ANCIENT AND MODERN PRINTS
Thursday 25 May 2023 at 14:00
3, rue Favart, 75002 Paris
328 lots
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1 - Various A strong lot by or after the old masters and the XIXth century (della Bella, Callot, Claussin, J.-J. de Boissieu, Bosse, Dujardin, L. de Leyde, Le Prince, Mellan, Nanteuil, Piranesi, N. de Poilly, Potter, Bracquemond, Daubigny, Isabey, Lalanne, etc.) Etching; burin; woodcut; black manner; lithography; heliogravure... Proofs missing for much conservation, trimmed. Set of about 300 p. (5 large boxes + 3 frames).
Result €5,248Estimate €1,200 - €1,500 -
2 - Various A large lot by or after the old masters and of the 19th century (J.-J. de Boissieu, Blomaert, Bosse, Callot, Delaune, van Dyck, L. Gaultier, Goya, Moli, Mellan, Rembrandt, H. Robert, H. Guérard, etc.) Etching; burin; woodcut; black manner; lithography; heliogravure... Proofs lacking for much conservation, trimmed. Set of about 300 p. (4 small boxes).
Result €5,504Estimate €1,200 - €1,500 -
3 - Various A strong lot by or after the old masters and the XIXth century. Etching; burin; woodcut; lithography... Proofs missing for much conservation. Ens. 200 p. approx. (2 large cartons + an album).
Result €2,048Estimate €300 - €400 -
4 - Northern schools. A lot by or after Aldegrever, Berghem, N. de Bruyn, Callot, Goltzius, Hollar, L. de Leyden, van Ostade... Good or beautiful proofs, mostly trimmed to the subject. Various small accidents. Set of 17 p.
Result €960Estimate €300 - €400 -
5 - Albrecht Altdorfer (1480-1538) The Great Crucifixion. About 1515-1518. Burin. 96 x 143. Bartsch 8; New Hollstein 9. A very fine and brilliant proof on thin laid paper, trimmed to the subject, carefully washed. Ex-coll. F. Somary (Lugt 4384). "Among the burins engraved by Altdorfer [this print stands out] by its larger size, but also by the originality of [its] invention and the quality of [its] execution. [It shows] the renewed attention with which Altdorfer, in the mid-1510s, studied Dürer's
Result €8,320Estimate €3,000 - €4,000 -
6 - Stefano della Bella (1610-1664) The Castel Sant' Angelo, in Rome. 1634. Etching. 343 x 215. De Vesme 818. Very nice proof on 18th century laid paper, with old glue dots along the left edge, oxidized on the front. Small soiling. Large margins. Ex-coll. Robelot (attributed to, Lugt 2141).
Result €128Estimate €200 - €300 -
7 - Stefano della Bella (1610-1664) The Medici Vase (Pl. of the Six Great Views). 1656. Etching. 275 x 305. De Vesme 832. A very fine proof on thin laid paper, pasted by the upper corners on a sheet of laid paper bearing old annotations in pen and sepia ink: "This piece comes out of the Cabinet of Mr. Mariette, it is signed by Him" (uncorroborated annotation). Horizontal median fold with remains of glue. Epidermal marks and traces of glue in the lower corners on the reverse. Narrow margins. Ex-coll.
Result €640Estimate €400 - €500 -
8 - Stefano della Bella (1610-1664) View of a part of the fortifications of the port. (Pl. of the Views of the port of Livorno). Etching. 345 x 248. De Vesme 849. Very nice proof on laid paper (watermark: sun in a circle). Remains of glue on the edges of the sheet, oxidized on the front, and small freckles. Traces of soft folds. Vertical fold in the middle. Nice margins. Ex-coll. Robelot (attributed to, Lugt 2141).
Result €320Estimate €200 - €300 -
9 - Abraham Bosse (circa 1602/1604-1676) Louis XIII kneeling before the altar. 1643. Etching. 185 x 270. Duplessis 1240. Beautiful proof on thin laid paper, of a 3rd state (out of 3), with a different letter than the one described by Duplessis. Small light freckles and slight traces of folds. Nice margins.
Result €192Estimate €180 - €200 -
10 - Boot - after Andries Both (?), P. Landry ed. (17th c.) The debauched painter. About 1680. Burin. 723 x 480. Good proof on laid paper, yellowed, trimmed on the subject, lined on vellum. Small accidents at the edges of the sheet. Small epidermal marks on the surface.
