ANCIENT AND MODERN ESTAMPES - LOTS 1 to 240
Wednesday 9 February 2022 at 14:00
3, rue Favart, 75002 Paris
240 lots
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1 - MiscellaneousA lot of old prints and some reproductions by or after Beauvarlet, Bol, Callot, Dolendo, Helman, Sadeler, Teniers, Visscher, Vivant-Denon, Vouet, etc. Etching; burin; woodcut. Some of the proofs are missing due to conservation or late printing. Set of 50 p. approx. (one beige cloth board).
Result €896Estimate €300 - €400 -
2 - AnonymousElegant half-body. Copper engraved in the black manner after a painting by John Hoppner (English, 1758-1810). 330 x 400. Beveled, the corners rounded.
Result €345Estimate €180 - €200 -
3 - AnonymousLa Trappe et les trappistes. 17th c. Suite of 17 pl. (lacking the title) bound with string. Etching. Each [320 x 400]. Fine proofs on thin laid paper, addressed to Bonnart or Trouvain, one plate detached. Some soiling, small accidents and missing edges of the folio. All margins. Suite describing the activities of the Trappist monks: carpentry, glazing, cooking, baking, laundry, gardening, cider making... and religious and charitable activities.
Result €179Estimate €200 - €300 -
4 - Cherubino Alberti (1553-1615) 6 pl. of the suite Various designs of vases in the antique taste (pl. 1, 2, 4, 6, 8, 10). 1582. Engraved after Polydore by Caravaggio. Each approx. 180 x 270. Bartsch 161-170. Good square-trimmed proofs, some slightly damaged, with foxing and stains. Pl. 6 with the number added in pen.
Result €576Estimate €150 - €180 -
5 - Stefano della Bella (1610-1664) Various subjects. An album in-4 [240 x 305] bound, containing 194 plates of various suites (often incomplete). Etching. Various formats. Trimmed or cut-out proofs (two printed together), pasted to several subjects on each sheet. Accidents, foxing and various soiling. Contains in particular: -Characters of the passions, engraved on the designs of the Illustrious Monsr Le Brun (1 title and 19 pl.) -I principi del disegno (22 pl. of 25) -Recueil de quarante gr
Result €1,664Estimate €800 - €1,000 -
6 - Louis-Marin Bonnet (1736 or 1743-1793 )Buste de jeune fille, ou Première tête. 1767. Engraving in pencil manner after Boucher. 230 x 308. Herold 9; P. Jean-Richard 339. color print. A very fine proof on white laid paper, of the definitive state, printed in two plates (black and red), the address of Bonnet added to that of the Widow Chéreau, carefully washed. Slight perceptible spotting at the edges of the verso leaf. Good margins.
Result €1,088Estimate €180 - €200 -
7 - Louis-Marin Bonnet (1736 or 1743-1793 )L'Amour prie Vénus de lui rendre ses armes. 1768. Engraving in pencil after Boucher. 410 x 360. Herold 17; P. Jean-Richard 346. Printed in colors. A very nice proof on strong ivory laid paper, from the final state, printed on two plates (black and red), with the address of the rue Saint-Jacques. Light trace of oxidation at the opening of an old mat. Small moisture halos and a thin reddish band in the lower margin to the right. A few spots of rust. Nice mar
Result €384Estimate €180 - €200 -
8 - Louis-Marin Bonnet (1736 or 1743-1793 )Flowers, bouquets of poppies. Dotted engraving after Carle. 200 x 258. Herold 309. Printed in colors. Very nice proof on laid paper, trimmed with a plate.
Result €384Estimate €180 - €200 -
9 - Louis-Marin Bonnet (1736 or 1743-1793 )Le Portrait chéry. Dotted engraving after Schall. 219 x 309. Herold 851, printed in colors. Beautiful proof on laid paper, trimmed at the plate stroke but complete with the engraved inscriptions. Traces of folds and marginal dusting.
