Ancient and modern prints
Wednesday 29 November 2023 at 14:00
3, rue Favart, 75002 Paris
260 lots
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102 - Edgar Degas (1834-1917) (after) Before the race. 1910. Lithograph by Auguste Clot after a pastel by the artist. [585 x 525]. Printed in 16 to 18 colors. Very fine proof on chine volant. A few short tears at the edges of the folio. Small fold broken in the lower right corner of the leaf.
Result €3,328Estimate €600 - €800 -
103 - Eugène Delacroix (1798-1863) A man-at-arms. 1833. Etching. 65 x 107. Delteil, Strauber 17. Very fine proof on ivory laid paper watermarked "J Whatman", from the 1st state (of 4), before the letter and number. Small hole in left margin. Remainder of mounting tab along left edge on verso. Full margins. Ex-coll. J. Michelin (Lugt 1490).
Result €384Estimate €400 - €500 -
104 - Auguste Delâtre (1822-1907) La Mine (Montmartre). 1856. Etching. 201 x 132. I.F.F. 1 [3]. Very fine proof on thin ivory laid paper, signed in pencil. Small remnants of the miter at the head of the folio. Good margins.
Result €230Estimate €120 - €150 -
105 - Eugène Delâtre (1864-1938) Views of Montmartre: Basilique du Sacré-Cœur; Moulin Debray; L'Abreuvoir Montmartre; La Rue des Saules; Rue Norvins (2 épr.); Ferme de la rue Constance... 1906-1909. Etching and drypoint. Each approx. [220 x 300]. Fine proofs on laid paper, all (except 2) with Eug. Delâtre watermark. Slight dusting or traces of oxidation. Full margins (except for 2 plates). Ens. 9 p. Plates for Jean Faber, Le Vieux village de Montmartre, E.-F. d'Alignan, 1920.
Result €409Estimate €150 - €180 -
106 - Maurice Denis (1870-1943) Jeune fille à sa toilette, or Jeune fille se coiffant. 1895. Lithograph. 325 x 530. Cailler 87; Johnson 29. color print. Fine proof on glazed vellum, signed and numbered in pencil. Short handling creases at edges. Short creases, a few small tears and accidents at foot. Full margins. Edition of 100 proofs. A. Vollard ed.
Estimate €600 - €800 -
107 - André Derain (1880-1954) Female bust facing right, head resting on left arm. Circa 1927. Lithograph. 495 x 430. Adhémar 76-1. Very fine and fresh proof on white vellum watermarked "J Perrigot Arches", the stone indentation very visible, signed in pencil, and annotated by the publisher H. M. Petiet along the lower left edge: "Tiré à 25 épreuves, n° 17". Full margins.
Result €576Estimate €400 - €500 -
108 - André Derain (1880-1954) Female bust facing left, long hair. Circa 1927. Lithograph. 650 x 405. Adhémar 76-2. Very fine proof on strong white vellum, signed in pencil, and annotated by the publisher H. M. Petiet along the lower left edge: "Tiré à 25 épreuves, n° 8" (inscription almost faded). Remains of gummed paper along upper edge verso. Short broken fold along upper right edge. Minor soiling and dusting to edges of folio. Full margins.
Result €576Estimate €400 - €500 -
109 - André Devambez (1867-1944) Histoire de la petite Tata et du gros Patapouf (Pl. 8 of the Falières Phosphatine Tales advertising series). 1904. Photomechanical process. 395 x 555. Ménégoz 250, printed in color. Reunion of 2 very fine proofs on glazed vellum, one sheet-fed, filled, the other lined on bristol, with minor accidents and holes at fold intersections. Joint: Contes 5 and 13 from the same series, by A. Willette and A. Guillaume respectively. Photomechanical process. 400 x 555. Color p
Result €384Estimate €150 - €180 -
110 - André Dignimont (1891-1965) A large lot of illustrations and various subjects for E. Bove, Colette, F. Carco... Etching; drypoint; woodcut; lithography; reproductions of drawings; book defets. Good proofs, many as trial proofs with extensive annotations in pencil for the print run, some signed. Attached: an original Indian ink wash drawing, stamped. Ens. 150 p. approx. (one small box).
