ANCIENT AND MODERN PRINTS
Friday 25 November 2022 at 14:00
3, rue Favart, 75002 Paris
356 lots
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1 - VariousA lot of old engravings by Beham, Bloemaert, Le Bas, C. de Passe, Raimondi... Etching ; burin. Various sizes. Nice or good proofs. Set of 10 p.
Result €588Estimate €300 - €400 -
2 - MiscellaneousA lot of old engravings by Cl. Bouzonnet-Stella (scenes of the Passion of Christ after J. Stella), Duplessi-Bertaux, Cl. Gillot, Leclerc éd. after Moreau Le Jeune (pl. des Chansons de La Borde). Etching ; burin. Various formats. Nice or good proofs. Minor accidents. Margins. Set of 60 p. approx. (in one box).
Result €448Estimate €400 - €500 -
3 - VariousA strong batch of views by the Pérelle and Silvestre (Fontainebleau, Meudon, Le Raincy, Rueil, Saint-Cloud, Saint-Denis, Saint-Germain-en-Laye, Saint-Maur, Versailles, Vincennes, Lyon, Nancy...). Various sizes. Beautiful proofs on thin laid paper, some before the letter, the latter sometimes added with pen and sepia ink. A few rare accidents. Good margins to most. Set of 210 p. approx. (in one box)
Estimate €2,000 - €2,500 -
4 - VariousA lot of portraits by Mellan, Morin and Nanteuil. Burin. Various sizes. Good proofs, most of them trimmed to the subject, some of them in a later edition. Minor accidents. Set of 7 p. Detail of the plates : - Cl. Mellan. Henri de Mesmes. Préaud 174 (ii/iv). - R. Nanteuil. Louis II, prince of Condé; Louis Hesselin; Le Chancelier Letellier; René, marquis de Maison; Pierre Poncet. Petitjean and Wickert 58, 88, 113 (i/ii), 146, 197 (iii/iv). - J. Morin. Cardinal Mazarin. Robert-Dumes
Estimate €300 - €400 -
5 - MiscellaneousAlbum in-4 of old engravings by or after della Bella, Berghem, Callot, S. Leclerc, Le Prince, Loutherbourg, Parrocel, Pérelle, Piranesi, H. Robert, Ruisdael, A. de Saint-Aubin, Saint-Non, Silvestre, D. Stoop, Swebach-Desfontaines, etc. Etching; burin; engraving in the manner of wash or pencil. Various formats. Nice or good proofs on various papers, some in late printing, trimmed, glued by the corners on laid paper (recto-verso). Minor accidents or traces of oxidation. Set of 570 p.
Result €1,600Estimate €1,200 - €1,500 -
6 - VariousA lot of ancient and modern engravings by de Bruÿn, van Mander, Sadeler, Beaufrère, Hecht, Goerg, on the theme of Suzanne and the old men. Burin, etching. Various sizes. Good proofs. Set. 6 p.
Result €640Estimate €200 - €300 -
7 - Adriaen van der Cabel or Kabel (1630/31-1705 )Landscape in the great distance. (Pl. V of a suite of 6 landscapes). Etching. 341 x 228. Bartsch 42. Very nice proof on laid paper. Small normal margins. Ex-coll. A. P. F. Robert-Dumesnil (Lugt 2200). Initialled by E.-T. Devaulx in pen and sepia ink on verso, with the date 1879 (Lugt 670).
Result €128Estimate €150 - €180 -
8 - Simone Cantarini, known as Il Pesarese (1612-1648 )The Virgin with the Child and the Bird. Etching. 145 x 218. Bartsch 18; Bellini (Cantarini) 4. Beautiful proof on thin laid paper, trimmed inside the plate cut, slightly oxidized. Light scattered foxing. Small lack in the lower left corner (redone on the reverse). Thin median horizontal fold, other traces of folds and minor accidents. Ex-coll. Prince Soutzo (Lugt 2341) with 4 lines of Cyrillic text in pen and sepia ink.
Estimate €200 - €300 -
9 - Francesco Casanova (1727-1803 )The Donkey and the Flag. Etching. 130 x 90. Baudicour 5. Beautiful proof on Auvergne laid paper. Small epidermis in the lower right corner. Two pinholes in the upper right corner of the subject. Good margins (reduced).
