ANCIENT AND MODERN PRINTS - ONLINE
Friday 3 March 2023 at 14:00
3, rue Favart, 75002 Paris
182 lots
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101 - Jean-Émile Laboureur (1877-1943) The Mission Cross, Jura. 1936-1939. Etching. 178 x 196 mm. Laboureur 517. Nice proof on white vellum, signed in pencil. Traces of oblique folds in the upper left corner. All margins.
Estimate €80 - €100 -
102 - *Marie Laurencin (1883-1956) The Flute Players. 1904. Etching and aquatint. 150 x 245 mm. Marchesseau 2. A very fine and rare proof printed on thin cream vellum, signed in pencil. Two slight vertical bands of oxidation on the reverse. All margins. Edition of 10 proofs.
Result €500Estimate €500 - €600 -
103 - *Marie Laurencin (1883-1956) *Iphigénie or The Three Dancers. 1913-1914. Etching. 200 x 257 mm. Marchesseau 30. Nice proof printed on white laid paper, numbered and signed in pencil, carefully washed. All margins. Edition of 30 proofs.
Estimate €300 - €400 -
104 - Marie Laurencin (1883-1956) (after) Three heads of young girls. About 1950. Heliogravure. 555 x 340 mm. Printed in colors. Very nice proof on white vellum, numbered and signed in pencil by the artist. Framer's annotations in ballpoint pen at the left edge on verso. Epidermal marks on the reverse (the print having been detached and washed). Slight persistent marginal oxidation. All margins. Edition of 200 proofs.
Result €300Estimate €300 - €400 -
105 - Georges Le Meilleur (1861-1945) Various subjects (Rouen, Paris region...) Etching and drypoint. Various sizes. Very nice proofs on different papers, annotated and signed in pencil. Some light foxing and occasional small accidents. Set of 11 p.
Estimate €300 - €400 -
106 - Albert Marquet (1875-1947) Badaud. Woodcut. 90 x 125 mm. Nice proof on strong ivory vellum, stamped by the workshop (Lugt 1796g). Marginal traces of oxidation. All margins.
Result €80Estimate €80 - €100 -
107 - Albert Marquet (1875-1947) (after) Normandy: La Frette-sur-Seine. Lithograph after a painting of 1938. The sheet : 500 x 410 mm. Printed in colors. Nice proof on ivory vellum, oxidized, with the stamp of the workshop (Lugt 1796g, slightly faded).
Result €130Estimate €120 - €150 -
108 - Albert Marquet (1875-1947) (after) Normandy : Le Havre. Lithograph after a canvas. The sheet : 560 x 450 mm. Printed in colors. Very nice proof on white vellum, numbered and stamped by the studio (Lugt 1796g). Short broken fold in the lower left corner. All margins. Edition at 200 proofs.
Result €185Estimate €180 - €200 -
109 - Charles Maurin (1856-1914) The War (Pl. 14 of the album of New Times). 1899. Lithograph. The sheet : 450 x 565 mm. Dardel 73. Very nice proof on ivory laid paper. All margins.
Estimate €120 - €150 -
110 - Jean-François Millet (1814-1875) The Maternal Precaution. About 1862. Glass plate. 243 x 305 mm. Delteil 27. A very nice and fresh proof in light bistre on thin cream vellum, probably a trial proof of the print made for Maurice Le Garrec in 1921. Slight light foxing visible on the reverse.
Result €175Estimate €120 - €150 -
111 - Georges-Daniel de Monfreid (1856-1929) The Crucifixion. 1916. Woodcut. 240 x 182 mm. Good proof on thin laid japan, the halo printed in gilt bronze, dedicated "To Madame P. Bardou-Job / hommage de respectueuse amitié" and signed in pen and ink. Light scattered foxing. The leaf very crumpled, with a few short tears and small losses at the edges. All margins.
