ANCIENT AND MODERN PRINTS
Friday 9 July 2021 at 14:00
3, rue Favart, 75002 Paris
330 lots
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201 - Pierre-Auguste Renoir (1841-1919 )The Child with a Biscuit. 1899. Lithograph. 265 x 320. Delteil, Stella 31; Johnson 110. A very fine and fresh proof on ivory laid paper, printed in 8 colours, with blue eyes and pierre de gris, bearing the artist's lithographed signature. Small normal ripples. All margins. A. Vollard ed. (Pl. intended for an unpublished album of prints).
Result €7,680Estimate €6,000 - €8,000 -
202 - Pierre-Auguste Renoir (1841-1919 )Children Playing Ball. 1900. Lithograph. 506 x 506. Delteil, Stella 32; Johnson 111. black print. Very nice proof on watermarked laid paper "mbm". Rippling of the sheet (the proof having been rolled). Minimal soiling, folds and tiny snags at the edges of the folio (including a thin band of light oxidation at the head on the reverse). All margins untrimmed.
Estimate €3,000 - €4,000 -
203 - Pierre-Auguste Renoir (1841-1919 )Bathing Girl. 1923-1924. Aquatint and roulette by Jacques Villon. 448 x 594. Ginestet and Pouillon 637. Printed in colours. Nice proof on strong white vellum, one of the 10 artist's proofs justified and numbered in pencil, signed by Villon and annotated "controlled by Pierre Renoir". Dusting, oxidation, foxing and minor accidents to the edges of the folio, including a 20 mm tear to the right edge, consolidated on the reverse. Small epidermal marks on the edges o
Result €384Estimate €400 - €500 -
204 - Pierre-Auguste Renoir (1841-1919 )The Lodge. 1928. Aquatint by J. Villon. 210 x 265. Ginestet et Pouillon 661. Very nice proof on strong vellum, with the engraved letter, from the edition made for the Chalcographie du Louvre. All margins.
Result €358Estimate €150 - €180 -
205 - Manuel Robbe (1872-1936) The Model. About 1900. Drypoint. 328 x 495. Printed in colours. Good proof on laid paper, numbered at the foot and signed in pencil in the subject along the upper edge. Oxidation and numerous light freckles. The verso very browned. All margins.
Result €153Estimate €150 - €180 -
206 - Georges Rouault (1871-1958 )The Condemned went away... (Pl. 18 of the Miserere). 1930. Aquatint and heliogravure. 340 x 498. Chapon-Rouault 71; Johnson 121-18. A very fine proof on Montval laid paper. Light trace of oxidation and short handling creases at the edges of the sheet. All margins. A. Vollard ed.
Estimate €300 - €400 -
207 - Georges Rouault (1871-1958 )The Liberated Black. 1928. (Pl. for the Réincarnations du père Ubu, Paris, A. Vollard éd., 1932). Etching, aquatint, drypoint and roulette. 298 x 210. Chapon-Rouault 15; Johnson 199. Beautiful proof on laid paper. Oxidation of the folio (more marked under the passe-partout). Margins. Framed.
Result €281Estimate €150 - €180 -
208 - Ker-Xavier Roussel (1867-1944 )Noli Me Tangere. 1894. Lithograph. 142 x 225. Salomon 9. Very nice proof on thin ivory vellum, from the deluxe edition at 100 proofs for the Album de la Revue blanche, numbered and signed with the monogram in pencil. Margins. Framed.
Result €384Estimate €300 - €400 -
209 - Ker-Xavier Roussel (1867-1944 )The Source. (Pl. of the Landscapes suite). 1898. Lithograph. 410 x 310. Salomon 20; Johnson 134-7. Printed in colours. Nice proof on chine volant. Ripples when opening the mat. Some light scattered foxing. Margins. Edition at 100 proofs. A. Vollard ed. (Pl. intended for an album of 12 unpublished landscapes). Framed.
