ANCIENT AND MODERN PRINTS - ONLINE
Friday 3 March 2023 at 14:00
3, rue Favart, 75002 Paris
182 lots
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1 - Antiques, ornaments, architecture A lot by or after Bérain, Dietterlin, G. Krammer, Le Roy, C. Simonin. Etching; burin. Proofs in various states of preservation. Occasional small accidents. Set. 13 p.
Result €300Estimate €300 - €400 -
2 - Antiques, ornaments, architecture, heraldry A lot by or after della Bella, Bosse, Dietterlin, Chauveau (for Desmarets de Saint-Sorlin, Les Délices de l'esprit), Delaune, L'Égaré... Etching; burin. Proofs in various states of preservation (some cut from book pages). Occasional small accidents. Set of 90 p. approx.
Result €600Estimate €600 - €800 -
3 - Antiques, vases, trophies Two albums: 1) Collection of vases composed and engraved by Percenet Architect. 1761-1762. Etching. Size of the album : 250 x 310 mm. Meeting of 2 suites of 7 plates each. Nice proofs, some of them remargées. 2) Composite collection of 6 antique vases engraved by Baquoy after J. C. de la Fosse and 5 other subjects (trophies, sconces). Etching. Size of the album : 280 x 345. Freckles, soiling, small stains and traces of rubbing. Half-bound with corners, marbled paper bo
Estimate €600 - €800 -
4 - Old, various A strong batch of views by the Pérelle and Silvestre (Fontainebleau, Meudon, Le Raincy, Rueil, Saint-Cloud, Saint-Denis, Saint-Germain-en-Laye, Saint-Maur, Versailles, Vincennes, Lyon, Nancy...). Various sizes. Beautiful proofs on thin laid paper, some before the letter, the latter sometimes added with pen and sepia ink. A few rare accidents. Good margins to most. Set of 210 p. approx. (in one box).
Result €600Estimate €600 - €800 -
5 - Ancient, optical views A strong batch of city views (Paris, Saint-Cloud, Versailles, Bordeaux, Nancy, Rennes, London, Oxford, Berlin, Vienna, Madrid, Milan, Rome, Venice, Palmyra, Egypt...) Etching. Each sheet approx. 520 x 340 mm. Good proofs on laid paper, in contemporary colors. Some foxing. Damage to the edges. Set of 39 p.
Result €430Estimate €300 - €400 -
6 - Geographical map Giacomo Cantelli da Vignola. Il Regno di Boemia (The Kingdom of Bohemia). (Pl. of the Mercurio geografico overa Guida Geografica in tutti le parte del Mondo..., D. Rossi successor of G. Giacomo Rossi éd., 1691). Engraved by F. D. Messis. At sight: 590 x 450 mm. Nice proof on laid paper, the generalities highlighted in color, with vertical median binding fold (normal). Very light stains or foxing. Frame.
Result €155Estimate €150 - €180 -
7 - Popular Imagery Anonymous. The Holy Shroud and the lance that pierced the side of Christ. 17th or 18th c. Burin. Sight : 205 x 255 mm. Print on silk. Worm holes, some surface damages and small stains. Frame.
Result €125Estimate €120 - €150 -
8 - Jean Audran (1667-1756) Peter Paul Rubens. 1710. Engraved on a drawing by Nattier after the painting by Van Dyck. 345 x 503 mm. I.F.F. 35. Beautiful proof on strong laid paper, trimmed on the plate cut, with small margin under the shelf. Some foxing. Two tiny white spots in the left engraved border.
Estimate €120 - €150 -
9 - Hans Sebald Beham (1500-1550) Vase decorated with three rounds. 1530. Burin. 43 x 90 mm. Bartsch 240. Beautiful proof on laid paper, trimmed to the subject, with a long vertical median crack skillfully restored on the reverse.
