ANTIQUE AND MODERN PRINTS
Wednesday 29 May 2024 at 14:00
3, rue Favart, 75002 Paris
330 lots
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251 - Pablo Picasso (1881-1973) Painter picking up his brush, with a turbaned model (H. de Balzac, Le Chef-d'œuvre inconnu, pl. VII). 1927-1930. Etching. 276x192. Bloch 88; Geiser-Baer 129 II a. Very fine proof on ivory vellum, before bevels and before steeling, three of the corners rounded, annotated "Bon à tirer" and signed in pencil in the lower right-hand corner of the folio. Minimal soiling and handling creases (consistent with a trial proof). Full margins [372x272]. Final edition of 135 proofs
Result €7,800Estimate €3,000 - €4,000 -
252 - Pablo Picasso (1881-1973) The Painter and his Model. 1930. Lithograph. 290x230. Bloch 98; Geiser-Baer 247; Cramer 18; Mourlot XXVII; Güse-Rau 30. Very fine proof on chine appliqué on strong vellum, from the edition for the first copies of Eugenio d'Ors' XXe Siècle; Pablo Picasso, translation by F. Amunategui, Paris, ed. des Chroniques du Jour, 1930. Short, broken folds in upper left-hand corner. Slight brown ink spatter in right margin. Full margins [378x330]. Dry stamp: H.M.Petiet (Lugt 5462
Result €845Estimate €600 - €800 -
253 - Pablo Picasso (1881-1973) Bathers in bathing suits on a cloudy day. January 15, 1933. Etching. 171x170 |248x326]. Bloch 247; Baer 276 C a. Very fine trial proof on old thin ivory laid paper, from the 1960 print run by Frélaut, annotated in pencil "Bon à tirer", signed, then dated "le 30.10.60", prior to the print run of 50 proofs for Galerie L. Leiris gallery. Tiny handling creases. Full margins. (This print quoted by Baer).
Result €14,560Estimate €6,000 - €8,000 -
254 - Pablo Picasso (1881-1973) Le Repos du sculpteur devant un centaure et une femme (Vollard Suite, pl. 58). March 31, 1933. Etching. 268x194 [445x337]. Bloch 167; Baer 320 B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €2,340Estimate €1,800 - €2,000 -
255 - Pablo Picasso (1881-1973) Sculptor and model in front of a window (Suite Vollard, pl. 59). March 31, 1933. Etching. 268x194 [445x336]. Bloch 168; Baer 321 II B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Estimate €1,800 - €2,000 -
256 - Pablo Picasso (1881-1973) The Sculptor's Rest and Surrealist Sculpture (Suite Vollard, pl. 60). March 31, 1933. Etching. 267x194 [448x340]. Bloch 169; Baer 322 B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 small-margin proofs, unsigned. A few tiny gray dots in the subject, which occurred during the print run. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €2,340Estimate €1,800 - €2,000 -
257 - Pablo Picasso (1881-1973) Le Repos du sculpteur. (Suite Vollard, pl. 62). April 2, 1933. Etching. 268x193 [445x338]. Bloch 171; Baer 324 B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, unsigned. A few tiny gray spots in the subject, which occurred during the print run. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €2,340Estimate €1,800 - €2,000 -
258 - Pablo Picasso (1881-1973) Le Repos du sculpteur. (Suite Vollard, pl. 63). April 3, 1933. Etching. 267x194 [450x336]. Bloch 172; Baer 325 B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €2,340Estimate €1,800 - €2,000 -
259 - Pablo Picasso (1881-1973) Model contemplating a sculpted group (Suite Vollard, pl. 66). April 5, 1933. Etching. 365x299 [450x336]. Bloch 175; Baer 328 B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Estimate €1,800 - €2,000 -
260 - Pablo Picasso (1881-1973) Three Nude Women by a Window (Suite Vollard, pl. 67). April 6, 1933. Etching. 298x367 [335x445]. Bloch 176; Baer 329 B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 proofs with small margins, signed in pencil. A few tiny gray spots on the women's bodies, especially on the left one (inherent to the paper's texture). All margins.
Result €9,100Estimate €6,000 - €8,000 -
261 - Pablo Picasso (1881-1973) Sculptor and standing model (Suite Vollard, pl. 68). April 7, 1933. Etching. 298x368 [339x450]. Bloch 177; Baer 330 B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, signed in pencil. Very light trace of oxidation at the edges of the folio. All margins.
