ANCIENT AND MODERN PRINTS
Thursday 25 May 2023 at 14:00
3, rue Favart, 75002 Paris
328 lots
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51 - Giambattista Piranesi (1720-1778) Veduta della Basilica di Sta Maria Maggiore... (View of the Basilica of St. Mary Major). 1749. Etching and burin. 540 x 395. Hind 9 (iv/vi). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 16 in pen and sepia ink in the upper right corner. Vertical binding fold in the middle with small reinforcement at the foot of the verso. Minimal foxing. Left edge irregular, ragged, with small binding miter holes and missing. Large mar
Result €448Estimate €180 - €200 -
52 - Giambattista Piranesi (1720-1778) Veduta della Facciata di dietro della Basilica di Sta Maria Maggiore... (Rear view of the Basilica of Santa Maria Maggiore). 1749. Etching and burin. 618 x 400. Hind 10 (iii/v). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 18 in pen and sepia ink in the upper right corner. Vertical binding fold in the middle with small reinforcement at the foot of the verso. Minimal foxing. Left edge irregular, ragged, with small bindi
Result €384Estimate €180 - €200 -
53 - Giambattista Piranesi (1720-1778) Veduta della Facciata della Basilica di S. Croce in Gerusalemme (View of the Basilica of the Holy Cross). 1750. etching and burin. 615 x 403. Hind 11 (iv/vi). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 19 in pen and sepia ink in the upper right corner. Vertical binding fold in the middle with small reinforcement at the foot of the verso. Minimal foxing. Left edge irregular, ragged, with small binding miter holes and
Result €256Estimate €180 - €200 -
54 - Giambattista Piranesi (1720-1778) Veduta del Castello dell'Acqua Felice (Fountain of Acqua Felice). 1751. Etching and burin. 685 x 405. Hind 20 (iii/v). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 36 in pen and sepia ink in the upper right corner. Vertical median binding fold with small reinforcement at foot on verso. Short tear at foot. Minor foxing. Left edge irregular, torn, with small binding tab holes and missing. Large margins. First Parisian ed
Result €282Estimate €180 - €200 -
55 - Giambattista Piranesi (1720-1778) Veduta del Castello dell'Acqua Paola sul Monte Aureo (Fountain of Acqua Paola). 1751. Etching and burin. 612 x 400. Hind 21 (iii/v). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 37 in pen and sepia ink in the upper right corner. Vertical median binding fold with small reinforcement at foot on verso. Short tear at foot. Minor foxing. Left edge irregular, torn, with small binding tab holes and missing. Large margins. Fir
Result €320Estimate €180 - €200 -
56 - Giambattista Piranesi (1720-1778) Veduta del Ponte e Castello Sant' Angelo (View of the Bridge and Castel Sant' Angelo). 1754. Etching. 585 x 375, Hind 29 (i/vi). Very nice proof on laid paper, before the address and price, heavily washed. Vertical binding fold in the middle. A tiny hole in the subject and two wormholes in the upper margin. Minimal light foxing. A few small stains from flies. Beautiful margins. Roman edition.
Result €1,216Estimate €600 - €800 -
57 - Giambattista Piranesi (1720-1778) Veduta della Dogana di Terra a Piazza di Pietra (View of the Land Customs or Hadrianeum). 1753. Etching and burin. 605 x 445. Hind 32 (iii/vi). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 27 in pen and sepia ink in the upper right corner. Vertical binding fold in the middle with small reinforcement at the foot of the verso. Minimal foxing. Left edge irregular, ragged, with small binding miter holes and missing. Large
Result €256Estimate €180 - €200 -
58 - Giambattista Piranesi (1720-1778) Piramide di C. Cestio (Pyramid of Caius Cestius). 1756. Etching and burin. 535 x 390. Hind 36. Beautiful proof on strong laid paper, in roman edition, heavily washed, with persistent traces of rubbing and dusting. Vertical fold in the middle. Small margins.