Estimate €200 - €300 -
210 - Paul van Ryssel (pseudonym of Dr. Paul Gachet) (1828-1909 )Landscape under the snow. Drypoint. 100 x 125. Very nice proof on thin vellum, before erasing the sketches in the margins of the copper. All margins.
Result €1,664Estimate €150 - €180 -
211 - Paul van Ryssel (pseudonym of Dr. Paul Gachet) (1828-1909 )Madame Gachet at the piano. 1873. Etching. 145 x 175 cm, printed in bluish grey. Very nice proof on ivory laid paper. All margins. Joint : The Diva. Drypoint. 115 x 142. Very nice proof on cream laid paper. All margins. Set. 2 p.
Result €256Estimate €200 - €300 -
212 - François-Louis Schmied (1873-1941) Illustrations for P. Loti, Un pélerin d'Angkor. Paris, Paul Jouve and François-Louis Schmied, 1930. Wood engraving by François-Louis Schmied after drawings by Paul Jouve. [250 x 330]. Printed in colors and silver ink. Beautiful proofs on vellum, numbered in pencil, fixed by several pieces of adhesive in the corners under matting. Some light foxing and traces of oxidation. All margins. Set of 2 p.
Estimate €300 - €400 -
213 - François-Louis Schmied (1873-1941) Pl. 16, 23 and 26 (of 30) for the work Sud-marocain. Grand-Atlas. Anti-Atlas. Text by General Catroux commanding the region of Marrakech. Paris, Théo Schmied, 1936. Wood engraving by Theo Schmied on the drawings of his father F.-L. Schmied. [405-410 x 320-325]. Printed in colours. Very nice and fresh proofs on japon nacré, annotated and signed in pencil by both artists. All margins.
Estimate €600 - €800 -
214 - Paul Signac (1863-1935 )La Bouée (Saint-Tropez). 1894. Lithograph. 325 x 400. Kornfeld-Wick 9. Very nice and fresh proof on thin cream laid paper, of the 1st state (of 3), before the rose stone, annotated at the bottom left in pencil "2nd try" then at the right "try proof" and signed. Light trace of oxidation at the opening of an old mount. Minor light foxing and handling creases to the edges of the sheet. More marked oxidation around the edges on the reverse. Mounting tabs superimposed on the
Result €8,960Estimate €6,000 - €8,000 -
215 - Paul Signac (1863-1935 )Saint-Tropez, the port. 1897-1898. Lithograph. 330 x 430. Kornfeld-Wick 19; Johnson 138. Printed in colours. A very fine and fresh proof on thin white vellum, numbered "No. 27" and signed in pencil. The upper margin very slightly trimmed. Nice margins [403 x 512 - Johnson gives the dimensions as 399 x 520 mm]. Edition of 100 proofs. A. Vollard ed. (Pl. intended for an album that was not published).
Result €10,240Estimate €6,000 - €8,000 -
216 - Paul Signac (1863-1935 )The Pont des Arts with Tugs. 1927. Etching. 190 x 125. Kornfeld and Wick 24. Very nice proof on a strong half-japan. All margins. Plate intended to appear in Dix Peintres au XXe siècle, R.-G. Michel éd., Paris (in reality often sold at retail as out of the 250 copies announced, only 100 were made).
Result €768Estimate €180 - €200 -
217 - Alfred Sisley (1839-1899 )Banks of the Loing, the cart; Banks of the Loing, six canoes moored; Banks of the Loing, the shore; Banks of the Loing, the houses by the water. About 1890. Etching on zinc. 222-225 x 145-150. Very nice proofs from a print on ivory laid paper. Small brownish spatters on the reverse of one plate, and another small reddish spot in the right margin of another. All margins untrimmed. Set of 4 p. These are the only four subjects engraved by the artist in etching, on zinc, an
Result €1,408Estimate €400 - €500 -
218 - James-J.-J. Tissot (1836-1902 )Ramsgate. (Pl. IX of Ten Etchings). 1876. Drypoint. 347 x 241. Wentworth 22. Beautiful proof on cream laid paper, carefully washed, stamped (Lugt 1545). Slight traces of spotting at the top edge of the verso sheet, visible only by transparency. Thin oblique printing crease under the table. Reduced margins [390 x 280 instead of 465 x 370 mm]. Edition of 50 proofs.
