Jean-Joseph Baléchou (1716-1764)
Sainte Geneviève. Gravé d’après Van Loo. 373 x 531. Le Blanc 4. Bonne épreuve sur vergé, fortement lavée, du 1er état avec la mise en place de la lettre. Nombreux petits accidents et manques aux bords du feuillet. Amincissures visibles par transparence au verso. Petites traces de colle et de frottement en surface. Petites marges.
« …The letters were first drawn on paper in staining ink that was transferred in reverse to a waxed plate. The letters were cut in reverse between doubly scratched rule lines, working from the extremities of each letter towards the centre, and the guide lines were then polished away. » (A. Griffiths, The Print Before Photography, Londres, the British Museum, 2016, p. 43).
Live Thursday 24 May 2018・14:00 (Europe/Paris)
Lot no. 14

Jean-Joseph Baléchou (1716-1764) Sainte Geneviève. Gravé d’après Van Loo. 373 x 531. Le Blanc 4. Bonne épreuve sur vergé, fortement lavée, du 1er état avec la mise en place de la lettre. Nombreux petits accidents et manques aux bords du feuillet. Amincissures visibles par transparence au verso. Petites traces de colle et de frottement en surface. Petites marges. « …The letters were first drawn on paper in staining ink that was transferred in reverse to a waxed plate. The letters were cut in reverse between doubly scratched rule lines, working from the extremities of each letter towards the centre, and the guide lines were then polished away. » (A. Griffiths, The Print Before Photography, Londres, the British Museum, 2016, p. 43).

Estimate
€300 - €400
Result
Not sold
Buyer's premium
0%
Jean-Joseph Baléchou (1716-1764) Sainte Geneviève. Gravé d’après Van Loo. 373 x 531. Le Blanc 4. Bonne épreuve sur vergé, fortement lavée, du 1er état avec la mise en place de la lettre. Nombreux petits accidents et manques aux bords du feuillet. Amincissures visibles par transparence au verso. Petites traces de colle et de frottement en surface. Petites marges. « …The letters were first drawn on paper in staining ink that was transferred in reverse to a waxed plate. The letters were cut in reverse between doubly scratched rule lines, working from the extremities of each letter towards the centre, and the guide lines were then polished away. » (A. Griffiths, The Print Before Photography, Londres, the British Museum, 2016, p. 43).
Sale Thursday 24 May 2018・14:00 (Europe/Paris)
Sale location coming soon 3, rue Favart 75002 Paris