Estimate €180 - €200 -
10 - François Chauveau (1613-1676 )Tableau des principaux mystères du très st sacrement, sacrifice et sacerdoce de l'Eucharistie... 1676. Engraved after Bertolet [Bertholet Flémal]. 720 x 1113. I.F.F. 133. Good proof in two pieces, on laid paper, with numerous accidents (folds, holes, fractures, stains, small losses at the edges...), canvas-backed and restored, stretched by the upper edge on original wood moulding, used as an educational panel. Although the Inventory of the French Collection a
Result €704Estimate €600 - €800 -
11 - Jacques Dassonville (1619-1670 ? ) The Mother Nurse at the Estaminet. Etching. 94 x 90. Robert-Dumesnil 26. Nice proof of the 1st state (out of 3), before the mention "page 166" engraved at the bottom right, the lines of the lettering still very visible. Small normal margins.
Result €128Estimate €120 - €150 -
12 - Albrecht Dürer (1471-1528) (after )The Four Horsemen of the Apocalypse. Etching after the woodcut. 305 x 425. Good proof on 17th century laid paper. Accidents and tears at the edges of the folio. Remains of gummed kraft around the back. Good margins.
Result €1,088Estimate €200 - €300 -
13 - Albrecht Dürer (1471-1528) (after ) The Virgin and Child in a landscape. Engraved by Aegidius Sadeler. 240 x 340. Hollstein 72. Beautiful late print on thin laid paper, slightly wigged, the backgrounds slightly worn. Fine short print crease in the subject on the right. Large margins.
Result €320Estimate €200 - €300 -
14 - Jean-Honoré Fragonard (1732-1806 )The Disciples of Emmaus. Etching after S. Rizzi. 145 x 97. Baudicour 12; Wildenstein XXI; I.F.F. 20. Nice proof on laid paper, of the 1st state (of 2), before the number. Numerous light scattered foxing. All margins.
Result €320Estimate €200 - €300 -
15 - Claude Gellée, known as Le Lorrain (1600-1682 )The Dance by the Water. About 1634. Etching. 200 x 131. Mannocci 13 (VI B/VII). Beautiful proof on cream laid paper, with the scuffing above the 2nd large tree from the right, before the new engraved inscriptions and the number N44. Small stains, tears and tears at the edges of the folio. Light foxing. Heavy dusting in a large oblique portion of the lower left corner. Large margins.
Result €704Estimate €180 - €200 -
16 - Claude Gellée, known as Le Lorrain (1600-1682 )The Campo Vaccino. 1636. Etching. 262 x 200. Mannocci 17. A good late print, the sizes slightly weakened, on laid paper, trimmed to the plate cut. A reddish spot in the sky. Frame.
Result €192Estimate €120 - €150 -
17 - Claude Gellée, known as Le Lorrain (1600-1682 ) About 1638-1641. Etching. 180 x 128. Mannocci 34 (III C/IV). Very nice proof on heavy cream laid paper of the early 18th century, before the engraved inscriptions N44 P4. Initialed by W. Esdaile in pen and sepia ink in the upper left corner (Lugt 2617) and again in the lower left corner on the reverse, with the date "1810". Ex-coll. J. Marshall (Lugt 1494). Narrow margins.
Result €704Estimate €300 - €400 -
18 - Claude Gellée, known as Le Lorrain (1600-1682 )The Draftsman. About 1638-1641. Etching. 180 x 127. Mannocci 36 (III B/V). A very fine and brilliant proof on 17th century roman laid paper, before the oblique scuffing between the two trees. Two circular traces of glue at the right edge on the reverse. Watermark: fleur-de-lys in a crowned circle (close Mannocci 15 and Heawood 1632-1633). Narrow margins. Ex-coll. A.-J. Hachette (Lugt 132).
Result €5,632Estimate €1,000 - €1,200 -
19 - Claude Gellée, known as Le Lorrain (1600-1682 )Mercury and Argus. 1662. Etching. 221 x 160. Mannocci 42 (II A/III). A very fine proof on cream laid paper, carefully washed, before the horizontal scratch across the knee of Argus. A spot of rust in the lower margin. Good margins, slightly irregular.