Result €1,088Estimate €200 - €300 -
11 - René Boyvin (ca. 1525-ca. 1598 or 1625) The Chaste Susanna. Engraved after G. Romano (according to Levron). 220 x 305. Robert-Dumesnil 3; Levron 2. Proof on laid paper, lacking preservation, with tears, small losses and old restorations (pieces of paper stuck) visible on the reverse.
Result €256Estimate €300 - €400 -
12 - René Boyvin (ca. 1525-ca. 1598 or 1625) Jason and Medea disembark at Iolcos. (Pl. of the History of Jason). 1563. Etching after Primaticcio. 226 x 158. Robert-Dumesnil 55; Levron 46. Very fine proof on thin laid paper, of the 2nd state (of 3), before erasure of the number, without the accessory blade with the 4 verses. Small hole in the left margin. Good margins.
Result €205Estimate €150 - €180 -
13 - René Boyvin (ca. 1525-ca. 1598 or 1625) 14 plates of the History of Jason, 17 of the suite Panels of animated ornaments of pagan deities (including duplicate subjects). Etching. Various formats. Proofs in sometimes later editions, trimmed to the subject, some with important accidents. Jointly : 5 other subjects, 4 of them by or after V. Solis. Same condition. Set of 36 p.
Result €768Estimate €800 - €1,000 -
14 - Ambrogio Brambilla (active 1579-1599) Castello S. Angelo con la girandola (The Fireworks over the Castle of St. Angelo). 1579. Etching. 378 x 495. Fine proof addressed to Cl. Buchetti, trimmed to the square line and slightly inside of it at the lower left edge (with minor damage to the subject and integrity of the tablet), pasted on laid paper. A few short tears at the right edge and head. Small tears in the upper right corner. Oxidation at the edges of the folio. Ref: Christian Huelsen, Das S
Estimate €1,500 - €1,800 -
15 - Nicolaes de Bruyn (1571-1656) Various subjects (including scenes from Aesop's Fables). 1594. Burin. Each approx. 60 x 32 or 83 x 46. Good square-trimmed proofs, 6 lined and pasted to one sheet. Small tear in a corner to a title subject. Set of 9 pp.
Result €3,072Estimate €300 - €400 -
16 - Jacques Callot (1592-1635) The Siege of the Island of Ré (lower left part). 1629-1631. Etching. 430 x 565. Lieure 654. Beautiful proof on ivory laid paper, of the 2nd state (of 3), the duke of Richelieu erased between the King and his brother Gaston d'Orléans, before the letter E in the upper right, oxidized, trimmed to the plate cut. Horizontal drying fold in the middle. Several tears and accidents at the edges of the folio, summarily consolidated on the reverse. Very rare according to Lieure
Result €1,408Estimate €800 - €1,000 -
17 - Cornelis Cort (ca. 1533-1578) Saint Jerome in the desert. 1573. Burin after G. Muziano. 380 x 521. New Hollstein 116. Beautiful proof on laid paper, of the 1st state (of 4), before erasure of the address of B. Breggio, trimmed to the plate cut but complete with the tablet. Median horizontal drying fold, with small holes. A few other small holes (notably from worms) in the subject. Watermark: shield with three mounts crowned with a fleur-de-lys.
Result €448Estimate €400 - €500 -
18 - Cornelis Cort (ca. 1533-1578) The Dispute of the Fathers of the Church on the Blessed Sacrament. 1575. Burin after F. Zuccaro. 317 x 495. New Hollstein 101. A very fine proof on laid paper, of the 1st state (of 4), before erasure of Vaccari's address in the subject as well as in the tablet, trimmed to the plate cut but complete with the tablet. Several noticeable horizontal folds on verso, one reinforced, with wormholes. Small black stain in the shelf. Ex-coll. C. J. Kollmann (Lugt 1584) and P.
Estimate €300 - €400 -
19 - Cornelis Cort (ca. 1533-1578) The Gathering of the Gods on Olympus. 1577. Burin after Primaticcio (fresco in the Gallery of Ulysses at Fontainebleau). Diameter 450, New Hollstein 187. Good proof on laid paper, Cock's address in the cartouche replaced by "corn court fecit", trimmed to the fillet. Small accidents and short tears at the edges. Traces of folds including a partially reinforced middle fold on the reverse.
Result €768Estimate €600 - €800 -
20 - Cornelis Cort (ca. 1533-1578) The Academy of Fine Arts. 1578. Burin after a drawing by J. Stradanus (Jan van der Straet) in the British Museum. 292 x 432. Hollstein 218; New Hollstein 210. A fine proof on laid paper, of the 1st state (of 2), before replacement of L. Vaccari's address of 1578 by C. Losi's address of 1773, trimmed square, yellowed. Traces of median folds, fractures and small accidents reinforced on the reverse. Ex-coll. C. Delanglade (Lugt 660).
