DUFY (Raoul) - MONTFORT (Eugène).
La Belle-enfant ou l'amour à quarante ans.
Paris: Ambroise Vollard, 1930. - In-4, 314x232: (2 ff.), 249 pp. (5 ff. last blank), 16 plates, illustrated cover. Blue morocco, boards decorated in relief with a succession of parallel horizontal wavy fillets symbolizing waves, smooth spine, framed in blue morocco with black fillet inside and edged with a beige morocco listel, linen lining and endpapers, edges gilt on witnesses, cover and spine preserved, black morocco spine folder and flap bands, slipcase (Creuzevault).

First illustrated edition, printed in an edition of 390 copies, with 94 original etchings by Raoul DUFY (1877-1953), including 16 hors texte and 26 full-page etchings, including the one for the table.
This is one of the most lavishly illustrated books by Raoul Dufy. "The publisher and the painter worked together on the architecture of the book, ensuring the harmony of text and image: a regular rhythm is established of a fully decorated title page for each chapter, followed by a full-page illustration framing the text, embellished with a historiated lettering whose variety of presentation contributes to the typographic harmony" (Dora Perez-Tibi, Raoul Dufy, Lyon 1999, p. 216).
One of 245 copies on Arches wove paper, in a very fine original binding by Creuzevault.
Spine slightly faded.
Live Thursday 16 November 2023・14:00 (Europe/Paris)
Lot no. 237

DUFY (Raoul) - MONTFORT (Eugène). La Belle-enfant ou l'amour à quarante ans. Paris: Ambroise Vollard, 1930. - In-4, 314x232: (2 ff.), 249 pp. (5 ff. last blank), 16 plates, illustrated cover. Blue morocco, boards decorated in relief with a succession of parallel horizontal wavy fillets symbolizing waves, smooth spine, framed in blue morocco with black fillet inside and edged with a beige morocco listel, linen lining and endpapers, edges gilt on witnesses, cover and spine preserved, black morocco spine folder and flap bands, slipcase (Creuzevault). First illustrated edition, printed in an edition of 390 copies, with 94 original etchings by Raoul DUFY (1877-1953), including 16 hors texte and 26 full-page etchings, including the one for the table. This is one of the most lavishly illustrated books by Raoul Dufy. "The publisher and the painter worked together on the architecture of the book, ensuring the harmony of text and image: a regular rhythm is established of a fully decorated title page for each chapter, followed by a full-page illustration framing the text, embellished with a historiated lettering whose variety of presentation contributes to the typographic harmony" (Dora Perez-Tibi, Raoul Dufy, Lyon 1999, p. 216). One of 245 copies on Arches wove paper, in a very fine original binding by Creuzevault. Spine slightly faded.

Estimate
€1,000 - €1,500
Result
€1,250
Buyer's premium
28%
DUFY (Raoul) - MONTFORT (Eugène). La Belle-enfant ou l'amour à quarante ans. Paris: Ambroise Vollard, 1930. - In-4, 314x232: (2 ff.), 249 pp. (5 ff. last blank), 16 plates, illustrated cover. Blue morocco, boards decorated in relief with a succession of parallel horizontal wavy fillets symbolizing waves, smooth spine, framed in blue morocco with black fillet inside and edged with a beige morocco listel, linen lining and endpapers, edges gilt on witnesses, cover and spine preserved, black morocco spine folder and flap bands, slipcase (Creuzevault). First illustrated edition, printed in an edition of 390 copies, with 94 original etchings by Raoul DUFY (1877-1953), including 16 hors texte and 26 full-page etchings, including the one for the table. This is one of the most lavishly illustrated books by Raoul Dufy. "The publisher and the painter worked together on the architecture of the book, ensuring the harmony of text and image: a regular rhythm is established of a fully decorated title page for each chapter, followed by a full-page illustration framing the text, embellished with a historiated lettering whose variety of presentation contributes to the typographic harmony" (Dora Perez-Tibi, Raoul Dufy, Lyon 1999, p. 216). One of 245 copies on Arches wove paper, in a very fine original binding by Creuzevault. Spine slightly faded.
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