Result €384Estimate €200 - €300 -
20 - Claude Gellée, known as Le Lorrain (1600-1682) (after ) Liber Veritatis. [Rome], from the presses of Francesco Bourlie, 1815. Two volumes in-fol. [325 x 480] containing the complete suite of 200 plates. Etching and aquatint by Ludovico Caracciolo. Very nice sepia prints on vellum. Title reported in pen and ink in the second volume. Scattered light foxing (larger or more marked on some leaves). Modest original binding, leather spine decorated, faded. Set. 2 vols. The Liber Veritatis ("Book of T
Result €2,500Estimate €2,000 - €2,500 -
21 - Alessandro Ghandini (XVII c. )The Virgin surrounded by saints. 1610. Wood engraved with three blocks, after a drawing attributed to the Parmesan. 240 x 356. Bartsch (vol. 12, Les Clairs-obscurs des maîtres italiens) III-25. A fine proof trimmed to the subject, lined on strong laid paper. Lack of 20 mm in the standing figure on the right, formerly filled by a fragment brought back. Thin oblique fold in the upper right corner.
Result €512Estimate €400 - €500 -
22 - Jean-Baptiste Greuze (1725-1805) (after )The Paralitique served by his children. 1767. Engraved by Flipart (after the original painting of 1763, now in the museum of St. Petersburg). 655 x 550. Beautiful proof on laid paper, signed on the reverse in sepia ink by Greuze and annotated by him afterwards "Ingram", then dedicated in black ink: "For Mr. Dalton from his very humble servant I. Ingram". Vertical median drying fold, slightly rubbed on the surface. Small margins.
Result €230Estimate €180 - €200 -
23 - Jean-Baptiste Le Prince (1734-1781 )Clothing of various nations: title; Polish Jew; Polish Jewish woman; Tatar officer; Russian abbot; Turkish officer. 1766. Etching. The sheet: 267 x 159. Herold 1 to 6. Very nice proofs printed with two subjects per sheet. Minimal foxing. All margins.
Result €192Estimate €200 - €300 -
24 - Jean-Baptiste Le Prince (1734-1781 )Russian and Finnish subjects: costumes of various suites; landscapes. 1764-1772. Etching; wash engraving. Various formats. Beautiful proofs, some printed in sepia, some trimmed and window-mounted, others printed two subjects per sheet. Light foxing and minor accidents. Good margins to most. Set of 16 p.
Estimate €600 - €800 -
25 - Claude Mellan (1598-1688 )The Holy Face. 1649. Burin. 317 x 431. Préaud 21. Beautiful proof on strong laid paper from the middle of the 18th century, carefully washed. Traces of glue and minor accidents at the edges of the folio. Reduced margins [350 x 474].
Result €3,584Estimate €400 - €500 -
26 - Peter Pasquin (18th century) (after )Penury; Necessity; Frugality; Choice. 1796. Etching and aquatint by J. M. Delattre. Each 272 x 223. Printed in sepia. Complete suite of 4 plates. Nice proofs on mechanical laid paper (19th century edition). Dusting, soiling, minor accidents and short tears at the edges of the leaves. All margins.