Result €448Estimate €400 - €500 -
59 - Giambattista Piranesi (1720-1778) Veduta del Tempio di Bacco, inoggi Chiesa di S. Urbano... (View of the Temple of Bacchus, today's Church of St. Urban). 1758. Etching and burin. 620 x 406. Hind 48 (iii/vi). Very nice proof on strong laid paper, before the numbers, the price erased. Folio number 61 in pen and sepia ink in the upper right corner. Vertical median binding fold with small fracture at the head. Minimal foxing. Left edge irregular, ragged, with small binding miter holes and missing. W
Result €320Estimate €180 - €200 -
60 - Giambattista Piranesi (1720-1778) Arco di Settimio Severo (Arch of Septimius Severus). 1759. Etching. 585 x 375, Hind 54 (i/vi). Very nice proof on laid paper, before the address and price, heavily washed. Vertical binding fold in the middle. Several wormholes, notably in the upper margin. Slight light foxing at the right edge. Two small black spots in the lower margin. Nice margins. Roman edition.
Result €576Estimate €600 - €800 -
61 - Giambattista Piranesi (1720-1778) Veduta dell' Anfiteatro Flavio, detto il Colosseo (View of the Flavian amphitheater, called the Colosseum). 1759. Etching. 700 x 440, Hind 57 (i/iv). Beautiful proof on laid paper, before erasure of the price, heavily washed. Fracture of the plate cut in the lower left corner. Vertical binding fold in the middle. Strong persistent traces of oxidation. Binding holes at left edge of folio. Small lack in the lower left corner. Good margins. Roman print.
Result €1,024Estimate €500 - €600 -
62 - Giambattista Piranesi (1720-1778) Veduta interna dell' antico Tempio di Bacco in oggi Chiesa di S. Urbano... (Interior view of the temple of Bacchus, today's church of St. Urban). 1758. Etching and burin. 605 x 420. Hind 81 (ii/iv). Very nice proof on strong laid paper, before the numbers. Folio number 62 in pen and sepia ink in the upper right corner. Vertical median binding fold with small fracture at the head. Minimal foxing. Left edge irregular, ragged, with small binding miter holes and mis
Result €230Estimate €180 - €200 -
63 - Rembrandt Harmensz. van Rijn (1606-1669) Rembrandt with a feathered cap. 1638. Etching. 103 x 133. Bartsch 20; New Hollstein 170. A very fine proof on thin laid paper (watermark: fragment of folly - 4 of strength extended by a ball), of the 2nd state (of 4), before further work, carefully washed. Some very light freckling. Two tiny brown dots to the right in the white. Some tiny thinning or snags at the extreme edge of the folio. Narrow margins. On verso, initialed by P. Mariette II (Lugt 1789-1
Result €32,000Estimate €12,000 - €15,000 -
64 - Rembrandt Harmensz. van Rijn (1606-1669) Old View of Amsterdam. About 1640. etching. 152 x 113. Barstch 210; New Hollstein 203. Superb and brilliant proof on laid paper, trimmed on the plate cut on three sides, with small margin at the head. Minimal foxing at the top edge. Ex-coll. R. Houlditch, Jr (Lugt 2214).
Result €21,760Estimate €18,000 - €20,000 -
65 - Rembrandt Harmensz. van Rijn (1606-1669) A scholar in his study (formerly called "Faust", in reality: The Dutch philosopher Doctor Fautrieus). About 1652. Etching, drypoint and burin. 160 x 209 [169 x 216]. Bartsch 270; New Hollstein 270 (vi/vii). A very fine proof on laid paper, with numerous repeats in the subject, including oblique cuts along the upper edge, from a print made by Basan. Small inscription in pen and sepia ink in the lower right corner: "250". Traces of oxidized glue with thinni
Result €3,840Estimate €3,000 - €4,000 -
66 - Salvator Rosa (1615-1673) Albert, companion of Saint William, tied to a tree. 1662-1663. Etching. 228 x 345. Bartsch 2; Salamon 86. Very nice proof on ivory laid paper. Horizontal drying fold in the middle. Small light freckles. Short tear at the left edge, restored on verso. On verso, annotation in pencil: "Sale A. Trampitsch 22 May 85". Nice margins.
