ANCIENT AND MODERN PRINTS
Friday 25 November 2022 at 14:00
3, rue Favart, 75002 Paris
356 lots
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301 - Henri Rivière (1864-1951) The Pont des Saints-Pères and the Louvre. (Parisian landscapes, pl. 6). 1900. Lithograph. 815 x 525. Fields p. 77. Printed in colors. Nice proof on ivory vellum. Slight irregular oxidation of the folio. Two thin oblique tears in the upper left corner. A thin and long irregular surface scratch at the left edge, penetrating into the subject. All margins. Frame.
Result €512Estimate €300 - €400 -
302 - Henri Rivière (1864-1951) The Pont des Saints-Pères and the Louvre. (Parisian landscapes, pl. 6). 1900. Lithograph. Sight: 815 x 515. Fields p. 77. Printed in colors. Good proof on ivory glazed vellum, without apparent margins. Numerous accidents (fine surface scratches, 5 cm vertical tear at foot, significant fractures and associated creases in the upper right corner of the subject in the sky). Frame.
Result €320Estimate €180 - €200 -
303 - Henri Rivière (1864-1951 )The Butte Montmartre seen from the fortifications, or The Fortifications. (Parisian landscapes, pl. 5). 1900. Lithograph. Sight: 790 x 505. Fields p. 77; Sueur 123. color print. Beautiful proof on ivory glazed vellum, without apparent margins. Fine scratches forming white marks in the subject at right. Framed.
Estimate €400 - €500 -
304 - Henri Rivière (1864-1951 )The Butte Montmartre seen from the fortifications, or The Fortifications. (Parisian landscapes, pl. 5). 1900. Lithograph. 818 x 525. Fields p. 77; Sueur 123. color print. Beautiful proof on ivory glazed vellum. Minor short broken folds, short tears and ripples at the edges of the folio. All margins.
Result €384Estimate €300 - €400 -
305 - Henri Rivière (1864-1951 )From the top of the towers of Notre-Dame (Parisian landscapes, pl. 7). 1900. Lithograph. On view: 850 x 550. Fields p. 77; Sueur 125. Printed in colors. Very nice and fresh proof on ivory glazed vellum. Margins. Framed.
Result €3,328Estimate €600 - €800 -
306 - Henri Rivière (1864-1951 La Baie de Douarnenez. (Le Beau Pays de Bretagne, pl. 19). 1916. Lithograph. 356 x 230. Fields p. 80. Printed in colors. Very nice and fresh proof on cream vellum, one of 100 numbered and signed in blue pencil. All margins. Framed.
Result €2,048Estimate €800 - €1,000 -
307 - *Manuel Robbe (1872-1936 )Nocturne, or Flirt. About 1906. Etching and aquatint. 445 x 350. Merrill Chase 62. color print. Nice proof on cream laid paper, signed in black stone in the subject along the upper plate stroke. Light trace of oxidation at the opening of an old mount. All margins.
Result €320Estimate €150 - €180 -
308 - *Manuel Robbe (1872-1936 )Before the pose. About 1907. Etching and aquatint. 374 x 493. Merrill Chase 8. Printed in colors. Nice proof on white laid paper, numbered and signed in pencil. Band of oxidation along the left edge. All margins.
Result €153Estimate €150 - €180 -
309 - Manuel Robbe (1872-1936 )Boats in a Mediterranean port. Aquatint. 325 x 235. Printed in colors. Very nice proof on ivory vellum, signed in pencil. Small circular depression in the center of the lower margin. Fine oblique broken fold in the upper right corner. Nice margins.
Estimate €120 - €150 -
310 - Georges Rouault (1871-1958 )Clown and child. 1930. Aquatint. 210 x 306. Chapon and Rouault 201. Printed in colors. Very nice proof on cream laid paper. Slight oxidation of the folio and a very thin reddish band at the extreme edge of the margins. All margins untrimmed. Pl. intended to illustrate André Suarès's book, Cirque - finally not published by Vollard, who "abandoned this book in 1932 for reasons of commercial opportunity, Suarès having violently attacked America where the art dealer
Result €640Estimate €500 - €600 -
311 - *Georges Rouault (1871-1958 )The Old Clown. 1930. Aquatint. 230 x 325. Chapon and Rouault 202. Printed in colors. Very nice proof on cream laid paper. Light oxidation bands at the edges of the sheet. All margins untrimmed. Pl. intended to illustrate the work of André Suarès, Cirque - see note to n° 310.
