ANCIENT AND MODERN PRINTS
Thursday 25 May 2023 at 14:00
3, rue Favart, 75002 Paris
328 lots
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101 - Mary Cassatt (1844-1926) Lydia Reading, Turned toward Right. Circa 1881. Soft varnish, aquatint and drypoint. 110 x 177. Breeskin 63. grey print. Very nice and fresh proof on japan. Pinholes in the two lower corners. All margins. Ex-coll. A. H. Rouart (Lugt 4898). The Rouart family was close to the Impressionist painters, including Mary Cassatt. The painter Henri Rouart appeared alongside them in the 5th and 6th Impressionist exhibitions in 1880 and 1881. Alexis Rouart (1869-1921) bought sever
Result €3,328Estimate €1,000 - €1,200 -
102 - Mary Cassatt (1844-1926) Repose (Rest). About 1890. Drypoint. 167 x 230. Breeskin 132. Very nice proof on thin cream laid paper. Annotation "F" in pencil in the lower left corner in the hand of H. M. Petiet and numbering in his hand: "n° 36". Slight tear at the right edge of the sheet. All margins untrimmed. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €3,328Estimate €1,000 - €1,200 -
103 - Mary Cassatt (1844-1926) Tea (The Tea). About 1890. Drypoint. 150 x 180. Breeskin 133. A very fine proof printed in black with ground tint on thin cream laid paper. Annotation "I" in pencil in the lower left corner in H. M. Petiet's hand and numbering in his hand: "n° 38". All margins untrimmed. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €2,816Estimate €1,000 - €1,200 -
104 - Mary Cassatt (1844-1926) Helen of Septeuil, or The Child with a Parrot. About 1890. Drypoint. 155 x 237. Breeskin 134. A very fine proof on thin ivory laid paper watermarked "Van der Ley". Annotation "A" in pencil in the lower left corner in the hand of H. M. Petiet. All margins untrimmed. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €1,792Estimate €1,000 - €1,200 -
105 - Mary Cassatt (1844-1926) Quietude. About 1891. Drypoint. 171 x 258. Breeskin 139. Very fine proof on thin ivory laid paper with watermark (coat of arms, associated with "Van der Ley"). Annotation "M" in pencil in the lower left corner in the hand of H. M. Petiet. All margins untrimmed. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €3,200Estimate €1,000 - €1,200 -
106 - Mary Cassatt (1844-1926) The Barefooted Child. About 1898. Aquatint and drypoint. 320 x 240 [432 x 305]. Breeskin 160, printed in colors. Very nice proof on heavy cream laid paper, signed in pencil. Annotation "C" in pencil in the lower left corner in the hand of H. M. Petiet. A few small light freckles. All margins untrimmed (the upper one slightly irregular). Edition of 50 proofs. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €25,600Estimate €15,000 - €18,000 -
107 - Mary Cassatt (1844-1926) The Barefooted Child. About 1898. Aquatint and drypoint. 315 x 243 [360 x 275]. Breeskin 160. color print. Beautiful and rare proof on old laid paper (watermark: small coat of arms with letters), color variant of the edition, the slate blue background, without the pale yellow in the dress, the back of the chair pale green. Strong undulations due to the pressure at the printing. Some small holes and thinning inherent to the texture of the paper. A few short tears and smal
Result €5,120Estimate €5,000 - €6,000 -
108 - Mary Cassatt (1844-1926) The Barefooted Child. About 1898. Aquatint and drypoint. 317 x 243 [375 x 302]. Breeskin 160. color print. Beautiful and rare proof on old laid paper (watermark: small coat of arms with letters), color variant of the edition, the yellow-green bronze background, with the pale yellow in the dress, the back of the chair pale green. Strong undulations due to the pressure at the print. Numerous traces of folds including a vertical and a horizontal median very marked. Small ep
Result €6,400Estimate €5,000 - €6,000 -
109 - Mary Cassatt (1844-1926) By the Pond. Circa 1898. Aquatint and drypoint. 430 x 330 [485 x 398]. Breeskin 161. Printed in colors. Fine proof on thin cream laid paper watermarked "Van der Ley", signed with the initials in pencil. Annotation "E" in pencil in the lower left corner in the hand of H. M. Petiet. Several tears to the edges of the folio, most formerly consolidated by thin pieces of gummed paper on the reverse, one with associated paper loss, to the left of the initials. A thin, long obli
Estimate €8,000 - €10,000 -
110 - Mary Cassatt (1844-1926) Celeste and Marjorie. Circa 1898. Drypoint. 409 x 290 [442 x 305]. Breeskin 166. A very fine and fresh proof printed with ground tint on "Arches" watermarked laid paper, signed with initials in pencil. Annotation "H" in pencil in the lower left corner in the hand of H. M. Petiet. All margins untrimmed. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €8,960Estimate €3,000 - €4,000 -
111 - Mary Cassatt (1844-1926) Sarah Wearing her Bonnet and Coat. Circa 1904. Lithograph. [475 x 630]. Breeskin 198. Very nice and fresh proof on thin cream laid paper watermarked "mbm". Slight normal curling at the edges of the sheet. Slight oxidation band at the foot of the sheet. A few rust spots inherent to the paper perceptible on the reverse side. All margins not trimmed. Provenance: Ambroise Vollard (1866-1939) then H. M. Petiet (1894-1980).