Estimate €3,000 - €4,000 -
219 - James-J.-J. Tissot (1836-1902 )Walk in the Snow. 1880. Etching and drypoint. 267 x 566. Wentworth 48. Superb proof on strong laid paper, of the 2nd state (of 3), with the letter drawn in red, stamped (Lugt 1545). Tiny white dot (inking defect) on the model's nose wing, two more in the fur. A spot of rust in the right margin. A few light freckles. All margins.
Result €2,048Estimate €600 - €800 -
220 - James-J.-J. Tissot (1836-1902 )On the grass. 1880. Etching and drypoint. 270 x 197. Wentworth 50. Beautiful proof on ivory laid paper, slightly oxidized. Dusting and light soiling at the edges of the sheet. All margins.
Result €384Estimate €200 - €300 -
221 - Henri de Toulouse-Lautrec (1864-1901 )Miss Ida Heath, English dancer. 1894. Lithograph. 264 x 364 [325 x 520]. Delteil 165; Wittrock 64. Printed in olive green. A very fine and fresh proof on ivory vellum, numbered "No. 19" in blue pencil by the publisher Éd. Kleinmann and stamped with the red monogram. Thin strips of mounting (crystal gummed paper) at the head and left edge on the reverse. All margins [280 x 375]. Very rare. Total edition of 40 proofs (including 15 in olive green on this paper
Result €6,144Estimate €2,000 - €3,000 -
222 - Henri de Toulouse-Lautrec (1864-1901 )Cover of "L'Estampe originale", closing album. 1895. Lithograph. [860 x 605]. Delteil 127; Wittrock 96. Printed in two colors (black and olive green). A very fine proof on ivory vellum, signed in pencil in the lower left armchair of the subject. Vertical fold in the middle. Oxidation of the sheet, more marked on the right part of the sheet (the print having been framed and this part exposed to light). Thin white band around the left subject. Some foxing at t
Result €3,840Estimate €4,000 - €5,000 -
223 - Henri de Toulouse-Lautrec (1864-1901 )Lender de face, in "Chilpéric". 1895. Lithograph. 265 x 370 [415 x 570]. Delteil 105; Wittrock 104. Printed in dark olive green. A fine proof on ivory vellum, stamped with the red monogram, then with the dry stamp of Ed. Kleinmann (Lugt 1573) and numbered "N° 13" in pencil in the latter's hand. Small ripples and tiny creases at the edges of the folio. Small remains of glue in three corners on the reverse. Two small remains of tabs (gummed crystal paper) at
Result €3,200Estimate €2,000 - €3,000 -
224 - Henri de Toulouse-Lautrec (1864-1901 )Exit from the Theatre. 1896. Lithograph. 262 x 320. Delteil 169; Wittrock 147. Printed in dark olive green. Beautiful proof on ivory vellum, oxidized (trace of old serpente affixed to the sheet). All margins untrimmed [355 x 475]. Rare. Edition of about 20 proofs (of which 11 are in public collections according to Wittrock). Ex-coll. Maurice Loncle (Lugt 3489).
Result €4,352Estimate €3,000 - €4,000 -
225 - Henri de Toulouse-Lautrec (1864-1901 )La Troupe de Mademoiselle Églantine. Poster. 1896. Lithograph. [800 x 620]. Delteil 361; Wittrock P21. Printed in colours. A very nice, very fresh color proof on thin ivory vellum, finely interfaced, with 10 mm margin at the head. Traces of soft vertical folds slightly oxidized across the subject (the print having been rolled) and a few short thin broken folds. Few and tiny tears or lacks at the extreme edge of the sheet. Small gap filled in the lower right
Result €12,160Estimate €10,000 - €12,000 -
226 - Félix Vallotton (1865-1925 )Les Amateurs d'estampes. Address card for Edmond Sagot. 1892. Original woodcut. 252 x 187. Vallotton et Goerg 107 c. Very nice proof on buff vellum. All margins. Framed (with on the reverse a card from the Sagot-Le Garrec house with a sending from Jean-Claude and Nicolas Romand).
