Béatrix DUSSANE. 2 autograph manuscripts signed, 1943-1948; 7pages in-4 on salmon paper with sending L.A.S. (1p.), and 5pages and a half in-4 (repaired on last f.).
Conservatoire d'hier et d'aujourd'hui, with L.A.S. d'envoi dated June 3, 1943, about competitions, the last of which were marked by the revelation of her pupil Maria Casarès, "consecrated star" less than a year later, and the "charming" Jean Desailly who triumphed on the screen and entered the Comédie-Française. She talks passionately about her work as a teacher, and recalls with emotion the Conservatoire of her youth, with Le Bargy, Paul Mounet and Silvain, who was her teacher... And she never ceased to be their pupil...
Théâtre Sarah Bernhardt. Italian show at the Venice Biennale. Dramatic chronicle published in the Mercure de France on December 1, 1948, enthusiastically reviewing Gozzi's Le Corbeau, given by Giorgio Strehler and his Piccolo Teatro di Milano, and Luigi Pirandello's Six personnages en quête d'auteur, performed by "the recently graduated students of the Italian National Institute of Dramatic Art".
Live Tuesday 10 March・14:00 (Europe/Paris)
Lot no. 161

Béatrix DUSSANE. 2 autograph manuscripts signed, 1943-1948; 7pages in-4 on salmon paper with sending L.A.S. (1p.), and 5pages and a half in-4 (repaired on last f.). Conservatoire d'hier et d'aujourd'hui, with L.A.S. d'envoi dated June 3, 1943, about competitions, the last of which were marked by the revelation of her pupil Maria Casarès, "consecrated star" less than a year later, and the "charming" Jean Desailly who triumphed on the screen and entered the Comédie-Française. She talks passionately about her work as a teacher, and recalls with emotion the Conservatoire of her youth, with Le Bargy, Paul Mounet and Silvain, who was her teacher... And she never ceased to be their pupil... Théâtre Sarah Bernhardt. Italian show at the Venice Biennale. Dramatic chronicle published in the Mercure de France on December 1, 1948, enthusiastically reviewing Gozzi's Le Corbeau, given by Giorgio Strehler and his Piccolo Teatro di Milano, and Luigi Pirandello's Six personnages en quête d'auteur, performed by "the recently graduated students of the Italian National Institute of Dramatic Art".

Result
Not sold
Buyer's premium
30%
Béatrix DUSSANE. 2 autograph manuscripts signed, 1943-1948; 7pages in-4 on salmon paper with sending L.A.S. (1p.), and 5pages and a half in-4 (repaired on last f.). Conservatoire d'hier et d'aujourd'hui, with L.A.S. d'envoi dated June 3, 1943, about competitions, the last of which were marked by the revelation of her pupil Maria Casarès, "consecrated star" less than a year later, and the "charming" Jean Desailly who triumphed on the screen and entered the Comédie-Française. She talks passionately about her work as a teacher, and recalls with emotion the Conservatoire of her youth, with Le Bargy, Paul Mounet and Silvain, who was her teacher... And she never ceased to be their pupil... Théâtre Sarah Bernhardt. Italian show at the Venice Biennale. Dramatic chronicle published in the Mercure de France on December 1, 1948, enthusiastically reviewing Gozzi's Le Corbeau, given by Giorgio Strehler and his Piccolo Teatro di Milano, and Luigi Pirandello's Six personnages en quête d'auteur, performed by "the recently graduated students of the Italian National Institute of Dramatic Art".
Sale Tuesday 10 March・14:00 (Europe/Paris)
Sale location coming soon 3, rue Favart 75002 Paris