Result €1,280Estimate €1,000 - €1,200 -
112 - Paul Cézanne (1839-1906) The Bathers (large pl.). 1896-1897. Lithograph. 515 x 415. Venturi 1157; Johnson 23. color print (well completed with the lavender blue stone). A very fine proof on thin cream laid paper watermarked "mbm", numbered in pencil. Variant with a black square effect in the rock at the bottom right. Slight curling on the surface. Small loss in the upper right corner. All margins [624 x 480]. Edition of 100 proofs. (Pl. intended for an album of prints envisaged by Vollard, whic
Result €9,216Estimate €4,000 - €5,000 -
113 - Jules Chadel (1870-1941) A magpie and a wasp. 1911. Woodcut. 130 x 192. I.F.F. 6 (under the erroneous date of 1918). Watercolor print in the Japanese style. Very nice proof on japan, from an early printing for a menu of the Friends of Japanese Art (without the text plate indicating "Les Amis de l'Art Japonais. Dinner on Tuesday, May 9, 1911"), slightly oxidized. Small lack in the lower right corner. Slight damage to the edges of the sheet. Short tear at the right edge. Two thin oblique folds acr
Result €1,024Estimate €300 - €400 -
114 - Jules Chadel (1870-1941) The wet magpie. 1921. Woodcut. [370 x 265]. I.F.F. 17. Very nice proof on japan, signed in pencil. Very clear trace of oxidation at the opening of an old mount. Short broken folds in the lower left corner. Good margins.
Result €384Estimate €300 - €400 -
115 - Jules Chadel (1870-1941) Three geese. About 1910. Drawing. Pen, Indian ink, wash and watercolor on japanese laid paper. [310 x 218]. Red japanese stamp of the artist in the lower right corner (Lugt 5051). Ex-coll. P.-F. Marcou (Lugt 1911b) then his daughter J. Trouvelot (Lugt 1918c).
Result €640Estimate €300 - €400 -
116 - Edgar Chahine (1874-1947) Venice, house of the sun. 1923. Etching and drypoint. 220 x 157. Tabanelli 364. Nice proof on white vellum watermarked "chahine", signed and annotated in pencil "La Maison blanche, Venise", carefully washed. All margins. Edition at 100 proofs.
Result €256Estimate €180 - €200 -
117 - Charles Cottet (1863-1925) The Fires of St. John. 1903. Lithograph. 715 x 545. Morane 6. Nice proof on chine volant, numbered in pencil "66" then dedicated in pen and sepia ink: "à Lucien Simon amicalement" and signed, stuck by three pieces of adhesive at the foot on the reverse. Soft horizontal folds in the middle. Some light foxing and minor accidents to the edges of the folio. Light moisture aureoles in the left corners of the folio. All margins. Edition of 100 proofs.