Result €640Estimate €500 - €600 -
312 - *Georges Rouault (1871-1958 ) 1930. Aquatint. 248 x 348. Chapon and Rouault 204. Printed in colors. Very nice proof on cream laid paper. Tiny marginal foxing. All margins untrimmed. Pl. intended to illustrate the work of André Suarès, Cirque - see note to n° 310.
Result €576Estimate €500 - €600 -
313 - Georges Rouault (1871-1958 )Christ and the Poor (Pl. for Passion, A. Vollard ed., 1939). 1935. Aquatint. 215 x 305. Chapon et Rouault 262. Beautiful proof on cream laid paper. Several traces of oxidation at the margins. Small gummed paper label pasted on the reverse. All margins untrimmed.
Result €640Estimate €300 - €400 -
314 - *Georges Rouault (1871-1958 ) Aide-bourreau (Pl. for Passion, A. Vollard ed., 1939). 1936. Aquatint. 215 x 310. Chapon et Rouault 273. color print. Very nice proof on cream laid paper, annotated in pen "Essai Passion" and signed with the monogram. Very clear trace of oxidation at the opening of an old mount. Traces of oxidized glue at the head on the reverse side, slightly perceptible on the front side. All margins untrimmed.
Estimate €500 - €600 -
315 - Georges Rouault (1871-1958 )The Bay of the Dead. 1939. Aquatint. 450 x 610. Chapon and Rouault 287. Printed in colors. Very nice proof on cream laid paper, signed in pen and ink under the subject on the right, later dedicated in ballpoint pen: "To Madame Marie Combier / 20 May 1957" and signed. Numerous light freckles, more marked on the reverse. Slight framer's markings in pencil in the margins. All margins.
Result €1,536Estimate €800 - €1,000 -
316 - *Le Douanier Rousseau (Henri Rousseau, dit) (1844-1910) (d'après )La Chasse au tigre. 1924. Aquatint by J. Villon. 505 x 375. Ginestet et Pouillon 641. Printed in colors. Nice proof on cream vellum, numbered in pencil, slightly sunned. Small foxing and scattered soiling. All margins. Edition at 200 proofs. Dry stamp : Bernheim Jeune éd. (Lugt not described). Frame.
Result €640Estimate €600 - €800 -
317 - Paul Signac (1863-1935 )Saint-Tropez (the port). 1897-1898. Lithograph. 330 x 435. Kornfeld and Wick 19; Johnson 138. Printed in color. Perfect proof on thin white vellum, numbered and signed in pencil. All margins. Edition of 100 proofs. A. Vollard ed. (pl. for a planned album of prints that was never published).
Result €14,720Estimate €3,000 - €4,000 -
318 - Henry Somm (François-Clément Sommier, dit) (1844-1907 )Calendar for the Alphonse Lemerre bookstore, Paris, 1879. Drypoint. The sheet : 555 x 425. Nice proof with the printed advertising text. Dusting and minor accidents. Short tear at the right edge. All margins.
Estimate €150 - €180 -
319 - Théophile Alexandre Steinlen (1859-1923 )Two cats. Poster for the exhibition of Steinlen's drawn and painted work at the Bodinière. 1894. Lithograph. The sheet : 800 x 605. Crauzat 492, printed in colors. Nice proof on thin vellum, before the letter, lined on japon and canvas. Traces of oxidized glue visible on the surface. Short tears, minor snags and small restored losses at the edges of the sheet. All margins. The artist's exhibition took place from April 10 to May 15, 1894. La Bodinière
Result €2,432Estimate €1,200 - €1,500 -
320 - Théophile Alexandre Steinlen (1859-1923 )The Cyclists. 1889. Lithograph. Sight: 745 x 485. Crauzat 127. Nice proof on chine volant. Heavy scattered foxing (some larger in the subject). Margins. Very rare. Frame. "This lithograph, made for the publisher F. G. Dumas, was to accompany as a bonus an exceptional issue on cycling. This publication never appeared and only a few copies of the lithograph were printed." (E. de Crauzat).
Result €1,280Estimate €600 - €800 -
321 - *Theophile Alexandre Steinlen (1859-1923 )The Fiacre of the State. 1901. Lithograph. 460 x 275 [552 x 390]. Crauzat 245. Beautiful proof on chine volant. Several long thin oblique median folds. Small epidermal marks at the head on the reverse side. All margins.
Result €384Estimate €200 - €300 -
322 - *Theophile Alexandre Steinlen (1859-1923 )Various subjects. 1898-1918. Drypoint, etching, aquatint, soft varnish. Various formats. Meeting of 32 beautiful or good proofs on different papers, many of them very rare, most of them signed, several dedicated to Eugène Delâtre. Minor accidents to some rare plates. All margins. Detail of the plates : - Sketch plate n° 1. 1898. Drypoint on zinc. 300 x 200 [395 x 300]. Crauzat 1 - Sketch plate n° 2. 1898. Drypoint on zinc. 148 x 230 [304 x 440].