Result €320Estimate €180 - €200 -
67 - Egidius Sadeler (ca. 1570-1629) The Vocation of the Apostles Peter and Andrew. Burin after Baroccio. 375 x 525. Hollstein 40; Bartsch 41. A good proof on laid paper, trimmed to the plate and remarged. Dusting, foxing and small holes. Remnants of paper from an old mount glued to the verso. Inscriptions in pen and sepia ink.
Result €128Estimate €150 - €180 -
68 - Augustin de Saint-Aubin (1736-1807) Portraits of Louis XVI, Marie-Antoinette and the Dauphin in a medallion hanging on a funeral monument. Engraved after P.-J. Sauvage. [195 x 266] and [175 x 253]. Bocher 153. Meeting of 2 proofs on laid paper, trimmed on the plate cut, the 1st of the 2nd state (out of 6), without the mention "To immortality" at the top of the monument, the blank tablet, without any other letter, the 2nd of the 3rd state, with the above-mentioned mention and with the verses, but
Result €256Estimate €300 - €400 -
69 - Hans Leonhard Schäufelein (c. 1480-c. 1540) The Arrest of Christ (Pl. of Speculum passionis domini nostri Ihesu Christi, Nuremberg, 1507). Woodcut. 158 x 232. Bartsch 34. A very nice proof without text on the reverse, from a slightly later edition (late 16th century?), with a small break on the horizon line and other breaks on the square line, trimmed outside the latter. Small epidermis in the lower right corner on verso.
Result €256Estimate €180 - €200 -
70 - Pietro Testa (1611-1650) The Three Virtues, Faith, Hope and Charity. 1637. Etching. 305 x 410. Bartsch 30. Very nice proof on 18th century laid paper (watermark: Auvergne). Slight traces of folds rubbed in the tablet. A circular freckle above the central putti at the foot. Small margins. "This piece is one of the rarest of Testa's work." (Bartsch). It is an allegory on the appointment of Cardinal Franciotti to the rank of bishop of Lucca, where we see the seven virtues accompanied by a griffin.
Estimate €600 - €800 -
71 - Pietro Testa (1611-1650) (after) Allegory of spring. Copy in counterpart. Etching by G. A. Wolfgang. 698 x 482. Nice proof on laid paper, trimmed to the subject. A few short tears at the edges of the folio. Reinforcing bands around the edges on the reverse, another piece in the center reinforcing a fracture in the subject.
Result €128Estimate €150 - €180 -
72 - Theodore (student of Francisque Millet, 17th century) Landscapes. Etching after F. Millet. Various sizes. Very nice proofs on laid paper. Dusting, oxidation and stains to some. Set of 10 p. Detail of the plates : - Le Sarcophage. Robert-Dumesnil 5. Trimmed and glued by the top edge at the head on laid paper. - The Woman sitting near a vase. Robert-Dumesnil 7. Trimmed with a plate. Initialed by Naudet in pen and sepia ink on verso on two lines, dated 1790 (Lugt 1938). - The fisherman in the
Result €640Estimate €600 - €800 -
73 - Theodore van Thulden (1606-1669) The Works of Ulysses, taught by Sieur De Sainct Martin, as they are seen in the Royal House of Fontainebleau. Painted by Sieur Nicolas, and engraved in copper by Theodor van-Tulden. With the subject & the moral explanation of each figure. A Paris, chez Melchior Tavernier [...], 1639 (the 1st edition dating from 1633). An oblong bound album, [290 x 420], containing a title, a warning and 58 etched plates. Proofs trimmed to the plate and pasted on laid paper. L
Estimate €600 - €800 -
74 - Joseph Vernet (1714-1789) (after) The Interior of the Port of Marseille. 1760. etching and burin by Cochin and Le Bas. [750 x 545]. Interesting and rare state proof, on laid paper, with the only medallion engraved in the tablet, the lettering added in pen and sepia ink: "J. Vernet pinx / N° 2" at left; "L'Intérieur du Port de Marseille / Vu du Pavillon de l'Horloge du Parc" on either side of the medallion; "C. N. Cochin fils & J. P. Le Bas sculp; / 1760", trimmed on the plate cut. General
Estimate €300 - €400 -
75 - Wood engraving Les Cartons d'estampes gravées sur bois, corporate work. A square vol. [520 x 520], preface by Clément-Janin, containing 39 woodcuts in black and in colors by G. Aubert, P. Bornet, J. Germain and L. Bazin after the masters (list below), each preceded by a preface. Title leaf decorated with an engraving by Bornet after P. Vera. Very fine state proofs on japon, most of them signed in pencil by the engraver and the artist (except for Rodin, no signature; without signature of the ar
Result €1,024Estimate €600 - €800 -
76 - Pierre Abadie-Landel (1896-1972) At the circus; Clown with a bass drum; Clown. 1928. Monotypes in color. 255 x 307. Very nice prints on thin cream vellum, annotated "monotype", signed and dated in pencil. Small mounting marks on the edges of the verso sheet. Three traces of adhesive very oxidized in the margins to the last. All margins. Set of 3 pp.
