Henry de TRIQUETI (1803-1874) Project for a band with a frieze for a vase: naval combat Pen and brown ink, brown wash over black pencil lines 12.2 x 44 cm Folds, stains, upper right corner cut off Provenance: Château du Perthuis. Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.
Estimate
€600 - €800
Result
Not sold
Buyer's premium
30%
Henry de TRIQUETI (1803-1874)
Project for a band with a frieze for a vase: naval combat
Pen and brown ink, brown wash over black pencil lines
12.2 x 44 cm
Folds, stains, upper right corner cut off
Provenance: Château du Perthuis.
Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.
Sale
Thursday 12 February・14:00 (Europe/Paris)
Salle 9 - Hôtel Drouot
9, rue Drouot
75009 Paris