A Collection: Pont-Aven, symbolistes et nabis - Prints and Drawings - PART 1
Wednesday 20 September 2023 at 14:30
3, rue Favart, 75002 Paris
199 lots
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101 - Émile Bernard (1868-1941) Saint Francis of Assisi. Circa 1895. Lithograph. [570 x 410]. Morane 51. Very fine proof on white laid paper, uncolored, with small purple signature stamp. Dusting and minor foxing to the edges of the folio. Full margins. Stamp R. T. Joint : same subject. Proof on thin beige vellum, with columns of text on either side of the subject ("Complainte sur l'air du Juif errant"), watercolored by the artist, lined on vellum (with numerous undulations caused by the lining). Mi
Estimate €200 - €300 -
102 - Émile Bernard (1868-1941) The Nativity of N. S. Jesus Christ. Lithograph. [465 x 635]. Morane 53. Very fine proof on thin ivory vellum, uncolored. Full margins. Stamp R. T. Joint: La Vierge aux saintes. 1895. Lithograph. [465 x 635]. Morane 39. Same condition. 2 proofs. Small wormholes in left margin. 3 p. set.
Result €102Estimate €200 - €300 -
103 - Émile Bernard (1868-1941) The Annunciation. 1899. Lithograph. [630 x 463]. Morane 57. Fine proof on thin beige vellum, watercolored by the artist (the purple is slightly faded). Trace of oxidation around the subject. Small accidents, folds and missing edges. Full margins. Stamp R. T. This print appeared in the exhibition Cent ans d'estampes en Bretagne, Le Faouët, 1998 (reproduced in the catalog under no. 152).
Result €384Estimate €200 - €300 -
104 - Émile Bernard (1868-1941) The Beheading of Saint Denis. Lithograph. 268 x 325. Morane 58. Fine proof on white vellum, probably washed. Small traces of glue along edges on verso, with a few small tears. Good margins. Stamp R. T. Joint: Adam and Eve I. Etching. 95 x 170, Morane 77. Sanguine proof on japon. Maculatures from another proof in the margins. Inscription in ballpoint pen at top right on verso. All margins. Stamp R. T. Set. 2 p.
Estimate €150 - €180 -
105 - Émile Bernard (1868-1941) Ronsard (Pierre de). Les Amours. Cinquante sonnets. Paris, A. Vollard ed. 1915. One vol. in-fol. [250 x 335] in sheets, illustrated with 16 off-text etchings and aquatint engravings in brown and black. Text and woodcuts printed in brown. Morane 95. Occasional brown spots on a few rare text pages. Illustrated dust jacket, hardback and slipcase (slightly faded). One of 200 numbered ordinary copies on Hollande, from a total edition of 250. Stamp R. T.
Result €1,408Estimate €1,000 - €1,200 -
106 - Émile Bernard (1868-1941) Hercules and a nymph. Illustration for P. de Ronsard. Les Amours. Cinquante sonnets. Paris, A. Vollard ed. 1915. Etching. 198 x 278. Morane 95. Reunion of 3 very fine, fresh proofs of the same subject in sanguine, 2 on japon nacré, one of which with red signature stamp, 1 on white vellum. Full margins. Joint: same subject and another. Etching. 195 x 277. Fine proofs printed in brown on cream vellum. Rousseurs mainly on verso and marginal oxidation bands. Full margins
Estimate €200 - €300 -
107 - Émile Bernard (1868-1941) Illustrations for Homère, L'Odyssée. Paris, A. Vollard, 1930. Woodcut. 168 x 236. Morane 101. Reunion of 8 very fine proofs on japon nacré, 4 in black and 4 enhanced by the artist with a sepia wash, from the first edition of 25 proofs. Some rare foxing. Full margins. Total edition 165 copies.