Result €9,750Estimate €6,000 - €8,000 -
262 - Pablo Picasso (1881-1973) Femme accoudée, sculpture of the back and bearded head (Suite Vollard, pl. 71). May 3, 1933. Etching. 299x376 [337x446]. Bloch 184; Baer 343 B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €2,340Estimate €1,800 - €2,000 -
263 - Pablo Picasso (1881-1973) Surrealist model and sculpture (Suite Vollard, pl. 74). May 4, 1933. Etching. 193x267 [340x445]. Bloch 187; Baer 346 B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, unsigned. Two tiny handling creases at right edge. Full margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €2,340Estimate €1,800 - €2,000 -
264 - Pablo Picasso (1881-1973) Sleeping Minotaur Contemplated by a Woman (Suite Vollard, pl. 86). May 18, 1933. Etching. 269x194 [450x338]. Bloch 193; Baer 352 B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 small-margin proofs, signed in pencil. Very light trace of oxidation at the edges of the folio. All margins.
Result €9,360Estimate €6,000 - €8,000 -
265 - Pablo Picasso (1881-1973) Sleeping or dead nude woman (Danaé?). January 17, 1934. Etching. 207x138 [295x207]. Bloch 273; Baer 403 b a. Very fine trial proof on old thin ivory laid paper, from the 1960 print run by Frélaut, annotated in pencil "Bon à tirer", signed, then dated "le 30.10.60", prior to the print run of 50 proofs for the L. Leiris gallery. Leiris gallery. Old median vertical and horizontal folds perceptible on verso (invisible on recto). Fine band of oxidation at the edges of the
Result €8,450Estimate €6,000 - €8,000 -
266 - Pablo Picasso (1881-1973) Blind Minotaur Guided by a Little Girl (Suite Vollard, pl. 96). October 23, 1934. Etching. 298x238 [448x336]. Bloch 223; Baer 435 B d. Perfect proof on Montval laid paper watermarked "Vollard", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €4,160Estimate €3,000 - €4,000 -
267 - Pablo Picasso (1881-1973) Blind Minotaur Guided by a Little Girl (Suite Vollard, pl. 95). November 4, 1934. Etching, burin and scraper. 312x226 [450x338]. Bloch 224; Baer 436 IV B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 small-margin proofs, unsigned. Short handling crease at left edge of folio. Full margins. Dry stamp: H.M.Petiet (Lugt 2021a and 5462).
Result €6,500Estimate €3,000 - €4,000 -
268 - Pablo Picasso (1881-1973) Winged bull contemplated by four children. (Suite Vollard, pl. 13). December 1934. Etching. 298x237 [448x337]. Bloch 229; Baer 436 B d. Perfect proof on Montval laid paper watermarked "Picasso", from an edition of 260 small-margin proofs, unsigned. All margins. Dry stamp: H.M.Petiet (Lugt 5462).
Result €4,160Estimate €3,000 - €4,000 -
269 - Gustave Pierre (1875-1939) Engraving self-portrait. Circa 1930. Etching. 147x99. Very fine proof on ivory laid paper, numbered and signed in pen and ink. Full margins. Very rare. Edition of 13 proofs.
Result €260Estimate €150 - €180 -
270 - Camille Pissarro (1830-1903) Peasant woman feeding a child.1874. Etching on zinc. 118x120. Delteil 12. Very fine proof printed in bistré black on white vellum, of the 1ststate (of 4), in pure etching, before the aquatint grain, annotated in pencil: "n° 3 - 1erétat/paysanne donner a manger/à un Enfant Zinc". Small dent and hole in upper left margin, skilfully restored on verso, and small tear restored on verso at head. Full margins. Edition of 8 or 9 proofs of this state. Total edition of aro
Result €2,080Estimate €1,200 - €1,500 -
271 - Camille Pissarro (1830-1903) Quai de Rouen (large bridge). 1896. Zinc print. 302x210, Delteil 172. Fine proof on thin white Ingres laid paper, annotated in pencil "1er Ep. d'état n° 1", then "quai de Rouen (grand pont) (papier Ingres)" and signed in pencil. Scattered light foxing. Small light moisture halos, short handling creases and small snags to edges of folio. 25 mm tear at foot. Full margins. Very rare: edition of 7 proofs during the artist's lifetime, of which only the first 5 were sign
Result €2,210Estimate €1,800 - €2,000 -
272 - Anton Prinner (1902-1983) Femme en buste, bras recourbés (Pl. for La Femme tondue, Paris, A.P.R., 1946). Copper engraved with etching and burin. 95x135. Beveled, rounded corners. Inked and varnished. Two burin strokes in the lower right-hand corner. Provenance: Atelier Leblanc, printer.