Result €130Estimate €120 - €150 -
10 - Pieter Bruegel the Elder (1525-1569) (after) Allemode School. 1559. Engraved by P. van Baillieu. The sheet: 470 x 352 mm. Hollstein, Bastelaer 91; New Hollstein A65. Good proof of a later print on vellum, trimmed inside the plate cut. Accidents, holes, tears and epidermis visible mainly by transparency.
Result €1,850Estimate €300 - €400 -
11 - Pieter Bruegel the Elder (1525-1569) (after) The Temperance. About 1560. engraving attributed to Ph. Galle. 282 x 203 mm. Lebeer 37; New Hollstein 15. Good proof trimmed to the subject, without the tablet, lined. Several small holes and surface chips.
Result €1,450Estimate €300 - €400 -
12 - Jacques Callot (1592-1635) (after) The Miseries and Misfortunes of War. Etching copies. Each leaf : 185-190 x 85-90 mm. Complete suite of 18 plates. Proofs on vellum, trimmed at the plate cut, pasted by the corners on laid paper. Some foxing. Joint: same suite (copies). Reunion of pl. 2 to 18. Proofs on white vellum, trimmed with the plate cut. Accidents and damages to some of them. Set of 35 p.
Estimate €180 - €200 -
13 - Gilles Demarteau (1722-1776) Three young girls by a stream. Engraved in pencil after Boucher. Sight : 210 x 255 mm. I.F.F. 346. Printed in sanguine. Good proof on laid paper, very sunny. Framed.
Result €85Estimate €60 - €80 -
14 - Gilles Demarteau (1722-1776) Three loves playing on a dolphin. Engraving in pencil manner after Boucher. Sight : 480 x 340 mm. I.F.F. 133. Printed in sanguine. Beautiful proof on laid paper, oxidized. Scattered light foxing. Good margins, the bottom one irregular. Louis XVI period frame in gilt wood, decorated with rope (wear).
Result €100Estimate €100 - €120 -
15 - Gilles Demarteau (1722-1776) Great pastoral. Engraved in imitation of the drawing after Huet. Sight: 330 x 265 mm. I.F.F. (continued catalog) 23. Printed in sanguine. Good proof on laid paper, very sunny. Framed.
Result €85Estimate €60 - €80 -
16 - Willem Jacobsz. Delff (1580-1638) William II, prince of Orange-Nassau, aged nine. 1635. Engraved after M. van Mierevelt. 295 x 422 mm. Beautiful proof on laid paper, trimmed on the plate cut. Normal median horizontal drying fold.
Estimate €120 - €150 -
17 - Battista Franco, known as Il Semolei (1498-1560) Saint Jerome meditating on a skull. About 1550-1560. etching and burin. 300 x 445 mm. Bartsch 37. A good proof on laid paper, in a late edition, the sizes weakened, trimmed to the subject, damaged (spalls and small lacks or holes in the corners on the reverse). Horizontal fold in the middle. Other short traces of folds.
Result €1,500Estimate €120 - €150 -
18 - Francisco de Goya y Lucientes (1746-1828) Hilan delgado (They spin fine). (Pl. 44 of the Caprices). 1799. Etching, aquatint, drypoint and burin. 150 x 200 mm. Delteil 81; Harris 79. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. A white spot (inking defect) in the background. All margins [242 x 320 mm].
Result €240Estimate €150 - €180 -
19 - Francisco de Goya y Lucientes (1746-1828) ¿ Está Vm... pues, Como digo... eh! Cuidado! si no!... (It is you... um, how to say... eh! Careful! si no!...) (Pl. 76 of Caprices). 1799. Etching and aquatint. 150 x 200 mm. Delteil 113; Harris 111. A very nice proof on white laid paper, from the first edition (1799), before the bevels. Small irregularities at the edges of the folio. The upper right corner chipped. All margins [218 x 318 mm].
Result €400Estimate €200 - €300 -
20 - Francisco de Goya y Lucientes (1746-1828) Nadie nos ha visto (No one has seen us). (Pl. 79 of the Caprices). 1799. Etching and aquatint. 150 x 200 mm. Delteil 82; Harris 80. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Fine oblique print fold across the lower left corner of the copper. Thin band of dusting at the edges of the folio. Small partial trace of rusty thumbtack at lower left corner. All margins [242 x 320 mm].