Result €192Estimate €200 - €300 -
77 - Adolphe Beaufrère (1876-1960) Coast of Pouldu. 1908. Etching. 250 x 175. Morane 08-08. Very nice proof on thin ivory vellum, annotated in pencil "40 ep." and stamped (Lugt 3213). All margins.
Result €192Estimate €200 - €300 -
78 - Pierre de Belay (1890-1947) The Pleading. About 1920. Etching and aquatint. 375 x 455. Printed in colors. Very nice proof on cream vellum, signed in pencil. Short tear at the left edge. Short handling creases at the edges of the sheet. All margins untrimmed. Joint : The Menu. Circa 1920. Etching and aquatint. 270 x 200, printed in colors. Very nice proof on cream vellum, numbered and signed in pencil, fixed under a mat with two pieces of adhesive on the back. Light brown spots. All margins. Set.
Result €320Estimate €300 - €400 -
79 - Tony (Antoine) Beltrand (1847-1904) The spinning top. 1888. Wood engraving. Sight : 220 x 220. I.F.F. 9. Nice proof on japon pelure, with the stamp of the first Original Print (Lugt 887a). Margins. Frame.
Result €448Estimate €150 - €180 -
80 - Emile Bernard (1868-1941) Crucifixion. 1891-1892. Woodcut. 150 x 350. I.F.F. 1; Stein-Karshan 4; Morane 27. Very nice proof on ivory laid paper, unsigned. Light brown spots. Small accidents restored to the edges of the sheet. All margins untrimmed. Edition at 100 proofs for L'Estampe originale (dry stamp : Lugt 819).
Estimate €300 - €400 -
81 - Valère Bernard (1860-1936) Death and the warrior. (Frontispiece for Guerro). 1893. Etching, soft varnish and sulfur etching. 270 x 215. Very nice proof printed in bistre brown on thin japan. A few rare light freckles. Small epidermure at the head on the reverse. Slight traces of folds. All margins.
Result €256Estimate €180 - €200 -
82 - Paul Berthon (1872-1934) Venice (n° 1). Decorative panel. Lithograph. [648 x 340]. Printed in colors. Very nice proof on ivory vellum. A few short tears at the edges of the sheet. Small lack in the upper right corner. All margins.
Result €320Estimate €180 - €200 -
83 - Paul Berthon (1872-1934) Lake Garda. Decorative panel. Lithograph. [630 x 330 Printing in colors. Very nice proof on ivory vellum. A few short tears at the edges of the sheet. Minor accidents at the left edge. Nice margins.
Result €256Estimate €180 - €200 -
84 - Edmund Blampied (English, 1886-1966) Sunday Afternoon. 1922. Etching. 300 x 225. Arnold-Appleby 85. Very nice proof on thin ivory laid paper, signed in pencil and titled in the center at the foot. Very clear trace of oxidation around the subject. Thin strip of gummed kraft around the back. All margins. Edition of 100 prints.