Result €192Estimate €150 - €180 -
111 - Kees van Dongen (1877-1968) Short Hair. 1924. Lithograph. 205 x 345. Juffermans L 8C. Good proof on cream vellum, washed and re-glued. Some very light persistent foxing. Full margins. Publisher's stamp Frapier (Lugt 2921e). Dry stamp: Galerie des Peintres-Graveurs Paris (Lugt 1057b).
Result €1,280Estimate €1,200 - €1,500 -
112 - Kees van Dongen (1877-1968) Young girl with downcast eyes. Circa 1929. Lithograph. Sight: 490 x 650. Juffermans L 16. Very fine proof on ivory vellum. Scattered light foxing. Full margins. Framed.
Result €9,984Estimate €3,000 - €4,000 -
113 - Kees van Dongen (1877-1968) (after) The Pink Shirt. 1930. Photogravure after the artist's painting. [377 x 506]. Printed in color. Good proof on cream vellum, detached and washed (with small whitish traces visible through transparency). Small vertical sinking line and short tear at upper left edge of folio. Good margins. Plate published for "Les Amis du Gagne-Petit".
Result €384Estimate €300 - €400 -
114 - Raoul Dufy (1877-1953) L'Amour. 1910-1911. Woodcut. 310 x 305. Pernoud, L'Estampe des Fauves, p. 88. A very fine japon proof, signed in pencil and numbered at the foot by H. M. Petiet. Two small pieces of adhesive at the head of the verso leaf. A few tiny traces of folding and marginal foxing. Full margins. Edition of 100 proofs.
Result €768Estimate €600 - €800 -
115 - Raoul Dufy (1877-1953) L'Amour. 1910-1911. Woodcut. 310 x 305. Pernoud, L'Estampe des Fauves, p. 88. Very fine proof on ivory laid paper watermarked "richard de bas", from a print run circa 1950, unsigned. Light traces of dusting and oxidation at the edges of the sheet. Full margins.
Result €320Estimate €300 - €400 -
116 - Raoul Dufy (1877-1953) The Dance. 1910-1911. Woodcut. 318 x 310. Pernoud, L'Estampe des Fauves, p. 88. A very fine proof on japon, signed in pencil and numbered at the foot by H. M. Petiet. A few fine traces of folding, notably in the lower left corner and right margin. Full margins. Edition of 100 proofs.
Result €640Estimate €600 - €800 -
117 - Raoul Dufy (1877-1953) Fishing. 1910-1911. Woodcut. 400 x 320. Pernoud, L'Estampe des Fauves, p. 88. A very fine proof on japon, signed in pencil and numbered at the foot. A few short traces of folding (notably in the upper right-hand corner of the folio) and marginal foxing. Full margins. Edition of 100 proofs.
Result €768Estimate €600 - €800 -
118 - Raoul Dufy (1877-1953) Fishing. 1910-1911. Woodcut. 400 x 320. Pernoud, L'Estampe des Fauves, p. 88. Very fine proof on ivory laid paper watermarked "richard de bas", from a print run circa 1950, unsigned. Light traces of dusting and oxidation, minor soiling to the edges of the folio. Full margins.
Estimate €300 - €400 -
119 - Raoul Dufy (1877-1953) The Hunt. 1910-1911. Woodcut. 642 x 210. Pernoud, L'Estampe des Fauves, p. 88. A very fine proof on japon, signed in pencil and numbered at the foot. Two fine long median broken folds, one oblique across the lower margin, one vertical in the center at the head, another at lower right below the signature. Dusting, traces of folding and foxing at the edges of the folio. Full margins. Edition of 100 proofs.
Result €832Estimate €600 - €800 -
120 - Raoul Dufy (1877-1953) Three bathers in front of the port of Sainte-Adresse. Circa 1925. Lithograph. 370 x 520. Fine proof on heavy cream laid paper, numbered and signed in pencil, the stone indentation very visible. Fine band of oxidation at the edges of the sheet, more marked on the right and at the head. Full margins. Edition of 50 proofs.
Result €512Estimate €400 - €500 -
121 - Henri Fantin-Latour (1836-1904) The Poet and the Muse. 1883. Lithograph. 185 x 315. Hédiard-Mason 45. Very fine proof on chine appliqué, from the 1st state (of 2) before Lemercier's address, signed in black stone. Annotation in ink-pen at left foot. Short handling creases and tiny tears at the edges of the folio. Small hole in lower margin. Full margins. Very rare. Edition of 7 or 8 proofs of this state. Edition of 25 proofs.