Result €240Estimate €150 - €180 -
21 - Francisco de Goya y Lucientes (1746-1828) Horse knocked down by a bull (Plate B, additional to the 33 plates of Bullfighting). 1815-1816. Etching and aquatint. 350 x 240 mm. Delteil 258; Harris 238. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the 3rd edition made by Loizelet (1876). The lower left corner chipped. Large margins [490 x 312 mm] (the upper one slightly trimmed).
Result €230Estimate €150 - €180 -
22 - Francisco de Goya y Lucientes (1746-1828) Bullfighter on the shoulders of a chulo... (Plate D, additional to the 33 plates of Bullfighting). 1815-1816. Etching and aquatint. 350 x 240 mm. Delteil 260; Harris 240. A very fine proof printed in black on cream laid paper with an "Arches" watermark, from the 3rd edition made by Loizelet (1876). The lower left corner chipped. Very slight traces of oxidation at the edges of the sheet. Large margins [490 x 317 mm] (the upper one slightly trimmed).
Result €190Estimate €150 - €180 -
23 - Urs Graf (c. 1485-1527) 3 pl. for The Passion of Christ. 1506. Woodcut. 150-155 x 215 [203 x 303 mm]. Bartsch 2. Beautiful proofs on laid paper, in old colors (red and green), with Latin text printed in the upper margin and on the verso, the lettering painted in red. Mounting tab along left edge on verso to 2 pl. Small soiling. Nice margins.
Estimate €300 - €400 -
24 - William Hogarth (1697-1764) Crowns, Mitres, Maces, etc. 1754. Etching. 192 x 220 mm. Paulson 197. Very nice and fresh proof. Good margins.
Result €120Estimate €120 - €150 -
25 - Jean-Baptiste Le Prince (1734-1781) Russian and Finnish subjects: costumes of various suites; landscapes. 1764-1772. Etching; wash engraving. Various formats. Beautiful proofs, some printed in sepia, some trimmed and window-mounted, others printed two subjects per sheet. Light foxing and minor accidents. Good margins to most. Set of 16 p.
Result €300Estimate €300 - €400 -
26 - Karel van Mander (1548-1606) (after) Seducit miseros carnis damnosa voluptas... Burin. At sight: 275 x 185 mm. Good proof without apparent margins. Framed. Joint: Bernard Picart (1673-1733). Allegorical portrait of a royal child (?). 1721. Etching. Sight: 192 x 117 mm. Good proof. Framed. Set. 2 p.
Result €220Estimate €60 - €80 -
27 - Antoine-Pierre Mongin (1761-1837) (after) View of the Palace and part of the Luxembourg Garden; View of the entrance to the Thuileries and the buildings of the Place de la Concorde. 1810. Engraved by Chapuy. At sight: 410 x 330 and 382 x 335 mm. Good proofs on laid paper, in beautiful contemporary colors. Strong freckles, notably in the tablet. Frames. Set. 2 p.
Estimate €120 - €150 -
28 - Napoleon Anti-Napoleonic cartoons. Circa 1810-1820. Etching. Various sizes. Beautiful proofs on thin laid paper, in contemporary colors. Missing in the upper right corner of one plate. Nice margins. Set of 4 p.
Result €440Estimate €150 - €180 -
29 - Jean-Marc Nattier (1685-1766) (after) Louis Tocqué. 1773. Engraved by L. J. Cathelin (after the painting in the Calouste-Gulbenkian Foundation, Lisbon). At sight : 250 x 365 mm. Good proof on laid paper, sunned. Two heavy freckles. Margins. Framed.
Estimate €50 - €60 -
30 - Georg Pencz (ca. 1500-ca. 1550) The Nativity. Burin. 51 x 31 mm. Bartsch 30. Proof trimmed to the subject. Frame.