Result €1,235Estimate €600 - €800 -
273 - Anton Prinner (1902-1983) Bust with multiple arms raised. (Pl. for La Femme tondue, Paris, A.P.R., 1946). Copper engraved with etching and burin. 85x160. Beveled, rounded corners. Inked and varnished. Two burin strokes in the lower right-hand corner. Provenance: Atelier Leblanc, printer.
Result €1,170Estimate €600 - €800 -
274 - Armand Rassenfosse (1862-1934) Poster for the Salon des Cent, an exhibition of original drawings and prints, hall of the magazine "La Plume"... 1896. Lithograph. Sight: 730x535. J. Van Deputte, Le Salon des cent, affiches d'artistes, Paris musées, 1994, no. 33, repr. p. 58. Printed in color. Fine proof on thin salmon-tinted vellum, before any letter, signed in blue pencil (faint signature). Long 14cm oblique tear in the lower margin and several other small fractures or scratches at the foot, no
Result €585Estimate €400 - €500 -
275 - Pierre-Auguste Renoir (1841-1919) (after) The Lodge. 1928. Aquatint by J. Villon. 210x265. Ginestet et Pouillon 661, printed in color. Very fine proof on japon, before the engraved letter, numbered and signed in pencil by Villon and annotated "contrôlée par Pierre Renoir" (son of the artist). Full margins, filled in at the head and foot by 20 mm. Edition of 200 proofs (before the Chalcographie print run), Bernheim-Jeune ed. Engraved plate based on the painting La Loge, one of the paintings ex
Result €1,560Estimate €400 - €500 -
276 - Henri Rivière(1864-1951) L'Île.(Pl. forLes Aspects de la nature). 1897. Lithograph. 830x545. Levasseur-Le Bohec 7. color print. Very fine proof on ivory glazed vellum. All margins [900x643].
Result €910Estimate €400 - €500 -
277 - Ludovic Rodo (Ludovic-Rodolphe Pissarro, known as)(1878-1952) Bank Holiday, Hampstead. Etching. 195x143. Fine proof on old laid paper (with pen and sepia ink in the right margin), annotated "3e etat n°1" and signed in pen and sepia ink. Slight oxidation, folds and remnants of gummed paper at the edges of the folio. A 20 mm vertical tear in the lower margin. All margins.
Estimate €150 - €180 -
278 - Ludovic Rodo (Ludovic-Rodolphe Pissarro, known as)(1878-1952) Stamford Brook Road; The Bull's Head; Women in the pub; Elegant woman in hat. Etching; drypoint. Various formats. Fine proofs on various papers, annotated "1er état" or "3e état", 3 signed, one dated "1917". Small traces of folding at the edges of one sheet. 4 p. set.
Estimate €200 - €300 -
279 - Félicien Rops (1833-1898) (after) Fishing with ham. 1878. Etching by J.-F. Taelemans. 130x200. Very fine proof on thin laid japan, before the letter of the menu. Annotation in pencil at foot: "Epreuve unique?/Menu d'un banquet donné à la Samme chez Carlier". Full margins. Ex-coll. Le Barbier de Tinan (Lugt 1771). The Musée Rops in Namur holds a copy of this menu with the added text, dated February 12, 1878.
Result €156Estimate €150 - €180 -
280 - Théodore Rousseau (1812-1867) Rock oaks. 1861. Etching. 208x134. Delteil 4. Printed in bistré brown. Very fine proof on chine appliqué, from the edition made for the Gazette des Beaux-Arts. Light foxing at the foot of the folio. Full margins. "... In 1861, Rousseau, based on his painting: Chênes de Roche, engraved a plate that Bracquemond had bitten, that Delâtre printed and that the Gazette des Beaux-Arts published (2nd half of 1861). This is the piece that sums up all of Rousseau's quali
Result €585Estimate €200 - €300 -
281 - Ker-Xavier Roussel (1867-1944) Landscape with house. 1897. Lithograph. 415x300. Salomon 13; Johnson133. Color print. Very fine, fresh proof on thin white vellum, signed in pencil. Full margins. Edition of 100 proofs for the Galerie Vollard album of original prints.
