ANCIENT AND MODERN PRINTS
Friday 25 November 2022 at 14:00
3, rue Favart, 75002 Paris
356 lots
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201 - *Marie Laurencin (1883-1956 ) Constantinople (2nd pl.). 1907. Etching. 136 x 188. Marchesseau 12. Very nice and rare proof printed in brown with ground tint on heavy cream laid paper, numbered and signed in pencil. Scattered light foxing on the margins. All margins. Edition of 10 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €1,024Estimate €1,200 - €1,500 -
202 - *Marie Laurencin (1883-1956 )The Bridge of Passy. 1907. Etching. 210 x 150 Marchesseau 13. Very nice and rare proof printed in brown on strong white vellum, dedicated in pencil "to Jacques Anger - his friend - Marie Laurencin". Small traces of oxidized tacks in the upper corners. All margins. Edition of about 15 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €768Estimate €1,000 - €1,200 -
203 - *Marie Laurencin (1883-1956 )The Bridge of Passy. 1907. Etching. 210 x 148. Marchesseau 13. Very nice proof on old azure laid paper, with a number and a signature (not guaranteed) in pencil. All margins.
Result €384Estimate €400 - €500 -
204 - *Marie Laurencin (1883-1956 )Autumn. 1908. Etching. 155 x 210. Marchesseau 14. Very nice and rare proof printed in brown on cream laid paper, numbered and signed and dedicated in pencil "To my friend Toussaint Luca". Oxidation of the folio, more marked on the back, and light foxing. All margins. Edition of 20 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €1,792Estimate €1,000 - €1,200 -
205 - *Marie Laurencin (1883-1956 )The Mermaid. 1907. Etching. 147 x 197. Marchesseau 15. Very nice proof printed in colors on ivory laid paper, annotated in pencil " tiré à 3 exemplaires ", signed, dated and titled. Strong traces of glue in the upper corners on the reverse. All margins. Final edition of 20 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €1,792Estimate €1,500 - €1,800 -
206 - *Marie Laurencin (1883-1956 )Head. About 1908. Woodcut. 90 x 123. Marchesseau 16. print in light brown. Very nice proof on vellum, signed in pencil. Fine light oily trace (from the ink) around the subject. Very rare. Edition of 1 or 2 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €1,664Estimate €1,500 - €1,800 -
207 - *Marie Laurencin (1883-1956 ) Young woman holding a flower. 1909. Engraved wood. 175 x 180. Marchesseau 18. Very nice and rare proof on white vellum, signed in pencil. Slight foxing. All margins. Edition of 3 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €1,152Estimate €1,200 - €1,500 -
208 - *Marie Laurencin (1883-1956 )The Robinsonnes or The Boat. 1911. Etching. 223 x 179. Marchesseau 20. Very nice proof on strong ivory laid paper, signed in pencil. Annotation at the foot : " Tiré à 5 ép. Edition at 15 proofs according to Marchesseau.
Result €768Estimate €800 - €1,000 -
209 - *Marie Laurencin (1883-1956 )La Belle Écossaise. 1913. Etching. 195 x 245. Marchesseau 28. Very nice proof on ivory vellum watermarked "Eug. Delâtre", numbered and signed in pencil. Light trace of oxidation at the opening of an old mount. All margins. Edition of 25 prints. Ex-coll. H. M. Petiet (Lugt 5031).
Result €768Estimate €800 - €1,000 -
210 - *Marie Laurencin (1883-1956 )The Prince Charming. 1913. Etching. 248 x 195. Marchesseau 29. Very nice proof on strong cream vellum, of a 1st state not described, before erasing the traces of polishing on the edges of the copper, signed in pencil. All margins. Final edition of 25 proofs. Ex-coll. H. M. Petiet (Lugt 5031).
Result €768Estimate €800 - €1,000 -
211 - *Marie Laurencin (1883-1956) Iphigénie or The Three Dancers. 1913-1914. Etching. 200 x 257. Marchesseau 30. Nice proof printed on white laid paper, numbered and signed in pencil (signature not guaranteed), carefully washed. All margins. Edition of 30 proofs.
Estimate €800 - €1,000 -
212 - Marie Laurencin (1883-1956 )Les Fêtes de la danse. 1937. Lithograph. Sight: 475 x 410. Marchesseau 187, printed in colors. Good proof on vellum, with remarks, annotated "Epreuve d'artiste - à M. Th. Evrard - Souvenir d'été 1937" and signed in pencil. Strong insolation, the colors weakened. Margins. Framed.