Result €448Estimate €150 - €180 -
10 - Louis-Marin Bonnet (1736 or 1743-1793 )Le Déjeuné ; Le Gouter ; Le Souper ; Le Diner. Dotted engraving after Huet or Baudouin. Each approx. 255 x 320. Herold 1025, 1026, 1036 and 1037. Printed in colors. Fine old and carefully washed proofs, trimmed to the plate cut, the first two complete with engraved inscriptions, the last two trimmed under the serial number at the head. Slight persistent light foxing.
Result €960Estimate €600 - €800 -
11 - François Boucher (1703-1770) La Petite reposée. 1756. Original etching. 180 x 248. Prosper de Baudicour 13; P. Jean-Richard 30. A good proof on laid paper, carefully washed, trimmed with a plate cut. Traces of folds visible on the verso. Ex-coll. J. Cantacuzène (Lugt 4030).
Result €230Estimate €120 - €150 -
12 - Pieter Bruegel the Elder (c. 1525-c. 1569) (after) The Temptation of Saint Anthony (Multae tribulationes justorum...) 1556. Engraved by Pieter van der Heyden. 325 x 242. Van Bastelaer 119; New Hollstein (Bruegel) 27.10; Orenstein 37. Good proof on thin laid paper, slightly late, a bit gray, with fine perceptible scuffing at the foot of the subject, trimmed on the square line, well complete with the tablet, pasted by the upper corners on laid paper. Tiny snags along top edge, with small, unobtru
Result €20,480Estimate €5,000 - €6,000 -
13 - Jacques Callot (1592-1635) The Two Pants looking at each other. (Pl. des Caprices). 1622. Etching. 77 x 51. Lieure 463. Nice proof on laid paper, of the 1st state (of 2), before the number. Oxidation and foxing. Margins. Frame.
Estimate €150 - €180 -
14 - Jacques Callot (1592-1635) The Miseries and Misfortunes of War. 1633. Etching. 185 x 82. Lieure 1339-1356. Complete suite of 18 plates. Beautiful late proofs on laid paper (XIXth c.), the backgrounds weakened, with filleted margins or small margins. Margin marks perceptible on verso of pl. 11 and 12. Mounted three by three in 6 vertical frames.
Result €1,408Estimate €800 - €1,000 -
15 - Jacques Callot (1592-1635) The Miseries and Misfortunes of War. 1633. Etching. 185 x 82. Lieure 1339-1356. Complete suite of 18 plates. Good late edition proofs (XIXth c.) on laid paper, washed, the backgrounds weakened, with margin fillets. Mounted three by three in 6 vertical frames. Jointly: pl. 11 of the same suite. Older print on thin laid paper, trimmed at the plate cut. Missing in the upper right corner and tears at the foot. Set of 7 frames.
Result €1,536Estimate €800 - €1,000 -
16 - Jacques Callot (1592-1635) (after) The Fair of Impruneta (1st pl.). Copy in counterpart by Salomon Savery. 655 x 429. Lieure 361 (copy 1). Beautiful proof on laid paper, of the 1st state (of 2), before the address of Clément de Jonghe, slightly oxidized. Vertical drying fold in the middle. Tack holes, heavy foxing and soiling in the corners. Strips of gummed paper all around the verso. Small margins.
Estimate €600 - €800 -
17 - Jacques Callot (1592-1635) (after) The Temptation of Saint Anthony abbot. Engraved by an anonymous person. 663 x 490. Trimmed, oxidized, pasted in full under matting, lacking conservation (small holes, epidermal surface, the tablet with the letter started).
Result €448Estimate €180 - €200 -
18 - Canaletto (Giovanni Antonio Canal, known as) (1697-1768) S. Giustina in Pra della Valle. About 1744. Etching. 435 x 306. De Vesme 8; Bromberg 7. A good proof on thin laid paper, a little pale, of a late edition, mounted under a mat on the reverse side by means of gummed kraft strips. Very slight foxing. Good margins [485 x 350].
