DUNOYER DE SEGONZAC (André) - DORGELÈS (Roland) La Boule de gui. Paris: La Banderole, [1922]. - Le Cabaret de la belle femme, Paris: Émile-Paul frères, [1924]. - 2 works in two in-8 volumes, 252 x 184: frontispiece, (4 ff. first 2 blanks), 86 pp. (4 ff. last 2 blanks), 4 plates, printed cover [La Boule de gui]; 245 x 189: frontispiece, (4 ff. first blank), 123 pp. (4 ff. last blank), 7 plates, illustrated cover [Le Cabaret de la belle femme]. Bradel-style parchment, Art Deco-style gilded, silvered and mosaicked flowers in different morocco on the lower right-hand corner of the first cover, two parallel vertical double gilded fillets on both covers and a continuous horizontal double gilded fillet on the covers and spine, smooth spine, white parchment frame inside, dark blue moiré silk lining edged with burgundy morocco listel, dark blue moiré silk endpapers, double endpapers, gilt edges on witnesses, cover and spine preserved, case [La Boule de gui] ; Ivory parchment, Art Deco-style composition of black, gold, white and red fillets on the front cover, smooth spine, black moiré silk lining and endpapers, double endpapers, gilt edges on witnesses, cover and spine preserved, case [Le Cabaret de la belle femme] (Marot-Rodde). Set of 2 of Dorgelès' 3 Great War titles, illustrated by André DUNOYER DE SEGONZAC (1884-1974). - La Boule de Gui, printed in an edition of 600 copies, is illustrated with 47 compositions by the artist, including 42 drawings reproduced in the text and 5 original drypoints outside the text, including the frontispiece. One of 20 copies on japon impérial with a suite of drypoints on Hollande paper. - Le Cabaret de la belle femme, printed at 640 copies, is illustrated with 50 drawings reproduced in the text and 8 original drypoints. One of the top 40 copies on japon impérial, enriched with a suite of drypoints on Hollande. Very fine copies in original Art Deco bindings by Marot-Rodde. One edge of the case for Boule de Gui is partly loose.