Result €135Estimate €120 - €150 -
31 - François Perrier (1590-1650) Jesus Christ on the cross. 1633. Etching. 270 x 455 mm. Robert-Dumesnil 6. Beautiful proof on laid paper, addressed to Mariette, slightly oxidized. Horizontal drying fold in the middle. Numerous brown stains (spatters) on the reverse. Good margins.
Result €100Estimate €100 - €120 -
32 - François Perrier (1594-1640) Statues of Rome (Pl. for Segmenta Nobilium Signorum et Statuarum...). 1638. Etching. Various formats. Proofs on laid paper, lacking for the most part in preservation (foxing, stains, missing parts and accidents). Small margins. Set of 60 p. approx.
Result €150Estimate €150 - €180 -
33 - Jean Pesne (1623-1700) The Rapture of Saint Peter. Etching after Poussin. 302 x 465 mm. Robert-Dumesnil 12. Very nice proof on laid paper. Reinforced median horizontal fold on the reverse, visible on the front as a white line. Slight soiling. Small stains on verso. All margins.
Estimate €120 - €150 -
34 - Robert Pigout (active in Lyon around 1617-1668) Perspective of the Place des Terreaux where the face of the City Hall of Lyon is represented. Etching. 395 x 215 mm. Beautiful proof on thin laid paper, the backgrounds slightly worn. Traces of oxidation and folds. Small margins.
Result €60Estimate €60 - €80 -
35 - Giambattista Piranesi (1720-1778) Avanzi d'un portico coperto, o criptoportico in una Villa di Domiziano... (Entrance to the villa called "Sette Bassi" on the road to Frascati). 1766. Etching and burin. 610 x 425 mm. Hind 79. Nice proof of a modern edition on strong vellum, with numbers, carefully washed. Small epidermure in the center on the surface. Very light trace of oxidation at the right edge. Good margins.
Result €165Estimate €120 - €150 -
36 - Giambattista Piranesi (1720-1778) Veduta del Palazzo Stopani (The Vidoni Palace). 1776. Etching and burin. 670 x 418 [760 x 538 mm]. Hind 128 (i/iii). Very fine proof on strong laid paper, before the numbers. Folio number 42 in pen and sepia ink in the upper right corner. Vertical median fold with small reinforcement at the foot of the verso. Left edge irregular, ragged, with small binding miter holes and missing. Large margins. First Parisian edition.
Result €250Estimate €150 - €180 -
37 - Giambattista Piranesi (1720-1778) Views of St. Peter's Basilica. 1748-1773. Etching and burin. Each sheet: 765 x 540 mm. Hind 4, 101 and 102. Very nice proofs on strong laid paper, before the numbers on the right. Folio number in pen and sepia ink in the upper right corner. Left edge irregular, ragged, with small binding miter holes and missing. H. 101 with long oblique tear at center of lower subject. Vertical median fold fractured at foot of 2 pl. Old restorations to verso with glued pieces o
Result €440Estimate €200 - €300 -
38 - Rembrandt Harmensz. van Rijn (1606-1669) Descent from the Cross, night effect. 1654. Etching and drypoint. The sheet: 168 x 215 mm. Barstch 83. Beautiful proof on vellum, from a 19th century print (made by Jean?), the copper worn, pasted by the edges on laid paper. Narrow margins.
Result €810Estimate €200 - €300 -
39 - Rembrandt Harmensz. van Rijn (1606-1669) Flight to Egypt, night effect. 1651. Etching, burin and drypoint. 110 x 127 mm. Bartsch 53; New Hollstein 262. A fine proof on mechanical ivory laid paper, trimmed to the plate, with numerous reworkings, of a print made by Bernard (late 19th c.). Oxidation of the back sheet.
Estimate €300 - €400 -
40 - Rembrandt Harmensz. van Rijn (1606-1669) Jan Asselin. Etching, drypoint and burin. The sheet: 1745 x 205 mm. Bartsch 277. A good proof, the copper worn, of a Basan print, on thin laid paper glued by the corners on strong laid paper. Small tears in the lower corners. Stains at the left edge.