Estimate €400 - €500 -
122 - Henri Fantin-Latour (1836-1904) To Berlioz (small pl.). 1895. Autograph. 160 x 253. Hédiard-Mason 120. Fine proof on chine volant, with the musical staff, the word "Lélio" and the 2nd lithographed signature, from the 3rd state (of 4), before the title and the name of the printer, from the deluxe edition of the magazine L'artiste (February 1895), dedicated in pencil "a M. J. Claretie / 'Les Maîtres Artistes'". Light scattered foxing. Good margins. Study for Eve. 1898. Lithograph. 122 x 180. H�
Result €576Estimate €400 - €500 -
123 - Léonard-Tsuguharu Foujita (1886-1968) Woman with cat. 1927. Etching. 448 x 352. Buisson 27.78. Fine proof on strong ivory vellum, from a modern print by the Chalcographie du Louvre. Tiny white dots in the subject, caused by printing. Fine margins.
Result €128Estimate €150 - €180 -
124 - Léonard-Tsuguharu Foujita (1886-1968) Bust of a woman (Jacqueline). 1930. Etching. Sight: 355 x 395. Buisson 30-47. Fine japon proof, numbered and signed in pencil. Some light foxing. Margins. Edition of 100 proofs. Galerie Lucie Weill éd. The model is Jacqueline Barsotti-Goddard, then 16 years old, who frequented Parisian bohemia and whom Foujita made his favorite model at the time, as he loved her Greek profile. He made several studies and portraits of her. She was also a model for Picasso,
Result €960Estimate €1,000 - €1,200 -
125 - Jean Frélaut (1879-1954) Mériadec, cloudy sky. 1922. Drawing. Indian ink wash, watercolor and graphite on white wove paper. [310 x 255]. Signed and dated "1922" in black stone, lower left. Annotated lower right in pen: "à Jean Claude Romand / son vieil ami / 7 juin 54" and re-signed. Titled on verso in black stone, top left.
Result €448Estimate €300 - €400 -
126 - Docteur Paul Gachet (pseudonym: Paul van Ryssel) (1828-1909) Boats from Berck (Pas-de-Calais). 1873. Etching. 147 x 110. Very fine proof printed in blue-gray on "Van Gelder" watermarked ivory laid paper, stamped (Lugt 1195b), signed with a large pen and ink initials in the lower margin and titled along the lower edge. Slight oxidation at the edges of the folio. Faint traces of soft folds. Full margins.
Result €2,304Estimate €600 - €800 -
127 - Docteur Paul Gachet (pseudonym: Paul van Ryssel) (1828-1909) Winter landscape. Circa 1873. Etching. 110 x 135. Fine proof on ivory laid paper, annotated in pencil in the lower left corner "6e ? [condition]". Heavy traces of oxidation at margins and verso (offset from another paper). Oxidation to lower edge of folio. Full margins.
Result €576Estimate €300 - €400 -
128 - Docteur Paul Gachet (pseudonym: Paul van Ryssel) (1828-1909) Madame Gachet at the piano. 1873. Etching. 150 x 180. Very fine proof on ivory laid paper watermarked "Van Gelder". Minimal oxidation to the edges of the folio. Full margins.
Result €512Estimate €300 - €400 -
129 - Docteur Paul Gachet (pseudonym: Paul van Ryssel) (1828-1909) La Diva. 1873. Etching and drypoint. 115 x 142. Very fine proof on ivory laid paper watermarked "Van Gelder". Full margins.
Result €256Estimate €200 - €300 -
130 - Pierre Gatier (1878-1944) The Prix de Diane. 1911. Etching and aquatint. 530 x 378. Gatier 85. Color print. Fine proof on strong ivory vellum, signed in black stone, oxidized, with heavy marginal foxing. Band of gummed kraft around the perimeter of the verso sheet. Full margins. Edition of 120 proofs. Dry stamp: Cercle de la Librairie (Lugt 438).
Result €384Estimate €400 - €500 -
131 - Marie Gautier (1867-1960) Beach (Wimereux). Circa 1900. Soft varnish. 250 x 100. Color print. Fine proof on japon, signed and annotated "épreuve d'Artiste" in pencil, slightly oxidized. Margins. Framed.