Estimate €100 - €120 -
112 - Alphonse Mucha (1860-1939) Byzantine head - Blonde. Calendar for 1900. Lithograph. 420 x 575 mm. Rennert-Weill 40 (variant 2). Printed in colors and in gilt bronze ink. Proof on vellum, with the text of the calendar, severely lacking in preservation (to be restored), with small holes in the subject and large irregular tears at the edges of the sheet. Brown stains. Reduced margins. Joint : Hummingbird. Anonymous Japanese drawing. India ink and gouache on japan. [270 x 370 mm]. Large oily stain at
Result €1,700Estimate €300 - €400 -
113 - Alfredo Müller (1869-1939) The Three Cats. 1902. Etching, soft varnish and aquatint. 530 x 465 mm. Koehl E148. Printed in colors. Nice proof on cream laid paper, numbered in pencil but not signed. Slight dusting at the edges of the sheet. Slight traces of folds in the corners. All margins not trimmed. Edition of 50 proofs.
Estimate €300 - €400 -
114 - Otto Müller (1874-1930) Knabe zwischen Blattpflanzen (Young boy among leafy plants). 1912. Woodcut. 370 x 275 [500 x 350 mm]. Karsch 2. Very nice proof on japan, from a later edition, unsigned. Traces of ink in the left margin. Framer's annotations on the right margin on the reverse. All margins.
Estimate €400 - €500 -
115 - Roderic O'Conor (1870-1940) Landscape with Breton Cottage. Etching. 266 x 132 mm. Johnston 1. Perfect proof on ivory vellum, from an edition of 100 proofs made by the Paul Prouté gallery in 1981. All margins.
Estimate €300 - €400 -
116 - Roderic O'Conor (1870-1940) The Orchard. Etching. 330 x 255 mm. Johnston 15. Perfect proof on ivory vellum, from a print made by the Paul Prouté gallery in 1981. All margins.
Estimate €400 - €500 -
117 - Jules Pascin (Julius Mordecai Pincas) (1885-1930) Cubans. 1917. Drypoint. 195 x 180 mm. Hemin, Krohg et al. 76. Good proof on strong ivory vellum. Trace of oxidation at the opening of the mat. Edition of 100 proofs.
Result €75Estimate €60 - €80 -
118 - Pablo Picasso (1881-1973) Nude Woman Crowning herself with Flowers. (Suite Vollard, pl. 2). September 16, 1930. Etching. 220 x 310 mm. Bloch 135; Baer 195 B d. A perfect proof on Montval laid paper with the "Vollard" watermark, from an edition of 260 small-margin proofs [340 x 445 mm], unsigned. All margins unscratched. Dry stamp: H. M. Petiet (Lugt 5462).
Result €1,550Estimate €1,000 - €1,200 -
119 - Jean-François Raffaëlli (1850-1924) The Terrassier of the Saint-Denis plain. 1896. The sheet: 585 x 470 mm. Delteil 134; Johnson not described. Printed in colors. Very nice proof on old japan, numbered and signed with the initials in graphite. Minimal dusting at the edges of the sheet. Some fine traces of broken folds. All margins not trimmed. Edition of 100 proofs. To Vollard publisher.
Result €120Estimate €120 - €150 -
120 - *Richard Ranft (1862-1931) *At the Folies Bergère. 1900. Etching and aquatint. 268 x 430 mm. Printed in colors. Very nice proof on laid paper, carefully washed, numbered and signed in pencil. All margins. Edition at 50 proofs. Ex-coll. Ch. Hessèle (Lugt 554 - weakened stamp).
Result €240Estimate €120 - €150 -
121 - Odilon Redon (1840-1916) Here is the Good Goddess, the ideal of the mountains (Pl. XV of The Temptation of Saint Anthony). 1896. Lithograph. 130 x 150 mm. Mellerio 148. Very nice proof on chine volant, without letter, from a later print made by Clot (circa 1909). Small margins.
Result €100Estimate €100 - €120 -
122 - Pierre-Auguste Renoir (1841-1919) (after) Ten watercolors, red chalks and pastels by Auguste Renoir. Introduction by René Jean. Geneva, Paris, Georg et Cie, 1921. A large album in-fol. [440 x 550 mm] containing 10 reproductions of Renoir's works. Lithography by Aug. Clot (for the watercolors) and Daniel Jacomet et Cie process (for the pastels and sanguines). Very nice proofs on cream vellum with the publisher's dry stamp, mounted under matting. Two subjects enhanced in pastel by a foreign hand
Result €670Estimate €600 - €800 -
123 - Pierre-Auguste Renoir (1841-1919) (after) Nude. 1923. Engraved by J. Villon. The sheet : 635 x 794 mm. Ginestet and Pouillon 637. Printed in colors. Good proof on vellum, from the Chalcography edition (without the dry stamp), the margins reduced, washed.