Result €1,450Estimate €180 - €200 -
41 - Johann Eleazar Schenau (1736-1807) Various subjects. Etching. Various sizes. Good proofs trimmed to the subject, 3 pasted on laid paper by the corners. Small soiling. Set. 9 p.
Estimate €180 - €200 -
42 - Louis Surugue (1686-1762) Étienne François Geoffroy. 1737. Engraved after Largillière. 292 x 405 mm. Very nice proof on laid paper, slightly oxidized. Marginal foxing. Tiny tears along the lower edge. All margins.
Estimate €100 - €120 -
43 - Pietro Testa (1617-1650) Painting sitting among the most skilful masters of art who invite their disciples to imitate nature and its graces. Etching. 332 x 290 mm. Bartsch 29. Very nice proof on laid paper, trimmed with a plate cut. Thin strips of gummed paper at the edges of the folio on the reverse side. Some light foxing at the bottom right.
Result €310Estimate €180 - €200 -
44 - Élisabeth Claire Tournay born Tardieu (1731-1773) The child's lunch. Engraved after Dumesnil. At sight : 310 x 410 mm. Beautiful proof on laid paper, slightly oxidized. Small stains or freckles. Margins. Framed.
Estimate €100 - €120 -
45 - Johannes Wiericx Melencolia I. 1602. Burin after Dürer. 188 x 235 mm. Mauquoy-Hendrickx 1556. Good proof of a later edition on mechanical laid paper (19th c.). Small tears in the upper corners. Narrow margins.
Result €410Estimate €150 - €180 -
46 - Johan Georg Wille (1715-1808) Abel François Poisson Marquis de Marigny. 1761. Engraved after L. Tocqué (Wille's reception piece at the Academy). At sight : 345 x 495 mm. Good proof on laid paper, oxidized. Short tears at the edges of the folio and another one of 45 mm crossing vertically the shelf. Frame.
Estimate €80 - €100 -
47 - Johan Georg Wille (1715-1808) Fatherly instruction. 1765. Engraved after Terburg. At sight: 340 x 435 mm. Good proof on laid paper, sunned, with small tears on the surface (forming white traces, notably in the robe). Margins. Frame. On verso, merchant's label (Jogan, ditch of the Chapeau-Rouge in Bordeaux) and large inscription in pen and sepia ink: "Good Print and very / Good print bought all enquadrée / in 1798 - 38 frs 5 s".
Estimate €60 - €80 -
48 - Various A very strong lot of popular imagery, ancient and modern prints by or after Asselin, Berton, Bonvin, Desboutin, Dubreuil, Gromaire, Isabey, Jou, Maillol, Manguin, Naudin, Piranesi, Rops, etc. Set of 80 p. approx. (in a large box).
Result €710Estimate €600 - €800 -
49 - Various 19th-early 20th c. A large lot by Affleck, Baron, Baertsoen, Bracquemond, Colin, Guastalla, Heyman, Israels, Lalanne, Laurens, Latenay, Leheutre, Luce, Martial, Siméon, Vergé-Sarrat, Webster, Willaume, Zilcken... Etching ; drypoint. Beautiful proofs, some annotated and signed. Occasional minor accidents. Set of 34 p.
Result €670Estimate €600 - €800 -
50 - Various 1900 A lot by or after Agar, M. Denis, Héran, Ibels, Lebasque, Luce, Meunier, Morin-Jean, Steinlen, Vallotton, etc. Lithography; woodcut; etching and aquatint. Printing in colors. Very nice proofs on different papers, some annotated and signed in pencil. Set of 31 p.
Result €1,100Estimate €600 - €800
About the sale
Lots visible at the study only by appointment.
3 rue Favart - 75002 Paris
EXPERT:
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
RESPONSIBLE FOR THE SALE:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
ATTENTION: Lots preceded by an asterisk * have an additional charge of 5.5% for the temporary import tax.
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