Estimate €200 - €300 -
213 - Marie Laurencin (1883-1956) (after ) Three heads of young girls. About 1950. Heliogravure print. 555 x 340, printed in colors. Very nice proof on white vellum, numbered and signed in pencil by the artist. Framer's annotations in ballpoint pen at the left edge on verso. Epidermal marks on the reverse (the print having been detached and washed). Slight persistent marginal oxidation. All margins. Edition of 200 proofs.
Estimate €600 - €800 -
214 - Arthur Henri Lefort des Ylouses (1846-1912 )Holy women at the foot of the Calvary. 1912. Etching in relief. 317 x 215. Very nice proof on strong cardboard, enhanced with gouache.
Result €256Estimate €200 - €300 -
215 - *Louis Legrand (1863-1951 )Chattes. 1909. Drypoint. 267 x 180. Arwas 381. Very nice proof on cream vellum watermarked "Pellet et Legrand", signed and numbered in pencil, then stamped by the publisher G. Pellet (Lugt 1193). Light traces of oxidation on the margins. Remains of glue in the corners on the reverse. All margins. Edition of 50 proofs.
Result €128Estimate €100 - €120 -
216 - Alphonse Legros (1837-1911 )The Village in Flames, or The Fire of the Hamlet. 1893-1894. Etching. 565 x 388. Very nice proof on strong laid paper, of the 1st state (of 2), before reduction of the copper, signed in pencil then titled in the center at the foot. Many light freckles. All margins. Edition of 11 proofs.
Result €281Estimate €180 - €200 -
217 - Ludovic-Napoléon, viscount Lepic (1839-1889 ) What remained of the powerful Guillaume de Naillac... done from life on the day of the opening of his tomb (skull and crossbones with helmet). About 1861. Etching. 156 x 236. I.F.F. 12. Very nice proof on chine volant, signed in blue pencil. Nice margins.
Result €512Estimate €180 - €200 -
218 - André Lhote (1885-1962 )Nude woman in bust, reclining, leaning on her hand; Nude woman cubing leaning on her hand. About 1930. Lithograph. Each sheet : 290 x 225. Very nice proofs on vellum, signed and numbered in pencil. All margins. Edition of 100 proofs. Set. 2 p.
Result €320Estimate €300 - €400 -
219 - Léo Maillet (Léopold Mayer, dit) (1902-1990 )Sauvage (Cat in front). 1938. Drypoint. At sight : 365 x 480. Good proof on vellum, titled, dedicated "to the young rude", signed and dated in pencil. Insolation of the sheet and small light foxing. Margins. Rare. Frame. Leo Maillet, born Leopold Mayer, was a Jewish engraver, painter and draftsman, born in Frankfurt. His work is close to expressionism and New Objectivity (Neue Sachlichkeit). From 1930 to 1933, he studied under Max Beckmann at the
Result €704Estimate €300 - €400 -
220 - Maîtres de l'Affiche (Les )Reunion of volumes 1 and 3 (of 5) containing respectively plates 1 to 48 and 97 to 144 as well as the two premiums. 1896-1897. Lithography after the posters of the masters (Bonnard, Bouisset, Chéret, A. W. Dow, Grasset, Ibels, Mucha, Steinlen, Toulouse-Lautrec...). Each sheet : 288 x 390. color printing. Nice or good proofs on ivory glazed vellum, with the dry stamp of the publication (Lugt 1777c), mounted on a mitre (the latter sometimes fractured, the plates conseq
Result €10,000Estimate €8,000 - €10,000 -
221 - Édouard Manet (1832-1883 )The Races. 1864. Lithograph. 505 x 360. Guérin 72; Fisher 56 (with the date 1865-1872); Bareau-Berès 76 (with the date 1865-1878). A very fine proof on chine appliqué (size 507 x 385 mm, similar to the size quoted by Bareau-Berès), addressed to Lemercier. Some rare light foxing on the support. Very slight trace of rubbing on the lower left corner of the chine (visible with grazing light). All margins [615 x 475].
Estimate €20,000 - €25,000 -
222 - Henri Matisse (1869-1954 )Seated dancer with one knee bent, hands on hips (Pl. des Dix danseuses). 1927. Lithograph. 275 x 440. Duthuit-Garnaud 480. Very nice proof on ivory vellum, numbered and signed in pencil. Long vertical fold slightly broken along the left edge of the sheet. The upper right corner very slightly chipped. All margins untrimmed. Total edition of 150 prints. Published by the Galerie d'Art Contemporain, Paris.