Result €704Estimate €300 - €400 -
118 - Charles Cottet (1863-1925) Fishing boats, setting sun. Etching, drypoint and sandpaper. 495 x 395. Morane 7. Beautiful proof printed in brown on cream laid paper, numbered and signed in pencil, carefully washed. Oblique broken fold in the lower right corner. Tiny tear in the center at the foot of the sheet. Large margins.
Result €640Estimate €400 - €500 -
119 - Charles Cottet (1863-1925) Marine mourning. Etching. 420 x 308. Morane 46. Nice proof on cream vellum watermarked "Arches", numbered and signed in pencil. Scattered foxing, very marked on the reverse. Two large losses in the upper corners. Two tears at the edges of the leaf. All margins. Edition of 100 proofs in black, in addition to 100 in color.
Result €640Estimate €150 - €180 -
120 - Pierre Courtin (1921-2012) Figures (allegory on the war); Composition. About 1945. Copper engraved on both sides. 200 x 250. River not described. Rounded corners. Biffed on the face of the abstract composition with several thin long strokes in point. Inked and varnished.
Estimate €600 - €800 -
121 - Armand Coussens (1881-1935) Portraits of writers: Colette, A. France, A. Gide, A. Maurois, M. Proust, A. Rimbaud, P.-J. Toulet. About 1920. Drypoint. Each sheet approx. 200 x 300. Good proofs on imitation japan or on laid paper, numbered and signed in pencil. Strong oxidation of the leaves and various minor accidents (fine scuffing on the surface to Proust; short tear at the foot to Colette). Set of 7 p. of which 5 between two glasses.
Estimate €180 - €200 -
122 - Jean-Joseph Crotti (1878-1958) (after) Portrait of a man. 1928. Engraved by J. Villon. 325 x 462. Ginestet and Pouillon 658. Printed in colors. Nice proof on vellum, signed by Villon then numbered and signed by Crotti in pencil. Margins. Edition at 200 proofs. Bernheim-Jeune edition. frame.
Estimate €300 - €400 -
123 - Charles-François Daubigny (1818-1878) Path in the wheat fields. 1862. Glass plate. 185 x 162. Delteil 135. Very nice old print, in brown on ivory vellum. Ex-coll. H. M. Petiet (Lugt 5031).
Result €768Estimate €150 - €180 -
124 - Edgar Degas (1834-1917) Edgar Degas, by himself. 1855. Etching. 143 x 230. Delteil 1; Reed-Shapiro 8. Perfect proof on japon fort, from the print made on the copperplate crossed out for Ambroise Vollard (1918). All margins.
Result €832Estimate €600 - €800 -
125 - Edgar Degas (1834-1917) Edouard Manet in bust. 1864-1865. Etching, drypoint and aquatint. 105 x 128. Delteil 14; Reed-Shapiro 19. Perfect proof on japon fort, from the print made on the copperplate crossed out for Ambroise Vollard (1918). All margins.
Result €1,024Estimate €400 - €500 -
126 - Edgar Degas (1834-1917) In the Louvre: Painting (Mary Cassatt). About 1876. Etching, drypoint and aquatint. 128 x 305. Delteil 29; Reed-Shapiro 52. A very fine proof on strong white vellum, from the print made on the copperplate crossed out for Ambroise Vollard (1918). Slight dusting along the lower edge of the folio. All margins.
Result €2,816Estimate €600 - €800 -
127 - Maurice Denis (1870-1943) Allegory. (Suite Amour, pl. 1). 1899. Lithograph. 411 x 269. Cailler 108; Johnson 32-1. Printed in colors. A very nice and fresh proof on thin white vellum, signed in pencil. Small red ink stains in the left margin. All margins. Edition of 100 proofs. A. Vollard ed.
Result €1,088Estimate €500 - €600 -
128 - Maurice Denis (1870-1943) The twilights have a softness of old painting. (Suite Amour, pl. 6). 1899. Lithograph. 300 x 415. Cailler 113; Johnson 32-6. Printed in color. Perfect proof on thin white vellum, signed in pencil. All margins. Edition of 100 proofs. A. Vollard ed.
