ANCIENT AND MODERN PRINTS
Friday 9 July 2021 at 14:00
3, rue Favart, 75002 Paris
330 lots
-
1 - VariousA box of ancient and modern prints. Damage and soiling. 50 p. approx. in one box.
Result €384Estimate €300 - €400 -
2 - City Views [Venice]. View of the Zecque or the Hotel de la Monnoye...; The Church of St. Justina. (Pl. for J. G. Graevius, Thesaurus antiquitatum et historiarum Italiae quo continentur..., t. V, Leiden, P. van der Aa, 1722). Etching. 360 x 277. Good proofs on laid paper, with normal vertical median fold. Good margins. Framed. Set. 2 p.
Result €76Estimate €60 - €80 -
3 - Benigno Bossi (1727-1792 ) Man with a feathered turban. 1760. etching. 100 x 120. Nice proof on laid paper. Margins. Framed.
Result €153Estimate €180 - €200 -
4 - Nicolaes de Bruyn (1571-1656 )The Fall of Man. 1600. Burin. 665 x 466. Le Blanc 1; New Hollstein 11. Beautiful proof on laid paper, of the 1st state (of 4), before the address of F. de Beusecom, trimmed to the subject but well complete with the tablet, the lines of the letter placement still perceptible, carefully washed and lined on japonure. Vertical and horizontal folds still visible by transparency. The vertical median drying fold (normal) reinforced on the reverse. Several tears at the edge
Result €7,424Estimate €3,000 - €4,000 -
5 - Jacques Callot (1592-1635 )Restoration of the Duomo of S. Maria del Fiore in Florence (Ferdinando I° che esamina il disegno della Lanterna per la Cupola del Duomo di Firenze). (Pl. III of The Life of Ferdinand I de Medici or The Battles of the Medici). 1614-1620. etching and burin after M. Rosselli. 300 x 223. Binding 149. Beautiful proof on laid paper, possibly washed, trimmed on the lower plate. Some rare light foxing. Traces of glue and adhesive in the corners at the head on the reverse. Sma
Result €409Estimate €150 - €180 -
6 - Jean Daullé (1703-1763 )Claude Deshaies-Gendron. 1737. Engraved after H. Rigaud. 357 x 465. Beautiful proof on strong laid paper. Scattered light foxing and small stains. Inscriptions in sepia ink on the reverse. Margins reduced to about 10-15 mm. Claude Deshaies-Gendron (1663-1750) was a physician attached to the faculty of Montpellier, author of a work entitled Recherches sur la nature et la guérison des cancers, published in 1700.
Result €192Estimate €150 - €180 -
7 - Albrecht Dürer (1471-1528 )The Flight into Egypt. (Pl. of The Life of the Virgin). About 1503. Woodcut. 211 x 296. Bartsch 89; Meder 201. Beautiful and brilliant proof on laid paper, from a print without text on the reverse (probably 16th c.), before the numerous breaks on the square line at the foot, with the break interrupting the line of Joseph's tunic above his left thigh. Remains of glue and mounting tabs at head on verso. Several visible holes in the subject (caused by old framing). Small
Result €4,864Estimate €1,500 - €1,800 -
8 - Claude Gellée, known as Le Lorrain (ca. 1600-1682 )The Abduction of Europa. 1634. Etching. 258 x 197. Robert-Dumesnil 22; Mannocci 14. Beautiful proof on beige laid paper, of the 3rd state (of 6 according to Mannocci), with the scratches at the height of the birds and with the vice mark on the border at the center left, trimmed on the plate cut, carefully washed. Upper left corner restored. Persistent light foxing. On verso, Naudet's initials with the date "1786" in pen and sepia ink (weakened
Result €1,024Estimate €600 - €800 -
9 - Claude Gellée, known as Le Lorrain (ca. 1600-1682 ) The Crossing of the Ford. 1634. Etching. 171 x 106. Robert-Dumesnil 3; Mannocci 12. A fine proof of a later print on strong laid paper, carefully washed, but with persistent traces of oxidized adhesive at the head affecting the subject. Marginal filleting.