Result €9,600Estimate €3,000 - €4,000 -
223 - Henri Matisse (1869-1954 )Hindu with a tulle skirt. 1929. Lithograph. 375 x 285. Duthuit-Garnaud 510. Perfect proof on chine volant, annotated in pencil "Bon à tirer" and signed. Ripples due to the pressure of the print and indentation of the stone very visible. All margins [510 x 345]. Final edition of 50 proofs. Ex-coll. P. Prouté (Lugt 2103c).
Result €24,320Estimate €15,000 - €18,000 -
224 - Henri Matisse (1869-1954 )La Pompadour. (Frontispiece for Portraits, Monte Carlo, A. Sauret éd., 1954). Lithograph. [246 x 330]. Duthuit-Garnaud 670; D.-G. (illustrated books) 33. Perfect proof on white vellum. All margins.
Result €1,664Estimate €600 - €800 -
225 - Henri Matisse (1869-1954 )Three heads; To friendship. (Masks of Apollinaire, Matisse and Rouveyre). 1951-1952. Aquatint. 345 x 430. Duthuit-Garnaud 825. Perfect proof on white vellum watermarked "bfk rives", numbered in the compositor and stamped with the artist's monogram. All margins. Edition at 25 proofs. Subject not retained for publication in the book by André Rouveyre, Apollinaire, Paris, ed. Raisons d'Être, 1952.
Result €1,024Estimate €800 - €1,000 -
226 - Charles Méryon (1821-1868 )The Little Bridge. 1850. Etching and burin. 190 x 260. Delteil 24; Schneiderman 20. Beautiful proof on ivory laid paper, from the 5th state (out of 9), the shelf cleaned, before the print made for L'Artiste. Trace of oxidation at the opening of the mat. Traces of glue in the corners on the reverse. Small stains of sepia ink in the upper right corner. Reduced margins [252 x 310].
Result €1,536Estimate €300 - €400 -
227 - Charles Méryon (1821-1868 )The Stryge. 1853. Etching. 125 x 170 [190 x 280]. Delteil 23; Schneiderman 27. Beautiful proof on white laid japan, from the 7th state (of 9), before the title and the new address of Delâtre, the letter faintly inked. Perceptible ripples on the surface (perhaps caused by an old cleaning). Good margins.
Result €2,816Estimate €600 - €800 -
228 - Charles Méryon (1821-1868 )The Clock Tower. 1852. Etching. 185 x 260. Delteil 28; Schneiderman 23. A very fine proof on buff bubble paper, from the 6th state (of 10), before further work. Some light foxing on the support. Fine band of oxidation at the edges of the sheet. Margin reduced to 2 mm at the foot. Printed by L'Artiste.
Result €320Estimate €400 - €500 -
229 - Charles Méryon (1821-1868 )The Notre-Dame Pump. 1852. Etching. 248 x 170. Delteil 31; Schneiderman 26. Very nice proof on laid paper, of the 8th state (out of 10 according to Schneiderman), with the new fine oblique cuts in the cloud, with the new mentions engraved in cursive, the mention "Published by L'Artiste" not inked. Slight oxidation of the folio. Short tear and thin band of moisture at right edge. All margins.
Result €640Estimate €600 - €800 -
230 - Charles Méryon (1821-1868 )The Morgue. 1854. Etching and drypoint. 205 x 232 [485 x 320]. Delteil 36; Schneiderman 42. A very fine proof on laid paper, of the 4th state (of 7), before replacement of the cursive inscriptions, the lettering faintly inked. Slight lack in the lower left corner of the leaf. Slight traces of handling folds, a thin band of oxidation and a small reddish stain at the edges of the sheet. All margins.
Result €1,664Estimate €1,500 - €1,800 -
231 - Charles Méryon (1821-1868 )Project of frame for the portrait of Armand Guéraud. 1862. Etching. 135 x 170. Delteil 95; Schneiderman 83 (xiv/xiv). A very fine proof printed with ground tint on japanese laid paper, from the final state, with the words "irreverence bestiality" near the axe at the top replaced by "forfanterie incontinence bestiality". On verso in the lower right corner in pencil, initial or inscription "Beurdeley". Minimal foxing. All margins untrimmed.