Result €520Estimate €400 - €500 -
282 - Ker-Xavier Roussel (1867-1944) Woman in red in a landscape. (Pl. from the Landscapes suite). 1898. Autograph. 350x235. Salomon 15; Johnson 134-2. Color print. A very fine proof on chine volant, signed in pencil. A few small foreign bodies inherent to the texture of the paper and some light foxing. Full margins. Edition of 100 proofs. A. Vollard ed.
Result €1,170Estimate €600 - €800 -
283 - Ker-Xavier Roussel (1867-1944) Woman in striped dress. (Pl. from the Landscapes suite). 1898. Autograph. 322x212. Salomon 16; Johnson 134-3. Color print. Very fine proof on chine volant, the fuchsia pink very marked in the stripes of the dress, signed in pencil. Some foxing. Minor thinning inherent to the texture of the paper. Full margins. Edition of 100 proofs. A. Vollard ed.
Result €715Estimate €600 - €800 -
284 - Ker-Xavier Roussel (1867-1944) Woman in striped dress. (Pl. from the Landscapes suite). 1898. Autograph. 322x212. Salomon 16; Johnson 134-3. Color print. Very fine proof on chine volant, the fuchsia pink faintly marked in the stripes of the dress, signed in pencil. Some foxing. Minor thinning inherent to the texture of the paper, one of which is fractured at the head of the leaf (forming a small hole). Full margins. Edition of 100 proofs. A. Vollard ed.
Estimate €500 - €600 -
285 - Ker-Xavier Roussel (1867-1944) Young nymph with tambourine. Circa 1930. Lithograph. 145x200. Salomon 60. Very fine proof on chine appliqué. Light foxing and trace of oxidation at the right edge of the folio. Full margins. Very rare. "A few known proofs" according to Salomon.
Result €286Estimate €200 - €300 -
286 - Ker-Xavier Roussel (1867-1944) Two women sitting undressed. Circa 1930. Lithograph. 145x197. Salomon 84. Very fine proof on ivory vellum watermarked "bfk", numbered in the lower left corner "n° 3" in pencil. Full margins. Very rare. "A few known proofs" according to Salomon.
Result €286Estimate €200 - €300 -
287 - Ker-Xavier Roussel (1867-1944) Woman walking with arms in the air holding a scarf. Circa 1930. Lithograph. 150x200. Salomon 94. Very fine proof on cream vellum, annotated in the lower left corner "etat 1" in pencil. Minimal oxidation at the edges of the sheet. Full margins. Very rare. "A few known proofs" according to Salomon.
Result €286Estimate €200 - €300 -
288 - Ker-Xavier Roussel (1867-1944) Centaur and nymph in front of the sea. Circa 1920. Etching. 195x118. Salomon 96. Very fine proof on watermarked vellum "J Perrigot", annotated "1e Etat" and signed in pencil. Full margins.
Result €234Estimate €200 - €300 -
289 - Ker-Xavier Roussel (1867-1944) Seated nymph leaning against a tree. Circa 1920. Etching. 278x195. Salomon 100. Perfect proof on "mbm" watermarked vellum, annotated "6e Etat" and signed in pencil. Full margins.
Result €286Estimate €200 - €300 -
290 - Ker-Xavier Roussel (1867-1944) Nymph running away. Circa 1920. Etching. 225x188. Salomon 112. Perfect proof on "mbm" watermarked vellum, annotated "2e Etat" and signed in pencil. Full margins.
Result €260Estimate €200 - €300 -
291 - Ker-Xavier Roussel (1867-1944) Women dancing. Circa 1920. Etching. 225x185. Salomon 115. Perfect proof on "arches" watermarked vellum, annotated "2e Etat" and signed in pencil. Full margins.
Result €260Estimate €200 - €300 -
292 - Ker-Xavier Roussel (1867-1944) Nymph and fauns. Circa 1920. Etching. 151x117. Salomon 116. Reunion of 2 perfect proofs on vellum, respectively annotated "1e Etat" and "2e Etat" and signed in pencil. Full margins.
Result €390Estimate €300 - €400 -
293 - Ker-Xavier Roussel (1867-1944) Fauns and nymphs on a forest path. Circa 1920. Etching. 315x225. Salomon not described (similar subject under no. 107). Reunion of 2 perfect proofs on "mbm" watermarked vellum, respectively annotated "2e Etat" and "3e Etat" and signed in pencil. Full margins.
Result €650Estimate €400 - €500 -
294 - Joseph Sima (Josef Šíma, known as) (1891-1971) Moustachioed man in profile to the right with glass and poppy in a vase (Pl. for the album Paris, texts by Ph. Soupault et al., Prague, Aventinum, 1927). Etched copper. 270x330. Signed with initial lower left. Inked and varnished. Biffé with two burin strokes in the lower right-hand corner. Provenance: Atelier Leblanc, printer.
