Lot n° 153
Estimation :
800 - 1200
EUR
Result with fees
Result
: 1 642EUR
[REVUE]. - Lot 153
[REVUE].
Feuillets d'art.
Paris : Edmond Moussié, Michel Dufet, 1919-1920. - 6 fascicules in-4, 327 x 258. Leaves, in publisher's flap folder.
Complete collection of the first series of this luxurious Art Deco period magazine, edited by Michel Dufet and financed by Edmond Moussié. Dedicated to literature, theater, visual arts, decorative arts, music and fashion. These themes are addressed in five sections or "feuillets", comprising literary texts, some of them previously unpublished, as well as study texts. Authors include Jean Giraudoux, Anatole France, Henri de Régnier, Paul Claudel, Henri Duvernois, Charles Vildrac, Roger Allard, Camille Mauclair, André Salmon, Anna de Noailles, Georges Duhamel, Francis Jammes, Abel Hermant and others. Each issue features a rich black and color illustration, including several hors-texts by Georges LEPAPE, George BARBIER, BENITO, Robert BONFILS, André DOMAIN, Charles MARTIN, Odilon REDON, Kees VAN DONGEN, etc.
Each issue is numbered 811, and includes several sections on Hollande and some off-texts on different papers, most of them numbered, as follows: I. La Femme au miroir rouge by Georges Lepape and Ohe du bâteau by Charles Martin on japon - II. La Loge by Charles Martin on japon, Laissez-moi seule by George Barbier and the two hors-texts by Florès and Benito on Hollande. - III. Le Cavalier by Bonfils on japon, and the two hors-texts by Romme and Domin on Hollande. - IV. Etching of Laboureur on japon. - V. Van Dongen's Rimmel on japon. - VI. Drian sketch on Arches laid paper and Mario Simon's La Pluie d'or on Hollande.
Other illustrations include an etching by Odilon Redon and numerous advertisements in the purest art deco style.
A second series of 6 volumes appeared from September 1921 to October 1922.
Tears to spine of dust jackets, some soiling. First and last leaves of each issue browned by dust jacket. Without the black and pink cords. First leaf of first issue torn but not missing.
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