Result €256Estimate €180 - €200 -
85 - Blanc Paul (Paul Blanc, said) (1836-1910) The Dwarf (beggar with his bundle); Sleeping Beggar. About 1890-1900. Etching and aquatint. 187 x 250 and 190 x 160. Meeting of 2 beautiful proofs printed in brown on ivory laid paper and on white vellum, signed in pencil. Trace of glue, short tear and small red stain at the head of the first one. All margins. Joint : The work of the engraver Blanc Paul (Catalogue of 112 engraved subjects). 1897. Double printed sheet, split.
Estimate €150 - €180 -
86 - Jacques-Émile Blanche (1861-1942) The Two Dolls. 1896. Lithograph. 600 x 453. I.F.F. 11. Color print. Nice proof on japan, signed in pencil. Dusting and foxing. Traces of folds and minor accidents at the edges of the sheet. Margins reduced to 20 mm.
Result €256Estimate €150 - €180 -
87 - Eugène Bléry (1805-1886) Oaks of Vaux de Cernay near Senlisse. 1849. Etching. 660 x 446. Beraldi 76. Very nice state proof, on chine appliqué, before the engraved signature, annotated "Eug. Blery del & S" in pencil. Innumerable light freckles on the support. Nice margins.
Result €128Estimate €150 - €180 -
88 - Pierre Bonnard (1867-1947) Cover of the Album of the "Revue blanche". 1895. Lithograph. [583 x 400 unfolded]. Bouvet 34. Illustrated heavy buff vellum cover, filled, complete with original laces. Small hole at the right edge. Slight foxing, traces of rubbing and small light stains. Very rare (out of 110 copies printed, many have disappeared).
Estimate €600 - €800 -
89 - Pierre Bonnard (1867-1947) The Merchant of the Four Seasons (Pl. for Some Aspects of Life in Paris). 1899. Lithograph. 335 x 285. Bouvet 65; Johnson 10-7. Printed in colors. Perfect proof on thin cream vellum. Small circular brown stain on verso, slightly transpiring on recto to the right of the upper right corner of the subject. Very slight trace of oxidation at the opening of the mat. Fine dusting at the edges of the sheet and mounting tabs at the head, oxidized on the reverse. All margins. Ed
Result €512Estimate €400 - €500 -
90 - Pierre Bonnard (1867-1947) Pl. for The Life of Saint Monica, A. Vollard ed., 1930. Etching. Each [250 x 325]. Bouvet 111. Reunion of the etched subjects for the book (without the tables of hors-texts). Very nice and fresh proofs on japon impérial. All margins. On verso, stamp of the Chlomovitch sale (1981, sale cancelled at the time by court decision). Set of 14 p. Erich Šlomović or Chlomovitch was a Yugoslav Jew born in 1915 and died in deportation in 1942. In 1936 he became the secretary o
Result €1,024Estimate €800 - €1,000 -
91 - George Bottini (1874-1907) Address Sagot, or The Sagot Window. 1898. Lithograph. [280 x 380]. Carter Southard 27. Printed in colors. Very nice proof on chine volant, with remark in grey, signed in pencil. All margins.
Result €2,304Estimate €800 - €1,000 -
92 - Félix Bracquemond (1833-1914) The Top of a Door Leaf. 1862. Etching. 398 x 302. Beraldi 110. Nice proof on chine applied on vellum. Some light foxing. Remainder of the mounting tab (plate from a Cadart album) at the head on the reverse. Large side margins, small margins at the head and foot.
Result €320Estimate €180 - €200 -
93 - Auguste Brouet (1872-1941) The Amateur. About 1910. Etching. 53 x 72. Boutitie 11; Barthel 34. Very nice proof on japon pelure, annotated "Essai 3" and signed in pencil. All margins. Joint : The Book Dealer. Drypoint. 131 x 216. Boutitie 37; Barthel 221. Very nice proof on ivory laid paper, from the 1st state (of 2), before the letter, signed in pencil. All margins. Set. 2 p.
Result €384Estimate €150 - €180 -
94 - Auguste Brouet (1872-1941) The Prosecutor. 1912. Etching. 52 x 70. Boutitie 73; Barthel 46. Meeting of 2 very nice proofs on japon vergé pelure, numbered and signed in pencil, one with the stamp of the coll. A. Barrier (Lugt 70d). Some light foxing. All margins.