Result €1,235Estimate €1,000 - €1,200 -
295 - Joseph Sima (Josef Šíma, known as) (1891-1971) Moustachioed man in profile to the left (Pl. for the album Paris, texts by Ph. Soupault et al., Prague, Aventinum, 1927). Etched copper. 270x330. Signed with initial lower left. Inked and varnished. Biffé with two burin strokes in the lower right-hand corner. Provenance: Atelier Leblanc, printer.
Result €1,235Estimate €1,000 - €1,200 -
296 - Joseph Sima (Josef Šíma, known as) (1891-1971) Nude woman in profile to the left, one arm raised, a tree to her right (Pl. for the album Paris, texts by Ph. Soupault et al., Prague, Aventinum, 1927). Etched copper. 270x330. Signed "Sima" and dated "1927" lower right. Inked and varnished. Two burin strokes in the lower right-hand corner. Provenance: Atelier Leblanc, printer.
Result €1,690Estimate €1,000 - €1,200 -
297 - Joseph Sima (Josef Šíma, known as) (1891-1971) Nude woman from behind in front of a Mediterranean city and a boat, on her left a palm tree (Pl. for the album Paris, texts by Ph. Soupault et al., Prague, Aventinum, 1927). Etched copper. 270x330. Inked and varnished. Two burin strokes in the lower right-hand corner. Provenance: Atelier Leblanc, printer.
Result €1,690Estimate €1,000 - €1,200 -
298 - Nicolas de Staël (1914-1955) Portrait of René Char (Frontispiece for R. Char, Arrière-histoire du poème pulvérisé, Paris, J. Hugues, 1953). Lithograph. [115x160]. F. Woimant and A. de Staël1422. Printed in color. Very fine proof on white vellum, separate from the edition of 100 proofs for the book (plus 20 hors-commerce), annotated "Epreuve" and signed in pencil. Full margins. Framed. Nicolas de Staël and René Char were close friends. They met in February 1951 at the painter's home, 7
Result €9,100Estimate €2,500 - €3,000 -
299 - Théophile-Alexandre Steinlen (1859-1923) La Sortie des trois midinettes. 1900. Drypoint. 225x150. Crauzat34. Color print. Fine proof on laid paper, numbered in pencil, unsigned. Oxidation of the folio. Margins. Edition of 125 proofs for the Société des Cent Bibliophiles. Framed.
Result €286Estimate €150 - €180 -
300 - André Suréda (1872-1930) Two gazelles in the jungle. Circa 1926. Etching and drypoint. 140x180. Perfect proof on heavy cream vellum, signed in pen and ink and numbered in pencil. Full margins. Edition of 100 proofs for L'Art d'aujourd'hui, A. Morancé ed.
Result €130Estimate €120 - €150
About the sale
Public auction
Salle des ventes Favart - 3, rue Favart 75002 Paris
Wednesday May 29, 2024 at 2 pm
Public viewing:
Salle des ventes Favart - 3, rue Favart 75002 Paris
Monday May 27 and Tuesday May 28, 10 a.m. to 6 p.m.
Telephone during the exhibition: 01 53 40 77 10
Expert :
Hélène BONAFOUS-MURAT
Phone: 0033 (0)1 44 76 04 32
Sales manager :
Élodie DELABALLE
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Phone: 0033 (0)1 78 91 10 16
Assisted by Mary KLEIN
mklein@ader-paris.fr
Tel.: 01 80 27 50 20
Unless otherwise indicated, framed works have not been examined out of frame.
Dimensions are given in millimeters, width before height.
Unless otherwise stated, framed prints have not been examined out of the frame.
Measurements are given in millimetres, width before height.
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TVA est remboursable par la suite sur présentation des références du compte bancaire.
L’envoi des lots achetés peut être organisé par ADER à la charge et sous la responsabilité de l’acheteur.
Ceci est un service rendu par ADER qui se réserve la possibilité d’y renoncer si les conditions légales ou pratiques présentent le moindre risque. Les délais ne
sont pas garantis et sont tributaires de l’activité de la maison de ventes.
Le coût de l’emballage et de l’expédition est à la charge de l’acheteur ; le règlement à l’ordre d’ADER.
Les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats si ces conditions ne leur conviennent pas.
L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse,
ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier
TEMIS – www.temis.auction) mis en œuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des
dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.