Result €512Estimate €180 - €200 -
27 - Giambattista Piranesi (1720-1778 )Carceri. 1749-1760. etching. Each sheet : 625 x 900. Robison 29 to 44. Complete suite of 16 plates. Beautiful proofs on strong white vellum, from the first half of the 20th century. Binding holes along one edge. Occasionally heavy foxing, oxidation, dusting, various accidents (the edges of the leaves very brittle, with numerous tears and small tears, sometimes formerly summarily consolidated by strips of paper glued), marginal moisture halos to some plates. Soil
Result €10,752Estimate €4,000 - €5,000 -
28 - Giambattista Piranesi (1720-1778 )Veduta della Piazza di Monte Cavallo (Quirinal Square). 1750. etching and burin. 715 x 476 [760 x 540]. Hind 15 (v/vi). Very fine proof on strong laid paper, the price erased, before the number at the top right. Folio number 26 in pen and sepia ink in the upper right corner. Vertical median fold, fractured for 10 cm at foot, formerly restored on verso by a strip of glued paper. Left edge irregular, ragged, with small binding miter holes and missing. Large margin
Result €384Estimate €300 - €400 -
29 - Giambattista Piranesi (1720-1778 )Veduta dell' avanzo del Castello... (Castle of the aqueduct of the Water Giulia). 1753. Etching and burin. 610 x 400 [760 x 540]. Hind 34 (iv/vi). Very fine proof on strong laid paper, before the numbers on the right. Folio number 48 in pen and sepia ink in the upper right corner. Vertical median fold, fractured for 12.5 cm at foot and 5 cm at head, formerly restored on verso by a strip of paper glued on. Left edge irregular, ragged, with small binding miter hol
Result €256Estimate €200 - €300 -
30 - Giambattista Piranesi (1720-1778 )Avanzi della Villa di Mecenate a Tivoli... (The Villa of Mecenes in Tivoli). 1763. Etching and burin. 670 x 455 [757 x 530]. Hind 65 (i/iii). Good proof on laid paper, before the number 52 in the upper right corner. Numerous light freckles. Vertical drying fold in the middle with small accident at the foot. Epidermal marks and traces of glue in the corners on the front and back. Large moisture halo at the top edge of the folio. Good margins. 1st Parisian edition
Result €384Estimate €300 - €400 -
31 - Giambattista Piranesi (1720-1778 )Veduta interna della Villa di Mecenate (Interior view of the Villa of Mecenes in Tivoli). 1764. Etching and burin. 625 x 475 [723 x 530]. Hind 73 (i/iv). Very fine proof on strong laid paper. Vertical binding fold in the middle (mostly visible on the reverse). Minute trace of oxidation at the edges of the folio. A short tear at the head of the sheet, another one of 20 mm at the foot. Good margins. Roman edition.
Result €448Estimate €400 - €500 -
32 - Giambattista Piranesi (1720-1778 )Veduta delle fonte et delle Spelonche d'Egeria... (The Spring and the Cave of Egeria). 1766. Etching and burin. 690 x 405 [760 x 540]. Hind 80 (iii/v). Very fine proof on strong laid paper, before the numbers on the right. Folio number 64 in pen and sepia ink in the upper right corner. Left edge irregular, ragged, with small binding miter holes and missing. Large margins. 1st Parisian edition.
Result €256Estimate €200 - €300 -
33 - Giambattista Piranesi (1720-1778 )Veduta del Tempio delle Camene... (Temple of the Camenas, or Temple of the ridiculous god). 1773. Etching and burin. 710 x 475 [765 x 540]. Hind 106 (ii/iv). Very fine proof on strong laid paper, before the numbers on the right. Folio number 63 in pen and sepia ink in the upper right corner. Tiny surface tear forming a white spot in the center at the foot of the building. Tiny tear at bottom right margin. Left edge irregular, ragged, with small binding miter hol
Result €448Estimate €300 - €400 -
34 - Giambattista Piranesi (1720-1778 )Veduta del Palazzo Stopani (The Vidoni Palace). 1776. Etching and burin. 670 x 418 [760 x 538]. Hind 128 (i/iii). Very nice proof on strong laid paper, before the numbers. Folio number 42 in pen and sepia ink in the upper right corner. Vertical median fold with small reinforcement at the foot of the verso. Left edge irregular, ragged, with small binding miter holes and missing. Large margins. First Parisian edition.
Estimate €300 - €400 -
35 - Giambattista Piranesi (1720-1778 )Views of St. Peter's basilica. 1748-1773. Etching and burin. Each sheet: 765 x 540. Hind 4, 101 and 102. Very nice proofs on strong laid paper, before the numbers on the right. Folio number in pen and sepia ink in the upper right corner. Left edge irregular, ragged, with small binding miter holes and missing. H. 101 with long oblique tear at center of lower subject. Vertical median fold fractured at foot of 2 pl. Old restorations to verso with glued pieces of pa
Estimate €500 - €600 -
36 - Giambattista Piranesi (1720-1778 )Views of the Basilica of Saint John Lateran. 1749-1775. Etching and burin. Each sheet : 765 x 540. Hind 8, 88, 117 and 122. Very nice proofs on strong laid paper, before the numbers on the right. Folio number in pen and sepia ink in the upper right corner. Minor accidents and some foxing at the edges of the leaves. Left edge irregular, ragged, with small binding miter holes and missing. Large margins. 1st Parisian printing. Set of 4 p.
