Philippe BOESMANS (born 1936).  Autograph music manuscript, Concerto for piano and orchestra, 1978; 59 sheets 42.5 x 32.5 cm.
Orchestral score of this Concerto for piano, premiered in September 1978 at the Festival des Nuits de Septembre de Liège by Marcelle Mercenier and the Orchestre de Liège conducted by Pierre Bartholomée, who recorded it (Ricercar, 1982). Published in 1978 by Jobert, it is dedicated to the Belgian musicologist Suzanne Clercx-Lejeune (1910-1985), founder of the Nuits de Septembre. [WD10]. 
 With a duration of 28 minutes, it has 265 bars. The orchestra includes 4 flutes, 3 oboes, 3 clarinets, 2 bassoons, 4 horns, 4 trumpets, 3 trombones, tuba, 5 percussionists, glockenspiel, harp, and strings. 
 "The Piano Concerto is conceived as an alternation of cadences and episodes where the piano is "reverberated" in the orchestra [...] The score shows the importance of the resonance, the support, the extensions, the echoes, in short of this role of mirror and multiplication played by the orchestra. The whole work is declined in the most extreme virtuosity, creating an oppressive and frenetic climate, leading to the final dazzle" (Bernard Foccroulle). 
 The manuscript is carefully written in Indian ink on 36-line tracing paper. It is dated at the end "29/8/1978". There are a few corrections by scratching; pages 42 to 49 have been replaced by plates. All measurements are numbered.
Live Tuesday 12 October 2021・14:00 (Europe/Paris)
Lot no. 199

Philippe BOESMANS (born 1936). Autograph music manuscript, Concerto for piano and orchestra, 1978; 59 sheets 42.5 x 32.5 cm. Orchestral score of this Concerto for piano, premiered in September 1978 at the Festival des Nuits de Septembre de Liège by Marcelle Mercenier and the Orchestre de Liège conducted by Pierre Bartholomée, who recorded it (Ricercar, 1982). Published in 1978 by Jobert, it is dedicated to the Belgian musicologist Suzanne Clercx-Lejeune (1910-1985), founder of the Nuits de Septembre. [WD10]. With a duration of 28 minutes, it has 265 bars. The orchestra includes 4 flutes, 3 oboes, 3 clarinets, 2 bassoons, 4 horns, 4 trumpets, 3 trombones, tuba, 5 percussionists, glockenspiel, harp, and strings. "The Piano Concerto is conceived as an alternation of cadences and episodes where the piano is "reverberated" in the orchestra [...] The score shows the importance of the resonance, the support, the extensions, the echoes, in short of this role of mirror and multiplication played by the orchestra. The whole work is declined in the most extreme virtuosity, creating an oppressive and frenetic climate, leading to the final dazzle" (Bernard Foccroulle). The manuscript is carefully written in Indian ink on 36-line tracing paper. It is dated at the end "29/8/1978". There are a few corrections by scratching; pages 42 to 49 have been replaced by plates. All measurements are numbered.

Estimate
€2,500 - €3,000
Result
€3,200
Buyer's premium
28%
Philippe BOESMANS (born 1936). Autograph music manuscript, Concerto for piano and orchestra, 1978; 59 sheets 42.5 x 32.5 cm. Orchestral score of this Concerto for piano, premiered in September 1978 at the Festival des Nuits de Septembre de Liège by Marcelle Mercenier and the Orchestre de Liège conducted by Pierre Bartholomée, who recorded it (Ricercar, 1982). Published in 1978 by Jobert, it is dedicated to the Belgian musicologist Suzanne Clercx-Lejeune (1910-1985), founder of the Nuits de Septembre. [WD10]. With a duration of 28 minutes, it has 265 bars. The orchestra includes 4 flutes, 3 oboes, 3 clarinets, 2 bassoons, 4 horns, 4 trumpets, 3 trombones, tuba, 5 percussionists, glockenspiel, harp, and strings. "The Piano Concerto is conceived as an alternation of cadences and episodes where the piano is "reverberated" in the orchestra [...] The score shows the importance of the resonance, the support, the extensions, the echoes, in short of this role of mirror and multiplication played by the orchestra. The whole work is declined in the most extreme virtuosity, creating an oppressive and frenetic climate, leading to the final dazzle" (Bernard Foccroulle). The manuscript is carefully written in Indian ink on 36-line tracing paper. It is dated at the end "29/8/1978". There are a few corrections by scratching; pages 42 to 49 have been replaced by plates. All measurements are numbered.
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