Result €704Estimate €400 - €500 -
19 - François-Philippe Charpentier (1734-1817) The Culbute. 1766. Etching, aquatint and wash after Fragonard. 419 x 297. I.F.F. 37. Printed in sepia. Beautiful and fresh proof on ivory laid paper. Margins of 2-3 mm. Watermark: name of Jesus in an oval. Ex-coll. A. Beurdeley (Lugt 421). Very ingenious in the mechanical part of his art," says Huber, "he claimed to have invented the wash engraving by a new process more expeditious than the first one, entered in this subject in dispute with the Swede
Result €640Estimate €150 - €180 -
20 - Bartolomeo Coriolano (c. 1599-c. 1676) A thesis. 1640. woodcut after Guido Reni. 460 x 338. Bartsch, vol. XII, p. 139, no. 18; Naoko Takahatake, Print Quarterly, vol. XXVII, no. 2, "Coriolano", no. 24. Printed in two tones (brown and ochre). Very nice proof on thin laid paper. Vertical median fold very skillfully restored on the reverse. Margins of 3-4 mm. Watermark: crowned fleur-de-lys in a circle.
Result €384Estimate €400 - €500 -
21 - Gilles Demarteau (1729-1776) Head of a woman. Engraving in pencil manner after Boucher. 175 x 232. Leymarie 217. Printed in colors. Very nice proof on laid paper. Slight oxidation of the leaf. Good margins.
Result €512Estimate €150 - €180 -
22 - Albrecht Dürer (1471-1528) The Dream of the Doctor. About 1498. Burin. 120 x 190. Bartsch 76; Meder 70 e. A very fine proof on thin laid paper, trimmed to the subject, the square line partly perceptible, possibly washed, pasted by three corners on vellum, with the scratch through the sleeper's left shoulder and a few other scattered scratches. On verso, stamp of Theodor Falkeisen (1768-1814) and Johann Friedrich Huber (1766-1832), engravers and print dealers, Basel (Lugt 1008, erroneously give
Result €25,600Estimate €10,000 - €12,000 -
23 - Albrecht Dürer (1471-1528) The Little Fortune. About 1495. Burin. 65 x 121. Bartsch 78; Meder 71. A late, pale, and lacking in preservation, plate-trimmed proof. Stains, moisture rings and old restorations.
Result €384Estimate €300 - €400 -
24 - Albrecht Dürer (1471-1528) The Flight into Egypt. (Pl. of the Life of the Virgin). About 1503. Woodcut. 211 x 301 [265 x 362]. Bartsch 89; Meder 201 (presumably II b). A good, somewhat gray proof, with no text on the reverse, the accidental white spot in the palms still visible, with five tiny breaks in the lower square line, partially pasted through the left edge on a frame background. Number 13 in pen and sepia ink below the subject at right. Thin band of gummed kraft around the edge on the
Result €5,120Estimate €2,000 - €3,000 -
25 - Albrecht Dürer (1471-1528) The Passion (on copper). 1507-1513. Burin. Each 73 x 115. Bartsch, Meder 3-18 (b or c/d or e). A complete and homogeneous suite of 16 plates. Very fine and bright square-trimmed proofs, the latter still perceptible on most of the proofs. Small remnants of tabs at the edges of the folio or tiny traces of glue in the corners on the reverse. State details: -Meder 3 c/e, with vertical scuffing in porch opening-Meder 7 c/d, with small noticeable soiling on soldier's ba
Result €64,000Estimate €10,000 - €12,000 -
26 - Albrecht Dürer (1471-1528) The Virgin with a crown of stars and a scepter. 1516. Burin. 75 x 120. Bartsch 32; Meder 37 a/c. Beautiful and brilliant proof on ivory laid paper, with marginalia around the square line. Thin mounting strip with traces of glue along the right edge on the verso and in the corners. Ex-coll. R. Fisher (Lugt 2204). Provenance: Agnes and Eugene Meyer, New York
Result €10,880Estimate €3,000 - €4,000 -
27 - Paolo Farinati (1524-1606) Saint John the Evangelist. 1567. Etching. 187 x 280. Bartsch 3; Pinacoteca di Bologna 203. A very fine proof on laid paper. Small thinning and remains of old mitre to the edges of the folio on the reverse. Fillets of margins. On verso, initialed by A. Faure in pen and sepia ink (Lugt 115).
