THEATER. 7 documents and manuscripts, 19th–20th centuries. Album page (from André Saudemont to Radio-Paris, 1937) with autograph texts by Pierre Brasseur (“I know of only one blow more terrible than Father François’s—and that is the blow of the album.” But for you, it’s still a quiet pleasure to tell you that I’ve often corrected myself by listening to your critiques, and I hope to continue… until I’m perfect!! Hey! Hey! Who knows? With warm regards from an admirer of your precise candor”), Odette Joyeux, Fernand Fabre, and Enrico Glori. – Letters (autograph) from Coquelin Cadet (1870) and Réjane (regarding the rehearsals for *Charlotte Corday*). – Program for Marcel Achard’s *Colinette* at the Athénée (1942), signed by Micheline Presle, Bernard Blier, and François Périer. – Handwritten title page of the comedy *Les Deux Edmon* at the Vaudeville, with a censorship stamp, signed by Barré, Saulnier, and Pasquier (1811). – Manuscript of a “Fragment from Lucrèce Borgia, a tragedy by Victor Hugo set in verse by Mr. xxx [Bénard, justice of the peace in Limours]” (36-page notebook, in-4). – Unfinished manuscript of Act I of a drama featuring the Count of Herfort, Anna, and Frédéric (7 pages, folio size, with corrections, 19th century).