Result €7,680Estimate €3,000 - €4,000 -
323 - Joaquin Sunyer y Miro (1874-1956 )Suite of Eight lithographs in colors of Sunyer for Les Soliloques du Pauvre of Jehan Rictus. Paris, Pierre Duffau, 1897. Lithograph. Each sheet reduced to 160 x 220. Complete suite of the 8 plates that make up the work of J. Rictus, Les Soliloques du Pauvre, Paris, chez l'auteur, 1897. Vol. small in-4, one of the 500 ordinary numbered copies, enriched with one of the 150 ordinary suites on strong cream vellum, under printed felt cover (preserved), each subject b
Estimate €800 - €1,000 -
324 - James J.-J. Tissot (1836-1902 )Mavourneen, or Portrait of Kathleen Newton. 1877. Drypoint. 200 x 370. Wentworth 31. A good proof on ivory laid paper, signed in pencil and stamped (Lugt 1545), pasted on cardboard. Numerous surface scratches (caused by old mold). Margins. Edition of about 100 prints. Frame (without glass).
Result €1,280Estimate €300 - €400 -
325 - James J.-J. Tissot (1836-1902 )Reverie. 1881. Etching. 112 x 225. Wentworth 52. Very nice proof on cream laid paper from an old register (with annotations in pen and sepia ink on the reverse). Soiling on verso. All margins untrimmed.
Estimate €400 - €500 -
326 - James J.-J. Tissot (1836-1902 )The prodigal son. 1882. Etching and drypoint. 450 x 351 (title) and 375 x 311 (plates). Wentworth 57 to 61. Complete suite of 4 plates. Very nice proofs on ivory watermarked "van gelder" laid paper, in a vellum folder [693 x 508] illustrated with the title-frontispiece printed in brown. A few rare light freckles and a thin band of oxidation at the edges of the leaves. Slight oxidation and small russeted halo at the foot of the upper cover. All margins.
Result €1,792Estimate €1,200 - €1,500 -
327 - Henri de Toulouse-Lautrec (1864-1901 )Queen of Joy. Poster for the novel by Victor Joze. 1892. Lithograph. The sheet : 985 x 1490. Delteil 342 ; Wittrock P3. Printed in colors. Very nice proof on thin vellum, in two pieces, canvas-backed. Vertical tears of 25 and 15 cm reaching the letter at the foot, with several small tears. Another tear of 22 cm in the center at the head. Several small fractures and some stains in the subject. All margins. This poster was commissioned from Lautrec to promote
Result €10,240Estimate €8,000 - €10,000 -
328 - *Henri de Toulouse-Lautrec (1864-1901 )The Terror of Grenelle. (Song by Jules Jouy). 1894. Lithograph. 110 x 173 [275 x 348]. Delteil 72 ; Wittrock 66. A very fine proof on heavy ivory simili-japan, of the 1st edition without the musical score, covered with the red monogram stamp and the dry stamp of Ed. Kleinmann (Lugt 1573), then numbered (23) to the compositor in the lower left corner of the folio. Several long thin broken creases across the subject and in the lower left corner. All margins.
Result €1,024Estimate €400 - €500 -
329 - *Henri de Toulouse-Lautrec (1864-1901 )The Little Trotter. 1893. Lithograph. 195 x 270. Delteil 27; Wittrock 14. Nice proof printed in olive green on vellum, colored with a stencil, from an edition made after 1901. Slight oxidation, traces of folds and short tears at the edges of the sheet. All margins.
Result €384Estimate €200 - €300 -
330 - Henri de Toulouse-Lautrec (1864-1901 )May Belfort (Petit Casino). Poster. 1895. Lithograph. The sheet : 620 x 805. Delteil 354; Wittrock P14. Printed in colors. Very nice proof on ivory vellum, cloth-backed. Two small oblique breaks in the upper left corner. Fine crease marks with small lack at the intersection in the center in the red of the dress and under the cap on the right in the black of the boa. Display stamp above the word "Belfort". All margins. Rare.
Result €9,600Estimate €5,000 - €6,000 -
331 - Henri de Toulouse-Lautrec (1864-1901 )At the Students' Ball. 1901. Lithograph. The sheet : 368 x 558. print in colors. Very nice proof on vellum, lined on white vellum and canvas. Slight dusting persisting at the head. A few short tears restored to the edges of the sheet. All margins. Last poster for which Lautrec provided the drawing, a few months before his death. He is not the author of the letter added at the head. The students' ball was to be held in Bordeaux.