Result €256Estimate €150 - €180 -
10 - Théodore Géricault (1791-1824 )Return from Russia. 1818. Lithograph. Sight: 363 x 443. Delteil 13. Print with ochre-coloured stone (2nd stone, different from the one reproduced by Delteil in the 1st state). Proof on vellum, trimmed to 2 mm inside the fillet and above the letter, pasted on cardboard and matted, oxidized. Many heavy freckles. Rare.
Result €3,328Estimate €1,800 - €2,000 -
11 - Francisco de Goya y Lucientes (1746-1828 )Tu para qual. (Los Caprichos, pl. 5). 1799. Etching and aquatint. 150 x 197. Delteil 42; Harris 40. Printed in black bistre. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Light foxing at the margins. Nice margins. Framed.
Result €358Estimate €180 - €200 -
12 - Francisco de Goya y Lucientes (1746-1828 )Ni asi la distingue. (Los Caprichos, pl. 7). 1799. Etching and aquatint. 150 x 196. Delteil 44; Harris 42. black bistre print. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Light foxing at the margins. Nice margins. Framed.
Result €332Estimate €180 - €200 -
13 - Francisco de Goya y Lucientes (1746-1828 )Se quebró el Cantaro. (Los Caprichos, pl. 25). 1799. Etching and aquatint. 150 x 205. Delteil 62; Harris 60. Printed in black bistre. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Some light marginal foxing. Nice margins. Framed.
Result €409Estimate €180 - €200 -
14 - Francisco de Goya y Lucientes (1746-1828 )Ruega por ella. (Los Caprichos, pl. 31). 1799. Etching and aquatint. 150 x 203. Delteil 68; Harris 66. Printed in black bistre. A very fine proof on white vellum, from the 3rd edition (1868), before the bevels. Large light brown spots on the margins. Nice margins. Framed.
Result €435Estimate €180 - €200 -
15 - Francisco de Goya y Lucientes (1746-1828 )Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (La Tauromaquía, pl. 1). 1816. Etching, drypoint and aquatint. 345 x 255. Delteil 224; Harris 204. A very fine proof on strong vellum, from the 2nd edition (1855) before Loizelet's retouching. Margins. Framed.
Result €384Estimate €400 - €500 -
16 - Francisco de Goya y Lucientes (1746-1828 )Disparate pobre. (Los Proverbios, pl. 11). About 1824. Etching, aquatint, burin and drypoint. 342 x 242. Delteil 212; Harris 258. Beautiful proof of a modern (early 20th c.) print on white laid paper, with various scratches perceptible in the whites. Oxidation when opening the mat. Margins. Framed.
Result €460Estimate €180 - €200 -
17 - Peter de Jode I (1570-1634 )The Last Judgment. About 1615. Engraved after Jean Cousin. 1215 x 1665. Hollstein 83. Complete picture composed of the 12 assembled plates, printed on 19th century laid paper, cloth-backed, the 3 text plates here mounted above the image and not below as usual, stretched on black moulded rods at the head and foot, used as a piety picture. Large moisture rings, tears, stains, various small accidents, holes and missing parts. Rare complete.
Result €1,344Estimate €1,000 - €1,200 -
18 - Jacques Philippe Le Bas (1707-1783 )First veue of Charenton. (Pl. of a pair). 1747. Engraved after Boucher. 380 x 320. Very nice proof on strong laid paper. Light brown spots. All margins.
Estimate €180 - €200 -
19 - Charles-Joseph Natoire (1700-1777) (after )Livre d'académies by Charles Natoire. 1745. Etching by J.-J. Pasquier. 283 x 425. Reunion of a title and 7 academies of men. Good proofs on laid paper. Freckles, large moisture rings, traces of folds and various accidents. All margins. Joint: Carle van Loo (1705-1765). Title and one plate of Six academic figures drawn and engraved by Carle Van Loo... Etching. 288 x 390. Same condition. Set of 10 p.