Result €120Estimate €120 - €150 -
124 - Henri Rivière (1864-1951) The Butte Montmartre seen from the fortifications, or The Fortifications. (Parisian landscapes, pl. 5). 1900. Lithograph. At sight: 790 x 505 mm. Fields p. 77; Sueur 123. color print. Beautiful proof on ivory glazed vellum, without apparent margins. Fine scratches forming white marks in the subject at right. Framed.
Result €270Estimate €200 - €300 -
125 - Manuel Robbe (1872-1936) Martigues, the Mirror of the Birds. Aquatint. 325 x 235 mm. Printed in colors. Very nice proof on ivory vellum, signed in pencil. Small circular depression in the center of the lower margin. Fine oblique broken fold in the upper right corner. Nice margins.
Estimate €60 - €80 -
126 - Georges Rouault (1871-1958) The singing Father Ubu. 1928 (Pl. for the suite Eaux-fortes of Georges Rouault for the Reincarnations of Father Ubu by Ambroise Vollard. Paris, Ambroise Vollard ed., 1932). Etching, aquatint and roulette. The sheet: 325 x 440 mm. Chapon and Rouault 13. Very nice and fresh proof on "Arches" watermarked laid paper. Small adhesive residue in the upper right corner on the reverse. Full margins.
Estimate €150 - €180 -
127 - Georges Rouault (1871-1958) Flying fish. 1928 (Pl. for the suite Eaux-fortes by Georges Rouault for Ambroise Vollard's Réincarnations du Père Ubu. Paris, Ambroise Vollard ed., 1932). Etching, aquatint and roulette. The sheet: 448 x 315 mm. Chapon and Rouault 23. Very nice and fresh proof on watermarked laid paper "Van Gelder Zonen". All margins.
Estimate €150 - €180 -
128 - Georges Rouault (1871-1958) The Disciples. 1936 (Pl. for Passion, A. Vollard ed., 1939). Aquatint. 215 x 310 mm. Chapon et Rouault 272. color print. Very nice proof on cream laid paper, of the black plate only. Remainder of oxidized adhesive in the center on the reverse. All margins untrimmed.
Estimate €150 - €180 -
129 - *Georges Rouault (1871-1958) *Aide-bourreau (Pl. for Passion, A. Vollard ed., 1939). 1936. Aquatint. 215 x 310 mm. Chapon et Rouault 273. color print. Very nice proof on cream laid paper, annotated in pen "Essai Passion" and signed with the monogram. Very clear trace of oxidation at the opening of an old mount. Traces of oxidized glue at the head on the reverse side, slightly perceptible on the front side. All margins untrimmed.
Result €330Estimate €200 - €300 -
130 - Joaquin Sunyer y Miro (1874-1956) Suite of Eight lithographs in colors by Sunyer for Les Soliloques du Pauvre by Jehan Rictus. Paris, Pierre Duffau, 1897. Lithograph. Each sheet reduced to 160 x 220 mm. Printed in colors. Complete suite of the 8 plates that make up the work of J. Rictus, Les Soliloques du Pauvre, Paris, chez l'auteur, 1897. Vol. small in-4, one of the 500 ordinary numbered copies, enriched with one of the 150 ordinary suites on strong cream vellum, under printed felt cover (pre
Estimate €300 - €400 -
131 - James J.-J. Tissot (1836-1902) Reverie. 1881. Etching. 112 x 225 mm. Wentworth 52. A very nice proof on cream laid paper from an old register (with annotations in pen and sepia ink on the verso). Soiling on verso. All margins untrimmed.