Result €448Estimate €600 - €800 -
108 - Émile Bernard (1868-1941) Illustration for V. Hugo, La Fin de Satan. Paris, Le Livre contemporain, 1935. Etching and aquatint. 250 x 350, Morane 102. Reunion of 3 successive state proofs, the first two on chine volant, signed in pencil, the last on strong ivory vellum watermarked "Le Livre Contemporain", with scattered light foxing. All margins. Stamp R. T.
Result €576Estimate €600 - €800 -
109 - Émile Bernard (1868-1941) Illustrations for V. Hugo, La Fin de Satan, Paris, Le Livre contemporain, 1935. Etching and aquatint. 248 x 350, Morane 102. Reunion of 9 fine proofs on strong ivory vellum watermarked "Le Livre Contemporain", with red signature stamp. Scattered foxing to some. All margins.
Result €640Estimate €800 - €1,000 -
110 - Émile Bernard (1868-1941) Illustrations for V. Hugo, La Fin de Satan, Paris, Le Livre contemporain, 1935. Etching and aquatint. 248 x 350, Morane 102. Reunion of 4 proofs of the 1st state (of 3), on chine volant, signed in pencil. All margins. Very rare. Edition of 2 or 3 proofs of this state.
Result €768Estimate €600 - €800 -
111 - Émile Bernard (1868-1941) Illustrations for V. Hugo, La Fin de Satan, Paris, Le Livre contemporain, 1935. Etching and aquatint. 248 x 350, Morane 102. Reunion of 5 fine japon prints, black-stamped with the signature. Two pieces of adhesive in the margins on the recto to one fold. Short handling creases. All margins.
Result €448Estimate €500 - €600 -
112 - Émile Bernard (1868-1941) Menu for the company "Le Livre contemporain", dinner on June 25, 1935. 1935. Filled vellum folio illustrated with an engraving. Etching and aquatint. 248 x 345. Marginal oxidation bands and some foxing. Full margins. Stamp R. T.
Estimate €120 - €150 -
113 - Émile Bernard (1868-1941) Various illustrations (notably for F. Villon, Œuvres, Paris, A. Vollard, 1918; Les Petites fleurs de saint François, ibid., 1928). Woodcuts. Various formats. Fine proofs on various papers. One subject with red signature stamp. Full margins. Set of 12 p.
Result €256Estimate €300 - €400 -
114 - Émile Bernard (1868-1941) (after) Brandemart weeps. 1955. Photomechanical process from a drawing by the artist. 300 x 400 Morane 37 bis. Fine watercolor proof on ivory vellum, stamped with the artist's signature. Full margins. Edition of 200 proofs (under the misleading name of "bois gravé"). Dry stamp: Guilde de la Gravure (Lugt 4670).
Estimate €120 - €150 -
115 - Jules Chadel (1870-1941) Douarnenez, sailboat. 1924. Woodcut. 150 x 220. Perfect proof printed in brown cameo on straw-yellow thin laid japan, numbered and signed in pencil. Full margins. Edition of 160 proofs. Dry stamp: Société de la Gravure sur Bois Originale (Lugt 1140a). Stamp R. T.
Result €614Estimate €150 - €180 -
116 - Francis Brooks Chadwick (American, 1850-1943) Portrait of Emma Löwstadt-Chadwick, wife of the artist. Circa 1900. Charcoal drawing on cream vellum. Sight : 307 x 422. Signed in pen and ink along the model's right shoulder. Other signature (amputated by a rectification of the left margin) a little further down. Light foxing and slight traces of folding. Stamp R. T. stamp on mount. Emma Chadwick (1855-1932), born Löwstadt in Stockholm, was herself a painter and engraver. She was a member of th
Result €1,664Estimate €300 - €400 -
117 - Francis Brooks Chadwick (American, 1850-1943) Portrait of a moustachioed man in profile. Drawing. Pen, India ink and wash on thin laid paper. [205 x 265]. Signed in black stone along the shoulder at an angle. Stamped R. T. Joint: Emma Chadwick-Löwstadt (1855-1932) (attributed to). Street in Quimperlé. 1890. Drawing. Graphite on ivory wove paper. [176 x 225]. Annotations lower right. Stamp R. T. Set. 2 p. Provenance: estate of artist Francis Brooks Chadwick (1850-1943).
