THE REVIVAL 1st year: n° 1, January 2, 1858-n° 52, December 25, 1858; 2nd year: n° 1, January 1, 1859-n° 16, April 16, 1859. No. 2 of the 2nd year is missing. Le Réveil was absorbed on April 24, 1859 by Les Salons de Paris, Chronique hebdomadaire, which became Les Salons de Paris and Le Réveil réunis, Journal littéraire illustré (Tomes I to V, March 21, 1858-May 1, 1862). Paris, Aux Bureaux du Réveil, Directors: Marie and Léon Escudier. Editor in chief: Adolphe Granier de Cassagnac.Texts by Jules Barbey d'Aurevilly, Émile Bégin, Charles Brifaut, Adolphe Granier de Cassagnac, Léon Escudier, Marie Escudier, Ernest Hello, Octave Lacroix, Victor de Laprade, Marquis A. de Lauzière, Léo de Neulsort, Amédée Pommier, Th. Sauvage, Théophile Silvestre, Louis Veuillot, Auguste Vitu, etc. 68 issues (out of the 69 published) in 1 vol. Jointly: - 1 clipping of L'Illustration of July 3, 1852 for an article "literary works" of M. Granier de Cassagnac; - 1 L.A.S. of Jules Barbey d'Aurevilly to Dutacq (s.d. [beginning of April 1855]); - 8 p. extracted from the Revue des Sciences humaines (January / March 1954) for Marginalia inédits de Baudelaire by Joseph Bollery; - 1 portrait-charge of Barbey d'Aurevilly published around 1865; - 1 portrait (engraving) of Barbey d'Aurevilly; - 1 portrait of Louis Veuillot, extracted from the Monde illustré (May 1863). The n° 20 of May 15, 1858 is in duplicate and one is bound separately with these documents attached: - 1 portrait (engraving) of Barbey d'Aurevilly by Perrichon; - 1 portrait of Baudelaire engraved by Bracquemont; - Portrait charge of Granier de Cassagnac, extracted from the n° 17 of the Journal pour rire (1852); - The n° 101 (1869) of the Chronique illustrée with on the 1st page a large portrait of Jules Barbey d'Aurevilly by E. Penauille ; - The offprint of " Marginalia inédits de Baudelaire " by Joseph Bollery, published in the Revue des Sciences humaines (1954), with an autograph signed letter to André Vasseur. Founded by Granier de Cassagnac and the Escudier brothers, music publishers and musicographers, this polemist and bonapartist journal aimed at "sanitizing literature". Its main contributor was Jules Barbey d'Aurevilly, who however got angry with Granier de Cassagnac, reproaching him for too much flexibility. Barbey d'Aurevilly ceased his collaboration with the Réveil in September 1858 and the ardor and critical verve of the Connétable, which wanted to shake "the torpor of the marmots of the Second Empire", gave way to a small moral, social and worldly chronicle.