Set of 27 fabric design projects. Moscow, early 20th century. These projects are all from the same collection and are numbered on the back: 3, 9, 13, 14, 15, 16, 17, 20, 21, 29, 32, 38, 39, 40, 41, 42, 43, 46, 47, 53, 54, 55, 62, 61, 65 , 66, 67. No. 3, 14, 15, 17, 32, 38, 40, 62, 67 are not annotated. Nos. 13, 14, 15; 17, 62, 67 are quarter models of scarves. Only no. 13 bears annotations on the back: a "T." and 1913. Nos. 65 and 66 are whole scarves with Oriental figures (Chinese and Turkish) on the borders. No. 66 is annotated on the back in Russian (various numbers and color indications) with a date 15 VI 1902. No. 16, with a folk subject, bears a trace of the Trekhgornaya Manufactory Society stamp on the back, dated October (or September?) 5, 1906. No. 61 is a gouache with a medieval Russian subject of soldiers. The gouache is signed (unidentified signature) and dated 19.1.11. (January 19, 1911) with the Trekhgornaya Manufactory stamp of the same date. No. 9 is annotated at the bottom in the margin "Дейбель" (Deibel) and dated 1913. No. 20 bears numerous indications in Russian in the margin including color indications, a date 10/XII/1910, satin, a number 2640 and the names of the designers: Gasnier and Meyer (embroidery designers, Paris). No. 21 bears in the margin indications in Russian color, the date March 13, 1911, the number 2809 and the name of the designer in French G. Schrameck (dessinateurs pour tissus, Paris). No. 29 is just dated 1913, No. 39 bears indications in Russian of color and the name "Стаклер" (Stackler) and 1910. On the back, two names in Russian Belsky and Vassily Borissov and an indication "неприсован" (unpressed), as well as a large Russian B. No. 41 is just annotated with a large B in Russian on the back like No. 39. No. 42 has color indications and a date 29/V/1913 as well as the number 5518. No. 43 is annotated on the back "Энгель" (Engel) and dated 1906. No. 46 is annotated on the back "Синсъ" (Sins) and dated 1912. No. 47 is annotated "Якинъ" (Yakine) and dated 1909. No. 53 has an E SINS dry-stamp at top left and is dated 1913. No. 54 bears an ink stamp of the drawing office of the Trekhgornaya Krasno-Presneskaya factory (1919-1936) with a stamp of Guelle et Welker successeurs in Paris on the back. No. 55 is annotated in French with Engel et Maisch and dated 1909. Gouaches on paper. Various sizes: 61.7 x 52.8 and 64.5 x 46.5 cm (for the larger ones), 12.5 x 14 and 13.4 x 13.4 cm (for the smaller ones). Gasnier et Meyer, Sins, Schrameck, Engel & Maisch belong to the Chambre Syndicale des Artistes Dessinateurs pour Étoffes et Papiers Peints (Paris, 1914). Drawings in the same style can be found in the book "La Russie textile de la Piscine", published by invenit & La Piscine, 2009, which also includes a history of the Trekhgornaya factory.