Result €576Estimate €300 - €400 -
28 - Jean-Honoré Fragonard (1732-1806) Four Bacchanals, or Games of Satyrs. 1763. Etching. Each 210 x 145. Baudicour 6-9; I.F.F. 2-5. Very fine and fresh proofs, the inscriptions on pl. 1 uninked (though perceptible), before the numbers. Small margins of 3 to 4 mm. "The date of 1763 on the first composition of this series, a bas-relief of two satyrs with hands joined to support a nymph, indicates that this group of four etchings by Fragonard was done in Paris, two years after he returned from Ita
Result €1,536Estimate €1,200 - €1,500 -
29 - Jean-Baptiste André Gautier-Dagoty (1738/39-1786) Françoise d'Issembourg d'Appencourt [d'Happoncourt], lady of Graffigny (Pl. de la Galerie françoise, ou Portraits des hommes et des femmes célèbres qui ont paru en France, 1770). Black Manner after J.-B. Garand. 207 x 255. Singer 76; I.F.F. 80. Beautiful proof on laid paper, from a state not described by Singer, before the letter. Scattered light foxing. Small halo of moisture at the right edge. Small dark blue ink stain on the center right
Result €192Estimate €150 - €180 -
30 - Arnaud-Eloi Gautier-Dagoty (1741-1783) and Louis-Charles Gautier-Dagoty (1746-after 1787) Booklet of six ribbon knots. 1770. Etching and roulette after Pillement. Each 160-165 x 240. Singer (art. "Der Vierfarbendruck...") 22-27. Two tone printing (black and sanguine). Complete suite of 6 pl. Very nice proofs on laid paper, carefully washed. Slight traces of folds in the title. Good margins. According to Singer, this suite is the counterpart of a suite of Ideal Flowers. He attributes most of
Result €640Estimate €600 - €800 -
31 - Louis-Charles Gautier-Dagoty (1746-after 1787) The Return of the Prodigal Son. Manière noire after Le Guerchin. I.F.F. 1; Singer 2; F. Rodari, ed. in Anatomie de la couleur ; l'invention de l'estampe en couleurs, Paris, Bibliothèque nationale de France, and Lausanne, Musée Olympique, 1996, n° 132-133. Printing in colors (tetrachromy). Interesting proof, fresh of colors, formerly stretched on cardboard (frame background), without apparent margins, the edges folded. Small rubs, snags and acci
Result €448Estimate €300 - €400 -
32 - Hendrick Goltzius (1558-1617 )Eight ancient gods 1592. Burin after Polydore by Caravaggio. Each 210 x 352. Bartsch 249-246; New Hollstein 315-322. Complete suite of 8 plates on strong laid paper, in an 18th-century edition addressed to G. Valk, some sizes slightly weakened. Freckles, stains and dampstains to some. Small losses in the lower margin of the 1st. Other small lacks in the lower right corner of the leaf to others. Two old small binding holes in the center of the upper margin. All margi
Result €1,664Estimate €1,000 - €1,200 -
33 - Hendrick Goltzius (1558-1617) (after) Frederick Frisius and his dog. Burin. 265 x 359 and 262 x 350. Bartsch 190 (copies). Meeting of 2 fine proofs on thin laid paper, the 1st trimmed inside the plate cut but complete with tablet, lined on strong laid paper (recognizable by the "Cum" detached from the rest of the text and the word "repraefentandi" instead of "repraesentandi", dated 1597), the 2nd similarly trimmed, very fresh (recognizable by the RG monogram and the modified text, "Cesar capran
Result €704Estimate €600 - €800 -
34 - A. F. Hallgard (active ca. 1780) Mural of the perpetual calendar. Etching. Sight: 320 x 230. Nice proof in time coloring, with scrolling perpetual calendar included in the central frame. Traces of folds. Small fly shit. The upper left corner redone. Framed.