Result €332Estimate €300 - €400 -
20 - Jeanne Françoise Ozanne (1735-1795 )Plate 5 of a suite of 6 views of Paris. Etching. 155 x 80. Le Blanc 8. Nice proof trimmed outside the framing net. Slight oblique fold in the sky on the left. Very rare.
Result €512Estimate €120 - €150 -
21 - Giovanni Battista Piazzetta (1682 or 1683-1754) (after )Young girl with a chest decorated with flowers. Engraved by T. Viero. 285 x 400. Nice proof trimmed inside the plate cut but well complete with the tablet, mounted with false margins in imitation of a filleted drawing frame. Small annotation in pen and sepia ink in the lower right corner under the name of the engraver. Horizontal median drying fold. Dusting.
Result €115Estimate €100 - €120 -
22 - Giambattista Piranesi (1720-1778 )The Drawbridge. (Carceri, pl. 7). 1749. Etching. 407 x 550. Hind 7; Robison 33. A rare proof on strong laid paper, of the 1st state (of 6), with the name engraved but before much work, including the drawbridge, chain and two beams in the lower left corner of the subject, washed and skillfully restored. Small persistent greyish stains at foot on verso and left edge in centre. Thin strips of gummed paper at side edges of folio on verso. Narrow margins [422 x 562].
Result €9,216Estimate €5,000 - €6,000 -
23 - Giambattista Piranesi (1720-1778 )Veduta della Piazza di Monte Cavallo (Quirinale Square). 1750. etching. 545 x 395. Hind 15 (iv/vi). Beautiful proof on laid paper, before the numbers (roman edition), formerly washed. Slight oxidation of the folio. Vertical fold in the middle. Old merchant's annotations in pencil in the lower margin. Good margins. Framed.
Result €640Estimate €300 - €400 -
24 - Rembrandt Harmensz. van Rijn (1606-1669 )The Triumph of Mordecai. About 1641. Etching and drypoint. 212 x 170. Bartsch 40; New Hollstein 185. A very fine proof of an early 18th-century print (before the later aquatint), on laid paper with watermark (possibly letters "Auvergne" and bunch), the drypoint barbs still clearly visible in the kneeling man in the lower left corner, trimmed to the board cut on three sides and slightly in the subject at the head (3-5 mm), mounted by the top edge on cardbo
Result €5,888Estimate €2,000 - €3,000 -
25 - Pierre-Joseph Redouté (1759-1840) (after )Rosa centifolia Bullata / Lettuce-leaved Rose. (Pl. for The Roses, 1817-1824). Engraved by Langlois. 254 x 347. Printed in colours. Very nice proof on vellum. Some foxing. All margins.
Estimate €300 - €400 -
26 - Giuseppe Vasi (1710-1782)Views of Rome: churches; Nerva's forum; Castel Sant'Angelo; Campo dei Fiori. Each approx. 320 x 210. Good proofs on laid paper, slightly oxidized. Some foxing. Margins. Frames. Set of 9 p.