Result €768Estimate €800 - €1,000 -
21 - Léon Davent (active between 1540 and 1556) Men gathered around a camel that they are loading with luggage. Etching after Primaticcio. 430 x 315. Bartsch 63; Zerner 59. Beautiful proof on laid paper, trimmed to the subject, glued by three corners on bristol. Small shortage summarily filled in at the foot in the engraved inscription. Several scattered worm holes. Slanting folds, especially on the right side, and strong traces of wiping (indications of a late print). Short tear at the foot and tra
Result €256Estimate €400 - €500 -
22 - Gilles Demarteau (1722-1776) IIIrd Study Book of Animals drawn by Huet painter of the king. I.F.F. 36. Rare album including the complete suite of the 4 plates bound with string. Engraving in pencil manner after Huet. The leaves : 430 x 295. Printed in sanguine. Very nice proofs on laid paper, slightly oxidized. Some rare foxing and traces of folds. All margins.
Estimate €300 - €400 -
23 - Gilles Demarteau le Jeune (1756-1802) Great pastoral. 1788. Engraving in pencil after Huet. 352 x 285. I.F.F. 601. Printed in colors. Beautiful proof on ivory laid paper. Some fine oblique scratches on the surface. Small light halo of moisture on the upper plate cut. Good margins. Framed.
Result €230Estimate €180 - €200 -
24 - Marco Dente, known as of Ravenna (1490-1527) The Battle with the Cutlass. Burin (probably after G. Romano). 460 x 320. Bartsch 211. Very nice proof on laid paper, trimmed to the subject. Two vertical black lines at the head, corresponding to defects (nicks or accidents) that occurred on the copper; another one on the left. Small freckles and traces of folds on the reverse. A few tiny holes visible by transparency. "The engraving of this print is usually attributed to Marc-Antoine [Raimondi], al
Result €256Estimate €400 - €500 -
25 - Zacharias Dolendo (1561-c. 1604) Confusio Babulonica (The Confusion of Languages). Circa 1598. Burin after K. van Mander I. 640 x 432. Hollstein 4; New Hollstein (van Mander) 2. Good proof trimmed to the square line and above the shelf, lined. Vertical median fold. Numerous edge and surface accidents. A shortage summarily filled in the lower left corner by a piece of another engraving glued in.
Estimate €400 - €500 -
26 - Albrecht Dürer (1471-1528) Christ on the Mount of Olives. (Pl. of the Little Passion). 1509-1511. Woodcut. 100 x 130. Bartsch 26; Meder 135. Nice proof on laid paper with Latin text on verso, pasted by the corners on laid paper (with small tear in the lower right corner). Small margins.
Result €1,280Estimate €500 - €600 -
27 - Albrecht Dürer (1471-1528) The Last Judgment. (Pl. of the Little Passion). 1509-1511. Woodcut. 95 x 125. Bartsch 52; Meder 161. A very fine proof on laid paper, from an edition prior to 1612, without text on the reverse, with the breaks on the upper square line. Small margins. Ex-coll. Waldburg Wolfegg'sches Kupferstichkabinett (Lugt 2542) and E. E. (L. 844).
Result €1,280Estimate €600 - €800 -
28 - Albrecht Dürer (1471-1528) The Meeting of Anne and Joachim at the Golden Gate (Pl. of the Life of the Virgin). 1504. Woodcut. 212 x 297. Bartsch 78; Meder 191 h. Beautiful proof on thin laid paper, with numerous breaks in the wood, notably in the clouds, in Anne's scarf and in the foot of the man with the cane. Small pieces of blue paper stuck to the reverse. Large light reddish stains. Fillets of margins. Watermark: near Meder 261 to 264 (late 16th century).
Result €832Estimate €600 - €800 -
29 - Leonard Gaultier (1561-after 1635) The Last Judgment. Burin after Martin Rota, after Michelangelo. 230 x 312. Le Blanc 18. Nice proof on laid paper, trimmed to the square line. Light brown spots. On the reverse side, a light halo of moisture and small epidermal marks visible by transparency. Joint: same subject. Copy of the engraving by M. Rota. Burin. 230 x 312. Beautiful proof on thin laid paper. Light foxing. Small tear in the lower left corner. Set. 2 p.