Result €256Estimate €200 - €300 -
35 - William Hogarth (1697-1764) Industry and Idleness. 1747. Etching. Each 350 x 265. Paulson 168 to 179. Complete suite of 12 plates. Nice proofs on laid paper, pasted two by two by the corners on vellum or old laid paper. Marginal oxidation, stains and foxing. The edge of the left margin slightly torn.
Result €576Estimate €600 - €800 -
36 - Claude Mellan (1598-1688) Jacob Watering Rachel's Flock. Burin after Veronese. 430 x 395. Préaud 2. Good proof on old watermarked laid paper (coat of arms and countermark). Vertical middle drying fold fractured at the foot. Soiling, foxing, short tears and traces of folds. On verso, initialed by F. A. Maglin (Lugt 1777) in pen and ink with the date "1902". Small margins.
Result €448Estimate €150 - €180 -
37 - Claude Mellan (1598-1688) Holy Family. Burin. 350 x 242. Préaud 14. Very nice proof on laid paper. Minor stains or foxing. Margins of 2 to 3 mm.
Result €320Estimate €120 - €150 -
38 - Claude Mellan (1598-1688) Jesus child; The Virgin Mary; Saint Joseph. Burin. Each 290 x 442. Préaud 16, 31 and 88. Very fine proofs on laid paper, the first 2 with narrow margins, the 2nd mounted in window, the 3rd with fine margins. Set. 3 p.
Result €1,216Estimate €300 - €400 -
39 - Claude Mellan (1598-1688) The Ascent to Calvary. 1659. Burin. 302 x 492. Préaud 20. Nice proof on watermarked laid paper (Maltese cross and fleur-de-lys), trimmed on the plate. Slight oxidation of the sheet. Fine folds of printing visible on the back. A few worm holes on the left side. A thumbtack hole with small tear in the upper left corner.
Result €409Estimate €100 - €120 -
40 - Claude Mellan (1598-1688) Saint Claude. 1664; Saint Jerome penitent. 1665. Burin. 285 x 450 and 297 x 440. Préaud 69 and 87. Beautiful proofs on watermarked laid paper (Maltese cross surrounded by a chain), trimmed on or slightly outside the plate cut. Some rare foxing and traces of glue in the corners on the reverse. Small accident restored at head to 1st. Set 2 pp.
Result €230Estimate €200 - €300 -
41 - Claude Mellan (1598-1688) Allegory in honor of the Roman College. Burin after Peter of Cortona. 367 x 280. Préaud 253. Very nice proof on watermarked laid paper (anchor in a circle - 17th century Roman paper), of the 2nd state (out of 3), before erasure of the word "Romae" and before the crest decorated with a fountain. Small dot of black ink in the ground in the foreground. Slightly perceptible thinning on verso. Ex-coll. Friedrich August II (Lugt 971).
Result €640Estimate €120 - €150 -
42 - Claude Mellan (1598-1688) Allegory against the Pelagian heresy and coat of arms. Burin. 336 x 241. Préaud 263. Beautiful proof on watermarked laid paper (grape within a double circle), trimmed to the plate and window mounted, of the 2nd state (of 3), before replacement of the papal tiara by the arms of the Duchess of Aiguillon and before modification of the arms in the lower left corner of the subject, the word "Haeresis" erased. A large light freckle under the rock.