Result €704Estimate €180 - €200 -
27 - Antoine Watteau (1684-1721) (after )Various subjects. Reunion of 2 large albums in-fol. [360 x 515] composite, the 1st with leaves numbered in blue pencil from 1 to 79, the 2nd from 80 to 159, counting one subject per leaf (1st volume) or several (2nd volume). Etchings by Audran, Boucher, Caylus, Cochin, Trémolière... Non-homogeneous proofs, mounted on mitre, sometimes trimmed and pasted on the laid paper, most of them in the first state (out of 2) before the backgrounds. Scattered foxing. Ann
Result €4,096Estimate €1,500 - €1,800 -
28 - Miscellaneous [Pompeii]. Choice of paintings of Pompeii / most of them of historical subject / lithographed in colours by M. Roux / and published with the archaeological explanation of each painting / and an introduction on the history of painting among the Greeks and the Romans / by M. Raoul-Rochette... Paris, printed by authorization of the king at the Royal Printing Office, 1846 One large vol. in-fol. [470 x 620] comprising the text in two parts ("Part I. Loves of the gods"; "Part II. Heroic
Estimate €3,000 - €4,000 -
29 - MiscellaneousVilmorin Album . Meadow plants. Paris, Vilmorin, 1879. Complete suite of 9 chromolithographed plates after drawings by Rouyer and Godard. Each [570 x 715]. Good proofs on vellum, each printed in 4 folded and filled sheets, pasted on canvas. Scattered light foxing and traces of oxidation. Portfolio in-fol. [300 x 380] red with edition flaps, spine ribbed and decorated, cloth flaps with ties preserved, corners reinforced with metal.
Result €384Estimate €300 - €400 -
30 - Albert Besnard (1849-1934 )Reading in the studio. 1887. Etching on zinc. 150 x 100 cm, Godefroy 62. Nice proof on laid paper, signed in pencil. Some light foxing. Margins. Framed.
Result €256Estimate €150 - €180 -
31 - Eugène Bléry (1805-1886 )The Cheneaux. Etching. 142 x 200. Beraldi 3. Very nice proof on chine appliqué, signed in pencil and annotated at the foot. On the mount, in the hand of Paul Prouté: "proof of the 1st edition before the number". Light scattered foxing. All margins.
Estimate €150 - €180 -
32 - Eugène Bléry (1805-1886 )The Juniper. 1840. Etching. 203 x 280. Beraldi 26. Very nice proof on chine appliqué, annotated in pencil in the lower left corner of the sheet: "Etude de Genévrier gravé s. nature à Font[ainebleau] / T. B. Epr. 20" and signed. Scattered light foxing. All margins.
Result €192Estimate €150 - €180 -
33 - Eugène Bléry (1805-1886 )The Oak Tree at the Pond (Bellecroix, Forest of Fontainebleau). 1844. Etching. 210 x 160. Beraldi 34. Very nice proof on chine appliqué, annotated in pen and sepia ink: "E. Bléry i. aq. F. s. nature à Font[ainebleau] / Pure etching" and signed. Two light freckles at the foot of the folio. Discharge of another proof on the verso. All margins.
Result €409Estimate €150 - €180 -
34 - Eugène Bléry (1805-1886 )1844. Etching. 124 x 168. Beraldi 44. Very nice proof on chine appliqué, annotated in pen and sepia ink: "Eau-forte pure sans autre état" and signed. On the mount, in the hand of Paul Prouté: "tiré à 2 épr. Scattered light foxing. All margins.
Result €153Estimate €150 - €180 -
35 - Eugène Bléry (1805-1886 )At St-Pierre d'Albigny (Savoye). 1846. Etching. 242 x 180. Very nice proof on chine appliqué, annotated in pen and sepia ink: "Eau-forte pure à 1 tour" and signed. On the mount, in the hand of Paul Prouté: "tiré à peu d'épreuves". Light scattered foxing. All margins.
Result €230Estimate €150 - €180 -
36 - Eugène Bléry (1805-1886 )The Perraut Bridge, Grande Chartreuse Road (Dauphiné). 1846. Etching. 262 x 185. A very fine proof on applied buff bubble, annotated in pen and sepia ink: "Eau-forte pure Epr. unique" and signed; then further on: "Pl. brisée". Two marginal foxing. All margins.
Result €230Estimate €150 - €180 -
37 - Eugène Bléry (1805-1886 )The Old Leaning Oak. 1867. Etching. 320 x 237. A very fine proof on chine appliqué, annotated in pencil in the margin of the copper and at the foot of the folio; further on, in the hand of Paul Prouté: "tiré à 2 épr. Heavy foxing mainly at the margins. All margins.
