Henry de TRIQUETI (1803-1874)
Project for a frieze with tritons and centaurs for a vase decoration 
Black pencil  
8 x 34.3 cm 
Styled for transfer 
Small stains, drawing doubled

Provenance: Château du Perthuis. 

Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.
Live Thursday 12 February・14:00 (Europe/Paris)
Lot no. 32

Henry de TRIQUETI (1803-1874) Project for a frieze with tritons and centaurs for a vase decoration Black pencil 8 x 34.3 cm Styled for transfer Small stains, drawing doubled Provenance: Château du Perthuis. Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.

Estimate
€400 - €600
Result
€528
Buyer's premium
30%
Henry de TRIQUETI (1803-1874) Project for a frieze with tritons and centaurs for a vase decoration Black pencil 8 x 34.3 cm Styled for transfer Small stains, drawing doubled Provenance: Château du Perthuis. Note: A true polymorph artist, Triqueti was as interested in architecture as he was in the decorative arts, exhibiting numerous objects in bronze or modeled wax at the 1831 and 1832 Salons. His approach was similar to that of a Renaissance sculptor, with strict control over the use of his models and the choice of bronze and ivory craftsmen. Although he began with a historical and picturesque repertoire, after 1834 - when he was commissioned to create the doors of the Madeleine church - he turned to subjects inspired by the Bible or Antiquity. Triqueti was also commissioned to work in churches, creating pulpits and religious silverware, including for the royal family.
Sale Thursday 12 February・14:00 (Europe/Paris)
Salle 9 - Hôtel Drouot 9, rue Drouot 75009 Paris