Result €1,920Estimate €150 - €180 -
118 - Francis Brooks Chadwick (American, 1850-1943) Study of a pine tree. Etching. 228 x 360. Fine japon proof, signed in pencil. Traces of folds, minor soiling and oxidation to the edges of the folio. Full margins. Stamp R. T.
Result €448Estimate €120 - €150 -
119 - Ernest Ponthier de Chamaillard (1862-1931) View of Pont-Aven. Circa 1890-1900. Watercolor on vellum. À vue : 210 x 275. Signed lower left "chamaillard" in pen and sepia ink. Framed. On verso, exhibition label: "1894, le cercle de Gauguin en Bretagne, musée de Pont-Aven, juin-septembre 1994".
Result €704Estimate €600 - €800 -
120 - Marie-Renée Chevallier-Kervern (1902-1987) Calvary of Plougastel-Daoulas. Woodcut. 215 x 280. Very fine proof on thin vellum, enhanced with gouache, signed in pen and ink. Oxidation of the folio. Small margins. Joint: Santes Anna ar Palue. Woodcut. 195 x 205. Very fine proof on thin vellum, enhanced with gouache. Anonymous. St Erwan ; Shellfish gatherers. Woodcut. The 1st enhanced with gouache. Stamp R. T. to all. Set of 4 p.
Result €640Estimate €200 - €300 -
121 - Albert Clouard (1866-1952) Oratoire de Saint-Guirec à Ploumanac'h (full moon); Sunrise on Devil's Rock. Circa 1900. Lithograph. Each 390 x 230, printed in color. Very fine proofs on ivory glazed vellum, pasted in full on cardboard, mounted together under a single passe-partout. Tiny tears at the edges of the leaves. Stamp R. T.
Result €704Estimate €300 - €400 -
122 - Paul-Émile Colin (1867-1949) Cup of goëmon ash. 1913. Etching. 365 x 256. Reunion of a proof of the 1st state, annotated and signed in pencil, and a proof of the final state, on laid paper watermarked "Eug. Delâtre". Light foxing to the 1st. Full margins. Stamp R. T. Set. 2 p. This subject, under the title Brûleurs de goémon, is said to be missing from the collections of the Bibliothèque nationale (Inventaire du fonds français, t. V, p. 101).
Result €384Estimate €150 - €180 -
123 - Charles Cottet (1863-1925) Boats in a grain. 1907. Drawing. Charcoal and graphite on buff wove paper. [448 x 280]. Signed lower left and dated right "Janvier 07". Small gap filled at left edge. Traces of glue in the corners on verso. A few short tears and minor damage to edges. Stamp R. T. This drawing was included in the exhibition Charles Cottet, Le Savoyard, peintre voyageur, Évian, 2000.
Result €448Estimate €300 - €400 -
124 - Charles Cottet (1863-1925) Bretonnes sur le quai. 1894; Au pays de la mer - Soir orageux, des gens passent. 1897. Zinc print; lithograph. 220 x 162 and 203 x 150. Morane 1 and 3. Fine proofs, the 1st on thin ivory glazed vellum, from the print run for Revue blanche, the 2nd on chine appliqué, from the print run for L'Artiste. Upper edge slightly ragged on the 1st. Good margins. Stamp R. T. Set. 2 p. These subjects were included in the exhibition Charles Cottet, Le Savoyard, peintre voyageur,
Result €281Estimate €180 - €200 -
125 - Charles Cottet (1863-1925) On the banks of the Nile. 1895. Lithograph. 315 x 235. Morane 2. Color print. Very fine and fresh proof, one of 20 on japon, with remark, annotated in pen and ink "Epreuve n° 15" and signed in pencil. Full margins. Ordinary edition of 100 proofs for a Peintres-Lithographes album. Stamp R. T.