Result €358Estimate €300 - €400 -
227 - Félix Vallotton (1865-1925 )The Three Bathers. 1894. Engraved wood. 110 x 180. Vallotton and Goerg 133 a. Very nice proof on thin ivory vellum, from the deluxe edition at 100 proofs for the Album de la Revue blanche, signed and numbered in blue pencil. Margins. Framed.
Result €2,048Estimate €1,200 - €1,500 -
228 - Félix Vallotton (1865-1925 )January 1st. 1896. Woodcut. 222 x 178. Vallotton and Goerg 167. Very nice proof on buff vellum, numbered and signed in pencil. Scattered light foxing, mainly at the head of the folio. Long horizontal soft crease across the leaf in the upper margin. Nice margins [410 x 310]. Edition of 100 proofs for the Album des Peintres-Graveurs, A. Vollard ed. Ex-coll. H. M. Petiet (Lugt 5031).
Estimate €2,000 - €2,500 -
229 - Marie Vassilieff (1885-1957 )Harlequin new perfume of Rosine. 1925. Letterpress print. 155 x 218. Nice proof on thin ivory vellum [234 x 310]. Maculatures (traces of the passage of the roller) on the surface. All margins. Framed.
Result €448Estimate €300 - €400 -
230 - Jean Veber (1864-1928 )La Fortune poursuivie. 1910. Lithograph. 385 x 250. Veber and Lacroix 41. Printed in colours and in gilt bronze ink. Very nice proof on japan, numbered and signed in pencil. All the margins are untrimmed. Edition at 50 proofs.
Result €960Estimate €300 - €400 -
231 - Jean Veber (1864-1928 )The Giant. 1905. Lithograph. 340 x 238. Veber and Lacroix 48. Printed in colours and gilt bronze ink. Nice proof on strong cream vellum, signed and numbered in pencil, carefully washed. Persistent oxidation on the reverse. All margins. Edition at 100 proofs.
Result €896Estimate €300 - €400 -
232 - Jean Veber (1864-1928 )Barbouillotte or The Witch's Move. 1906. Lithograph. 266 x 154. Veber and Lacroix 49. Printed in two tones (black and sanguine). Very nice proof on vellum, dedicated in pencil "to Monsieur Scherer / friendly memory / Jean Veber", then numbered (by another hand). Small epidermal marks on the edges of the verso sheet. All margins untrimmed. Total edition of 116 proofs.
Result €256Estimate €180 - €200 -
233 - Jean Veber (1864-1928 )The Five Fingers. 1906. Lithograph. 480 x 340 (stone mark). Veber and Lacroix 50. Printed in colours and in gilt bronze ink. A very fine proof on strong white vellum, signed and numbered in pencil, carefully washed, the indentation of the stone very perceptible. Several short tears skilfully restored on verso. Very slight soiling to the edges of the verso. All margins. Edition of 100 proofs. Dry stamp: Ed. Sagot ed. (Lugt 2254).
Estimate €300 - €400 -
234 - Jean Veber (1864-1928 )The Lesson. 1907. Lithograph. 370 x 282. Veber and Lacroix 65. Printed in colours. Nice proof on vellum, signed in pencil. Margins. Framed.
Result €576Estimate €180 - €200 -
235 - Jean Veber (1864-1928 )La Barbière. 1903. Lithograph. 410 x 260. Veber et Lacroix 80. Nice proof on strong vellum, signed and numbered in pencil. Very light freckles. Small humidity ring visible only at the foot of the verso. All margins. Edition at 100 proofs.