Result €3,200Estimate €1,500 - €1,800 -
332 - Suzanne Valadon (1865-1938 )Ketty stretching. 1904. Drypoint and soft varnish. 197 x 143. Petrides 28. Very nice proof on vellum, from the final state, the copper slightly reduced at the foot, from a later edition than the one made for the Vers et Prose magazine. Small normal margins.
Result €512Estimate €150 - €180 -
333 - *Felix Vallotton (1865-1925 ) The Shoers. 1893. Lithograph. 255 x 330 [276 x 380]. Vallotton and Goerg 42. Very nice proof on ivory vellum, numbered and signed in blue pencil. Thin bands of dust on the sides. All margins. Edition at 100 proofs. Ex-coll. H. M. Petiet (Lugt 5031). This plate was reproduced in L'Escarmouche, n° 6, December 17, 1893.
Result €512Estimate €200 - €300 -
334 - *Felix Vallotton (1865-1925 ) Last novelty. 1893. Lithograph. 218 x 215 [280 x 380]. Vallotton and Goerg 44. Very nice proof on glazed vellum, signed and numbered in blue pencil. Minor dusting or oxidation at the edges of the sheet. All margins. Edition of 100 proofs. Ex-coll. H. M. Petiet (Lugt 5031). This plate was reproduced in L'Escarmouche, n° 8, December 31, 1893.
Result €320Estimate €200 - €300 -
335 - Félix Vallotton (1865-1925 )To Paul Verlaine. 1891. Engraved wood. 105 x 130. Vallotton and Goerg 80 d. Very nice proof on japon, stamped (Lugt 1051a) and numbered in pencil, from the posthumous edition of 20 proofs. Very fine traces of oblique folds in the upper left corner of the sheet. All margins.
Estimate €300 - €400 -
336 - *Felix Vallotton (1865-1925 ) The Crowd in Paris. 1892. Woodcut. 194 x 137 [320 x 247]. Vallotton and Goerg 91 a. Very nice proof on buff vellum, signed in pencil. Some rare marginal rust spots. All margins. Rare. Edition of about 20 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €896Estimate €500 - €600 -
337 - Félix Vallotton (1865-1925 )The Wall. 1892. Woodcut. 190 x 100 [249 x 162]. Vallotton and Goerg 99 a. Good proof on thin buff vellum, signed in pencil. Pinholes in the corners of the folio. All margins. Rare: only a few proofs were printed during the artist's lifetime, then about 35 posthumously. This is the wall of the Federated, now a place of remembrance, located at the top of the Père-Lachaise cemetery, where 147 members of the Commune were shot by the Versaillais on May 28, 1871, before
Result €768Estimate €600 - €800 -
338 - Félix Vallotton (1865-1925 )The Anarchist. 1893. Woodcut. 250 x 170 [325 x 245]. Vallotton and Goerg 104 a. Proof on thin buff vellum, signed in pencil. Pinholes in the corners of the folio. Damage and loss to the edges of the folio, caused by the brittleness of the paper. A long oblique tear in the upper right corner, summarily consolidated on the reverse. All margins. Edition of 100 proofs. Joint: By order of the sultan, you have come four hours to leave France. (Pl. for the special issue of
Result €896Estimate €500 - €600 -
339 - *Felix Vallotton (1865-1925 ) The Necrophores. 1892. Woodcut. 252 x 142 [326 x 247]. Vallotton and Goerg 106 a. Very nice proof on buff vellum, signed in pencil. Short creases in the lower right corner. Light foxing. Small tears at the left edge on the verso, formerly restored. All margins. Edition of about 50 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €512Estimate €400 - €500 -
340 - Félix Vallotton (1865-1925 )Les Amateurs d'estampes. Address card for Edmond Sagot. 1892. Woodcut. 252 x 187. Vallotton et Goerg 107 c. Very nice proof on buff vellum, with the purple stamp of change of address ("Actuellement / 39 bis, rue de Châteaudun, 39 bis"). All margins.
Result €384Estimate €300 - €400 -
341 - *Felix Vallotton (1865-1925 )Le Bon Marché. 1893. Woodcut. 260 x 200 [366 x 292]. Vallotton and Goerg 116 a. Very nice proof on buff vellum, signed in pencil. Thin strip of mitre at the head on the reverse. Small tear in the center at the head. All margins. Edition of about 50 proofs.