Estimate €300 - €400 -
132 - Marie Gautier (1867-1960) Young violinist. Soft varnish. [175 x 270]. Printed in bistre. Good proof on japon vergé, signed in pencil. Broken folds at upper left edge of folio. Small irregular margins.
Estimate €150 - €180 -
133 - Norbert Goeneutte (1854-1894) The Witch, or Departure for the Sabbath. Before 1888. Etching. 140 x 260. Duvivier 183. Very fine proof printed in bistré black on ivory laid paper. Slight trace of oxidation (from an old paper clip) in upper margin. All margins.
Result €192Estimate €180 - €200 -
134 - Juan Gris (1887-1927) Still life. 1922. Stencil in color. [322 x 244]. Very fine proof on ivory glazed vellum. Very slight crease broken in the lower left corner. Full margins. Plate offered as a bonus to subscribers by the magazine L'Esprit Nouveau on the occasion of New Year's Day 1923.
Result €768Estimate €500 - €600 -
135 - Henri Guérard (1846-1897) The Rabbits. Before 1892. Woodcut. 230 x 328. Bertin 338. Good proof on strong ivory vellum, numbered and signed in pencil. Several long vertical marginal tears, consolidated on verso. Scattered traces of folding and foxing. Large loss in upper left corner. Edition of 100 proofs. Dry stamp: L'Estampe originale (Lugt 819).
Estimate €800 - €1,000 -
136 - Paul César Helleu (1859-1927) Young Woman with Fur Collar and Large Hat. Drypoint. 295 x 395. Color print. Very fine proof on white vellum, signed in pencil. Scattered light foxing. Full margins. Framed.
Result €1,280Estimate €1,000 - €1,200 -
137 - Paul César Helleu (1859-1927) Young woman with muff and large hat. Drypoint. 290 x 392. Printed in color. Very fine proof on white vellum, signed in pencil. Scattered light foxing. Full margins. Framed.
Result €768Estimate €600 - €800 -
138 - Paul César Helleu (1859-1927) The Blue Knot. Drypoint. 335 x 545. Printed in color. Good proof on strong white vellum, signed in black stone, heavily washed and restored. A long restored tear in the left margin (reopening), several scattered restored tears and accidents. Two strong bands of epidermis above the subject in the upper margin. Full margins.
Result €768Estimate €600 - €800 -
139 - Paul César Helleu (1859-1927) Madame Letellier. Drypoint. 338 x 555. Printed in color. Good proof on strong white vellum, signed in black stone, heavily washed and restored. Two strong bands of epidermis above the subject in the upper margin. Persistent heavy marginal soiling. Full margins.
Result €768Estimate €600 - €800 -
140 - Paul César Helleu (1859-1927) Portrait of a Bearded Man (Monsieur Marnier). Drypoint. 175 x 220. A very fine proof on strong white vellum, signed in pencil. Some light scattered foxing. Full margins.
Result €2,304Estimate €180 - €200 -
141 - Hermann-Paul (René-Georges Hermann, dit) (1864-1940) Fables. 1925-1926. Woodcut. Each [330 x 250]. Complete suite of 13 plates. Very fine proofs on thin white vellum, numbered and signed in pencil. Caption in pencil lower right on verso. Slight crease broken in the lower right corner of 2 plates. Full margins. These subjects were reproduced in Candide, Grand Hebdomadaire Parisien et Littéraire (1925-1926).
