Charles DULLIN. 2 L.A.S., [1930]; 1 page and a quarter in-4 each on L'Atelier letterhead, the 2nd with vignette (small tear to 1st). To actor Georges Spanelly, who had been a member of Dullin's troupe in the early days of L'Atelier. Dullin is ready to take him back, but warns him: "The material situation of l'Atelier is not as brilliant as its moral situation. We still have some bad times ahead. You have to love theater above all else". He tells her to think carefully, knowing "that our resources are limited and that I am a prisoner of financial matters"... December 9 [1930], to Henri-René Lenormand, asking the playwright for an article for his magazine Correspondance, a few pages indicating "how the theater can, by renewing its external forms, remain theater and somehow cross the limits that the spectacle must impose on itself so as not to try to counterfeit the cinema"...