Result €384Estimate €150 - €180 -
95 - Auguste Brouet (1872-1941) Singer of café-concert. 1913. Etching. 113 x 90. Boutitie 62; Barthel 47. Perfect proof on thin ivory laid paper, before various works, annotated "Ep d'état" and signed in pencil. All margins.
Result €640Estimate €120 - €150 -
96 - Auguste Brouet (1872-1941) Courtyard at Pont-de-l'Arche, or Breton Interior. 1914. Etching. 138 x 157. Boutitie 178; Barthel 122. Very nice proof on cream laid paper, annotated " 1er état 1/2 " and signed in pencil. All margins. Rare. Edition of 3 proofs (the plate was later abandoned).
Result €384Estimate €150 - €180 -
97 - Auguste Brouet (1872-1941) The Offering. 1923. Etching. 132 x 277. Boutitie 267; Barthel 448. Very nice proof on cream laid paper, annotated " 1er Etat 2/10 " and signed in pencil. All margins.
Result €384Estimate €150 - €180 -
98 - Auguste Brouet (1872-1941) Marchande des quatre saisons; Le Marchand d'éponges; Le Vitrier; L'Homme-orchestre; Le Retour du chiffonnier; Marchand de briquets. 1914-1925. Etching and drypoint. Various formats. Boutitie 200, 279, 327, 328, 330, 331; Barthel 245, 84, 260, 262, 263, 271. Very nice proofs on various papers, justified and signed in pencil, some as trial proofs. Marginal creases and soiling to Boutitie 279. All margins. Set of 6 p.
Result €1,280Estimate €300 - €400 -
99 - Félix Buhot (1847-1898) Japanese baptism. 1887. Pen etching, drypoint and aquatint. 125 x 210. Bourcard-Goodfirend 167. Printed in two tones (black and sepia). Superb proof on vellum imitating parchment, very carefully washed. All margins.
Result €704Estimate €600 - €800 -
100 - Eugène Carrière (1849-1906) Portrait of Paul Verlaine. About 1896. Lithograph. 402 x 520. Delteil 26. A very fine proof on chine applied on strong cream vellum, signed in pencil, carefully washed (the chine reassembled). Short tear at the left edge, skillfully restored on the reverse. A tiny accident (rubbing) in the chine on the left surface. All margins. Edition of 100 proofs.
Result €1,664Estimate €800 - €1,000
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Thursday, May 25, 2023 at 2 pm
Public exhibition :
Salle des ventes Favart - 3, rue Favart 75002 Paris
Tuesday, May 23 from 11 am to 6 pm
Wednesday, May 24 from 11 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
Terms of sale
Show the terms of sale
Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets
présentés.
L’adjudicataire sera le plus offrant et dernier enchérisseur et aura pour obligation de remettre ses nom et adresse. En cas de contestation au moment des
adjudications, c’est-à-dire s’il est établi que deux ou plusieurs enchérisseurs ont simultanément porté une enchère équivalente, soit à haute voix, soit par signe,
et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
enchérisseurs et tout le public sera admis à enchérir à nouveau.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procèsverbal.
Catalogue : 20 € dont TVA à 5,5 % au titre du droit d’auteur. Les images sont propriété exclusive d’ADER.
Toute reproduction ou diffusion nécessite une autorisation écrite de la maison de ventes.
Frais de vente et paiement :
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Dans certains cas, ces frais pourront faire l’objet d’un remboursement à l’acheteur.
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Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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garanties pour la sécurité des transactions ; et ce, sans recours possible.
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Dès l’adjudication prononcée, les achats sont sous l’entière responsabilité de l’adjudicataire.
Aucun lot ne sera remis aux acquéreurs avant acquittement de l’intégralité des sommes dues.
Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les achats bénéficient d’une gratuité d’entreposage jusqu’à quatorze jours après la vente. Toute semaine entamée est due.
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forme soit remis à ADER et que le nom de la maison de ventes y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la
TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
Ceci est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne
sont pas garantis et sont tributaires de l’activité de la maison de ventes.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.