Calligraphic composition, probably Caucasus, signed Akhondzadeh and dated 1878
Calligraphic composition in gouache, gold and inks on cardboard paper giving the religious formula in Thuluth Arabic that could be translated as: "I trust in the forgiveness of the Dominant, He is the forgiver, the holder of mercy". The two superimposed phrases are calligraphed, one in black ink, the other in mauve, and stand out against a background of spiraling floral stems. The four corners of the composition are mantled, with the lower left corner bearing the signature of calligrapher Akhondzadeh 'Abd an-Nabî and the date 1295 H / 1878. The composition is surrounded by a blue border and an illuminated floral margin, punctuated by staggered lambrequins. Framed.
24.2 x 35.8 cm
Slight differences in polychromy.
Live Friday 13 December 2024・14:00 (Europe/Paris)
Lot no. 145

Calligraphic composition, probably Caucasus, signed Akhondzadeh and dated 1878 Calligraphic composition in gouache, gold and inks on cardboard paper giving the religious formula in Thuluth Arabic that could be translated as: "I trust in the forgiveness of the Dominant, He is the forgiver, the holder of mercy". The two superimposed phrases are calligraphed, one in black ink, the other in mauve, and stand out against a background of spiraling floral stems. The four corners of the composition are mantled, with the lower left corner bearing the signature of calligrapher Akhondzadeh 'Abd an-Nabî and the date 1295 H / 1878. The composition is surrounded by a blue border and an illuminated floral margin, punctuated by staggered lambrequins. Framed. 24.2 x 35.8 cm Slight differences in polychromy.

Result
Not sold
Buyer's premium
30%
Calligraphic composition, probably Caucasus, signed Akhondzadeh and dated 1878 Calligraphic composition in gouache, gold and inks on cardboard paper giving the religious formula in Thuluth Arabic that could be translated as: "I trust in the forgiveness of the Dominant, He is the forgiver, the holder of mercy". The two superimposed phrases are calligraphed, one in black ink, the other in mauve, and stand out against a background of spiraling floral stems. The four corners of the composition are mantled, with the lower left corner bearing the signature of calligrapher Akhondzadeh 'Abd an-Nabî and the date 1295 H / 1878. The composition is surrounded by a blue border and an illuminated floral margin, punctuated by staggered lambrequins. Framed. 24.2 x 35.8 cm Slight differences in polychromy.
Sale Friday 13 December 2024・14:00 (Europe/Paris)
Salle 2 - Hôtel Drouot 9, rue Drouot 75009 Paris