Result €1,088Estimate €500 - €600 -
129 - Maurice Denis (1870-1943) On the Pale Silver Sofa (Suite Amour, pl. 10). 1899. Lithograph. 295 x 425. Cailler 117; Johnson 32-10. Printed in color. A very nice trial proof on thin white vellum, the stone "lined", the model's face altered, due to misregistration. Thin band of oxidation at foot. All margins. Final edition of 100 proofs. A. Vollard ed. ex-coll. H. M. Petiet (Lugt 5031).
Result €1,216Estimate €300 - €400 -
130 - Maurice Denis (1870-1943) But it is the heart that beats too fast (Suite Amour, pl. 12). 1899. Lithograph. 295 x 448. Cailler 119; Johnson 32-12. Printed in color. Perfect proof on thin white vellum, signed in pencil. All margins. Edition of 100 proofs. A. Vollard ed.
Result €576Estimate €400 - €500 -
131 - André Derain (1880-1954) Face of a woman leaning on her hand (Pl. of the suite Metamorphoses). 1927. Lithograph. 345 x 305. Adhémar 71-1. Very nice proof on white vellum, numbered and signed in pencil. The indentation of the stone very visible. All margins untrimmed. Edition at 100 proofs.
Result €896Estimate €180 - €200 -
132 - André Derain (1880-1954) Profile on the right (Pl. of the suite Metamorphoses). 1927. Lithograph. 260 x 320. Adhémar 71-3. Very nice proof on white vellum, numbered and signed in pencil. All margins not faded. Edition at 100 proofs.
Result €384Estimate €180 - €200 -
133 - André Derain (1880-1954) Woman in three-quarter view on the right (Pl. of the suite Metamorphoses). 1927. Lithograph. 250 x 320. Adhémar 71-4. Very nice proof on white vellum, numbered and signed in pencil. All margins not faded. Edition at 100 proofs.
Result €384Estimate €180 - €200 -
134 - André Derain (1880-1954) Face of a woman to the left, leaning on the hand (Pl. of the suite Metamorphoses). 1927. Lithograph. 275 x 370. Adhemar 71-5. Very nice proof on white vellum, numbered and signed in pencil. The indentation of the stone very visible. All margins untrimmed. Edition at 100 proofs.
Result €448Estimate €180 - €200 -
135 - André Derain (1880-1954) Head of a woman with clear eyes in front with both hands (Pl. of the suite Metamorphoses). 1927. Lithograph. 290 x 365. Adhemar 71-6. Very nice proof on white vellum, numbered and signed in pencil. The lower left corner folded. All margins untrimmed. Edition at 100 proofs.
Result €448Estimate €180 - €200 -
136 - André Derain (1880-1954) Head of a woman slightly lowered, a hand placed under the raised arm (Pl. of the suite Metamorphoses). 1927. Lithograph. 285 x 395. Adhemar 71-7. Very nice proof on white vellum, numbered and signed in pencil. The lower left corner folded. All margins untrimmed. Edition at 100 proofs.
Result €384Estimate €180 - €200 -
137 - André Derain (1880-1954) Head of a woman in three-quarter view, one hand under the chin (Pl. of the Metamorphoses suite). 1927. Lithograph. 220 x 265. Adhemar 71-9. Very nice proof on white vellum, numbered and signed in pencil. All margins untrimmed. Edition at 100 proofs.
Result €640Estimate €180 - €200 -
138 - André Derain (1880-1954) Head of woman in front, carrying a hand to her ear (Pl. of the suite Metamorphoses). 1927. Lithograph. 425 x 300. Adhemar 71-10. Very nice proof on white vellum, numbered and signed in pencil. The indentation of the stone very visible. All margins untrimmed. Edition at 100 proofs.
Result €832Estimate €180 - €200 -
139 - André Derain (1880-1954) Head of a woman half hidden by her right arm (Pl. of the suite Metamorphoses). 1927. Lithograph. 450 x 340. Adhemar 71-11. Very nice proof on white vellum, numbered and signed in pencil. All margins not faded. Edition at 100 proofs.
Result €896Estimate €180 - €200 -
140 - André Derain (1880-1954) Woman of face, parting in the middle, black hair (Pl. of the suite Metamorphoses). 1927. Lithograph. 365 x 450. Adhémar 71-12. Very nice proof on white vellum, numbered and signed in pencil. Short soft creases in the left corners. All margins untrimmed. Edition of 100 proofs.