Result €384Estimate €300 - €400 -
30 - Giorgio Ghisi (1520-1582) (after) The Nativity. 1553. Engraved after Bronzino. 440 x 647. An anonymous copy of the original engraving (cf. Bartsch 3; Lewis 14 - this copy cited by Bartsch), made like it using two planed boards, with no inscription in the lower part, cut above Lafreri's address (the top of the letters slightly perceptible). Reinforced middle drying fold on the reverse. Numerous traces of horizontal folds and a few vertical folds visible on verso, with occasional small holes at th
Result €448Estimate €400 - €500 -
31 - Jean-Baptiste Greuze (1725-1805) (after) Staggering Virtue. 1776. Engraved by Massard. The sheet : 400 x 500. Beautiful proof on laid paper, before all letters, signed on the reverse side by Greuze and Massard in pen and sepia ink, trimmed on the plate at the head and foot. Minor soiling. Small side margins.
Result €576Estimate €180 - €200 -
32 - Giovanni Francesco Grimaldi, called Il Bolognese (1606-1680) The Fierce Bull. Etching. 340 x 246. Bartsch 39; Bellini 41. Beautiful proof on laid paper, carefully washed. Vertical drying fold in the middle, with a small fracture at the foot (reinforced by a small piece of adhesive on the reverse). Short tear at right, similarly restored. Margin threads.
Result €128Estimate €120 - €150 -
33 - Gregoire Huret (1606-1670) Minerva symbolizing Architecture. (Title for Divers traités d'Architecture pour l'art du bien bastir by Sr. Le Muet, Langlois éd.). Burin. 100 x 151. I.F.F. 475. Very nice proof on thin laid paper. Small margins. Ex-coll. S. Vouay (Lugt 2373e).
Result €128Estimate €100 - €120 -
34 - John Baptist Jackson (1701-c. 1780) The Virgin in the clouds and six saints. 1742. Woodcut and etching after Titian. 370 x 595. Nagler 17; Le Blanc 14; Kainen 26. Two tone printing (chiaroscuro, beige-pink for the woodcut and brown for the etching). Beautiful proof on cream laid paper. Traces of folds, dusting, foxing, light moisture aureoles and small accidents at the edges of the sheet. Nice margins.
Result €128Estimate €180 - €200 -
35 - Pierre Landry ed (1630-1701) The Old Man and the Young Girl. About 1680. Burin. 720 x 480. Good proof on laid paper, yellowed, trimmed to the square line, lined on vellum. Some foxing and small moisture spots. Tear of 25 mm at the left edge. Several fine folds or fractures in the subject.
Result €192Estimate €180 - €200 -
36 - Jean Lepautre (1618-1682) Various subjects. A factice album [315 x 460] containing 117 etchings. Good proofs on laid paper glued by the corners, some trimmed, oxidized, slightly damaged.
Result €1,152Estimate €300 - €400 -
37 - Nicolas Le Sueur (1690-1764) The Abduction of Europa; The Chariot of the Sun (Apollo and Phaeton in a chariot). (Pl. for the Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, dit Recueil Crozat). About 1740. Woodcut after P. Farinati. 276 x 435 and 420 x 270. 4 woodcuts printed in colors. Beautiful proofs on strong laid paper, the first one with margins reduced to 5-8 mm, the second one with all margins. Light foxing. Numerous short tears
Result €192Estimate €150 - €180 -
38 - Lucas van Leyden (1494-1533) Susanna and the two old men. About 1508. Burin. 146 x 200. New Hollstein 33 a; Jacobowitz 15. A very fine and brilliant proof on thin laid paper (watermark: Gothic P, cf. New Hollstein p. 286), trimmed to the plate cut, carefully washed.
Result €17,920Estimate €6,000 - €8,000 -
39 - Lucas van Leyden (1494-1533) (after) Pyramus and Thisbe. Anonymous copy of the engraving of 1514 (Bartsch 135). Burin. 159 x 120. Proof trimmed (the subject slightly nicked on the left), lined, damaged (vertical cracks, snags, holes, russet spots...). Jointly : 3 engravings by G. van Veen, Ph.-L. Parizeau, Sadler. Burin ; etching. Trimmed and glued proofs. Accidents. Set of 4 p.
Result €448Estimate €300 - €400 -
40 - Lorenzo Loli (1612-1691) The Virgin, the Child Jesus and Saint John. Etching. 132 x 188. Bartsch 4. Nice proof on thin laid paper, trimmed to the square line. Remains of glue along the edges on the reverse. Joint : The Arms of Guasta Vilani. Etching after G. A. Sirani. 140 x 192. Bartsch 17. Nice proof on laid paper. Residue of glue in a corner on the reverse. Good margins. Set. 2 p.
