Henry de TRIQUETI (1803-1874)
Proposed fireplace for the Château du Perthuis 
Pen and black ink, watercolor over black pencil lines
22 x 13 cm 
Small stains

Our drawing is in preparation for the fireplace at Château du Perthuis, still in place today.

The reproduction of another preparatory drawing (of the same dimensions) for this fireplace is enclosed. 

Provenance: Château du Perthuis. 

Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.
Live Thursday 12 February・14:00 (Europe/Paris)
Lot no. 44

Henry de TRIQUETI (1803-1874) Proposed fireplace for the Château du Perthuis Pen and black ink, watercolor over black pencil lines 22 x 13 cm Small stains Our drawing is in preparation for the fireplace at Château du Perthuis, still in place today. The reproduction of another preparatory drawing (of the same dimensions) for this fireplace is enclosed. Provenance: Château du Perthuis. Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.

Estimate
€400 - €600
Result
€1,319
Buyer's premium
30%
Henry de TRIQUETI (1803-1874) Proposed fireplace for the Château du Perthuis Pen and black ink, watercolor over black pencil lines 22 x 13 cm Small stains Our drawing is in preparation for the fireplace at Château du Perthuis, still in place today. The reproduction of another preparatory drawing (of the same dimensions) for this fireplace is enclosed. Provenance: Château du Perthuis. Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.
Sale Thursday 12 February・14:00 (Europe/Paris)
Salle 9 - Hôtel Drouot 9, rue Drouot 75009 Paris