Estimate €300 - €400 -
236 - Jean Veber (1864-1928 )L'Arracheuse de dents. 1904. Lithograph. 340 x 300. 83 Veber and Lacroix. Printed in colors. Nice proof on strong vellum, signed and numbered in pencil. Slight trace of oxidation around the subject. Gummed kraft tape at the head on the back. All margins. Edition at 100 proofs.
Result €384Estimate €300 - €400 -
237 - Jean Veber (1864-1928 )The Scholar. 1907. Lithograph. 225 x 238 (including remarks). Veber et Lacroix 103. Very fine and rare proof, one of 18 on japon, with remarks, the indentation of the stone very visible, signed and numbered in pencil. Nice margins (irregularly trimmed laterally). Total edition of 100 proofs.
Result €512Estimate €180 - €200 -
238 - Jean Veber (1864-1928 )Dynamis, or The Red Coal. 1907. Lithograph. 385 x 275. Veber and Lacroix 105. Printed in colours. Very nice and fresh proof on japon, signed and numbered in pencil. All the margins are untrimmed. Edition at 100 proofs. The painting of the same subject is in the Musée des Beaux-arts in Tours.
Result €320Estimate €300 - €400 -
239 - Jean Veber (1864-1928 )The Inexorable Lady. About 1907. Lithograph. 270 x 190. Veber et Lacroix 106. Perfect proof on laid paper, signed and numbered in pencil. All the margins are untrimmed. Rare. Edition of 20 proofs.
Estimate €180 - €200 -
240 - Jean Veber (1864-1928 )The Devil by the Tail. 1909. Lithograph. 320 x 200. Veber and Lacroix 109. Perfect proof on strong japan, the indentation of the stone very visible, signed in pencil. Title in pencil at the left foot. Tiny handling creases. All margins untrimmed. Edition of about 50 proofs.
Estimate €200 - €300 -
241 - Eugène Viala (1859-1913 )La Mouline, or The Inn. Etching. 198 x 145. Very nice proof printed in brown on strong laid paper, enhanced with watercolour and blue pencil, signed in pencil. Trace of oxidation at the opening of the mat. Small adhesive residue in the lower right corner on the reverse. Small margins.
Result €256Estimate €200 - €300 -
242 - Jacques Villon (Gaston Duchamp) (1875-1963 )Boudeuse. 1900. Etching and aquatint. 287 x 178. Ginestet and Pouillon 37. Printed in colours. Very nice proof on strong ivory laid paper, signed in pencil. Slight oxidation and light freckles. Vertical broken folds in the lower right corner of the sheet. Remains of gummed kraft in the corners on the back. All margins. Rare. Edition of 30 proofs.
Result €4,480Estimate €1,800 - €2,000 -
243 - Jacques Villon (Gaston Duchamp, said) (1875-1963 )An artist, or Woman at the easel. 1900. Aquatint. 245 x 295. Ginestet and Pouillon 40. Printed in colours. Very nice proof on ivory laid paper, annotated in pen and sepia ink in the lower left corner of the copper: "épreuve d'essai" then on the right of the engraved signature: "à Madame Michalon / Hommage respectueux / Jacques Villon / 00". Some light scattered foxing. All margins. Rare. Edition of 30 proofs.
Result €2,560Estimate €2,000 - €3,000 -
244 - Jacques Villon (Gaston Duchamp, dit) (1875-1963 )La Cigarette (1st pl.). 1901. Etching and aquatint. 342 x 415. Ginestet and Pouillon 59. Printed in colours. Very nice proof on ivory vellum, numbered " N° 43 " and signed in pencil. Slight oxidation of the folio (notably traces of oxidation caused by an old serpente in the right margin, at the head and at the left edge). All margins. Edition of 46 proofs for L'Estampe Nouvelle.
