PLOSSU, BERNARD (1945) [Signed]
Planches Contact, 2020.
Portfolio, limited to 30 copies, consisting of 5 inkjet
inkjet prints on Arches paper 400gr,
signed on the back in graphite.
"Always between two journeys, the early
the early '70s was also a time of comical desire
to use photography as a joke language
! These were "surbanalisme" (published), and "le voyage
en absurdie" (not published, abandoned). But
among the possible materials for this reflection
in homage to Chaval and other Cosinus, there was also
was the contact sheet, i.e. the entire film
the entire film telling a possible story! This
was the Arc de Triomphe, which goes for a spin, or
what the camera sees when the photographer doesn't
his eye, either in front on his chest, or slung
slung over the side... This was the workshop
workshop: just a few unpretentious jokes
other than to have a laugh... At the time, alas, I had a
a 24 mm wide-angle lens on the Nikkormat... More
later, I destroyed the images I had taken with this lens.
which was not objective, too distorting... But not these
these few snippets of photography I took between
2 far-flung journeys, returning to France and wondering
and wondering "what is photography? " -
Bernard Plossu
Timed Tuesday 7 July・14:00 (Europe/Paris)
Lot no. 163

PLOSSU, BERNARD (1945) [Signed] Planches Contact, 2020. Portfolio, limited to 30 copies, consisting of 5 inkjet inkjet prints on Arches paper 400gr, signed on the back in graphite. "Always between two journeys, the early the early '70s was also a time of comical desire to use photography as a joke language ! These were "surbanalisme" (published), and "le voyage en absurdie" (not published, abandoned). But among the possible materials for this reflection in homage to Chaval and other Cosinus, there was also was the contact sheet, i.e. the entire film the entire film telling a possible story! This was the Arc de Triomphe, which goes for a spin, or what the camera sees when the photographer doesn't his eye, either in front on his chest, or slung slung over the side... This was the workshop workshop: just a few unpretentious jokes other than to have a laugh... At the time, alas, I had a a 24 mm wide-angle lens on the Nikkormat... More later, I destroyed the images I had taken with this lens. which was not objective, too distorting... But not these these few snippets of photography I took between 2 far-flung journeys, returning to France and wondering and wondering "what is photography? " - Bernard Plossu

Result
€100
Buyer's premium
26%
PLOSSU, BERNARD (1945) [Signed] Planches Contact, 2020. Portfolio, limited to 30 copies, consisting of 5 inkjet inkjet prints on Arches paper 400gr, signed on the back in graphite. "Always between two journeys, the early the early '70s was also a time of comical desire to use photography as a joke language ! These were "surbanalisme" (published), and "le voyage en absurdie" (not published, abandoned). But among the possible materials for this reflection in homage to Chaval and other Cosinus, there was also was the contact sheet, i.e. the entire film the entire film telling a possible story! This was the Arc de Triomphe, which goes for a spin, or what the camera sees when the photographer doesn't his eye, either in front on his chest, or slung slung over the side... This was the workshop workshop: just a few unpretentious jokes other than to have a laugh... At the time, alas, I had a a 24 mm wide-angle lens on the Nikkormat... More later, I destroyed the images I had taken with this lens. which was not objective, too distorting... But not these these few snippets of photography I took between 2 far-flung journeys, returning to France and wondering and wondering "what is photography? " - Bernard Plossu
Sale Tuesday 7 July・14:00 (Europe/Paris)
Sale location coming soon 3, rue Favart 75002 Paris