Result €256Estimate €150 - €180 -
38 - Eugène Bléry (1805-1886 )Le Moulin de la Roche. 1867. Etching. 252 x 175. Beraldi 67. Very nice proof on chine appliqué, annotated at the foot in pencil : " Eprve unique 1er choix " and signed. Light foxing in the upper margin and on the left. All margins.
Result €230Estimate €150 - €180 -
39 - Rodolphe Bresdin (1822-1885 )Landscape with a fantastic house. 1843. Pen and ink drawing on bristol board [155 x 179] tinted with a uniform brown wash, pasted from the upper corners onto a vellum support [248 x 380]. Signed with the monogram and dated "1843" in the upper right corner (these inscriptions very slightly marred). Stamp of the C. de Woznicki collection (Lugt 1652a) on the mount.
Result €21,120Estimate €4,000 - €5,000 -
40 - Rodolphe Bresdin (1822-1885 )Peasant interior. About 1855-1858. Pen and ink drawing with wash on bristol board [161 x 116]. On the reverse, pencil mark (C. de Woznicki, Lugt not described). Drawing to be compared with the etchings Flemish Interior of 1856 (Van Gelder 86), Interior of Peasants of the Haute-Garonne of 1858 (Van Gelder 92) or Moldavian Interior of 1859 (Van Gelder 93). "... there is something touching in imagining the starving artist, imposing on himself the torture of Tantalus,
Result €14,720Estimate €1,800 - €2,000 -
41 - Rodolphe Bresdin (1822-1885 )The City at the Stone Bridge. 1865. Pen and ink drawing on tracing [172 x 102] pasted on vellum [253 x 182]. Signed and dated in the sky at upper left. Small russet splashes on the reverse of the support and remains of mounting tabs in the corners on the reverse. Preparatory drawing for the eponymous etching dated 1865 (Van Gelder 117), which is extremely rare, known from only 3 proofs in its final state. This drawing is mentioned by Van Gelder: "Bresdin certainly wo
Result €17,280Estimate €3,500 - €4,000 -
42 - Rodolphe Bresdin (1822-1885 )Rest in the Flight to Egypt; Figures. 1883. Pen and ink drawing on cut-out tracing. 217 x 185. Signed and dated at the foot in the water. Faint traces of folds and scattered light foxing. In 1853, thirty years earlier, Bresdin lithographed The Flight into Egypt (Van Gelder 85), whose figures are very similar to these, similarly sheltered under the foliage, on the banks of a river. Then, in 1878, he engraved The Rest in Egypt with a Packed Donkey (Van Gelder 138), whi
Result €21,760Estimate €1,800 - €2,000 -
43 - Rodolphe Bresdin (1822-1885 )The Good Samaritan. 1861. Pen-and-ink lithograph. 440 x 560 [550 x 680]. Van Gelder 100; Becker 1st state (of 2); Préaud 29, 1st state before 1A and 1B. A fine proof on chine appliqué mounted on a sheet of strong white vellum (without any lettering), before any alteration of the lithographic stone-before the black spot on the monkey's left knee at lower right, before the "white bird" in the leaves at the foot, and before the white thistle leaves under the slanting
Result €14,080Estimate €8,000 - €10,000 -
44 - Rodolphe Bresdin (1822-1885 )The Umbrella Market. 1866. Etching. 92 x 170. Van Gelder 118. Beautiful proof on thin laid paper, from a posthumous edition, with the cracks caused by the new bite and the effects of burnishing - nevertheless still clean and bright. Light soiling and foxing to the edges of the folio. All margins. According to Van Gelder, this subject in this state seems to be known only from posthumous prints.
Result €512Estimate €400 - €500 -
45 - Félix Buhot (1847-1898 )Rain and umbrella. Etching. 80 x 118. Bourcard-Goodfriend 38. Nice proof on laid paper, stamped (Lugt 977). Irregular oxidation of the sheet. Margins. Framed.
