, traces of tape). Orchestral score of these two pieces for string orchestra and timpani. Commissioned by the O.R.T.F., the work was premiered at the Maison de la Radio on January 5, 1972 under the direction of the composer; it is dedicated to the conductor Georges Tzipine. Duration about 12 minutes. I Mutations (p. 1-15), beginning Lento tr
Estimate €500 - €600 -
341 - Manuel ROSENTHAL (1904-2003). Autograph musical manuscript signed, Aeolus, 1970; 38 leaves 35.5 x 27 cm (marginal cuts in the plate). Suite for wind quintet and string orchestra, commissioned by Arts et Lettres, and premiered at the Maison de la Radio on December 18, 1970, by the Quintette à Vent de Paris (to whom the work is dedicated) and the Orchestre de chambre de l'O.R.T.F. under the direction of Witold Dobrzynski. Lasting 18 minutes, it is written for flute, oboe, clarinet, bassoon and
Estimate €400 - €500 -
342 - Manuel ROSENTHAL (1904-2003). Autograph music manuscript signed, Juventas, 1987; 20 oblong pages 27 x 35 cm. Suite of six pieces for clarinet, string quartet and double bass. I Entrata (p. 1-4), Animated; II Nostalgia (pp. 5-8), Elegante; III Strillo (pp. 9-13), Vif; IV Duettino (pp. 14-15), Teneramente; V Mnemosique (pp. 16-19), Assez lent; VI is the reprise of I (photocopy of 1st page). The manuscript, in black or blue ink on 14-line paper, is dated 3 June 1987; there are a few small correct
Estimate €400 - €500 -
343 - Louis SAGUER (1907-1991). Autograph musical manuscript signed, Musique d'après-midi, 1959; 90 sheets 38 x 26.5 cm (cuts and corners cut for clichage, traces of tape). Orchestral suite dedicated to Lily Pastré, composed in 1943, and premiered in Lausanne on March 30, 1947 by the Orchestre de chambre de Lausanne conducted by Robert Desarzens; it was revised in 1959. Duration 25 minutes. The orchestra consists of 2 flutes (and piccolo), oboe, English horn, 2 clarinets, 2 bassoons, 2 trumpets,
Estimate €1,000 - €1,500 -
344 - Louis SAGUER (1907-1991). Autograph musical manuscript signed, Suite Sefardi, [1963]; 49 leaves 38 x 27.5 cm (cuts and corners cut for clichage, traces of tape, browning). Orchestral score of this Suite, composed in 1936-1937, and revised in 1963 for the edition (Jobert 1964); it was premiered in St. Louis (U.S.A.) in 1938 by the Saint Louis Symphony Orchestra conducted by Vladimir Golschmann. It is dedicated to Henri Jarrié, and lasts about 14 minutes. The orchestra includes 2 flutes, oboes,
Estimate €500 - €700 -
345 - Louis SAGUER (1907-1991). Autograph music manuscript signed, Musique en sol for violin and orchestra, 1965; 79 leaves 38 x 27 cm (marginal cuts to plate, tears to 1st and last ff.). Orchestral score of this concertante suite for violin and orchestra. The orchestra includes, in addition to the solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 trumpets, 2 horns, timpani, harp and strings. Duration about 25 minutes. Three movements: I Modéré (p. 1-34) ; II Tranquillo (p. 35-51) ; III A
Estimate €1,000 - €1,500 -
346 - Claudio SANTORO (1919-1989). Autograph music manuscript signed, 3 abstrações para orquestra de cordas, 1966; 12 sheets approx. 45.5 x 31 cm (some cuts for clichage). Spectacularly graphic orchestral score of this work for strings, premiered in Rio in 1968 by the Brazilian Symphony Orchestra. It has 108 bars. The manuscript, written in Indian ink on large tracing paper, is dated at the beginning "Berlin Nov. 1966", and signed at the end and dated "Berlin 7/XII/966".
Estimate €500 - €700 -
347 - Claudio SANTORO (1919-1989). Autograph musical manuscript signed, Intermitências II para piano e orquestra de camara, 1967; 17 leaves of various sizes about 40 x 31 cm (some defects, and edges a bit wrinkled). Orchestral score of this work for piano and chamber orchestra. It is dedicated to the Brazilian pianist Jocy de Carvalho (Jocy de Oliveira): "escrito para Jocy de Carvalho". The orchestra consists of flute, oboe, clarinet, bassoon, horn, trumpet, trombone, violin, viola, cello, double b
Estimate €500 - €700 -
348 - Claudio SANTORO (1919-1989). Autograph musical manuscript signed, Interrações assintóticas para orquestra, 1969; 32 sheets 45.5 x 33 cm (some defects). Piece for orchestra of 235 bars (duration about 8 minutes), dedicated "para Gisele e os Salmerons". The orchestra is composed of 3 flutes (and piccolo), 3 oboes (and English horn), 3 clarinets, bass clarinet, 3 bassoons (and contrabassoon), 4 horns, 4 trumpets, 3 trombones, tuba, harp, timpani, 4 percussionists. The manuscript, written in
Estimate €800 - €1,000 -
349 - Not available
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350 - Not available
About the sale
PRIVATE EXHIBITION :
by appointment with the expert until Friday, October 8, 2021.