Estimate €300 - €400 -
126 - Charles Cottet (1863-1925) On the banks of the Nile. 1895. Lithograph. 278 x 232. Morane 2. Color print. A very fine, fresh proof on cream laid paper, from the regular edition of 100 proofs for a Peintres-Lithographes album. Slight dusting at the foot of the folio. Full margins. Stamp R. T.
Estimate €150 - €180 -
127 - Charles Cottet (1863-1925) Ouessantine woman in mourning cape. Lithograph. 200 x 265. Morane 5. Very fine proof on chine volant, with remark (sailing boat), numbered in pencil (edition announced at 20 proofs, this proof cited by Morane). Slight trace of median vertical fold. Full margins. Stamp R. T. Joint: Bretonnes sur le quai. Zinc print. 220 x 162. Morane 1. Very fine proof on thin ivory vellum, from the edition for the Revue blanche. Full margins. Stamp R. T. Set. 2 p.
Result €128Estimate €180 - €200 -
128 - Charles Cottet (1863-1925) Fishing boats, setting sun. Etching, drypoint and sandpaper. 495 x 395. Morane 7. Fine proof printed in brown on cream laid paper, numbered and signed in pencil. Scattered light foxing and small white spots (mold). A few short tears at the edges of the folio. All margins untrimmed. Stamp R. T.
Result €256Estimate €400 - €500 -
129 - Charles Cottet (1863-1925) Fishing boats, setting sun. Etching, drypoint and sandpaper. 495 x 395. Morane 7. Fine proof printed in bluish black on cream laid paper, the sky blurred, numbered, dedicated "à Mr Raymond Bourges (?) Bien cordialement" and signed in pencil. A few small fractures and holes in the subject. Scattered heavy foxing. Small russeted moisture spots at the foot. Two traces of oxidized adhesive at head on verso. Good margins (slightly reduced). Stamp R. T.
Result €409Estimate €400 - €500 -
130 - Charles Cottet (1863-1925) Fishing boats in the harbor, or Les Filets, evening ray. Etching, drypoint and aquatint. 297 x 237. Morane 10. color print (bluish-green version). Very fine proof on ivory laid paper, numbered and signed in black stone. Light trace of oxidation at the opening of an old mount. Minor foxing. Short tear at foot. All margins untrimmed. Edition of 150 proofs. Stamp R. T. This print was included in the exhibition Charles Cottet, Le Savoyard, peintre voyageur, Évian, 2000.
Result €512Estimate €400 - €500 -
131 - Charles Cottet (1863-1925) Marine, or Boat in the Moonlight. Drypoint. 168 x 120. Morane 12. Very fine proof printed in brown on ivory laid paper. Full margins. Ex-coll. C. de Woznicki (Lugt 1652a). Stamp R. T. Portrait of Ch. Cottet. Etching by R. Ménard (after his 1896 painting in the Musée d'Orsay). [200 x 280]. Fine proof on japon fort. Stamp R. T. Set. 2 p.
Result €320Estimate €150 - €180 -
132 - Charles Cottet (1863-1925) Fishermen fleeing the storm. Etching, drypoint and soft varnish. 298 x 234. Morane 18, printed in color. Very fine proof on cream laid paper watermarked "Arches", numbered and signed in black stone. Scattered light foxing and a light trace of marginal oxidation. All margins untrimmed. Edition of 100 proofs. Stamp R. T.
Result €2,432Estimate €400 - €500 -
133 - Charles Cottet (1863-1925) Fishermen fleeing the storm. Etching, drypoint and soft varnish. 298 x 234. Morane 18, printed in color. Very fine proof on cream vellum, numbered and signed in black stone. Short broken folds along right edge. All margins untrimmed. Edition of 100 proofs. Dry stamp: Georges Petit éditeur (Lugt 2022). Stamp R. T. This print was featured in the exhibition Cent ans d'estampes en Bretagne, Le Faouët, 1998.