Result €768Estimate €200 - €300 -
46 - Félix Buhot (1847-1898 )A Winter Morning, Quai de l'Hôtel-Dieu, or Les Fiacres. Etching and drypoint. 320 x 239. Bourcard-Goodfriend 123. Good proof on laid paper, from the Cadart edition, heavily oxidized. Numerous freckles (and stains at the foot). Small tear at the head. Good margins (slightly reduced).
Estimate €120 - €150 -
47 - Félix Buhot (1847-1898 )The Mussel Fishers. Etching after Daubigny. 240 x 168. Bourcard-Goodfriend 142. Very nice proof on laid paper. Margins. Framed. Very rare. A plate printed at 3 or 4 proofs, which Bourcard had encountered but which is not reproduced in the Goodfriend reprint of his catalogue, for lack of having seen a proof. The point tests and sketches in the margin were certainly intended to disappear after the copper was cut for the edition that was never made.
Result €4,480Estimate €1,200 - €1,500 -
48 - Félix Buhot (1847-1898 )Neighbours in the country. 1879-1880. Etching and drypoint. 180 x 136. Bourcard-Goodfriend 148. Beautiful proof on strong vellum, of the 4th state (of 5), with the letter but before the sketches in the right margin of the copper, trimmed to the plate cut. Oxidation of the folio.
Result €192Estimate €180 - €200 -
49 - Louis Cabat (1813-1892 )The pond of Ville-d'Avray. 1834. Etching and roulette. [275 x 205]. Beraldi 1. Nice proof on chine appliqué. Long thin oblique broken fold in the upper left part of the subject. Reduced margins of the mount, with small rings of moisture and oxidation. Very rare.
Result €576Estimate €200 - €300 -
50 - Honoré Daumier (1808-1879 )The Little Clerk; The Public Writer; The Banker; The Cook; The Restaurateur; The Butcher; The Cranioscope-Phrenologistocope. 1836. Lithograph. Each approx. 280 x 360. Delteil 260, 262, 263, 265, 266, 270, 300. 7 good proofs on vellum, in gummed colours. Freckles, tears, moisture rings and various marginal accidents (more marked on some subjects). Joint: 9 other Types by Traviès. Same condition. 13 subjects by Cham. Proofs trimmed, lacking preservation. Set of 29 p.
Result €1,024Estimate €200 - €300
About the sale
ANCIENT AND MODERN PRINTS
Public auction
Salle des ventes Favart
3, rue Favart 75002 Paris
Friday 9 July 2021 at 2 pm
Regulated public exhibition
Salle des ventes Favart
3, rue Favart 75002 Paris
Wednesday 7 July from 10 am to 6 pm
Thursday 8 July from 10 am to 6 pm
EXPERT :
Hélène BONAFOUS-MURAT
hbmurat@orange.fr
Tel: 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
N. B. Unless otherwise indicated, the framed works have not been examined outside the frames.
Dimensions are given in millimetres, width before height.
Unless otherwise stated, framed prints have not been examined out of the frame.
Measurements are quoted in millimetres, width before height.
Terms of sale
Show the terms of sale
Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets présentés.
L’adjudicataire sera le plus offrant et dernier enchérisseur et aura pour obligation de remettre ses nom et adresse. En cas de contestation au moment des adjudications, c’est-à-dire s’il est établi que deux ou plusieurs enchérisseurs ont simultanément porté une enchère équivalente, soit à haute voix, soit par signe, et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
enchérisseurs et tout le public sera admis à enchérir à nouveau.
La date indiquée entre crochets […] correspond à la création du modèle. La pièce présentée ayant été réalisée postérieurement.
Les éventuelles modifications aux conditions de vente ou aux descriptions du catalogue seront annoncées verbalement pendant la vente et notées sur le procès-verbal.
Catalogue : 20 € dont TVA à 5,5 % au titre du droit d’auteur. Les images sont propriété exclusive d’ADER.
Toute reproduction ou diffusion nécessite une autorisation écrite de la Maison de Vente.