Result €430Estimate €200 - €300 -
132 - Henri de Toulouse-Lautrec (1864-1901) White Night; The Secret. (Titles of melodies for poems with music by D. Dihau). 1893. Lithograph. Each sheet: 250 x 323. Delteil 20 and 135; Wittrock 8 and 130. Perfect proofs of a modern print on ivory glazed vellum. All margins. Set. 2 p.
Estimate €100 - €120 -
133 - Henri de Toulouse-Lautrec (1864-1901) (after) A lot of 13 reproductions of posters. Around 1950. Lithography. Each sheet : 250 x 327 mm. Printed in colors. Nice proofs on vellum. One with traces of watercolor on the back. Small traces of oxidized adhesive on the back of some. Short tear at the edge of one leaf. Stamp of the gallery R. G. Michel gallery stamp to most.
Result €200Estimate €200 - €300 -
134 - Félix Vallotton (1865-1925) To Paul Verlaine. 1891. Engraved wood. 105 x 130 mm. Vallotton and Goerg 80 d. Very nice proof on japan, stamped (Lugt 1051a) and numbered in pencil, from the posthumous edition of 20 proofs. Very fine traces of oblique folds in the upper left corner of the sheet. All margins.
Result €165Estimate €150 - €180 -
135 - Jacques Villon (Gaston Duchamp) (1875-1963) Melancholy. 1933. Drypoint and etching. 162 x 240 mm. Ginestet and Pouillon 371. Meeting of 2 proofs, the 1st of the 1st state on vergé de Montval, the 2nd of the final state on vellum, justified and signed in pencil. Semi-tiny freckles on the 2nd. All margins. Final edition of 50 proofs.
Result €60Estimate €60 - €80 -
136 - Édouard Vuillard (1868-1940) The Supporters of Society. (Play in 4 acts by Henrik Ibsen). Program for the Théâtre de l'œuvre. 1896. Lithograph. 495 x 315 mm. Roger-Marx 24; Aitken 85. Beautiful proof on ivory vellum, of an undescribed intermediate state, between the 1st and 2nd, with the mention "L'œuvre" but before the distribution. Scattered foxing. Short crease broken in the lower left corner of the folio. Band of dusting at right edge on verso. All margins.
Result €70Estimate €60 - €80 -
137 - Édouard Vuillard (1868-1940) A Gallery at the Gymnasium. 1900. Lithograph. 190 x 245 mm. Roger-Marx 48. Printed in colors. Beautiful proof on white vellum, from the edition for Insel-Verlag (with its stamp in the center on the reverse), with the blue stone and not the violet one, finely lined on japon pelure. Pencil annotations in lower margin. All margins.
Result €135Estimate €120 - €150 -
138 - Theo P. Wagner (active around 1890-1900) The Clown Lodge. 1897. Lithograph. 95 x 330 mm. Johnson 158. Printed in colors. Very nice and fresh proof on chine volant, signed in pencil. All margins. Edition at 100 proofs for the Album of original prints of the Galerie Vollard. Ex-coll. H. M. Petiet (Lugt 5031). Theo P. Wagner was a mysterious artist who worked at the Molier Circus, where he performed a trapeze act with the Duke of La Rochefoucauld. He attracted the attention of Huysmans who devoted
Estimate €60 - €80 -
139 - James Abbott McNeill Whistler (1834-1903) The Winged Hat. 1890. Lithograph. 170 x 175 [193 x 255 mm]. Way 25; Levy 38. Beautiful proof on ivory vellum. Scattered light foxing. Remains of glue in the corners on the verso. Small pencil inscription along the lower edge of the folio. Good margins. Numbered edition for The Whirlwind.
Result €210Estimate €150 - €180 -
140 - Contemporaries, various A strong lot by César, Chagall, Estève, Magnelli, Masson, Miró... including many plates for the XXe siècle magazine. Lithography. Various sizes. Printing in colors. Very nice proofs on vellum, some with text printed on the back and traces of mounting tabs. Joint: Joan Miró. 10 plates for the works Miró lithographer. Lithograph. Each sheet: 495 x 320 mm. Printing in colors. Very nice proofs on vellum with normal vertical median fold (occasional tiny holes on this one
Estimate €1,000 - €1,200 -
141 - Contemporaries, various A lot after Brianchon, Desnoyer, Waroquier. 1949-1950. Engraved on wood by R. Rey. Each sheet : 465 x 365 mm. Printed in colors. Beautiful proofs on white vellum, signed by the artists in pencil, justified and stamped by R. Rey. Scattered light foxing. All margins. Joint : reproduction after a drawing by Braque. Proof on strong ivory laid paper. Set. 4 p.