Result €4,480Estimate €800 - €1,000 -
342 - *Felix Vallotton (1865-1925 ) The wrong step. 1893. Woodcut. 180 x 225 [250 x 327]. Vallotton and Goerg 130 a. Very nice proof on buff vellum, signed in pencil. A few short tears at the edges of the folio. A tiny lack at the right edge. Short creases in the upper left corner. All margins. Edition of about 50 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €896Estimate €400 - €500 -
343 - *Felix Vallotton (1865-1925 ) At twenty years. 1894. Woodcut. 225 x 180 [325 x 250]. Vallotton and Goerg 134 a. Very nice and fresh proof on ivory vellum, signed and numbered in blue pencil. Some rare light foxing, notably on the left edge. On the reverse side, two small remains of oxidized mounting tabs. All margins. Edition of 75 proofs.
Result €896Estimate €400 - €500 -
344 - *Felix Vallotton (1865-1925 )The Emotion. 1894. Woodcut. 225 x 180 [323 x 250]. Vallotton and Goerg 135 a. Very nice and fresh proof on ivory vellum, signed and numbered in blue pencil. Small ripples at the head, caused by the mounting tabs on the reverse. All margins. Edition of 75 proofs.
Result €2,560Estimate €800 - €1,000 -
345 -
Estimate €400 - €500 -
346 - *Felix Vallotton (1865-1925 )The Exit. 1895. Woodcut. 224 x 180 [320 x 250]. Vallotton and Goerg 162 a. Very nice proof on ivory vellum, numbered and signed in blue pencil. Small number "61" in pencil in the upper right corner of the sheet. Very fine oblique tear in the upper right corner of the sheet, formerly consolidated on the reverse. Tiny traces of oxidized adhesive (residue of old mounting tabs) at the head of the front. Light traces of oxidation at the margins. All margins. Edition of ap
Result €1,664Estimate €600 - €800 -
347 - *Felix Vallotton (1865-1925 )The Poker. 1896. Woodcut. 220 x 175 [315 x 245]. Vallotton and Goerg 170 a. A fine proof on ivory vellum, numbered and signed in blue pencil, very finely lined on japon pelure, with several long thin restored fractures, slightly perceptible in the black at the upper right. Small black ink discharge in the lower right corner. Heavy oxidation around the subject, at the opening of an old mat, and lighter marginal traces of oxidation. Nice margins. Edition of about 80 pr
Result €2,432Estimate €600 - €800 -
348 - *Felix Vallotton (1865-1925 )Some original and unpublished woodcuts by / Marval & Lewitska / Eug. Corneau, R. Dufy, Gabriel-Fournier, Othon-Friesz, / A. Favory, R. de la Fresnaye, J. E. Laboureur, / A. Lhote, J. Marchand, A. Mare, Marcel-/ Gaillard, L. Mainssieux & / Vallotton. Paris, A la Belle Édition, 1918. One vol. in-4 [238 x 350], in sheets. Engraved wood. Complete suite of 12 leaves, 2 double, 3 bearing two subjects per leaf, with typographed text at the foot of each wood, preceded by a
Result €812Estimate €600 - €800 -
349 - *Felix Vallotton (1865-1925 )Uzanne (Octave), et al. Badauderies parisiennes. The Gatherings. Physiologies of the street observed and noted by Paul Adam, Alfred Athys, Victor Barrucand, Tristan Bernard, Léon Blum, Romain Coolus, Félix Fénéon, Gustave Kahn, Ernest La Jeunesse, Lucien Muhlfeld, Thadée Natanson, Edmond Pilon, Jules Renard, Pierre Veber and Eugène Veek. Prologue by Octave Uzanne. Paris, printed for the Bibliophiles indépendants, Henri Floury, 1896. A small vol. in-4 [200 x 26
Result €3,000Estimate €1,000 - €1,200 -
350 - Maurice de Vlaminck (1876-1958 )The Port of Martigues. Around 1907. Engraved wood. 336 x 248 [488 x 395]. Walterskirchen 6. Nice proof on thin ivory laid paper, numbered and signed in pencil, slightly oxidized (more marked oxidation on the reverse and at the extreme edge of the margins). All margins. Rare. Edition of 30 proofs. Galerie Kahnweiler éd. 1913.
Result €3,200Estimate €1,000 - €1,200
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Friday, November 25, 2022 at 2 pm
Public exhibition :
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday, November 23 from 10 am to 6 pm
Thursday, November 24 from 10 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
ATTENTION: Lots preceded by an asterisk * have an additional charge of 5.5% for the temporary import tax.
Terms of sale
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RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.