*Edouard DUJARDIN.
La Légende d'Antonia, [1891-1893]. Tragédie moderne en 3 parties en vers libres; 3 petits vol. in-12 br. (chemise dos chagr. lie-de-vin, papier œil-de-chat, étui (Atelier Devauchelle).
"Un théâtre nouveau (symboliste) doit correspond à l'état des esprits d'aujourd'hui, qui ne veulent pas s'intéresser aux basses fictions naturistes" (L'Art moderne, April 26, 1891 p. 135). 
- Antonia. Paris, Léon Vanier, (April) 1891, dedicated to Catulle Mendès.
Autograph letter in ink on f.-t.: "à Monsieur Stéphane Mallarmé,/ en souvenir, de toute gratitude,/ de la représentation du 20 avril/ Edouard Dujardin". This is the date of the 1st (restricted) performance "before an invited audience, on the stage of the Théâtre d'Application", as the author states in fine; without the chorus, with only the coryphées, including Lugné-Poe. Mallarmé attended: "I continue to find, not rare but unique in literature, this tragedy of Antonia", Mallarmé wrote to Dujardin (Marchal Corr. 1504).
- Le Chevalier du passé. Part 2. Paris, Vanier, (June) 1892, "à la mémoire de Jules Laforgue".
Autograph letter in ink on f.-t.: "à Stéphane Mallarmé,/en tout affectueux hommage,/ Edouard Dujardin". 1st performance at the Théâtre-Moderne, June 17, 1892, with Lugné-Poe; set by Maurice Denis and women's costumes by Liberty & Co. Mallarmé attended: "Thank you, Dujardin [on receiving this copy]; I tasted the same pleasure reading it as during the performances [in the plural, as Antonia was also performed], as before something definitive as well as new [...] and you will have, with the trilogy, something apart in this time, with a personal and sovereign jet. This finale, in monologue [of the Courtisane], of lyrical drama for words alone, represents for me one of the happiest audacities, as far as I know. And everything!" (Marchal Corr. 1742).
- La Fin d'Antonia. Part 3. Paris, Vanier (June) 1893, "in homage to the master of modern drama, Richard Wagner".
Autograph letter in ink on f.-t.: "à Stéphane Mallarmé,/ en dévoué et affectueux hommage,/ Edouard Dujardin". 1st performance at Théâtre du Vaudeville, June 14, 1893, with Lugné-Poe; set and costumes by Maurice Denis. 
Enclosed: Édouard Dujardin. Mallarmé par un des siens. Paris, Messein, 1936, in-12 new and uncut.
Provenance: Mallarmé-Morel, no. 30 (without slipcase).
Live Monday 16 June 2025・14:00 (Europe/Paris)
Lot no. 51

*Edouard DUJARDIN. La Légende d'Antonia, [1891-1893]. Tragédie moderne en 3 parties en vers libres; 3 petits vol. in-12 br. (chemise dos chagr. lie-de-vin, papier œil-de-chat, étui (Atelier Devauchelle). "Un théâtre nouveau (symboliste) doit correspond à l'état des esprits d'aujourd'hui, qui ne veulent pas s'intéresser aux basses fictions naturistes" (L'Art moderne, April 26, 1891 p. 135). - Antonia. Paris, Léon Vanier, (April) 1891, dedicated to Catulle Mendès. Autograph letter in ink on f.-t.: "à Monsieur Stéphane Mallarmé,/ en souvenir, de toute gratitude,/ de la représentation du 20 avril/ Edouard Dujardin". This is the date of the 1st (restricted) performance "before an invited audience, on the stage of the Théâtre d'Application", as the author states in fine; without the chorus, with only the coryphées, including Lugné-Poe. Mallarmé attended: "I continue to find, not rare but unique in literature, this tragedy of Antonia", Mallarmé wrote to Dujardin (Marchal Corr. 1504). - Le Chevalier du passé. Part 2. Paris, Vanier, (June) 1892, "à la mémoire de Jules Laforgue". Autograph letter in ink on f.-t.: "à Stéphane Mallarmé,/en tout affectueux hommage,/ Edouard Dujardin". 