Result €1,664Estimate €400 - €500 -
134 - Charles Cottet (1863-1925) The Old Horse on the Heath. Etching and aquatint. 180 x 125. Morane 19. Fine trial proof on straw-yellow vellum, printed on two plates, with slight misregistration. Dusting, soiling and fingerprints in margins and verso. All margins. Stamp R. T.
Estimate €180 - €200 -
135 - Charles Cottet (1863-1925) The Old Horse on the Heath. Etching. 179 x 125. Morane 19. Very fine proof on strong ivory vellum, of the line plate alone. Full margins. Stamp R. T.
Estimate €150 - €180 -
136 - Charles Cottet (1863-1925) Woman in the greenhouse. 1905. Etching and drypoint. 167 x 112. Morane 34. Very fine proof on ivory vellum. Heavy light foxing under the subject. All margins untrimmed. Edition of 35 proofs. Stamp R. T.
Result €320Estimate €300 - €400 -
137 - Charles Cottet (1863-1925) Young girl with a large bun. 1905. Etching and drypoint. 167 x 112. Morane 37. Very fine proof on ivory vellum. All margins untrimmed. Stamp R. T.
Result €384Estimate €300 - €400 -
138 - Charles Cottet (1863-1925) Two children's heads. Etching, drypoint and sugar aquatint. 167 x 112. Morane 43. Very fine proof on ivory vellum. Very light freckling under the subject. All margins untrimmed. Edition of 35 proofs. Stamp R. T.
Estimate €300 - €400 -
139 - Charles Cottet (1863-1925) Marine mourning. Etching. 418 x 310. Morane 46. Very fine proof printed in black on "arches" watermarked ivory laid paper, numbered and signed in black stone. Extensive foxing, mostly visible on verso. Full margins. Edition of 100 proofs in black, plus 100 in color. Stamp R. T.
Result €204Estimate €200 - €300 -
140 - Charles Cottet (1863-1925) Marine mourning. Etching and aquatint. 415 x 308. Morane 46, printed in color. Fine proof on cream laid paper, numbered and signed in pencil. Numerous scattered light freckles. Trace of oxidation at the opening of an old passe-partout. Full margins. Edition of 100 color proofs, plus 100 black proofs. This print was included in the exhibition Cent ans d'estampes en Bretagne, Le Faouët, 1998 (reproduced in the catalog under no. 194).
Result €704Estimate €600 - €800 -
141 - Charles Cottet (1863-1925) Office du soir (grande pl.), or Low Mass in winter (Ouessant). Circa 1905-1910. Etching, aquatint and roulette. 408 x 308. Morane 47. Color print. A very fine, fresh proof on ivory laid paper, numbered and signed in pencil. Tiny depression under the subject and light dusting. Full margins. Edition of 100 proofs. Stamp R. T. This print was included in the exhibition Charles Cottet, Le Savoyard, peintre voyageur, Évian, 2000.
Result €896Estimate €600 - €800 -
142 - Charles Cottet (1863-1925) Office du soir (petite pl.), or Low Mass in Winter (Ouessant). Etching and aquatint. 180 x 120. Morane 48. Very fine proof printed in bistré black on heavy ivory wove paper, dedicated in pencil "à Paul Allard cordialement" and signed. Full margins. Stamp R. T.
Result €281Estimate €180 - €200 -
143 - Charles Cottet (1863-1925) Sisters of the Holy Spirit around a coffin. Etching and aquatint. 415 x 327. Morane 49, printed in color. Very fine proof on ivory laid paper, numbered and signed in black stone. Slight oxidation when the passe-partout was opened. Some very light foxing. Full margins. Very rare. Stamp R. T. "This plate, which recalls Cottet's relationship with the Nabis group, is undoubtedly one of the artist's finest achievements in printmaking. Despite its theoretical print run of
Result €6,912Estimate €1,000 - €1,200 -
144 - Charles Cottet (1863-1925) Woman from Ouessant. Etching, drypoint and aquatint. 122 x 115. Morane 50. Very fine proof on ivory laid paper, from the edition for the Revue de l'art ancien et moderne (1922). Mitered right edge on verso. Full margins. Stamp R. T. This print was included in the exhibition Cent ans d'estampes en Bretagne, Le Faouët, 1998 (reproduced in the catalog under no. 201).