Estimate €400 - €500 -
232 - Jean-François Millet (1814-1875 )Maternal Precaution. About 1862. Glass plate. 243 x 305. Delteil 27. A very nice proof in black on thin cream vellum, probably a trial proof of the print made for Maurice Le Garrec in 1921. Slight light foxing visible on the reverse.
Result €1,024Estimate €400 - €500 -
233 - Jean-François Millet (1814-1875 )Maternal Precaution. About 1862. Glass plate. 243 x 305. Delteil 27. Very nice and fresh proof in light bistre on thin cream vellum, probably a trial proof of the print made for Maurice Le Garrec in 1921. Slight light foxing visible on the reverse.
Estimate €200 - €300 -
234 - Jean-François Millet (1814-1875 )Woman emptying a bucket. About 1862. Glass plate. 245 x 323. Delteil 28. Very nice proof in black on thin cream vellum, probably a trial proof of the print made for Maurice Le Garrec in 1921.
Result €2,304Estimate €400 - €500 -
235 - Claude Monet (1840-1926) (after )La Mer sauvage (Belle-Île). (Pl. for Album of 20 lithographs after the paintings of Claude Monet, Paris, Goupil, before 1892). Lithograph by G. W. Thornley. 280 x 210. Beautiful proof on ochre bubble applied on strong white vellum, signed by Monet and by Thornley in pencil, annotated at the foot. Heavy scattered foxing at the margins and trace of oxidation at the edges of the folio. All margins. Dry stamp: Belfond & Cie imprimeur (Lugt 225d).
Result €4,864Estimate €800 - €1,000 -
236 - Claude Monet (1840-1926) (after )Rocky Shore (Pl. for Album of 20 lithographs after the paintings of Claude Monet, Paris, Goupil, before 1892). Lithograph by G. W. Thornley. 255 x 205. Beautiful proof on chine applied on strong white vellum, signed by Monet and by Thornley in pencil. Scattered marginal foxing and trace of oxidation at the edges of the folio. Small ink stain in the center at the edge of the folio. Short broken creases in the corners. All margins. Dry stamp : Belfond & Cie imprime
Result €4,352Estimate €800 - €1,000 -
237 - Claude Monet (1840-1926) (after )Country Church (Pl. for Album of 20 lithographs after the paintings of Claude Monet, Paris, Goupil, before 1892). Lithograph by G. W. Thornley. 248 x 200. Blue-green print. Beautiful proof on chine applied to strong white vellum, signed by Monet and by Thornley in pencil. Scattered marginal foxing and trace of oxidation at the edges of the folio. Minor accidents in the corners. All margins. Dry stamp: Belfond & Cie imprimeur (Lugt 225d).
Result €5,760Estimate €800 - €1,000 -
238 - Claude Monet (1840-1926) (after )La Gare Saint-Lazare; le train de Normandie. (Pl. for Album of 20 lithographs after the paintings of Claude Monet, Paris, Goupil, before 1892). Lithograph by G. W. Thornley. 260 x 200. gray-green print. Beautiful proof on chine applied to strong white vellum, signed by Monet and by Thornley in pencil. Scattered marginal foxing and heavy oxidation to the edges of the folio. Minor accidents in the corners, with a small lack in the lower right corner. All margins. D
Result €8,960Estimate €800 - €1,000 -
239 - Georges-Daniel de Monfreid (1856-1929 )The Annunciation. 1916. Woodcut. 240 x 182. Good proof on thin laid japanese paper, the halo printed in gilt bronze, dedicated "Hommage de l'auteur / à Madame Bardou-Job" and signed in pen and ink. Light scattered foxing. The edges of the folio very crumpled, with a few short tears. All margins.
Result €192Estimate €200 - €300 -
240 - Georges-Daniel de Monfreid (1856-1929 )The Crucifixion. 1916. Woodcut. 240 x 182. Good proof on thin laid japan, the halo printed in gilt bronze, dedicated "To Madame P. Bardou-Job / hommage de respectueuse amitié" and signed in pen and ink. Light scattered foxing. The leaf very crumpled, with a few short tears and small losses at the edges. All margins.
Estimate €200 - €300 -
241 - Georges-Daniel de Monfreid (1856-1929 )About 1920. Woodcut. 232 x 295. Good proof on thin laid japanese paper, dedicated "To Madame and Monsieur Pierre Bardou-Job / testimony of friendship from the author" and signed in pen and ink. Light scattered foxing. The edges of the folio very creased, with a few short tears. All margins.