Result €960Estimate €100 - €120 -
43 - Claude Mellan (1598-1688) Standing Minerva with oval shields. Burin. 325 x 219. Préaud 267. Nice proof on laid paper, trimmed on the left board cut, with marginalia on the other three sides. Small initial in pencil on verso.
Result €281Estimate €100 - €120 -
44 - Claude Mellan (1598-1688) Statue of a running huntress. 1671; Statue of Porcia; Statue of a faun holding a panpipes; Statue of a faun playing cymbals. (Pl. for Galleria Justiniana...) Burin. [255-322 x 360-470]. Preaud 234, 243 to 245. Nice proofs, the 1st with the letter, the others without the letter, three variously trimmed, the 2nd only with nice margins. Light soiling and foxing. Some traces of folds. Set of 4 p.
Result €640Estimate €120 - €150 -
45 - Claude Mellan (1598-1688) Various portraits. Burin. Various sizes. Preaud 137, 138, 144, 152, 154 (3 states), 158, 163, 168, 181, 196, 322, 342 (2 prints). Nice or good proofs, some trimmed or lined. Minor accidents and wear from time. Collector's marks to some. Set of 15 p.
Result €768Estimate €300 - €400 -
46 - Claude Mellan (1598-1688) Allegories and frontispieces. Burin. Various formats. Préaud 123, 272, 315, 327, 343, 345, 346, 371. Nice or good proofs, some trimmed, one lined. Minor accidents and age wear. Set of 8 p.
Result €1,152Estimate €200 - €300 -
47 - Jean-François, known as Francisque Millet (1642-1679) The Traveler. Etching. 162 x 132. Robert-Dumesnil 2. Beautiful proof on laid paper, slightly trimmed. Tear at the right edge, skillfully and formerly consolidated on the reverse. Small residue of glue at the right edge on the reverse. Rare. Ex-coll. Defer-Dumesnil (Lugt 739). Francisque Millet engraved only 3 plates in all. "... these small etchings, executed with a very free point, are of an extreme rarity. (Paul Lacroix, Revue universe
Result €960Estimate €200 - €300 -
48 - Jean-Michel Moreau le Jeune (1741-1814) Place de Louis XV. 1770. Etching and burin. Each 180-185 x 130-135. Bocher 404. Reunion of 3 very nice proofs of the 1st, 2nd and 3rd states (out of 5), before the number and retouching by Tilliard, trimmed on the plate cut. Light foxing to the 1st, from the H.-J. Thomas collection (Lugt 1378). The 2nd from the collection of A.-P.-F. Robert-Dumesnil (Lugt 2200).
Estimate €600 - €800 -
49 - Giambattista Piranesi (1720-1778) The Bow decorated with a shell. (Pl. XI of the Carceri). 1748-1750. etching. 543 x 405. Robison 37. A very fine proof on laid paper, of the 1st state (of 7), before new cuts, notably the horizontal cuts shading the pillar to the right of the shell, carefully washed, the normal median vertical fold slightly weakened on the reverse, with small surrounding thinning in the paper. Fine persistent light trace of oxidation around the subject. A tiny pinhole visible by
Result €9,600Estimate €6,000 - €8,000 -
50 - Giambattista Piranesi (1720-1778) Veduta della Basilica, e Piazza di S. Pietro in Vaticano. (St. Peter's Square). 1748. Etching and burin. 543 x 405 [770 x 540]. Hind 3 (v/vii). Nice proof on strong laid paper, the price erased, before number 3. Folio number 4 in pen and sepia ink in the upper right corner. A small hole in the building at the left edge. Normal medial vertical fold, fractured at foot for 10 cm, with old restoration on verso. Left edge irregular, slightly ragged, with small bindi
Result €768Estimate €500 - €600
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Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37 rue de Châteaudun 75009 Paris) et l’ensemble des dépends restera à sa charge. A compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021