PUBLIC EXHIBITIONS :
Salle des Ventes Favart
Monday 11 October from 11 am to 6 pm
Tuesday 12 October from 11am to 12pm
Telephone during the exhibition: 01 53 40 77 10
RESPONSIBLE FOR THE SALE :
Marc GUYOT
marc.guyot@ader-paris.fr
Phone : 01 78 91 10 11
Clémentine DUBOIS
cdubois@ader-paris.fr
Tel: +33 (0)1 78 91 10 06
EXPERT :
Thierry BODIN, Les Autographes
French Union of Professional Experts in Works of Art
45, rue de l'Abbé Grégoire - 75006 Paris
Phone : + 33 (0)1 45 48 25 31
Fax: + 33 (0)1 45 48 92 67
lesautographes@wanadoo.fr
Terms of sale
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La date indiquée entre crochets […] correspond à la création du modèle. La pièce présentée ayant été réalisée postérieurement.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procès-verbal.
Catalogue : 20 € dont TVA à 5,5 % au titre du droit d’auteur. Les images sont propriété exclusive d’ADER.
Toute reproduction ou diffusion nécessite une autorisation écrite de la Maison de Vente.
Frais de vente et paiement :
L’adjudicataire devra acquitter, en sus du montant de l’enchère, par lot, les frais et taxes suivants :
- 28 % TTC (20 % de TVA) sauf pour le vin et les livres 25 % TTC (5,5 % de TVA sur les livres).
- 1,8 % TTC (20 % de TVA) du prix d’adjudication pour des enchères via Drouot Live ; 3,60 % TTC (20 % de TVA) du prix d’adjudication pour les enchères via Interenchères ; 3 % TTC (20 % de TVA) du prix d’adjudication pour les enchères via Invaluable.
- 5,5 % de frais additionnels au titre de la taxe à l’importation temporaire, pour les lots dont le numéro est précédé d’un astérisque.
Dans certains cas, ces frais pourront faire l’objet d’un remboursement à l’acheteur.
Le paiement devra être effectué immédiatement après la vente :
- en espèces (euros) jusqu’à 1 000 € pour les ressortissants français ou jusqu’à 15 000 € pour les ressortissants étrangers (sur présentation d’un justificatif de domicile, avis d’imposition, etc. ; en plus du passeport).
- par carte bancaire (Visa, Mastercard).
- par paiement « 3D Secure » sur le site www.ader-paris.fr
- par virement bancaire en euros à l’ordre de ADER.
Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
Le règlement par chèque n’est plus accepté.
Ordres d’achat :
Un enchérisseur ne pouvant assister à la vente devra remplir le formulaire d’ordre d’achat inclus dans ce catalogue et le signer.
ADER agira pour le compte de l’enchérisseur, selon les instructions contenues dans le formulaire d’ordre d’achat, ceci afin d’essayer d’acheter le ou les lots au prix le plus bas possible et ne dépassant, en aucun cas, le montant maximum indiqué par l’enchérisseur.
Ledit formulaire devra être adressé et reçu à l’étude au plus tard 24 heures avant le début de la vente.
Les ordres d’achat ou les enchères par téléphone sont une facilité pour les clients. ADER n’est pas responsable pour avoir manqué d’exécuter un ordre par erreur ou pour toute autre cause. Merci de vérifier après envoi que votre ordre d’achat a été dûment enregistré.
ADER se réserve le droit de ne pas enregistrer l’ordre d’achat s’il n’est pas complet ou si elle considère que le client n’apporte pas toutes les garanties pour la sécurité des transactions ; sans recours possible.
Pour garantir la bonne volonté de l’acheteur, une consignation pourra être demandée avant la vente qui ne sera validée qu’en cas d’adjudication.
Drouot Live et Interenchères étant des services indépendants, nous déclinons toute responsabilité en cas de dysfonctionnement. Le coût supplémentaire lié aux achats sur internet est détaillé sur chacun des sites et dans nos conditions de vente.
Transports des lots / Exportation :
La présente vente est effectuée sur désignation.
Dès l’adjudication prononcée, les achats sont sous l’entière responsabilité de l’adjudicataire.
Aucun lot ne sera remis aux acquéreurs avant acquittement de l’intégralité des sommes dues.
Les lots sont à retirer au plus vite dans leur lieu de stockage.
Les acheteurs, souhaitant exporter leurs achats, devront le faire savoir au plus tard le jour de la vente. Ils pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due forme soit remis à ADER et que le nom de la Maison de Vente y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
C’est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne sont pas garantis et sont tributaires de l’activité de la Maison de Vente.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera inscrit au fichier centralisé d’incidents de paiement du SYMEV (www.symev.org) et l’ensemble des dépends restera à sa charge. à compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.