Result €1,792Estimate €1,200 - €1,500 -
245 - Jacques Villon (Gaston Duchamp, said) (1875-1963 )Premiers beaux jours, ou La Dame en bleu. 1902. Aquatint. 328 x 470. Ginestet and Pouillon 71. Printed in colours. Very nice proof on ivory vellum, the colours very fresh, numbered and signed in pencil, carefully washed (with a few tiny traces or persistent russet spots). Old traces of glue along the edges of the verso sheet, visible only by transparency. Small epidermis on verso, visible through transparency under the sleeve. Fracture of the boa
Result €1,280Estimate €1,000 - €1,200 -
246 - Jacques Villon (Gaston Duchamp, known as) (1875-1963 )La Parisienne. 1902. Etching and aquatint. 375 x 478. Ginestet and Pouillon 74 b. Printed in colours. Very beautiful and probably unique proof on cream laid paper watermarked "arches", from a state between the 1st and the 2nd according to Ginestet and Pouillon, with the background but before the reduction of the copper and before the engraved signature, signed in pencil, carefully washed, with small persistent freckles. Small epidermal marks
Estimate €2,500 - €3,000 -
247 - Jacques Villon (Gaston Duchamp, said) (1875-1963 )The Women of Ushant. 1903. Aquatint with etching and roulette lines. 373 x 272. Ginestet and Pouillon 81. Printed in colours (brown-green tones). Very nice proof on strong ivory vellum, signed in pencil. Small white spots (inking defects) in the foreground. Strong ink discharges on the reverse. A few very light marginal foxing. All margins. Final edition of 50 proofs. Sagot ed.
Result €1,920Estimate €800 - €1,000 -
248 - Jacques Villon (Gaston Duchamp, known as) (1875-1963 )Manège rue Caulaincourt, or The Little Roundabout with Wooden Horses. 1904. Etching and aquatint. 495 x 398. Ginestet and Pouillon 111. Very nice and fresh proof, the colours very vivid, on ivory vellum watermarked "mbm Arches", signed in pencil. Annotation by a foreign hand in the lower right corner of the sheet: "Additional proof A". Very clear trace of oxidation at the opening of the mount. All margins. Final edition of 50 proofs. Dry sta
Result €2,432Estimate €1,500 - €1,800 -
249 - Jacques Villon (Gaston Duchamp, known as) (1875-1963 )The Concert on the Beach. 1907. Etching and aquatint. 200 x 220. Ginestet et Pouillon 177. Very nice proof on laid paper, numbered and signed in pencil, then titled on the reverse in the lower right corner. Tiny scattered freckles. All margins. Edition at 50 proofs.
Estimate €600 - €800 -
250 - Jacques Villon (Gaston Duchamp, said) (1875-1963 )The Sea comes to us while the mountain..., or On the pebble, the old men. 1907. Drypoint and aquatint. 175 x 238. Ginestet et Pouillon 178. Very nice proof on laid paper, numbered ("n°1") and signed in pencil, then titled at the foot. Scattered foxing. All margins. Edition of 50 proofs.
Estimate €600 - €800
About the sale
ANCIENT AND MODERN PRINTS
Public auction
Salle des ventes Favart
3, rue Favart 75002 Paris
Friday 9 July 2021 at 2 pm
Regulated public exhibition
Salle des ventes Favart
3, rue Favart 75002 Paris
Wednesday 7 July from 10 am to 6 pm
Thursday 8 July from 10 am to 6 pm
EXPERT :
Hélène BONAFOUS-MURAT
hbmurat@orange.fr
Tel: 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
N. B. Unless otherwise indicated, the framed works have not been examined outside the frames.
Dimensions are given in millimetres, width before height.
Unless otherwise stated, framed prints have not been examined out of the frame.
Measurements are quoted in millimetres, width before height.
Terms of sale
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Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets présentés.
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enchérisseurs et tout le public sera admis à enchérir à nouveau.
La date indiquée entre crochets […] correspond à la création du modèle. La pièce présentée ayant été réalisée postérieurement.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procès-verbal.
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Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89
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Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera inscrit au fichier centralisé d’incidents de paiement du SYMEV
(www.symev.org) et l’ensemble des dépends restera à sa charge. à compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021