Result €896Estimate €600 - €800 -
37 - Rembrandt Harmensz. van Rijn (1606-1669 )Rembrandt holding a sword (Self-Portrait with Raised Sabre). 1634. Etching and burin. 97 x 122. Bartsch 18; New Hollstein 134. A very fine and bright proof on thin laid paper, trimmed to the square line or to one millimeter below it at the foot. Minor thinning along the right edge on verso, formerly and skillfully restored (with small traces visible in razor-sharp daylight on recto in upper left corner). Old trace of oblique median fold visible on verso.
Result €20,480Estimate €8,000 - €10,000 -
38 - Rembrandt Harmensz. van Rijn (1606-1669 )Rembrandt and his wife (Self-Portrait with Saskia). 1636. Etching. 92 x 102. Bartsch 19; New Hollstein 158 (iii/iv). A very fine and bright proof on thin laid paper, trimmed to the square line, with the visible scratches on Saskia's bust and across Rembrandt's hand, lacking the acid trace (false bite) to the right of the neck. On verso, small restored thinning at right edge and other small restorations at corners, slightly noticeable on recto. Remainder o
Result €19,200Estimate €8,000 - €10,000 -
39 - Rembrandt Harmensz. van Rijn (1606-1669 )Scribbles with Rembrandt's head (Sheet of Studies: Head of the Artist, a Beggar Couple, Heads of an Old Man and Old Woman, etc.) About 1632. Etching. 105 x 100. Bartsch 363; New Hollstein 115 (ii/ii). A fine proof on thin laid paper, trimmed to the plate cut. Numerous scattered light foxing. Thin median oblique fold visible on verso. Small tears, restorations and thinning at the edges of the folio and in the corners. Annotation in German in pencil on vers
Result €15,360Estimate €6,000 - €8,000 -
40 - Rembrandt Harmensz. van Rijn (1606-1669 )Rembrandt in a Velvet Cap with Plume. 1638. Etching and burin. 105 x 132. Bartsch 20; New Hollstein 170. A fine proof on white mechanical laid paper, the copper very worn, with burin retouching and traces of wiping perceptible in the face and in the background, from a print made by A. Beaumont (ca. 1906). Moisture aure at left edge on verso and trace of glue at head on right edge. Narrow margins.
Result €2,048Estimate €600 - €800 -
41 - Rembrandt Harmensz. van Rijn (1606-1669 )The Flight into Egypt: a Night Piece. 1651. Etching, burin and drypoint. 110 x 127. Bartsch 53; New Hollstein 262. A fine proof on mechanical ivory laid paper, trimmed to the plate, with numerous reworkings, of a print made by Bernard (late 19th c.). Oxidation of the back sheet.
Estimate €600 - €800 -
42 - Rembrandt Harmensz. van Rijn (1606-1669 )The Samaritan Woman, in width (Christ and the Woman of Samaria: an Arched Print). 1658. Etching. 159 x 125. Bartsch 70; New Hollstein 302. A fine proof on thin mechanical ivory laid paper, the copper worn, before the resumption of the woman's hair and before the new sizes drawing the shadow between the figures, trimmed to the plate cut, of a print made by Jean or Bernard (19th c.).
Result €1,408Estimate €400 - €500 -
43 - Rembrandt Harmensz. van Rijn (1606-1669 )The Martyrdom of St. Stephen. 1635. Etching and burin. 82 x 94. Bartsch 97; New Hollstein 140. A fine proof on white mechanical laid paper, the copper very worn, with numerous later burin revivals, from a print made by A. Beaumont (ca. 1906). Small visible fracture on the reverse, formerly finely restored. Slight foxing in the small margins.