Estimate €150 - €180 -
41 - Lorenzo Loli (1612-1691) Bacchanal of children. Etching. 125 x 178. Bartsch 24. Very nice proof on thin laid paper. Small remains of glue in the corners on the reverse. Fillets of margins. Joint : L'Amour endormi. Etching. 128 x 168. Bartsch 23. Good proof on thin laid paper, trimmed on the plate cut. Large oily red spots. Set. 2 p.
Estimate €150 - €180 -
42 - Claude Mellan (1598-1688) Christ in the Garden of Olives. Burin. 290 x 443. Préaud 18. Beautiful proof on laid paper. Dusting and small accidents, sometimes with reinforcements, at the edges of the sheet. Horizontal drying fold in the middle, forming a thin white line on the recto. Narrow margins.
Result €320Estimate €150 - €180 -
43 - Claude Mellan (1598-1688) Claude Mellan. Burin. 115 x 150 cm, Préaud 172. Very nice proof on 18th century laid paper, from the edition for Odieuvre, L'Europe illustre. Minor foxing along the lower edge. All margins.
Result €192Estimate €150 - €180 -
44 - Claude Mellan (1598-1688) Various portraits (Nicolas de Grillié, bishop of Uzès; René de Longueil, marquis de Maisons; Raffaello Meniccci; Leonardos Phliaras; Chancellor Pierre Séguier. Burin. Each approx. [170 x 250]. Préaud 160, 168, 173, 188 and 195 (v/vi). Very fine proofs on 18th century laid paper, from the edition for Odieuvre, L'Europe illustre. Slight dusting. All margins. Set of 5 p.
Estimate €150 - €180 -
45 - Balthazar Moncornet (publisher, circa 1600-1668) Portrait of Jacques Callot. Burin. 85 x 130. Good proof on thin laid paper, trimmed to the subject, with handwritten text in pen and sepia ink on the reverse. Joint : Michel Lasne (1590-1667). Portrait of Jacques Callot. 1629. Burin. 110 x 155. I.F.F. 263. Nineteenth-century proof on strong laid paper, trimmed at the plate cut. Scattered light foxing. Set. 2 p.
Estimate €180 - €200 -
46 - Jean Morin (circa 1605-1650) The Rider; The Two Thatched Houses; The Roman Monuments. Etching after Foucquier, the 3rd after Corneille. Various sizes. Robert-Dumesnil 97, 98 and 106. Good proofs trimmed to the plate, the first one in a 19th century edition on strong laid paper, the two others on thin laid paper. Freckles and oxidation. Minor accidents. The first two with the stamp of prince Soutzo (Lugt 2341) and with lines in his hand in pen and sepia ink on the reverse. Joint: two other landsc
Result €576Estimate €400 - €500 -
47 - Pietro Paolo Palumbo (active 1562-1586) Horse attacked by a lion (Pl. for Speculum Romanae Magnificentiae). 1558. Burin from a marble. 315 x 220. Beautiful proof on thin laid paper, trimmed at the plate cut, with the address of "Gaspar Albertus Sucessor Palumbi". Small tears, a tear and a reddish stain at the edges of the folio. Small thinning visible by transparency.
Result €154Estimate €120 - €150 -
48 - Georges Pencz (ca. 1500-1550) Joseph and Putiphar's wife (Pl. 4 and last of The Story of Joseph). 1546. Burin. 79 x 115. Bartsch 12. Beautiful proof on laid paper, trimmed to the subject. Light foxing. On the reverse side, a small epidermis at the head and paper remains around the edge.
Result €320Estimate €200 - €300 -
49 - Georges Pencz (ca. 1500-1550) The Triumph of Death (Pl. of a suite of Six Triumphs described by Petrarch). About 1540. chisel. 205 x 145. Bartsch 121; Landau 120. Very fine proof on thin laid paper. Thin vertical fold in the middle. Short tear at the foot. Light foxing. Tiny tear in the lower left corner. Small margins.
Result €832Estimate €800 - €1,000 -
50 - Pérelle family (XVIIth century) Various subjects of landscapes. Etching. A bound album [260 x 405] containing plates, sometimes printed at two or three per sheet, on 77 leaves. Proofs on laid paper. Light foxing and occasional moisture rings or stains. Hardback binding very faded.
Result €192Estimate €300 - €400
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Thursday, May 25, 2023 at 2 pm
Public exhibition :
Salle des ventes Favart - 3, rue Favart 75002 Paris
Tuesday, May 23 from 11 am to 6 pm
Wednesday, May 24 from 11 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
Terms of sale
Show the terms of sale
Conditions générales :
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présentés.
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et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
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RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.