Charles Dufresne (1876–1938) A set of 3 prints: -A Stopover in Brazil. Circa 1920. Etching, drypoint, and acid wash. 296 x 227 mm. Dufresne 35. Fine print on cream-colored laid paper, numbered and signed in pencil. Slight trace of oxidation on the lower margin (caused by framing). Margins. Edition of 25 prints. Dry stamp: Ed. Sagot éditeur (Lugt 2254). Framed (not examined outside the frame). -Lion Hunt. Circa 1930. Etching and drypoint. 240 x 260 mm. Dufresne 46. Beautiful proof on laid paper from an old register, inscribed in pencil “to our dear friend Suzanne de Waroquier,” signed and annotated “1st state 1/2.” Skinning, slight creases, and traces of oxidation. Heavy dust on the edges and on the reverse. Full margins. -The Aviators, or The Astronomer. Circa 1933. Etching and drypoint. 265 x 320 mm. Dufresne 53. A very fine print on laid paper, inscribed “to my old Waroquier / his old friend,” signed and annotated “2nd state.” Same condition. Full margins. Rare. Edition of 20 prints.
Estimate
€120 - €150
Buyer's premium
32%
Charles Dufresne (1876–1938)
A set of 3 prints:
-A Stopover in Brazil. Circa 1920. Etching, drypoint, and acid wash. 296 x 227 mm. Dufresne 35. Fine print on cream-colored laid paper, numbered and signed in pencil. Slight trace of oxidation on the lower margin (caused by framing). Margins. Edition of 25 prints. Dry stamp: Ed. Sagot éditeur (Lugt 2254). Framed (not examined outside the frame).
-Lion Hunt. Circa 1930. Etching and drypoint. 240 x 260 mm. Dufresne 46. Beautiful proof on laid paper from an old register, inscribed in pencil “to our dear friend Suzanne de Waroquier,” signed and annotated “1st state 1/2.” Skinning, slight creases, and traces of oxidation. Heavy dust on the edges and on the reverse. Full margins.
-The Aviators, or The Astronomer. Circa 1933. Etching and drypoint. 265 x 320 mm. Dufresne 53. A very fine print on laid paper, inscribed “to my old Waroquier / his old friend,” signed and annotated “2nd state.” Same condition. Full margins. Rare. Edition of 20 prints.
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