Result €102Estimate €120 - €150 -
145 - Charles Cottet (1863-1925) Douleur au pays de la mer, or Victims of the Sea. 1908. Etching. [677 x 540]. Morane 52, printed in color. A very fine proof on japon, one of 10 with a remark drawn in colored pencil (fishing flotilla), numbered and signed in pencil. Some foxing. Two small scuffs in upper margin. Good margins (slightly reduced). Ordinary edition of 150 proofs. Stamp R. T.
Result €1,024Estimate €600 - €800 -
146 - Charles Cottet (1863-1925) Douleur au pays de la mer, or Victims of the Sea. 1908. Etching. [650 x 545]. Morane 52, printed in color. Fine japon proof, one of 10 with pencil remarks (child with cap; fishing flotilla), numbered and signed in pencil, mounted on a frame (isorel). Minor light foxing and creases in the reduced margins. Ordinary edition of 150 proofs. Stamp R. T.
Result €537Estimate €400 - €500 -
147 - Charles Cottet (1863-1925) Les Feux de la Saint-Jean (small pl.) Etching and drypoint. 212 x 128. Morane 55. Fine proof on beige vellum, numbered and signed in pencil. Heavy oxidation at the opening of an old mount. Several small whitish spots (mold or glue) on the surface. Small epidermis in upper left corner on verso. Full margins. Stamp R. T.
Estimate €150 - €180 -
148 - Charles Cottet (1863-1925) Bretonne in mourning cape (Study for Les Feux de la Saint-Jean, Morane 54). 1908. Drawing. Black stone and red chalk on white vellum. [245 x 310]. Strong trace of oxidation at the opening of an old mount. Minor soiling to edges of folio. On verso, annotation in pencil: "... vente de la collection Bénédite, Hôtel Drouot 31 mai 1928, n° 69 du catalog ". Stamp R. T. recto and verso. Joint: Femme d'Ouessant; Bretonne en cape de deuil. Etching, the 1st with aquatint. 1
Result €768Estimate €600 - €800 -
149 - Charles Cottet (1863-1925) Bretonne in mourning cape. Etching. 125 x 128. Morane 57. Fine proof on cream vellum, from the edition for the Gazette des beaux-arts (1911). Remains of glue at head on verso. Full margins. Stamp R. T.
Estimate €100 - €120 -
150 - Charles Cottet (1863-1925) Sketch of a sailor wearing a beret. Etching, soft varnish and drypoint. 273 x 225. Morane 62. Very fine proof printed in bistré black on ivory laid paper, numbered and signed in black stone. Slight foxing and dusting. Small russet stain on upper edge. Full margins. Edition of 35 proofs. Stamp R. T. This print was included in the exhibition Charles Cottet, Le Savoyard, peintre voyageur, Évian, 2000.
Result €448Estimate €300 - €400
About the sale
Public auction:
Wednesday 20 and Thursday 21 September 2023 at 2:30 pm
Salle des ventes Favart
COLLECTION RONAN TABURET - PRINTS AND DRAWINGS - PONT-AVEN, NABIS, SYMBOLISM
Wednesday September 20 - 1st session: lots 1 to 199
Public exhibition:
Salle des ventes Favart
Monday 18 and Tuesday 19 September, 10 am to 6 pm
Expert :
Hélène BONAFOUS-MURAT
Tel: 0033 (0)1 44 76 04 32
In charge of the sale:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel.: 01 78 91 10 16
Assisted by Lucie GUILLAUME
lguillaume@ader-paris.fr
Terms of sale
Show the terms of sale
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L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en oeuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.