Frais de vente et paiement :
L’adjudicataire devra acquitter, en sus du montant de l’enchère, par lot, les frais et taxes suivants :
- 28 % TTC (20 % de TVA) sauf pour le vin et les livres 25 % TTC (5,5 % de TVA sur les livres).
- 1,8 % TTC (20 % de TVA) du prix d’adjudication pour des enchères via Drouot Live ;
3,60 % TTC (20 % de TVA) du prix d’adjudication pour les enchères via Interenchères ; 3 % TTC
(20 % de TVA) du prix d’adjudication pour les enchères via Invaluable.
- 5,5 % de frais additionnels au titre de la taxe à l’importation temporaire, pour les lots dont le numéro est précédé d’un astérisque.
Dans certains cas, ces frais pourront faire l’objet d’un remboursement à l’acheteur.
Le paiement devra être effectué immédiatement après la vente :
- en espèces (euros) jusqu’à 1 000 € pour les ressortissants français ou jusqu’à 15 000 € pour les ressortissants étrangers (sur présentation d’un justificatif de domicile, avis d’imposition, etc. ; en plus du passeport).
- par carte bancaire (Visa, Mastercard).
- par paiement « 3D Secure » sur le site www.ader-paris.fr
- par virement bancaire en euros à l’ordre de ADER.
Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89
BIC : CDCGFRPPXXX
Le règlement par chèque n’est plus accepté.
Ordres d’achat :
Un enchérisseur ne pouvant assister à la vente devra remplir le formulaire d’ordre d’achat inclus dans ce catalogue et le signer.
ADER agira pour le compte de l’enchérisseur, selon les instructions contenues dans le formulaire d’ordre d’achat, ceci afin d’essayer d’acheter le ou les lots au prix le plus bas possible et ne dépassant, en aucun cas, le montant maximum indiqué par l’enchérisseur.
Ledit formulaire devra être adressé et reçu à l’étude au plus tard 24 heures avant le début de la vente.
Les ordres d’achat ou les enchères par téléphone sont une facilité pour les clients. ADER n’est pas responsable pour avoir manqué d’exécuter un ordre par erreur ou pour toute autre cause. Merci de vérifier après envoi que votre ordre d’achat a été dûment enregistré.
ADER se réserve le droit de ne pas enregistrer l’ordre d’achat s’il n’est pas complet ou si elle considère que le client n’apporte pas toutes les garanties pour la sécurité des transactions ; sans recours possible.
Pour garantir la bonne volonté de l’acheteur, une consignation pourra être demandée avant la vente qui ne sera validée qu’en cas d’adjudication.
Drouot Live et Interenchères étant des services indépendant, nous déclinons toute responsabilité en cas de dysfonctionnement. Le coût supplémentaire lié aux achats sur internet est détaillé sur chacun des sites et dans nos conditions de vente.
Transports des lots / Exportation :
Dès l’adjudication prononcée, les achats sont sous l’entière responsabilité de l’adjudicataire.
Aucun lot ne sera remis aux acquéreurs avant acquittement de l’intégralité des sommes dues.
Les achats de petit volume seront transportés chez ADER, 3 rue Favart 75002 Paris, où ils seront gardés en dépôt à titre gracieux pendant 14 jours.
L’étude est ouverte du lundi au vendredi, de 9 h à 18 h.
Les acheteurs, souhaitant exporter leurs achats, devront le faire savoir au plus tard le jour de la vente. Ils pourront récupérer la TVA sur les honoraires d’achat à la condition qu’un justificatif de douane en bonne et due forme soit remis à ADER et que le nom de la Maison de Vente y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
C’est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne sont pas garantis et sont tributaires de l’activité de la Maison de Vente.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas. L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera inscrit au fichier centralisé d’incidents de paiement du SYMEV
(www.symev.org) et l’ensemble des dépends restera à sa charge. à compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.
Pour les œuvres de Picasso : © Succession Picasso 2021