Estimate €100 - €120 -
142 - Contemporaries, various A lot by Bardone, Genis, Guiramand, Lartigaud, Minaux. Around 1980. Etching, aquatint, drypoint, lithography. Various formats. Meeting of 13 very nice proofs on vellum, justified and signed in pencil. All margins.
Result €300Estimate €300 - €400 -
143 - Contemporaries, miscellaneous A lot of prints by Gerardiaz and Marc Stockman. 1960-1980. Drypoint, woodcut. Nice proofs on different papers, signed and annotated. Minor accidents to some subjects. Jointly: some drawings by Stockman (gouache, India ink), one with long median tear. Set of 16 p.
Estimate €300 - €400 -
144 - Contemporaries, various A large lot by A. Antonini, Boullaire, Goetz, M. Moreh, C. Pettier, and many other engravers affiliated to the society Le Trait. Etching; drypoint; burin; aquatint; woodcut; lithography... Nice proofs, most of them justified and signed. Occasional minor accidents. Set of 60 p. approx. (in one box).
Result €710Estimate €300 - €400 -
145 - Contemporaries, miscellaneous A strong lot of greeting cards illustrated by Brayer, Chot-Plassot, Clairin, H. David, Deville, Hasegawa, Minaux, Oudot, etc. Years 1950-1960. Etching; drypoint; lithography; woodcut... Most with dispatch and signed by the artist. Set of 90 p. approx.
Result €660Estimate €200 - €300 -
146 - Paul Aïzpiri (1919-2016) Bouquet of flowers. About 1980. Lithograph. Sight : 550 x 750 mm. Printed in colors. Nice proof on japon nacré, numbered and signed in pencil. Edition at 100 proofs. Framed.
Result €60Estimate €30 - €40 -
147 - Mario Avati (1921-2009) A rose from afar. 1979. Black Manner. 350 x 280 mm. Printed in colors. Nice proof on cream vellum, numbered, titled, signed and dated in pencil. Very fine oxidation at the edges of the sheet. All margins. Edition at 85 proofs.
Estimate €100 - €120 -
148 - Mario Avati (1921-2009) Flowers of moons. 1988. Black Manner. The sheet : 525 x 455 mm. Printed in colors. Perfect proof on white vellum, numbered, titled, signed and dated in pencil. All margins. Edition at 150 proofs. Dry stamp : Société des Peintres-Graveurs Français (Lugt 1195a).
Result €60Estimate €60 - €80 -
149 - Yves Brayer (1907-1990) Boats on the shore. About 1960. Lithograph. Sight : 640 x 485 mm. Printed in colors. Nice proof on vellum, numbered and signed in pencil. Small bands of moisture at the extreme edge of the sheet. All margins. Edition of 220 proofs. Dry stamp : Guilde de la Gravure (Lugt 4670). Frame.
Estimate €120 - €150 -
150 - Bernard Buffet (1928-1999) (after) The Scream. Poster for an exhibition Les Peintres Témoins de leur Temps at the Musée Galliera, January-February 1968 (Large format). 1967. Lithograph by Sorlier (Mourlot imp.). The sheet : 1190 x 1600 mm. Sorlier 312. Printing in colors. Meeting of 2 very nice proofs on thin vellum, without the poster text, signed in pencil. Short handling folds (the proofs being kept rolled). Short tear at the head of one of the plates. All margins.
Result €1,350Estimate €300 - €400
About the sale
Lots visible at the study only by appointment.
3 rue Favart - 75002 Paris
EXPERT:
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
RESPONSIBLE FOR THE SALE:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
ATTENTION: Lots preceded by an asterisk * have an additional charge of 5.5% for the temporary import tax.
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