Result €576Estimate €180 - €200 -
141 - André Derain (1880-1954) Woman in Lost Profile, with a Bun. 1927. Lithograph. 300 x 320. Adhémar 75. Very nice proof on white vellum, numbered and signed in pencil. The indentation of the stone very visible. All margins untrimmed. Edition at 100 proofs.
Result €704Estimate €180 - €200 -
142 - André Derain (1880-1954) Face of a man (Pl. for F. Rabelais, Les Horribles et espouvantables faictz et prouesses du très renommé Pantagruel, roy des Dipsodes, fils de grand géant Gargantua, Paris, Skira, 1943). Woodcut. [130 x 177]. Printed in colors. Trial proof on thin ivory vellum, printed on the wrong side of the sheet, with spotting defects. Small smudges. All margins. Provenance : Raoul Dufy's estate.
Result €832Estimate €150 - €180 -
143 - André Devambez (1867-1944) Devambez Engraver, Artistic prints. (Address card for the Devambez house: a print store in the 16th century). 1905. Lithograph. 248 x 185. color print. Nice proof on vellum. Trace of oxidation at the edge of the mat. Margins. Framed.
Result €384Estimate €300 - €400 -
144 - André Devambez (1867-1944) Devambez Engraver, Artistic impressions. (Address card for the Devambez house: celebrities at Devambez). 1905. Lithograph. 248 x 185, printed in colors. Beautiful proof on vellum, with small highlights of white gouache, notably in the hair of V. Hugo. Trace of oxidation at the edge of the mat. Margins. Framed.
Estimate €300 - €400 -
145 - André Devambez (1867-1944) Devambez Engraver, Artistic impressions. (Address card for the Devambez house: celebrities at Devambez). 1905. Lithograph. 248 x 185, printed in colors. Beautiful proof on vellum, with small highlights of white gouache, notably in the hair of V. Hugo, titled in pen and sepia ink. Oxidation of the sheet and small freckles. Margins. Frame.
Estimate €300 - €400 -
146 - Achille Devéria (1800-1857) Presumed portrait of Céleste Motte, wife of the artist. About 1830. Lithographic stone. 215 x 270 x 15. Contained in a frame. Provenance : former collection A. Dunoyer de Segonzac.
Result €320Estimate €200 - €300 -
147 - André Dignimont (1891-1965) A large lot of illustrations and various subjects for E. Bove, Colette, F. Carco... Etching; drypoint; woodcut; lithography; reproductions of drawings; defets of works. Good proofs, many of them in trial proofs largely annotated in pencil for the print run, some signed. Attached: an original drawing in India ink wash, stamped. Set of 150 p. approx. (a small box).
Estimate €300 - €400 -
148 - Kees van Dongen (1877-1968) Young girl with lowered eyes. About 1929. Lithograph. [505 x 660]. Juffermans L 16. Very nice proof on vellum, numbered in pencil. Slight trace of oxidation at the edges of the sheet. All margins untrimmed. Edition of 250 proofs.
Result €12,800Estimate €4,000 - €5,000 -
149 - Ernest Duez (1843-1896) Marcelle. 1896. Copper engraved with drypoint. 115 x 160. Beveled, rounded corners. Inscriptions engraved backwards: " La Nouvelle Revue / marcelle / E. Duez inv. et sc.". Inked and varnished (Pl. published in the issue of La Nouvelle Revue dated February 1, 1896).
Result €640Estimate €150 - €180 -
150 - Charles Dufresne (1876-1938) The Good Samaritan. About 1919. Cradle engraving. 280 x 109. Dufresne 26. Very nice proof on ivory laid paper, numbered and signed in pencil. All margins. Edition at 11 proofs. Dry stamp : Ed. Sagot éditeur Paris (Lugt 2254). Ex-coll. H. M. Petiet (Lugt 5031).
Result €128Estimate €150 - €180
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Thursday, May 25, 2023 at 2 pm
Public exhibition :
Salle des ventes Favart - 3, rue Favart 75002 Paris
Tuesday, May 23 from 11 am to 6 pm
Wednesday, May 24 from 11 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
Terms of sale
Show the terms of sale
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Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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