literature. 24 L.A.S., late 19th-early 20th century. Maurice Beaubourg (1923, referring to T. Bernard, Béraud, Barrès, Hermant, Gide, Loti), Lucien Descaves (subscription for the late Tailhade), Gustave Guiches (in favour of the immutable and untouchable traditions of the Académie), Gabriel Hanotaux, Abel Hermant, Édouard Hervé (5, to Charles Chincholle in Le Figaro, or to Julia Pingard of the secretariat at the Institute, 1887-1891), Paul Hervieu, Charles-Henry Hirsch (long and interesting l. à Carco on his career in letters, 1912), Henry Houssaye (and an autogr.), Robert d'Humières (to Paul Spaak, evoking Kaatje), Jules Huret (to an Alsatian, promising to tell his impressions of his next stay in Germany, 1886), Edmond Jaloux (to Max-Pol Fouchet, director of Fontaine?(to Max-Pol Fouchet, director of Fontaine?, 1941), Tristan Klingsor (1904, on his paintings), Raoul Ponchon (to Colette), Laurent Tailhade (5, to Georges Pioch, Alfred Vallette, his mother?, 1912-1917), Émile Verhaeren (on the subject of Wheat in Motion, 1912).