Result €281Estimate €180 - €200 -
242 - Alphonse Mucha (1860-1939) (after ) La Dame aux camélias; Lorenzaccio (Sarah Bernhardt). 1896. Lithograph. Sight: 115 x 325. Rennert-Weill not described. Printed in colors, with silver ink and gilt bronze. Beautiful proofs on glazed vellum, slightly exposed. No apparent margins. Frames. Set of 2 p.
Result €1,664Estimate €1,200 - €1,500 -
243 - Alfredo Müller (1869-1939 )In front of the ramp. 1897. Etching. 300 x 395. Koehl E11. Printed in colors. Very nice proof of the black plate alone on cream vellum watermarked "Auvergne à la main", enhanced with watercolor, later covered with an apocryphal signature in pencil. Small surface scratch to the right of the model. All margins.
Result €256Estimate €200 - €300 -
244 - Alfredo Müller (1869-1939 )The little girl with the cat. 1897. Etching and aquatint. 395 x 395. Koehl E24. Printed in colors. A very nice proof of a trial print made by Pierrefort, on cream vellum, with a later apocryphal signature in pencil. Some foxing at the edges of the sheet. All margins.
Result €268Estimate €200 - €300 -
245 - Alfredo Müller (1869-1939 )Place Blanche, or The Moulin Rouge. 1899. Etching and aquatint. 415 x 658. Koehl E 75. Printed in colors. A good trial proof of a print made by Pierrefort, on beige vellum, with a later apocryphal signature in pencil. Oxidation of the sheet. Numerous accidents, small losses and tears at the edges of the sheet. Irregular margins. Joint: 1) The Summer. 1899. Drypoint. 445 x 645. Koehl E102. Trial proof of the black plate alone, on cream vellum, with a later apocryphal s
Result €358Estimate €200 - €300 -
246 - Alfredo Müller (1869-1939 )The Three Boats. 1902. Etching and aquatint. 445 x 443. Koehl E141. Printed in colors. Beautiful proof on beige vellum, with small highlights of white gouache, covered later with an apocryphal signature in red pencil. Small accidents and missing at the right edge of the sheet. Short tears at the top. All margins.
Result €256Estimate €200 - €300 -
247 - Alfredo Müller (1869-1939 )The Three Cats. 1902. Etching, soft varnish and aquatint. 530 x 465. Koehl E148. Printed in colors. Nice proof on cream laid paper, numbered in pencil but not signed. Slight dusting at the edges of the sheet. Slight traces of folds in the corners. All margins not trimmed. Edition of 50 proofs.
Estimate €600 - €800 -
248 - Alfredo Müller (1869-1939 )Morning Toilet, or The Tub. 1903. Lithograph. 575 x 435 Koehl E164. Printed in colors. Very nice proof on thin cream vellum, signed in pencil. Slight undulations (notably caused by the mounting tabs at the head on the reverse). All margins.
Result €448Estimate €400 - €500 -
249 - Otto Müller (1874-1930 )Knabe zwischen Blattpflanzen (Young boy among foliage). 1912. Woodcut. 370 x 275 [500 x 350]. Karsch 2. Very nice proof on japan, from a later edition, unsigned. Traces of ink in the left margin. Framer's annotations on the right margin on the reverse. All margins.
Estimate €800 - €1,000 -
250 - Otto Müller (1874-1930 )Mädchen zwischen Blattpflanzen (Young girl among leafy plants). 1912. Woodcut. 370 x 275 [500 x 350]. Karsch 3. Very nice proof on japan, from a later edition, unsigned. All margins. Under glass.
Result €1,024Estimate €800 - €1,000
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Friday, November 25, 2022 at 2 pm
Public exhibition :
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday, November 23 from 10 am to 6 pm
Thursday, November 24 from 10 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
ATTENTION: Lots preceded by an asterisk * have an additional charge of 5.5% for the temporary import tax.
Terms of sale
Show the terms of sale
Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets
présentés.
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adjudications, c’est-à-dire s’il est établi que deux ou plusieurs enchérisseurs ont simultanément porté une enchère équivalente, soit à haute voix, soit par signe,
et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
enchérisseurs et tout le public sera admis à enchérir à nouveau.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procèsverbal.
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Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
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dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.