Result €320Estimate €200 - €300 -
142 - Prosper-Alphonse Isaac (1858-1924) Three chicks. Before 1919. Woodcut. [150 x 230]. Vabre 171. Japanese-style watercolor print. A very fine proof on japon vergé, bearing the swastika in red in the lower right-hand corner. Full margins. A native of Calais, Isaac was one of the leading proponents of Japanese-style woodcutting in Parisian circles in the 1900-1920s. He learned the art himself from Japanese engravers who had come to Europe, such as Urushibara, and in turn taught these techniques t
Result €832Estimate €300 - €400 -
143 - Prosper-Alphonse Isaac (1858-1924) Mouse and pea pod. Before 1912. Woodcut (in collaboration with Noguchi). [188 x 85]. Vabre 123. Japanese-style watercolor print. A very fine proof on japon vergé, bearing the swastika in black at lower left. Small margins. A native of Calais, Isaac was one of the leading proponents of Japanese-style woodcutting in Parisian circles from 1900-1920. He learned the art himself from Japanese engravers who had come to Europe, such as Urushibara, and in turn taught
Result €832Estimate €300 - €400 -
144 - Prosper-Alphonse Isaac (1858-1924) Japanese teapot and cup. Before 1912. Woodcut. [200 x 150]. Vabre 105. Japanese-style watercolor print. A very fine proof on ivory laid paper, with the swastika in black in the lower right-hand corner. Full margins. Joint: Rooster, Coptic motif (letterhead?). Woodcut. [152 x 205]. Vabre 219. Printed in red. Very fine proof on ivory laid paper, bearing the swastika in black below the subject. Ens. 2 p. A native of Calais, Isaac was one of the promoters of Japa
Result €384Estimate €300 - €400 -
145 - Francisco Itturino (Spanish, 1864-1924) El Descanso (The Rest). Circa 1910. Etching and aquatint. 295 x 197. Basanano and Durana 58. Very fine proof printed in brown on ivory laid paper, signed in pencil and annotated "1er épreuve" then numbered "1/10". Small trace of oxidation around the subject. Full margins.
Result €345Estimate €300 - €400 -
146 - Louis Jou (1882-1968) Nude woman with pearl necklace. Circa 1930-1940. Indian ink drawing (brush and wash), on gray-beige laid paper [580 x 760], signed in the lower left corner. Small undulations at the edges of the sheet.
Result €64Estimate €150 - €180 -
147 - Louis Jou (1882-1968) Nude three-quarter-length woman, half-body toward the left. Circa 1930-1940. Indian ink drawing (brush and wash), on gray-beige laid paper [580 x 760], signed in the upper right corner. Small undulations at the edges of the sheet. Joint : Brown woman with long hair, right hand at her neck. Same condition. Tear 80 mm above signature lower right. Ens. 2 p.
Result €64Estimate €300 - €400 -
148 - Jean-Émile Laboureur (1877-1943) The Butcher Shop. 1899. Woodcut. 238 x 238. Laboureur 601. Very fine proof on cream vellum, printed in 1902, signed in blue pencil and numbered "10" in the lower left corner of the sheet. Inscription faded under the signature. Light trace of oxidation at left edge. Full margins. Ex-coll. H. M. Petiet (Lugt 5031).
Result €512Estimate €200 - €300 -
149 - Jean-Émile Laboureur (1877-1943) The Bar in Pennsylvania. 1904. Woodcut. 194 x 198. Laboureur 618 bis. Perfect proof on "Johannot" watermarked white vellum, crab-stamped and numbered in pencil, from the posthumous edition (1988) of 55 proofs for a portfolio published on the occasion of the publication of the catalog raisonné of the works of J.-É. Laboureur by Sylvain Laboureur. Provenance: Sylvain Laboureur (1927-2010), son of the artist (mounting from his collection with annotations in hi
Result €448Estimate €300 - €400 -
150 - Jean-Émile Laboureur (1877-1943) Portrait - Marie Laurencin. 1914. Woodcut. 216 x 249. Laboureur 707. Very fine proof on white vellum, signed and numbered in pencil. Slight traces of folding at the upper edge of the sheet. Slight trace of oxidation in the upper left quarter. A spot of rust in the left margin. Full margins. Edition of 45 proofs.
Result €1,088Estimate €400 - €500 -
151 - Jean-Émile Laboureur (1877-1943) The Walk to the Lighthouse. 1925. Burin. 180 x 168. Laboureur 302. Very fine proof on thin white vellum, signed by the artist and justified by the publisher. Short trace of fold along the left edge. All margins untrimmed. Final edition of 70 proofs. Dry stamp: H. Petiet éditeur (Lugt 2021a).
Result €704Estimate €150 - €180
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday, November 29, 2023 at 2 pm
Public viewing:
Salle des ventes Favart - 3, rue Favart 75002 Paris
Monday November 27, 10 am to 6 pm
Tuesday, November 28, 10 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
Terms of sale
Show the terms of sale
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RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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