1st performance at the Théâtre-Moderne, June 17, 1892, with Lugné-Poe; set by Maurice Denis and women's costumes by Liberty & Co. Mallarmé attended: "Thank you, Dujardin [on receiving this copy]; I tasted the same pleasure reading it as during the performances [in the plural, as Antonia was also performed], as before something definitive as well as new [...] and you will have, with the trilogy, something apart in this time, with a personal and sovereign jet. This finale, in monologue [of the Courtisane], of lyrical drama for words alone, represents for me one of the happiest audacities, as far as I know. And everything!" (Marchal Corr. 1742). - La Fin d'Antonia. Part 3. Paris, Vanier (June) 1893, "in homage to the master of modern drama, Richard Wagner". Autograph letter in ink on f.-t.: "à Stéphane Mallarmé,/ en dévoué et affectueux hommage,/ Edouard Dujardin". 1st performance at Théâtre du Vaudeville, June 14, 1893, with Lugné-Poe; set and costumes by Maurice Denis. Enclosed: Édouard Dujardin. Mallarmé par un des siens. Paris, Messein, 1936, in-12 new and uncut. Provenance: Mallarmé-Morel, no. 30 (without slipcase).

Estimate
€500 - €800
Result
€750
Buyer's premium
30%
*Edouard DUJARDIN. La Légende d'Antonia, [1891-1893]. Tragédie moderne en 3 parties en vers libres; 3 petits vol. in-12 br. (chemise dos chagr. lie-de-vin, papier œil-de-chat, étui (Atelier Devauchelle). "Un théâtre nouveau (symboliste) doit correspond à l'état des esprits d'aujourd'hui, qui ne veulent pas s'intéresser aux basses fictions naturistes" (L'Art moderne, April 26, 1891 p. 135). - Antonia. Paris, Léon Vanier, (April) 1891, dedicated to Catulle Mendès. Autograph letter in ink on f.-t.: "à Monsieur Stéphane Mallarmé,/ en souvenir, de toute gratitude,/ de la représentation du 20 avril/ Edouard Dujardin". This is the date of the 1st (restricted) performance "before an invited audience, on the stage of the Théâtre d'Application", as the author states in fine; without the chorus, with only the coryphées, including Lugné-Poe. Mallarmé attended: "I continue to find, not rare but unique in literature, this tragedy of Antonia", Mallarmé wrote to Dujardin (Marchal Corr. 1504). - Le Chevalier du passé. Part 2. Paris, Vanier, (June) 1892, "à la mémoire de Jules Laforgue". Autograph letter in ink on f.-t.: "à Stéphane Mallarmé,/en tout affectueux hommage,/ Edouard Dujardin". 1st performance at the Théâtre-Moderne, June 17, 1892, with Lugné-Poe; set by Maurice Denis and women's costumes by Liberty & Co. Mallarmé attended: "Thank you, Dujardin [on receiving this copy]; I tasted the same pleasure reading it as during the performances [in the plural, as Antonia was also performed], as before something definitive as well as new [...] and you will have, with the trilogy, something apart in this time, with a personal and sovereign jet. This finale, in monologue [of the Courtisane], of lyrical drama for words alone, represents for me one of the happiest audacities, as far as I know. And everything!" (Marchal Corr. 1742). - La Fin d'Antonia. Part 3. Paris, Vanier (June) 1893, "in homage to the master of modern drama, Richard Wagner". Autograph letter in ink on f.-t.: "à Stéphane Mallarmé,/ en dévoué et affectueux hommage,/ Edouard Dujardin". 1st performance at Théâtre du Vaudeville, June 14, 1893, with Lugné-Poe; set and costumes by Maurice Denis. Enclosed: Édouard Dujardin. Mallarmé par un des siens. Paris, Messein, 1936, in-12 new and uncut. Provenance: Mallarmé-Morel, no. 30 (without slipcase).
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