Result €512Estimate €300 - €400 -
44 - Rembrandt Harmensz. van Rijn (1606-1669 )The Star of the Kings: a Night Piece. About 1651. Etching and burin. 139 x 93. Bartsch 113; New Hollstein 263. A fine proof on strong mechanical ivory laid paper, with numerous burin marks, of a print made by Bernard or A. Beaumont (late 19th c. or around 1900). Slight traces of oxidation on the front and back. Small margins.
Result €640Estimate €400 - €500 -
45 - Rembrandt Harmensz. van Rijn (1606-1669 )The Pancake Woman. 1635. Etching. 75 x 107. Bartsch 124; New Hollstein 144. A fine proof on strong ivory laid paper, slightly wigged, the copper worn, from a print made by Bernard (late 19th c.). Old traces of glue on the edges on the reverse. Fillets of margins.
Result €1,280Estimate €300 - €400 -
46 - Rembrandt Harmensz. van Rijn (1606-1669 )The Card Player. 1641. Etching and burin. 85 x 91. Bartsch 136; New Hollstein 193. A fine proof on strong beige laid paper, with numerous burin repeats in the subject, from a print made by A. Beaumont (circa 1906), trimmed on the plate cut.
Result €1,280Estimate €400 - €500 -
47 - Rembrandt Harmensz. van Rijn (1606-1669 )The Persian. 1632. Etching and burin. 80 x 107. Bartsch 152; New Hollstein 110. A fine proof on strong mechanical ivory laid paper, the copper very worn, the background with traces of wiping, trimmed on the plate cut, from a print probably made by Jean (19th c.). Traces of oxidized glue on the perimeter on the reverse side.
Result €960Estimate €300 - €400 -
48 - Rembrandt Harmensz. van Rijn (1606-1669 )Academic Figures of Men (Nude Man Seated and Another Standing...). About 1646. Etching and burin. 125 x 193. Bartsch 194; New Hollstein 233. A fine proof on white mechanical laid paper, the copper very worn, with burin retouching, of a print made by A. Beaumont (circa 1906). Marginalia filleted.
Result €1,024Estimate €300 - €400 -
49 - Rembrandt Harmensz. van Rijn (1606-1669 )Jan Asselyn, Painter. About 1647. Etching, drypoint and burin. 170 x 187. Bartsch 277; New Hollstein 236. A fine proof on mechanical ivory laid paper, the copper very worn, with burin retouching, trimmed on the plate cut (without the tablet), from a print made by Bernard (late 19th c.). Slight oxidation of the leaf.
Result €896Estimate €600 - €800 -
50 - Salvator Rosa (1615-1673 )Democritus. 1662. Etching. 275 x 465. Bartsch 7; Wallace 104. A very fine proof on laid paper. Several slight traces of median oblique folds. On verso, small epidermal marks at left edge and annotation in sepia ink at lower left. Narrow margins. Ex-coll. P. Prouté (Lugt 2103c).
Result €1,280Estimate €400 - €500
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Friday, November 25, 2022 at 2 pm
Public exhibition :
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday, November 23 from 10 am to 6 pm
Thursday, November 24 from 10 am to 6 pm
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone : 0033 (0)1 44 76 04 32
In charge of the sale :
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Phone: 0033 (0)1 78 91 10 16
Assisted by Lucie GUILLAUME
ATTENTION: Lots preceded by an asterisk * have an additional charge of 5.5% for the temporary import tax.
Terms of sale
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Conditions générales :
La vente se fera expressément au comptant.
Aucune réclamation ne sera recevable dès l’adjudication prononcée, les expositions successives permettant aux acquéreurs de constater l’état des objets
présentés.
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et réclament en même temps cet objet après le prononcé du mot « adjugé », ledit objet sera immédiatement remis en adjudication au prix proposé par les
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Caisse des dépôts et consignations - 56, rue de Lille 75356 PARIS Cedex 07 SP
RIB : 40031 00001 000042 3555K 89 - IBAN : FR72 4003 1000 0100 0042 3555 K89 - BIC : CDCGFRPPXXX
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forme soit remis à ADER et que le nom de la maison de ventes y soit mentionné en tant qu’exportateur. Le bordereau d’adjudication est dû intégralement ; la
TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
Ceci est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne
sont pas garantis et sont tributaires de l’activité de la maison de ventes.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.