LE RÉVEIL 1st year: no. 1, January 2, 1858-no. 52, December 25, 1858; 2nd year: no. 1, January 1, 1859-no. 16, April 16, 1859. No. 2 of the 2nd year is missing. On April 24, 1859, Le Réveil was absorbed by Les Salons de Paris, Chronique hebdomadaire, which became Les Salons de Paris et Le Réveil réunis, Journal littéraire illustré (Volumes I to V, March 21, 1858-May 1, 1862). Paris, Aux Bureaux du Réveil, Directors: Marie and Léon Escudier. Editor: Adolphe Granier de Cassagnac. Texts by Jules Barbey d'Aurevilly, Émile Bégin, Charles Brifaut, Adolphe Granier de Cassagnac, Léon Escudier, Marie Escudier, Ernest Hello, Octave Lacroix, Victor de Laprade, Marquis A. de Lauzière, Léo de Neulsort, Amédée Pommier, Th. Sauvage, Théophile Silvestre, Louis Veuillot, Auguste Vitu, etc. 68 issues (out of 69 published) in 1 vol. in-folio bound. Attached: - 1 clipping from L'Illustration, July 3, 1852, for an article on "œuvres littéraires" by M. Granier de Cassagnac; - 1 L.A.S. from Jules Barbey d'Aurevilly to Dutacq (s.d. [early April 1855]); - 8 p. from Revue des Sciences humaines (January / March 1954) for Baudelaire's unpublished Marginalia by Joseph Bollery; - 1 portrait-charge of Barbey d'Aurevilly published around 1865; - 1 portrait (engraving) of Barbey d'Aurevilly; - 1 portrait of Louis Veuillot, from Le Monde illustré (May 1863). No. 20 of May 15, 1858 is in duplicate and one is bound separately with these documents attached: - 1 portrait (engraving) of Barbey d'Aurevilly by Perrichon; - 1 portrait of Baudelaire engraved by Bracquemont; - Portrait charge de Granier de Cassagnac, taken from no. 17 of Journal pour rire (1852); - No. 101 (1869) of the Chronique illustrée with a large 1st-page portrait of Jules Barbey d'Aurevilly by E. Penauille; - An offprint of "Marginalia inédits de Baudelaire" by Joseph Bollery, published in the Revue des Sciences humaines (1954), with a signed autograph dispatch to André Vasseur. Founded by Granier de Cassagnac and the Escudier brothers, music publishers and musicographers, this polemist and Bonapartist journal set out to "sanitize literature". Its main contributor was Jules Barbey d'Aurevilly, who nevertheless fell out with Granier de Cassagnac, criticizing him for being too flexible. Barbey d'Aurevilly ceased his collaboration with Le Réveil in September 1858, and the ardor and critical verve of Le Connétable, which sought to shake "the torpor of the marmots of the Second Empire", gave way to a small moral, social and worldly chronicle.